The British Consulate from “Jumpin’ Jack Flash”

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Much of my free time as of late has been spent tracking down missing locations from Jumpin’ Jack Flash.  Ever since writing my post on the apartment where Terry Dolittle (Whoopi Goldberg) lived in the 1986 comedy, I have been just a wee bit consumed with finding other spots featured in the flick.  So much so that I even purchased director Penny Marshall’s 2012 autobiography in the hopes that it might shed some light on the subject.  One locale that I did not need to put any effort into tracking down was Cooper Hewitt, Smithsonian Design Museum, aka the building that portrayed the New York British Consulate in the movie, which fellow stalker Mick managed to pinpoint in February 2014.  He had been searching for the place for a while and, on a whim, emailed screen captures to a friend in the hopes that he might recognize it.  It turned out to be a fortuitous move because the friend wrote right back saying, “Hey, that’s on my street!”  I was floored when Mick relayed the news and ran right out to stalk the site while in Manhattan in April.

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Cooper Hewitt, Smithsonian Design Museum originally served as the private residence of wealthy industrialist/philanthropist Andrew Carnegie, who purchased the land on which the structure now stands in 1889.  At the time, the area was rather rural, which gave Carnegie ample space to built a large estate flanked by a sprawling garden.  He hired the Babb, Cook & Willard architecture firm to design the dwelling, asking them to create “the most modest, plainest, and most roomy house in New York.”  If what’s pictured below is modest and plain, I can’t imagine what Carnegie considered grandiose and ornate!

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The 64-room, 4-story (that does not include the three-level basement!) estate was quite innovative for its day, boasting an Otis passenger elevator, a steel frame, and a central heating and cooling system, among many other luxurious amenities.

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I am in love with the mansion’s gilded glass and copper canopy, which always catches my eye during viewings of Jumpin’ Jack Flash and was no less striking in person.

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Today, the property, which has been dubbed the “Carnegie Mansion” or the “Carnegie Hill Mansion,” houses a massive collection of design artifacts including textiles, furnishings, clothing, lighting fixtures, and jewelry that once belonged to sisters Amy, Eleanor and Sarah Hewitt.  The collection was originally displayed at the Cooper Union Museum for the Arts of Decoration, which was established in 1897 at Cooper Union college located at 7 East 7th Street.  The museum was shuttered in 1963 and the Hewitt sisters’ assemblage was acquired by the Smithsonian Institution in 1967.  It was then moved to the Carnegie Mansion in 1970, at which time the property underwent a renovation before being opened to the public as Cooper-Hewitt, National Design Museum in 1976.

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In 2011, the site was shuttered for an extensive three-year, $91-million renovation and expansion.  It re-opened in 2014 as Cooper Hewitt, Smithsonian Design Museum, one of the most cutting-edge and technologically-advanced institutions of its kind.  You can read about a few of the property’s most unique innovations here.

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The Carnegie Mansion popped up as the Manhattan British Consulate numerous times in Jumpin’ Jack Flash.

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Most notably, it was the site of the Queen’s Anniversary Ball that Terry crashed in rather conspicuous fashion (i.e. dressed up as Diana Ross while lip-synching “You Can’t Hurry Love”).

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Only the exterior of the Carnegie Mansion was shown in the movie.  Scenes involving the interior of the British Consulate were filmed at Greystone Mansion in Beverly Hills.

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Jumpin’ Jack Flash is hardly the first production to make use of the Carnegie Mansion.  Way back in 1955, it appeared in Daddy Long Legs as the Pendleton House art gallery.

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The property was the site of the car crash at the beginning of the 1976 thriller Marathon Man.

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The estate played the home of Martha Bach (Geraldine Fitzgerald), Arthur Bach’s (Dudley Moore) grandmother, in the 1981 comedy Arthur.

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In the 1988 film Working Girl, the Carnegie Mansion masked as the Union Club, where Jack Trainer (Harrison Ford) and Tess McGill (Melanie Griffith) crashed a wedding.

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The Carnegie Mansion was also shown briefly in the 1993 comedy For Love or Money.

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And in the Season 1 episode of Gossip Girl titled “Much ‘I Do’ About Nothing,” the Carnegie Mansion was where Lily van der Woodsen (Kelly Rutherford) and Bart Bass (Robert John Burke) got married.

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The ceremony scene was shot in The Arthur Ross Terrace and Garden, the museum’s enclosed rear garden which is open to the public daily, free of charge.  Bart and Lily’s reception did not place at the Carnegie Mansion, but at the Madison Room of the Lotte New York Palace hotel.

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The Carnegie Mansion is also said to have made appearances in 1973’s Godspell and 1976’s The Next Man, but I was unable to find copies of those movies with which to make screen captures for this post.

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On a Jumpin’ Jack Flash side-note – I was floored to discover while scanning through the movie to make screen captures for this post that the police station featured in the flick is none other than the Ferris Bueller’s Day Off police station!  How it took me this to recognize it is beyond me, but better late than never.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Big THANK YOU to Mick for finding this location!  Smile

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Until next time, Happy Stalking!  Smile

Stalk It: Cooper Hewitt, Smithsonian Design Museum, aka the British Consulate from Jumpin’ Jack Flash, is located at 2 East 91st Street on New York’s Upper East Side.  You can visit the museum’s official website here.

Terry’s Apartment from “Jumpin’ Jack Flash”

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I’ve made no secret over the years of my love for Jumpin’ Jack Flash.  (You can read the posts I’ve done on the 1986 comedy’s locations here, here, here, and here.)  Whoopi Goldberg is literally perfection in her role as zany New York bank employee Terry Dolittle and I pretty much go around quoting her and the other characters on a regular basis (“Get Larry, the heavy-set guard!  Get Larry, the heavy-set guard!”).  So when a fellow stalker named Mick emailed me in July 2013 to ask for some assistance in tracking down a few of the movie’s locations, I was eager to help.  Somehow I got distracted, though, and never did any investigating.  Then Mick contacted me again the following February and this time I got to work.

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One of the locales Mick was hoping to find was the apartment where Terry lived.  So I popped in my DVD and was thrilled to see that there was a restaurant located on the ground floor of Terry’s building and that its name, La Tablita, was clearly visible on its awning.

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An internet search for “La Tablita” and “New York” led me to an ad in a 1985 issue of New York magazine that listed the eatery’s location as 65 West 73rd Street.  I headed right on over to Google Street View, popped in that address and, sure enough, it was the right spot!

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The exterior of Terry’s apartment building was only shown a couple of times in Jumpin’ Jack Flash, but it was extremely memorable to me due to the unique glass block pop-out located next to the front door.

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I was floored to see that virtually none of the property had been changed since filming took place there three decades ago.  (I honestly cannot believe the movie will be turning 30 in October!)

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Today, the La Tablita space serves as home to a hardware store.  Other than a change in tenant, though, it, too, still looks very much the same as it did onscreen.

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Terry’s apartment building is part of a set of neighboring row houses that were designed by Henry J. Hardenbergh, the same architect who gave us The Plaza Hotel, the Dakota, and the original Waldorf-Astoria, which was demolished in 1929 in order to make way for the Empire State Building.  Construction on the homes began on July 20th, 1882.  Terry’s building was completed on January 21st, 1885.

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Of the 28 properties originally constructed by Hardenbergh, only 18 remain.  They can be found from 15A through 19 West 73rd Street and 41 through 65 West 73rd Street.   Sadly, the ten homes that once stood in between those two groups were demolished during the Great Depression in order to make room for a 16-story apartment building.

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The row houses that do remain standing have been left largely untouched from their original design.

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Terry’s building is one of the few that has been modified.  The large glass block pop-out that was so memorable to me from Jumpin’ Jack Flash is obviously a later addition and not an original 1885 detail.  Other than that, Hardenbergh’s design remains intact, though.  You can read more about the history of the 73rd Street row homes here.

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Only the exterior of the property was used in Jumpin’ Jack Flash.  Terry’s apartment interior was a set built on a soundstage at 20th Century Fox Studios in Century City where portions of the movie were lensed.  You can check out what a unit in the building actually looks like here.  Apparently, the images are from the penthouse, which cracked me up as the place is teeny tiny.  I mean, come on!   That kitchen looks like it should be on a ship and the second bedroom is more like a closet.  Sex and the City really led me astray when it comes to apartment sizing in New York.  So did Friends and pretty much every other movie/TV show set in the Big Apple for that matter (outside of Wanderlust), including Jumpin’ Jack Flash!  As you can see below, Terry’s apartment was huge compared to the building’s actual units.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: Terry’s apartment from Jumpin’ Jack Flash is located at 65 West 73rd Street on New York’s Upper West Side.

Liz’s House from “Jumpin’ Jack Flash”

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There are two kinds of people in this world – those who can watch movies over and over and over again and those who cannot.  I am in the former category.  During my teens and twenties, my parents owned a condominium in Hawaii.  We would vacation there every summer, along with other families who owned units in the same community.  Our condo was the kids’ hang-out spot (we had a VCR and large movie library) and, for reasons that no longer remain known to me, somehow a tradition began in which all of the youngsters would gather (usually a good four of five of us piled into the pull-out sofa bed) to watch Jumpin’ Jack Flash our first night together in Hawaii each and every year.  (Our second night’s viewing was always Ace Ventura: Pet Detective.)  Because of this, the film holds a very special place in my heart.  So when my friend Owen, of the When Write Is Wrong blog, emailed me recently to let me know that one of his readers had asked for some help in tracking down the house where Liz Carlson (Annie Potts) lived in the movie, I ecstatically offered to lend a hand.

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He wound up not needing my help.  While watching Jumpin’ Jack Flash, Owen spotted an address number of “515” on the curb in front of Liz’s house.  Though the 1986 comedy was lensed in both New York and Los Angeles, he decided to start his hunt in L.A. and did Google Images searches for numerous permutations and combinations of “515” and “Los Angeles.”  When he eventually got to “515 Dr. Los Angeles, CA,” the very first picture to pop up was of Liz’s house!  The photo was attached to a Redfin page which listed the address as 515 North Bundy Drive in Brentwood.  Prior to finding the dwelling, Owen had asked me if I thought it was in California or New York, and I told him that my inclination was New York.  Ironically though, I kept having a nagging thought that the home looked a lot like Casa Walsh from the pilot episode of Beverly Hills, 90210.  I should have listened to my gut because the two properties turned out to be located about a mile away from each other.

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In real life, the 1938 home was designed by Welton Becket, the prolific L.A. architect who also gave us the Cinerama Dome, the Capital Records Building, the Los Angeles Music Center and the Theme Building at Los Angeles International Airport.  Becket used the property as his primary residence through the 1940s.

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The property boasts 4 bedrooms, 4 baths, 3,800 square feet, a 0.28-acre lot, 4 fireplaces, beamed ceilings, wood built-ins, French doors, a bonus art studio space and a kitchen with both a dining area and an office.

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The residence appears twice in Jumpin’ Jack Flash (which just so happens to be the first movie Penny Marshall ever directed).  It first pops up in the scene in which Liz explains to Terri Dolittle (Whoopi Goldberg) that the man she is trying to save is being chased by the KGB.

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In a later scene, Terri goes to Liz’s house to ask her for more help, only to find the place vacant.

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Thanks to the photos posted on Redfin, I learned that the real life interior of the home was also used in Jumpin’ Jack Flash.  Though the kitchen has since been updated, it is still recognizable from its appearance.  (That’s Life Goes On’s Kellie Martin in her big screen debut pictured below.)

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The living room was also featured in the movie (love those built-ins!).

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The Dutch doors are also pretty amazing!

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The dining room also made a brief appearance in the film.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Big THANK YOU to Owen, from the When Write Is Wrong blog, for finding this location!  Smile

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Until next time, Happy Stalking!  Smile

Stalk It: Liz’s house from Jumpin’ Jack Flash is located at 515 North Bundy Drive in Brentwood.

The Andrew McNally House from “Kingdom Come”

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Los Angeles never ceases to surprise me.  Though I feel like I know the city and its environs like the back of my hand and have spent the last decade of my life researching its locations, I am constantly learning of new spots that I had no idea even existed.  Such was the case with an architecturally unique property located pretty much right in my own former backyard.  A fellow filming location enthusiast name Liesel recently asked me why I had yet to blog about the Andrew McNally House in Altadena.  The answer to that question was simple – despite the fact that the locale is historically significant, architecturally important AND a filming location, not to mention the fact that I lived less than three miles from it for over ten years of my life, somehow I had never heard of the place.

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The massive Queen Anne-style residence was originally built in 1887 for Andrew McNally (of Rand-McNally map company fame).  It was designed by architect Frederick L. Roehrig, who also designed Stacy’s (Brittany Murphy) childhood home from Little Black Book, Pasadena’s iconic Castle Green apartments, and the Frederick Hastings Rindge House (a locale that I have stalked, but have yet to blog about as I am unsure of its filming history).

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The residence was built facing south, away from the street, so the photographs below actually show the rear of the property.  Unfortunately, the front side is not visible from the street.  You can see a picture of what it looks like here, though.

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Andrew McNally House Altadena (16 of 19)

You can also catch a slight glimpse of the front of the home from the 600 block of East Deodara Drive, as shown in the Google Street View images below.

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The residence, which was added to the National Register of Historic Places in 2007, boasts 10 bedrooms, 2 baths and a whopping 6,938 square feet.  Though it originally sat on 15 acres of land, the property was subdivided after McNally passed away in 1904 and today measures 0.82 acres.

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Andrew McNally House Altadena (19 of 19)

Though its exterior is striking, the most interesting aspect of the home can actually be found inside.  In 1893, McNally acted as a commissioner for the Columbian Exposition at the World’s Fair in Chicago.  While there, he became so enamored of a Turkish display that upon the Fair’s closing, he purchased said display and had it shipped home.  In 1894, McNally employed Roehrig to build an addition to the southeastern corner of the Altadena residence in order to exhibit it.  The architect wound up constructing a 25×25-foot, one-and-a-half story, eight-sided room that he topped with a conical roof.  It became known as the “Turkish smoking room.”   The space was ornate to say the least and featured a built-in banquette, elaborate screens, tall arches, diamond-shaped paned glass windows, and carved wood paneling.  You can see historic pictures of the smoking room, which is still intact today, here and here and you can check out some more recent photographs of it, as well as the rest of the interior, here.

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Andrew McNally House Altadena (10 of 19)

According to Liesel, the smoking room appeared in an episode of NCIS, but try as I might (and boy, did I try – I spent countless hours searching!) I could not figure out which episode.  If anyone out there knows, please fill me in.

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Liesel also let me know that the residence masqueraded as Depew’s Funeral Home in the 2001 dramedy Kingdom Come.

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The interior of the house also appeared in the movie.

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Several different rooms were used in the filming.  You can see photographs of those rooms here.

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Amazingly, the Andrew McNally House is still a private residence.  Yep, someone actually lives there!  I can’t even imagine how cool that must be!

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For more stalking fun, follow me on Facebook, Twitter, Instagram and Los Angeles magazine online.

Big THANK YOU to fellow stalker Liesel for telling me about this location!  Smile

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Until next time, Happy Stalking!  Smile

Stalk It: The Andrew McNally House, from Kingdom Come, is located at 654 East Mariposa Street in Altadena.

The Reno Main US Post Office from “Sister Act”

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While visiting my grandmother in Sparks, Nevada over Christmas, I dragged her, along with my parents, out to stalk the Reno Main US Post Office, which masqueraded as the Reno Police Station in the 1992 movie Sister Act.  I first found out about this location from fave book Shot on This Site: A Traveler’s Guide to the Places and Locations Used to Film Famous Movies and TV Shows (which was gifted to me by fellow stalker Lavonna Smile) while doing research on the area in preparation for my July trip out to the Silver State.  For some reason, though, while I had managed to stalk the Washoe County Courthouse from The Misfits during my visit, I had somehow forgotten all about the post office – which is a pretty incredible feat being that the two buildings are located directly across the street from each other!  As I have said countless times before on this blog, I am such a blonde!  So during this recent visit, I made it a point to trek the family out to Downtown Reno once again so that I could finally do some Sister Act stalking.

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The Reno Main US Post Office was originally constructed in 1932 by Frederic DeLongchamps, the prolific Nevada-area architect who also designed the Washoe Country Courthouse, the Riverside Hotel, and countless other noteworthy buildings across the Silver State.  The structure was built on the site of what was formerly Reno’s very first public library.  When the library was moved to a new location in 1931, DeLongchamps set to work on building the post office, which did not officially open for business until 1934.  The Reno Main US Post Office, which also houses several Federal agency offices, is considered to be one of the finest examples of Zigzag Moderne architecture – a highly decorative style of Art Deco design that employs sunken vertical panel windows, flat roofs, geometric ornamentation, repetitive angular patterns, and astrological imagery – in all of Nevada.  The structure was added to the National Register of Historic Places on February 28th, 1990.

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The interior of the Reno Main US Post Office is nothing short of breathtaking and not at all what I had been expecting when I first walked in.  I mean, the Pasadena Post Office is quite beautiful as well, but nothing like this!

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The detail in the design of the interior was absolutely astounding!  There are ornate cast aluminum fixtures, like the one pictured above, fastened to the corner of every single marble tile which covers the lobby walls.

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And each bank of mailboxes is adorned with an elaborately-carved border.  Every time I turned around, I found myself discovering some new miniscule detail that I had not previously noticed.  Simply amazing!

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The original blue prints for the Reno Main US Post Office were even on display in the lobby, which I thought was so incredibly cool!  Smile

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The Reno Main US Post Office shows up twice in Sister Act.  It first appears very briefly in the beginning of the movie, in the scene in which Deloris Van Cartier (aka Whoopi Goldberg) reports to the police that her boyfriend, Vince LaRocca (aka Harvey Keitel), has just killed his limo driver.  According to the IMBD Sister Act trivia page, producers decided to film at the post office because they did not think that the actual Downtown Reno police station looked like a police station.  LOL  Ah, Hollywood!

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The post office next shows up in the scene in which Vince leaves the police station with his lawyers after having been interrogated for six hours.

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And while I had originally assumed that the interior of the Reno Main US Post Office had been used as the interior of the police station in Sister Act, as you can see above, that does not appear to have been the case.  The interior does not look to have been a set, though, either, so I guess I am going to have to do a bit of digging to track down where filming actually took place.

Until next time, Happy Stalking!  Smile

Stalk It: The Reno Main US Post Office, aka the police station from Sister Act, is located at 50 South Virginia Street in Reno, NevadaThe Washoe County Courthouse, from The Misfits, is located across the street at 117 South Virginia Street.

Casey’s Irish Pub

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One location that I have been wanting to stalk for what seems like ages now is Casey’s Irish Pub (aka Casey’s Bar & Grill), a historic Downtown Los Angeles watering hole that has appeared in COUNTLESS movie and television productions throughout its more than thirty year history.  I first found out about the bar over six months ago while doing some online research on locales featured in the first X-Files movie and the place has been high up on my “To Stalk” list ever since.  But until this past weekend, I had yet to make it there.  My delay in visiting the bar was not for lack of trying, though, believe me.  For some reason, every time my fiancé and I found ourselves in the area, Casey’s Irish Pub was, unfortunately, closed.  I’ve lost track of the amount of thwarted Casey’s stalking attempts that were actually made, but, trust me, the number is higher than you can count on one hand.  Thankfully though, this past Saturday night, fate finally intervened and my fiancé and I found ourselves just a few blocks away from Casey’s during a time when the bar was actually open!  YAY!  And, even though I was in a fairly bad mood at the time – unfortunately, there is still some health drama going on with my dad and I also recently found out that one of my closest friends is ill, so it’s not exactly a happy time for me – we decided to stop in anyway.  And I am SO glad that we did, because my spirits were lifted almost immediately upon walking through Casey’s beveled-glass doors.

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The two-story building where Casey’s now resides was first constructed in 1916 and originally housed a general store on its street level and a Turkish bath on its basement-level.  In 1924, the general store and bathhouse were closed and an upscale restaurant named B&M Cafeteria was opened in their place.   The former general store space was transformed into B&M’s main dining room and the former Turkish bath location became the kitchen area.  In the years following, the restaurant went through numerous changes of ownership and several different restaurant incarnations, until 1969, when it took on the name of Casey’s Irish Pub.  Casey’s owners had the two-level property completely revamped, most notably moving the entire structure thirty feet back from the street in order to make room for an enclosed basement-level patio.  After changing hands – but not its moniker – a few more times, in 2007 Casey’s was acquired by the nightlife development company 213 – the very same company that was also responsible for restoring the popular Cole’s Restaurant a few years back.   (Once again I must apologize for the ultra-blurry photographs that appear in this post.  I STILL cannot figure out how to use my new camera and I am growing seriously annoyed!  UGH!)

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Casey’s Irish Pub is absolutely HUGE (over 10,000 square feet!) and features a gorgeous mahogany bar, hand-pressed tin ceilings, a live-music stage, a dart room, a billiards room, and several private event areas, including the “Captain’s Quarters” (pictured above).  Not only is the bar’s ambiance fabulous and unique, but the food is also INCREDIBLE, despite what the reviews on Yelp state.  As I’ve mentioned numerous times in the past, I am an INCREDIBLY picky eater, especially when it comes to chicken, and I have to say that Casey’s serves up some of the best food in L.A.  My fiancé and I especially loved their famous pub fries – which are an absolute must-have while dining at Casey’s – and their Cobb salad.  The staff there could also NOT have been nicer and one of the bartenders even went so far as to take me on a little mini-tour of the place, which is how I got the above-pictured photographs of the Captain’s Quarters.  🙂  Love it!

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The thing I was most excited about, though, was the fact that Casey’s not only serves champagne – and good champagne, at that – but they serve it in old-school champagne glasses, ala the kind Marilyn Monroe was always pictured drinking out of.  So darn cool!  I honestly can’t recommend stalking Casey’s enough!!!!  I can pretty much guarantee its a place that stalkers and non-stalkers alike will appreciate!

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Walking through the doors of Casey’s Irish Pub is truly like stepping back in time and it is not very hard to see why filmmakers have returned there again and again over the years to capture the place’s unique ambiance on film.   And, thanks to the bar’s definite New York vibe, it is most often portrayed as being in a city other than Los Angeles.  In 2002’s Mr. Deeds, Casey’s stands in for the New York bar where Babe Bennett (aka Winona Ryder) went to drown her sorrows after being rejected by Longfellow Deeds (aka Adam Sandler).

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In the first X-Files movie, Casey’s appeared as the Washington, D.C. bar where cutie Fox Mulder (aka David Duchovny) met Dr. Alvin Kurtzweil (aka Martin Landau) for the first time.

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Ironically enough, though, for the scenes which supposedly took place outside of the bar, producers filmed at a different location entirely, yet they chose to use the actual Casey’s name on the exterior signage.  Casey’s real-life exterior is pictured above and, as you can see, it is located below street-level and looks nothing like the exterior shown in The X-Files.

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In 2006’s 16 Blocks, Casey’s stood in for the New York bar where Detective Jack Mosby (aka Bruce Willis) celebrated his birthday.

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In Charlie Wilson’s War, Casey’s was featured as the Washington, D.C. watering hole where Congressman Charlie Wilson (aka Tom Hanks) took his lady friend Joanne Herring (aka Julia Roberts) for a drink before leaving on a trip to the Middle East.

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In Good Night and Good Luck, Casey’s pops up as the New York bar where Edward R. Murrow (aka David Strathairn), Fred Friendly (aka George Clooney), and their co-workers wait to read the reviews of their just-aired See It Now television special about Senator Joseph McCarthy.  Ironically enough, according to the movie’s DVD commentary, Casey’s was one of only two non-studio locations used in the filming of Good Night and Good Luck – the other being the Masonic Temple in Pasadena.

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In 1998’s Fallen, Casey’s stands in for the Philadelphia bar where John Hobbes (aka Denzel Washington) met up with his cop friends Lou (aka James Gandolfini) and Jonesy (aka John Goodman) after the execution of a notorious serial killer.

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In The Deep End of the Ocean, Casey’s stood in for the Chicago, Illinois restaurant where Detective Candy Bliss (aka Whoopi Goldberg) took Beth Cappadora (aka Michelle Pfeiffer) for a bite to eat a few weeks after Sam, Beth’s kidnapped son, was returned to her.  Both the interior and the exterior of Casey’s were used in the flick.

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Casey’s has also been featured in numerous episodes of the television series Mad Men, including the Season 1 episode titled “The Hobo Code”, where it stood in for P.J. Clarke’s, the famed, real life 125-year old watering hole located in Manhattan. 

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Casey’s also popped up in the Season 2 episode of Mad Men titled “For Those Who Think Young”, as the spot where Don Draper (aka Jon Hamm) is shown eating a steak and eggs breakfast after learning from his doctor that he is not in the greatest of health.  The bar was also apparently featured in an episode of CSI, although I am not sure of which particular episode.

Until next time, Happy Stalking!  🙂

Stalk It: Casey’s Irish Pub is located at 613 South Grand Avenue in Downtown Los Angeles.  The restaurant is open from 11:30 a.m. to 11 p.m. each Monday through Wednesday, from 11:30 a.m. to 2 a.m. each Thursday through Saturday, and from 3 p.m. to 11 a.m. each Sunday.  You can visit the official Casey’s website here.

The “13 Going On 30” Thriller Dance Location

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A few months ago, I enlisted the help of fellow stalker Owen in tracking down the location from fave movie 13 Going On 30 where Jenna Rink (aka Jennifer Garner) saved the Poise Magazine  party by performing her rendition of the Zombie Dance from Michael Jackson’s “Thriller”, which, not surprisingly,  just so happens to be my very favorite scene in the flick.  From the beginning, I was absolutely convinced that the “Thriller” scene had been filmed in a building located somewhere in New York, but Owen had a hunch that it had actually taken place right here in Los Angeles.  And, as usual, Owen was right.  After doing a bit of cyber-stalking, he somehow managed to track down one of the movie’s location managers who told him that Jenna’s “Thriller” dance had actually been performed inside of an oft-used filming location in Downtown Los Angeles, one that I am ashamed to admit I was already very familiar with – the former Bank of American building located on the corner of 7th and South Spring Streets.  The building has been used in COUNTLESS productions over the years, but I am sad to say that, for whatever reason, I somehow failed to recognize it.

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Being that the former bank’s big ol’ safe is clearly visible in the background of the “Thriller” scene, I really should have figured this one out.  Man, I’m such a blonde sometimes! 

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Once Owen had tracked down the location for me, I put the former bank building on my very long “To-Stalk” list and finally managed to visit the place in person while out doing some stalking in the Downtown Los Angeles area a couple of weeks ago.  The Spring Street Tower, as it is sometimes called, which was built in 1912 by the architectural firm of Schultze and Weaver, served as the Los Angeles headquarters for the Bank of America Corporation from 1930 to 1972.  After Bank of America vacated the twelve story high Beaux Arts style building, the upper floors served as offices for various companies throughout the years, while the marble clad lobby became an extremely popular filming location.  In recent years, SB Properties, a building development company, took over the building and converted the former offices into lofts.  And while the lobby area still looks much the same as it did during the time when it was operating as a bank, there are currently plans in the works for a restaurant and club to open up in that space, which is both good news and bad news.  Bad news because I am guessing that once the space becomes a restaurant, it will cease to be a filming location and will most likely be heavily remodeled and good news because if it does eventually become a restaurant that means that someday in the near future I will be able to stalk the area where Jennifer Garner danced, a place which is currently off limits to the public.  YAY!  🙂 

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When we first arrived to stalk the former Bank of America building, I did not actually have high hopes that I would be able to see any of the interior.  So, let me tell you, I just about passed out from excitement when I discovered that the lobby area, where the “Thriller” dance scene took place, was thoroughly visible through the former bank’s front windows.  From the windows you can see the vault;

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the main staircase;

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the second floor balcony;

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and several of the wood-paneled main offices.  You can also see some fabulous interior photographs of the bank building here.

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In 13 Going On 30, the former Bank of America building was the location of the Poise Magazine “Girls Night Out” party, during which Jenna’s boss, Richard (aka Andy Serkis) complains that the guests are leaving far too early and if someone doesn’t do something to liven up the joint – and quick – then the entire magazine might go down the drain.  So, Jenna immediately heads over to the DJ booth where she requests Michael Jackson’s “Thriller” and then proceeds to lead the entire party in the famous Zombie Dance.  Oh, how I would love to do that dance at my wedding!  😉

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So I, of course, just had to imitate Jenna doing the “Thriller” dance while I was at the building.  🙂  I think it goes without saying that my fiancé was HIGHLY embarrassed while taking the above photographs of me. 

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The former bank is also where Robbie (aka Adam Sandler) tries to get a job to impress Julia (aka Drew Barrymore) in 1998’s The Wedding Singer.  When the bank’s manager, who was played by Kevin Nealon, turns him down, Robbie says, “You don’t even have to give me the job.  If you could just give me some business cards with my name on it, I think that might help.  How ‘bout this – I’ll give you ten singing lessons for one business card.  Please?”  LOL 

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In 1995’s Se7en, the bank building was dressed to look like a library and appeared in the scene in which Detective Lt. William Somerset (aka Morgan Freeman) researches the Seven Deadly Sins.

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In L.A. Story, the bank stood in for the Fourth Reich Bank of Hamburg where Steve Martin is forced to show his financial records to the owner of the impossible-to-get-into L’Idiot Restaurant in order to secure a dinner reservation there. 

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In 1994’s The Mask, the bank was used as Edge City Savings and Loan where Stanley Ipkiss (aka Jim Carrey) worked.

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In Spiderman 2, the bank appeared up as the spot where Peter Parker (aka Tobey Maguire) takes his Aunt May (aka Rosemary Harris) to apply for a loan from a bank teller played by none other than The Soup’s Joel McHale.  🙂  While the two are in the bank, Doc Ock shows up to rob the place and almost succeeds until Spiderman steps in and, of course, saves the day. 

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In Ghost, the bank was used as the place where Sam Wheat (aka Patrick Swayze) takes Oda Mae Brown (aka Whoopi Goldberg) to fill out a signature card under the false name of Rita Miller.

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In Blow, the former Bank of America building stood in for the Bank of Panama in one very brief scene.

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In The Prestige, the building shows up twice.  First, the bank lobby appeared as the courtroom where Alfred Borden’s (aka Christian Bale’s) murder trial is held.

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And second, the bank’s second floor mezzanine area stood in for the bar where Robert Angier (aka Hugh Jackman) shared a drink with Cutter (aka Michael Caine).

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The bank also appeared in the movies Marathon Man, Traffic, Fatal Vision, Prizzi’s Honor, St. Elmo’s Fire, All of Me, and in episodes of 24, Cagney & Lacey, Hill Street Blues, Matlock, and Hardcastle & McCormick.

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Until next time, Happy Stalking!  🙂

Stalk It: The old Bank of America building is located at 650 South Spring Street in Downtown Los Angeles.  The best place to catch a glimpse of the interior of the property is through the windows located on either side of the building’s front doors, which are pictured above.

George’s 50’s Diner from “A Cinderella Story”

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Another location at the very top of my Long Beach “To Stalk” list was the restaurant where Hilary Duff worked in fave teeny-bopper movie A Cinderella Story.  In real life, that restaurant is known as George’s 50’s Diner and it is one of the last remaining diners of its kind in all of California.  George’s Diner, which was originally named Grissinger’s Drive-In, first opened up in 1952.  It was designed by architect Wayne McAllister, who also designed the famous Sands Casino in Las  Vegas.   In 1963, the Grissingers sold the drive-in to new owners who expanded and remodeled the place and dubbed it Lyman’s Coffee Shop.  Shortly thereafter it was purchased by a woman named Terry, who re-named it Terry’s Coffee Shop and in 1974 made the fortuitous decision to hire as a chef a young man named George Alvarez.  George worked at the restaurant for over two decades and then in 1996, decided to buy the place for himself, upon which he restored it back to its original 1952 design.  He named the place George’s 50’s Diner, in honor of both himself and the restaurant’s original opening date.

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In A Cinderella Story, George’s 50’s Diner stood in for the restaurant first owned by Hilary Duff’s father and then later by her evil step-mother, who was played by Jennifer Coolidge.   Both the interior and the exterior of the restaurant were used extensively in the filming.   

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As you can see in the above photograph and screen captures, though, the place looks very, very different in person than how it appeared onscreen in the movie.  In fact, it almost doesn’t even look like the same place.  According to George and Helen, the diner’s INCREDIBLY nice owners, the restaurant was COMPELTELY remodeled for the filming. 

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A few of the changes made for the filming include: the interior walls being removed to make the diner appear much larger than it actually was, the real life counter being replaced with a new, much higher counter, all of the booths being covered over in fake pink and black leather, a false ceiling being installed, the ceiling fans being removed and new light fixtures hung, fake doors being added in numerous places, the entire kitchen being re-painted in a fake stainless steel color, and linoleum being laid over the restaurant’s real life carpet. 

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According to George and Helen, the interior and the exterior of the diner were actually remodeled  TWICE during the filming – first for the scenes in which the restaurant was owned by Hil D’s dad . . . 

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. . . and then again for the scenes in which it was later owned by her evil step-mother. 

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Producers also brought in the big pink “Fiona’s” sign that ends up falling on Carter’s dad’s Mercedes towards the end of the movie.  Phew!  Sure seems like a whole lot of remodeling work to do.  You’d think it would have been much easier to built a diner set on a soundstage somewhere in Hollywood for the filming.  Which, according to IMDB’s A Cinderella Story trivia page, is exactly what they did.   That information, however, is not accurate.  According to George and Helen, all of the interior filming of the diner scenes – which took just about two weeks to complete – did indeed take place on location at George’s Diner.  I’ll never understand Hollywood, I swear.  😉  Helen even has a scrapbook full of photographs of the filming, but unfortunately she didn’t have it on hand the day I stalked the place.  🙁  Oh well, I guess that just means I’ll have to go back to re-stalk it sometime!  🙂  

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And a little Cinderella Story trivia for you – not only did the movie star Madeline Zima, who now has a recurring role on Californication . . .

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. . . but it also starred Dan Byrd who is currently playing Courteney Cox’s son Travis on Cougartown

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A Cinderella Story is not the only production to have filmed at George’s, though.  Back when the restaurant was known as Terry’s Coffee Shop, the 1994 movie Corrina, Corrina  filmed on the premises.   It is at the drive-in diner that Whoopi Goldberg gets Tina Majorino to communicate with her for the very first time. 

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George’s also appeared briefly at the very beginning of the 2007 movie Zodiac, in the scene in which Mike Mageau and his girlfriend Darlene Ferrin drive by a diner, decide it is too crowded to stay, and leave, only to be attacked by the Zodiac killer minutes later.

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George’s 50’s Diner has also been featured in the movie The Real McCoy and in several episodes of the television series Cold Case.  And I honestly can’t recommend stalking the place enough!!!!  The food was A-MA-ZING – especially the French fries – the retro atmosphere was truly unique, and George and Helen honestly could NOT have been nicer.  I absolutely LOVED the place and will DEFINITELY be back!

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Until next time, Happy Stalking!

Stalk It: George’s 50’s Diner is located at 4390 Atlantic Avenue in Long Beach.  You can visit their MySpace page here.