The Pierre Hotel’s Grand Ballroom from “Trainwreck”

The Pierre Hotel's Grand ballroom from Trainwreck-1140297

I know I am in the minority when I say that I don’t think Amy Schumer is funny.  And it’s not for lack of trying on my part.  I first learned of the comedian when she appeared on Kaitlyn Bristowe’s season of The Bachelorette and found her schtick to be a bit annoying.  Despite that, I have since seen all of her movies, including 2015’s Trainwreck, 2017’s Snatched and 2018’s I Feel Pretty.  The latter is the only one I remotely liked, though I thought it could have been so much better – and a little shorter.  I guess I just don’t get Amy’s humor.  I was still thrilled to learn while touring The Pierre’s Cotillion Ballroom during my April 2016 trip to NYC, that the hotel’s Grand Ballroom was utilized in a prominent scene in Trainwreck, and ran right over to the space to snap some pics.  Since returning home, I’ve come across a couple of the venue’s other onscreen cameos and figured it was high time I blog about it.

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I covered The Pierre’s history in my recent post on the Cotillion Ballroom, but figured a brief recap is in order here.  The extravagant hotel was designed by the Schultze & Weaver architecture firm in 1930 for restaurateur Charles Pierre.  The opulent property has defined luxury lodging in New York ever since.  Known for its lavish décor and large public spaces, The Pierre is one of the city’s most popular event venues, thanks in large part to its Grand Ballroom.

  The Pierre Hotel's Grand ballroom from Trainwreck-1140296

The Pierre Hotel's Grand ballroom from Trainwreck-1140295

Per The Pierre’s official website, the 86-by-86-foot space is the “largest pillarless ballroom amongst all five-star properties in NYC and offers uninhibited views.”  The 7,500-square-foot venue also boasts 20-foot ceilings and a 1,500-person capacity.  In 2005, the hotel underwent a four-year, $100-million renovation, during which The Grand Ballroom was overhauled by interior designer Alexandra Champalimaud.  The result of her efforts is a sprawling room with a bowed ceiling, richly-colored draperies, gilded mirrors, and sparkling chandeliers hung from chains designed to resemble bows, which I was completely enamored with.

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Even the stairs and hallway leading to The Grand Ballroom are stunning.

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I mean, check out that ceiling!

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In Trainwreck, Amy (Amy Schumer) attends an awards luncheon in The Grand Ballroom in which her new boyfriend, Dr. Aaron Conners (Bill Hader), is honored.

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During Aaron’s acceptance speech, Amy takes a work call and winds up having to leave the venue – a huge no-no.  Did she not learn anything from Mr. Big in Sex and the City’s “The Chicken Dance” episode?

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The hallway leading to The Grand Ballroom is featured in the scene, as well.

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As is the hotel’s Regency Room . . .

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. . . which we also got to check out during our April 2016 tour.

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The Pierre Hotel's Grand ballroom from Trainwreck-1140290

The Grand Ballroom is also the spot where Ramona Singer and friends (well, all friends except for Kelly Killoren Bensimon) attend a fundraiser in the Season 4 episode of The Real Housewives of New York City titled “March Madness,” which aired in 2011.

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In the Season 2 episode of Jessica Jones titled “AKA Start at the Beginning,” which aired earlier this year, Trish Walker (Rachael Taylor) and Griffin Sinclair (Hal Ozsan) are shown walking down the steps leading to The Grand Ballroom after attending a literacy fundraiser.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: The Pierre is located at 2 East 61st Street on New York’s Upper East Side.  You can visit the hotel’s official website here.  The Grand Ballroom can be found at the rear of the property, east of the Rotunda, on the 2nd floor.

Via Quadronno from “Sex and the City”

Via Quadronna from Sex and the City-2869

Nothing makes me miss New York more than photographs of croissants.  That’s a weird sentiment, I know – especially considering I don’t even really like croissants.  But during one of my first trips to the Big Apple, I dragged my family to Upper East Side café Via Quadronno for breakfast after coming across a brief mention of the place and its fabulous cappuccinos in Real City: New York City (Real City Guides).  Though I opted for a liquid meal consisting of a creamy iced latte (which was absolute perfection) that morning, my mom ordered a croissant and, upon biting in and proclaiming it was one of the best she’d ever had, implored me to taste it.  I indulged her and was shocked at the outcome – the flaky pastry was one of the most delectable treats I’d ever sampled.  I promptly ordered one for myself and then proceeded to head right back to Via Quadronno the following morning and every morning the rest of our trip – and every subsequent trip, as well, including my 2016 visit to the Big Apple with the Grim Cheaper.  I cannot get enough of the place!  So even though I briefly blogged about the charming eatery way back in 2008, I figured it was most-definitely worthy of a redux.

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Via Quadronno was originally founded by Italian native Paolo Della Puppa in 1999.  A music publisher by trade, Puppa relocated to NYC in 1983, but continued to run his Italian-based company, Anyway Music, from afar.  After about a decade abroad, he found himself falling victim to poor conversion rates and in need of a new vocation.  So he turned to fellow Italian expat Hans Pauli, owner of the popular Sant Ambroeus café chain and former proprietor of the popular Milan paninoteca Bar Quadronno, which, thanks to chef/baker Giuseppe Tusi, became known for revolutionizing the panini.

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Via Quadronna from Sex and the City-1150302

Paolo trained under Hans at Sant Ambroeus for several years before the two eventually partnered up to establish Via Quadronno, which opened its doors on September 9th, 1999.  Giuseppe was, of course, on hand to teach the staff his magical version of panini-making.

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Via Quadronna from Sex and the City-1507

It did not take long for the cozy, intimate spot (the seating capacity is only 40!) to become a neighborhood icon with locals, tourists and celebrities alike all popping in for freshly baked goods, steaming cappuccinos, and those famous paninis.  Just a few of the stars known to frequent the eatery include Katie Holmes (along with Suri Cruise), Aviva Drescher, Christine Baranski, Sarah Jessica Parker, Matthew Broderick, Martha Stewart, Dylan Lauren, Steve Martin, Alec Baldwin, Kelly Rutherford, Jerry Seinfeld, Sean Connery, Madonna, Robin Williams, Scarlett Johansson, Alex Rodriguez, Tom Hanks, and Matt Dillon.

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It is not very hard to see why Via Quadronno has become such a local favorite.  Not only is the dining room one of the most adorable in New York with tiny wooden tables and chairs, cheerful murals, and Italian posters dotting the walls, but the restaurant’s offerings are out of this world!  It is no surprise that the place has won countless “best of” awards over the years.  Heck, Martha Stewart even headed there when she wanted to learn how to make the perfect cappuccino.

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Via Quadronno is also a filming location – from two of my favorite shows, no less!

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In the Season 1 episode of Sex and the City titled “Models and Mortals,” Skipper Johnston (Ben Weber) forces Carrie Bradshaw (Sarah Jessica Parker) to call Miranda Hobbs (Cynthia Nixon) while standing outside of the restaurant to find out if he still has a chance with her.

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At the time the episode was shot in 1998, the Via Quadronno space housed a sweets shop named La Maison Du Chocolat, which opened on the premises in 1990.  Despite the change in tenancy, the site is still recognizable from its onscreen stint.  I find it incredible that Reinstein|Ross Goldsmiths, the fine jewelry store situated next door to the café whose signage was visible in Sex and the City, is still alive and well and operating in the same location twenty years after the fact!

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Via Quadronno also popped up on Gossip Girl.  In the Season 2 episode titled “Remains of the J,” which aired in 2009, Blair Waldorf (Leighton Meester) heads to the café to pick up breakfast for Nate Archibald (Chace Crawford), whom she has just secretly started dating again, and narrowly misses running into Serena van der Woodsen (Blake Lively).

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The Season 10 episode of Comedians in Cars Getting Coffee titled “Kate McKinnon: A Brain in a Jar,” which hit Netflix earlier this month, was filmed at Via Quadronno’s other location at 1228 Madison Avenue in NYC’s Carnegie Hill neighborhood (which Yelpers are reporting is now closed).

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: Via Quadronno, from the “Models and Mortals” episode of Sex and the City, is located at 25 East 73rd Street on New York’s Upper East Side.  You can visit the eatery’s official website here.  The Via Quadronno outpost from the “Kate McKinnon: A Brain in a Jar” episode of Comedians in Cars Getting Coffee can be found at 1228 Madison Avenue in NYC’s Carnegie Hill neighborhood, though per Yelp that location is now closed.

The Otto Kahn and James Burden Mansions from “A Perfect Murder”

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For someone who is so well-versed in all things movie-related, I know very little about Old Hollywood – a fact my mom often admonishes me for.  Case in point – though A Perfect Murder has long been a favorite thriller, I have never seen Dial M for Murder, the 1954 Alfred Hitchcock masterpiece from which it was adapted.  Truth be told, up until doing research for this post, I had no idea that the 1998 flick had been based upon anything.  (Insert monkey-covering-face emoji here.)  Sadly, my ignorance didn’t end there.  Somehow I also failed to realize that three different spots were utilized to represent the Manhattan penthouse where Steven Taylor (Michael Douglas) and his wife, Emily Bradford Taylor (Gwyneth Paltrow), lived in the film.  The mashup included a studio-built set and two adjacent Upper East Side estates – the Otto Kahn Mansion at 1 East 91st Street and the neighboring James Burden Mansion at 7 East 91st.  Prior to writing this post, I had only been aware of the former, which I learned of via the book New York: The Movie Lover’s Guide shortly before my 2016 trip to NYC.  So I, of course, ran right out to stalk it while in town.

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The neo-Italian Renaissance-style Otto Kahn Mansion was designed by architects C.P.H. Gilbert (who also gave us the Harry F. Sinclair House from Cruel Intentions) and J. Armstrong Stenhouse for wealthy banker Otto Kahn and his wife, Adelaide Wolff.  Otto was once quoted as saying, “It’s a sin to keep money idle” (Why oh why can’t the Grim Cheaper share that belief?), so money was no object when it came to the property’s construction which began in 1914 and took four years to complete.

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The 80-room manse was modeled after Rome’s Palazzo della Cancelleria and boasts an oak-paneled library, a garden, a Caen stone entry and stairwell, a large inner courtyard, an enclosed driveway (to keep away prying eyes), a reception room, a ballroom, a music room with parquet floors and an Adams-style ceiling, and accommodations for a staff of forty!

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The property’s French limestone exterior is actually rather non-descript and belies the utter extravagance and opulence of the interior, which you can see photographs of here, here and here.

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When Kahn passed away in 1934, Adelaide sold the massive home to the Convent of the Sacred Heart, a private Catholic all-girls school.

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Six years later, the Convent of the Sacred Heart purchased the James Burden Mansion next door and combined the two sites.  While I did not snap any photographs of that property, you can check out what it looks like here.  The 1901 estate was designed by the Warren and Wetmore architecture firm (who also designed Grand Central Station and the New York Yacht Club) and is just as palatial and lux as its neighbor with a grand Hauteville marble spiraling staircase situated underneath a Tiffany glass skylight, a banquet hall lined with Campan vert marble, and an extravagantly-arched carriageway.  You can catch a glimpse of its striking interior here.

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The Otto Kahn and James Burden Mansions pop up numerous times throughout A Perfect Murder.  For exterior shots of the Taylors’ upscale apartment building, the estates were made to appear as one singular property, as you can see below.

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The James Burden Mansion’s carriageway . . .

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. . . as well as its rotunda and central staircase portray the apartment building’s entrance and lobby . . .

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. . . while the Otto Kahn Mansion’s rooftop masks as the Taylors’ private terrace.

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The interior of Steven and Emily’s massive penthouse cannot be found in either mansion, though.  Per the film’s production notes, their apartment was part of a massive 11,000-square-foot set built at the Jersey City Armory in New Jersey.

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A Perfect Murder is hardly the first production to make use of the two properties.

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In the 1946 noir The Dark Corner, the James Burden Mansion pops up as the Cathcart Galleries.

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The two estates together portray the building where Ingrid Everly (Dyan Cannon) lives, which Robert ‘Duke’ Anderson (Sean Connery) sets out to rob, in 1971’s The Anderson Tapes.

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In the 1982 drama The Verdict, the Otto Kahn Mansion masquerades as a Boston archdiocese.

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The James Burden Mansion plays the Union Club, where Tess McGill (Melanie Griffith) and Jack Trainer (Harrison Ford) crash a wedding in the 1988 comedy Working Girl.  Only the interior of the property appears in the scene, though.  The building used for exterior shots is the Cooper Hewitt, Smithsonian Design Museum (aka the British Consulate from Jumpin’ Jack Flash) located directly across the street at 2 East 91st Street.

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Larry Daley (Ben Stiller) heads to the Otto Kahn Mansion to pick up his son, Nick (Jake Cherry), from school only to learn upon arrival that he has missed Parent Career Day in the 2006 comedy Night at the Museum.

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  The James Burden Mansion’s Dining Room and Music Room mask as the Rome hotel suite where Ray Koval (Clive Owen) and Claire Stenwick (Julia Roberts) stay in the 2009 thriller Duplicity . . .

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. . . while the Otto Kahn Mansion’s stairwell and foyer simulate the outside of the suite in the flick.

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The Otto Kahn Mansion’s courtyard and the James Burden Mansion’s ballroom mesh together to portray the Roland family estate, where Neal Caffrey (Matt Bomer) and Peter Burke (Tim DeKay) head to authenticate a will, in the Season 3 episode of White Collar titled “Where There’s a Will,” which aired in 2011.

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The exterior of the Otto Kahn Mansion portrays Harry Osbourne’s (Dane DeHaan) house in 2014’s The Amazing Spider-Man 2, though interiors were filmed elsewhere.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: The Otto Kahn and James Burden Mansions, aka Convent of the Sacred Heart school, aka the A Perfect Murder apartment building, are located at 1 East 91st Street and 7 East 91st Street, respectively, on New York’s Upper East Side.  You can visit the properties’ official website here.  Right across the street at 2 East 91st Street is the Cooper Hewitt, Smithsonian Design Museum, aka the British Consulate from Jumpin’ Jack Flash.

The Benjamin N. Duke House from “The First Wives Club”

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They say revenge is a dish best served cold.  Well, I think revenge movies are a dish best served with a side of comedy.  The Other Woman9 to 5The StingThe First Wives Club?  All perfection!  The latter is one of my ultimate favorites, so when I saw the address of the spectacular Upper East Side townhouse where wealthy socialite Gunilla Garson Goldberg (Maggie Smith) lived in the 1996 flick listed in the book Manhattan on Film, I promptly added it to my To-Stalk List for my April 2016 trip to the Big Apple.  The Beaux Arts-style structure, known as the Benjamin N. Duke House in real life, turned out to be even more stunning in person than it appeared onscreen.  It is easily one of the prettiest pads I have ever laid eyes upon!

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The Benjamin N. Duke House, also known as the Duke Semans Mansion, was originally constructed as part of a spec development of four adjacent Fifth Avenue estates.  Brothers William W. and Thomas M. Hall commissioned the Welch, Smith & Provot architecture firm to design the elaborate dwellings.  Sadly, the Duke house is the only one that remains standing today.

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Completed in 1901, the 8-story property boasts a stately limestone and brick edifice, a French Renaissance interior, hand-carved wood paneling, trompe l’oeil accents, plaster friezes, a 5-story staircase, hardwood flooring, 12 bedrooms, 14 bathrooms, 2 rooftop patios, 11 wood-burning fireplaces, 3 elevators, a whopping 20,000 square feet of living space, and views of Central Park and The Metropolitan Museum of Art.

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The pad even has a separate penthouse level complete with a private entrance and staircase.

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Though the townhouse fronts Fifth Avenue . . .

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. . . it is its 82nd Street side that is most impressive.  The building reminds me quite a bit of the Cravens Estate in Pasadena, but on a much grander scale.

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Shortly after its completion, the 100×27-foot property was purchased by American Tobacco Company founder Benjamin N. Duke.

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The manse continued to be owned by members of the Duke family for more than one hundred years.  It was not until 2006 that Benjamin’s granddaughter Mary Duke Biddle Trent Semans (hence the name Duke Semans Mansion) sold the townhouse to real estate mogul Tamir Sapir.  The purchase price?  A cool $40 million!

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Sapir subsequently sold the pad in 2010 to the richest man in the world at the time, Mexican business tycoon Carlos Slim, for $44 million.  Five years later, Slim put the residence on the market with an asking price of $80 million (!!!), but it does not appear that there were any takers.

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The Benjamin N. Duke House is not only listed on the National Register of Historic Places, but is also a New York City Landmark.

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Sadly, there are not many photographs of the mansion’s interior floating around online, but you can catch a glimpse of a few here, as well as watch some videos that show portions of the inside of the structure here and here.

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In The First Wives Club, Shelly Stewart (Sarah Jessica Parker) heads to the Benjamin N. Duke House for a “super social luncheon” with Gunilla.

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I am unsure if the actual interior of the mansion was utilized in the scene, but I do not believe so.  None of the photographs of the inside of the townhouse that I have come across match what was shown onscreen, so I am guessing that interiors were filmed at another Manhattan estate or on a studio-built set.

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The First Wives Club is not the only production to feature the Benjamin N. Duke House.

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In The French Connection, the property portrays an apartment building where actor Dom Ameche and a criminal named Weinstock (Harold Gray) are both said to reside.

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The mansion looked quite a bit different when the Best Picture-winning thriller was shot in 1971 than it does today, as you can see below.

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The townhouse also portrayed the home of Henry Turner (Harrison Ford) and his family in the 1991 drama Regarding Henry.

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Scenes taking place inside the Turner residence were shot elsewhere, though, on what I believe was a studio-built set.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: The Benjamin N. Duke House, aka Gunilla’s mansion from The First Wives Club, is located at 1009 Fifth Avenue on New York’s Upper East Side.

The Pierre Hotel’s Cotillion Ballroom from “Scent of a Woman”

The Pierre Hotel's Cotillion Room from Scent of a Woman-1140283

“No mistakes in the tango, Donna.  Not like life.  Simple.  That’s what makes the tango so great.  If you make a mistake, if you get all tangled up, you just tango on.”  So advises Lt. Col. Frank Slade (Al Pacino) in the iconic tango scene from the 1992 drama Scent of a Woman.  Though the segment is widely regarded as one of the most famous in moviedom, conflicting rumors have raged online for years as to where it was shot.  At the very least I knew filming had occurred in New York, so prior to my April 2016 trip to the Big Apple, I decided to take a flamethrower to all the misinformation floating around.  The various reports I came across online and in stalking books stated that the bit was lensed everywhere from a Plaza Hotel ballroom to the Grand Ballroom at The Pierre to a Waldorf Astoria venue, but none of the spaces seemed to match what was shown onscreen.  While perusing the internet for other possibilities, I finally came across an ad for The Pierre in a 1994 issue of New York magazine which mentioned that Scent of a Woman’s famed tango sequence had been shot in the property’s Cotillion Ballroom.  One look at images of the site showed me that, although it had changed a bit since filming took place over 25 years ago, it was without a doubt the right spot.  So I promptly contacted The Pierre’s marketing department to ask if I could tour the venue during my trip and was thrilled when a very friendly executive sent back an almost immediate response saying she’d be pleased to show me the space.  Hoo-ah!

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Overlooking Central Park on New York’s Upper East Side, The Pierre was designed by the Schultze & Weaver architectural firm, who also gave us The Spring Street Tower, the Millennium Biltmore Hotel Los Angeles, and the landmark Waldorf Astoria.  Commissioned by Sicilian-born restauranteur Charles Pierre, the opulent 714-room lodging opened its doors to the public in October 1930, delighting guests with its Georgian-style detailing, large suites, and multilevel public spaces, including the Cotillion Ballroom which originally served as a supper club.  (While The Pierre is a noted New York landmark and has played host to countless filmings over the years, for this post I thought it best to solely cover the Cotillion Ballroom.  I will be blogging about the hotel itself soon.)

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The stunning 91×45-foot ballroom boasts 19-foot recessed ceilings, gilded mirrors, a sunken main floor, two massive crystal chandeliers, Central Park views, tiered draperies, marble railings, relief wall sculptings, and a 500-patron capacity.

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In Scent of a Woman, Frank and his young chaperone, Charlie Simms (Chris O’Donnell), pop into the Cotillion Ballroom for cocktails.  While there, Frank, who is blind, takes note of a woman named Donna (Gabrielle Anwar) sitting nearby thanks to Ogleby Sisters Soap that permeates her skin and winds up inviting her for a spontaneous tango.

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The ballroom was transformed into an luxe restaurant for the scene, with seating, tables, and a buffet set-up added to space.

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Pillars, additional marble balustrades and a large bar were also installed for the shoot.

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Though the Cotillion Ballroom has been altered over the years, certain elements, such as the ornamental mirrors that line the room and the railings that edge the two raised landings, remain untouched.

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Thanks to those details, the Cotillion Ballroom is amazingly still recognizable from its onscreen appearance despite the passage of more than two decades.

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Per the AFI Catalog of Feature Films, Scent of a Woman’s ten-minute tango scene took four days to shoot.  For the dance itself, which lasted about two and a half minutes, Pacino and Anwar underwent three and half weeks of training with choreographers Jerry Mitchell and Paul Pellicoro.

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According to an Entertainment Weekly interview with Anwar, she and Pacino never rehearsed the piece together as the actor “wanted to keep a spontaneity and a freshness to the dance.”  His methodology worked because the duo’s performance is effortless, flawless and completely engaging.  It is easily one of the best few minutes ever recorded on film.

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You can watch the Scent of a Woman tango scene by clicking below.  I viewed the clip numerous times while writing this post and could not stop smiling from ear to ear.  It just makes me so gleeful.  I swear I’ve never been happier writing a post than I was while penning this one!

A couple of other productions have made use of the Cotillion Ballroom, as well.

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In the Season 3 episode of The Real Housewives of New York City titled “Rebuked, Reunited, Renewed,” which aired in 2010, Ramona Singer tours the Cotillion Ballroom . . .

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. . . and winds up hosting the reception for her vow renewal there.

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In the Season 2 episode of Jessica Jones titled “AKA Start at the Beginning,” which aired earlier this year, Jeri Hogarth (Carrie-Anne Moss) receives a Women in Law award in the Cotillion Ballroom.

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  For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: The Pierre, from Scent of a Woman, is located at 2 East 61st Street on New York’s Upper East Side.  The Cotillion Ballroom, where Frank and Donna tangoed in the film, can be found on the hotel’s second floor, just off the Rotunda.

The Valmont Mansion from “Cruel Intentions”

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I have never been a fan of the movie Cruel Intentions (though the 1999 drama does feature one of my favorite onscreen moments).  But during my April 2016 trip to the Big Apple, my good friend/fellow stalker Owen, from the When Write Is Wrong blog, took me to stalk the Upper East Side estate that portrayed the Valmont Mansion – where step-siblings Kathryn Merteuil (Sarah Michelle Gellar) and Sebastian Valmont (Ryan Phillippe) lived and wreaked havoc on their friends and enemies – in the flick, and I pretty much fell in love with the place on sight.  Known as the Harry F. Sinclair House as well as the Fletcher-Sinclair Mansion in real life, the massive French Gothic-style pad is nothing short of stunning.  So, in spite of my disdain for Cruel Intentions, I figured the residence was most-definitely blog-worthy.

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Commissioned by railroad tycoon Isaac Fletcher in 1897, the Harry F. Sinclair House took two years to complete.  The impressive C.P.H. Gilbert-designed dwelling was modeled after William K. Vanderbilt’s Petit Chateau, formerly located about 30 blocks south at 660 Fifth Avenue.  The limestone masterpiece was furnished with an extensively carved façade, a mansard roof, an ornate wooden staircase, a library, a parlor, a ballroom, and an elevator.  When Fletcher passed away in 1917, he left the estate, as well as his extensive art collection, to The Metropolitan Museum of Art, which immediately turned around and sold the place to industrialist Harry Ford Sinclair.

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Shortly after serving 6.5 months in jail for his part in the infamous Teapot Dome Scandal, Sinclair departed the UES manse, selling it to longtime bachelor Augustus Van Horne Stuyvesant Jr., who lived out the remainder of his days there as a virtual recluse.  Upon Stuyvesant’s passing in 1953, his furnishings and décor were sold off and the residence was left vacant.

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Around that time, the Ukrainian Institute of America, a foundation established to promote Ukrainian art, culture, music, and literature, was looking to expand into a new, larger headquarters.  The group quickly honed in on the Fletcher-Sinclair Mansion, snatching it up for $225,000 in 1955.  Today, the site, which has been painstakingly restored and preserved, plays host to special events, art exhibitions, auctions, performances, concerts, lectures, and, of course, filming.  Best of all – it is open to the public!  Sadly, neither Owen nor I realized that when we stalked it, otherwise we most certainly would have ventured inside to see the stunning interior, which you can check out some photographs of here, here, and here.

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The Fletcher-Sinclair Mansion popped up numerous times throughout Cruel Intentions.

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Only the exterior of the estate was featured in the flick, though.

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The lavish interior of Sebastian and Kathryn’s home was just a set built inside of a soundstage in Los Angeles.  Production designer Jon Gary Steele had this to say of his concept of the Valmont Mansion,  “Most of the story takes place in modern-day New York, but when you walked into the Valmont townhouse, I wanted you to feel like you were walking into a Parisian ballroom.  The furniture in the living room was very Louis XIV.  We stripped the wood and reupholstered it in a much more modern fabric so the room didn’t feel totally period.  Then we added bronze chairs and a bronze table.  I didn’t want it to feel like only one piece of the film was period and everything else was modern-contemporary.  I wanted the audience to feel like it was a period piece, but once they examined the room and noticed the detail, they would realize the contemporary additions.  Because these people have blue-blood money and are very much world travelers, I put in a little bit of everything.  There are a lot of French buildings in New York.  It’s not uncommon to find people like this now living in places like this.”  Interestingly, the set was constructed long before locations managers had secured an estate to serve as the exterior of the Valmont Mansion.  When the Harry F. Sinclair House was ultimately chosen, Steele was shocked to discover that the interior closely mirrored his design, “right down to the similar moldings and comparable room dimensions.”

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Cruel Intentions is hardly the first production to feature the pad.

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In the 1987 comedy Hello Again, the Fletcher-Sinclair Mansion portrays the home of Junior Lacey (Austin Pendleton), where Lucy Chadman (Shelley Long) and her sister, Zelda (Judith Ivey), go to ask for funding to start a day care center at the Knickerbocker Hospital.

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The interior of the property appears in the movie, as well.

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The manse pops up as the exterior of the Manhattan pied-à-terre of Estella (Gwyneth Paltrow) and Ms. Dinsmoor (Anne Bancroft) in 1998’s Great Expectations.  Interiors were shot elsewhere, though.

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The Fletcher-Sinclair Mansion appears numerous times as the both the 1876 and present-day interior of “Albany House,” the home of Leopold (Hugh Jackman), in the 2001 romance Kate & Leopold.

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Only the inside of the pad is featured in the flick.  The exterior of Leopold’s mansion can be found at 1 Hanover Square in New York’s Financial District.

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The property also portrays the alternate-reality home of the Suarez family in the Season 4 episode of Ugly Betty titled “Million Dollar Smile,” which aired in 2010.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Big THANK YOU to my friend/fellow stalker Owen, from the When Write Is Wrong blog, for taking me to this location.  Smile

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Until next time, Happy Stalking!  Smile

Stalk It: The Harry F. Sinclair House, aka the Fletcher-Sinclair Mansion, aka the Valmont Mansion from Cruel Intentions, is located at 2 East 79th Street on New York’s Upper East Side.

The Many Apartments of Carrie Bradshaw on “Sex and the City”

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While it is quite common for locations to shift after the pilot episode of a television series is shot (as I’ve mentioned countless times before on this blog), changes are typically few and far between from that point forward.  The vast majority of my favorite shows tend to play fast and loose with their locales, though.  On Beverly Hills, 90210, for instance, not only did two different pads portray the residence of Dylan McKay (Luke Perry), but three exteriors were used to represent both the family home of Donna Martin (Tori Spelling) and that of Andrea Zuckerman (Gabrielle Carteris).  Then there’s Sex and the City, which completely thumbed its nose at any sort of location continuity.  Though said to be at 245 East 73rd Street on Manhattan’s Upper East Side, no less than five properties were utilized as the apartment building where Carrie Bradshaw (Sarah Jessica Parker) lived during the program’s six-season run.  The initial site, a third-floor flat situated above a café (complete with a very New York-style neon “coffee” sign), which appeared in the series’ first two episodes, has long been a craw in my side.  Despite many attempts to track it down over the years, I could never seem to do so.  Then, a couple of months back, I decided to do a deep dive into identifying it and was finally successful.  As fate would have it, my good friend Kim visited NYC shortly after my discovery and graciously agreed to stalk the place on my behalf.  Thank you, Kim!  When I sat down to write a post on the spot earlier this week, I got a little obsessed with pinpointing the four other properties used, as well, and, after countless hours scouring the internet, managed to ID all but one!  So here I present to you a round-up of Carrie Bradshaw’s many Sex and the City apartments.

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Mention Carrie’s apartment to any SATC fan and visions of a grand brownstone with an idyllic stoop will undoubtedly come to their mind.  But the spot initially used as her dwelling was not a walk-up at all, nor did it have any sort of stoop.  Instead, Carrie was first shown living on the third floor of a rather non-descript building housing a coffee shop on its ground level, as I mentioned above.  The structure pops up twice in the pilot – first in an opening scene and then again in the episode’s closing when Mr. Big (Chris Noth) drops Carrie off at home after running into her at a club.  It is on the sidewalk in front of the property that the duo’s now iconic exchange takes place, during which Carrie asks Big, “Have you ever been in love?” to which he responds, “Absof*ckinglutely.”

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As was portrayed on Sex and the City, while the bottom two levels of the building are commercial space in real life, the upper floors house apartments.

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Though the apartments appear to have been modernized in recent years (as you can see here and here), I am fairly certain from the way the episode was shot that one of the units was utilized as Carrie’s in the pilot.

As you can see in the stills above from the pilot as compared to the ones below from the series’ second episode, “Models and Mortals,” Carrie’s apartment interior looked completely different in the inaugural episode than it did during the rest of the series.

In “Models and Mortals,” an establishing shot of the building appears twice.  While scrutinizing the shot, I noticed a sign situated below Carrie’s apartment in which the word “Clea” and partial word “Col” could barely be made out.  After a ridiculous amount of time Googling that phrasing along with “New York,” I finally landed on a mention on The Knot website of Clea Colet, a now defunct bridal wear vendor formerly located at 960 Madison Avenue.  A quick look at that address on Street View confirmed that it was, indeed, Carrie’s original apartment building.  Amazingly, while the second level windows were changed at some point in the 19-plus years since the first season of Sex and the City was filmed, the edifice otherwise looks much the same as it did onscreen.  Though there is an eatery named 3 Guys Restaurant situated on the bottom level (it’s been there since the ‘70s!), I am fairly certain that the coffee sign visible next to Carrie’s window was not a real feature of the property, but a prop brought in for the filming.

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As Kim noticed while stalking the place, a Christian Louboutin store is fittingly located right across the street.

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After “Models and Mortals,” the exterior of Carrie’s apartment building is not shown again until the twelfth episode of the series, Season’s 1 finale titled “Oh Come All Ye Faithful.”  By that time, shooting had shifted from the Madison Avenue building to a new spot – a handsome brownstone with a picturesque stoop.  In the episode, Carrie and Mr. Big break up –  for the first time – outside of the structure after he refuses to tell her she is “the one.”  Oddly, the site was only utilized in the one episode and while quite a bit of it was shown, I had a heck of a time tracking it down.

While doing my due diligence, I noticed that an address number of what I thought was “56” was visible on the building next door to Carrie’s brownstone in “Oh Come All Ye Faithful.”  I examined pretty much all of the Upper East Side, as well as Greenwich Village, looking for properties numbered 56 that matched what appeared onscreen to no avail before finally calling in my friend Owen, of the When Write Is Wrong blog, for an assist.  Though he put in a Herculean effort, spending hours perusing the Upper West Side, as well as re-tracing my searches of Upper East Side and West Village neighborhoods, he could not find the pad either.

Then fate stepped in when, while hunting for the place via Google Street View, it struck me that the number on the building next door might actually be “36.”  I dragged the little yellow man to the Upper East Side once again and started scrutinizing blocks in the 30 range for the right spot.  It was not long before I came across 36 East 62nd Street.  I had to do a triple take, though, because while the structure at that address matched what appeared on Sex and the City to a T, there was no brownstone adjacent to it.  Instead, as you can see in the Street View image below, situated directly next to the building is a vacant plot of land.  As I later learned thanks to this The New York Times article, a brownstone did once stand in the vacant space at 34 East 62nd Street, but it was blown up on July 10th, 2006 by its owner, who was involved in a bitter divorce and wanted to not only commit suicide, but to seek revenge on his ex in the process.  The blast incinerated the structure, as you can see in images here, here, and here.

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A photo of the home from when it was still intact is pictured below via Property Shark.  Hard to believe it is just gone.

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Carrie’s apartment doesn’t show up again until the third episode of Season 2, titled “The Freak Show.”  Well, it sort of shows up.  In the episode, Carrie walks in front of a row of brownstones at the end of her non-date with Ben (Ian Kahn) and at one point stops and says, “This is me,” but the exterior of a building is never actually visible.  All that is visible is a rather fuzzy view of several walk-ups with iron porch railings.

A few episodes later, in “The Caste System,” Carrie walks with performance artist/bartender Jeremiah (Sam Ball) to a row of brownstones and heads up a set of stairs, but, again, no real exterior is shown.  All that is visible is a row of buildings.

In Season 2’s “La Douleur Exquise!,” we finally get a definitive look at an exterior, though it is an overhead shot of Big leaving Carrie’s apartment – after yet another break-up – in which virtually nothing of the property is shown.  I believe the same set of brownstones was utilized in all three episodes, but since so little is visible, I cannot say that with any certainty, nor can I even begin to guess where they might be located.

In Season 2, episode 14, “The F*ck Buddy,” Carrie’s apartment exterior is shifted yet again – this time to a brownstone at 64 Perry Street in the West Village.  I found this locale thanks to a 2016 post on the StreetEasy Blog which mentioned the property’s use during the series’ early years.

 Though very little of the exterior of Carrie’s brownstone is shown in “The F*ck Buddy,” thanks to its distinctive porch railing and some landmarks visible in the background, I was able to discern that 64 Perry was indeed the spot used.

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64 Perry also appeared in Season 2’s “Was It Good for You?”

If the address sounds familiar, that is because the brownstone utilized as Carrie’s from the Season 3 premiere, titled “Where There’s Smoke . . . “, onward can be found right next door at 66 Perry Street.  Why production decided to shift locales yet again to a brownstone located literally one door away from the previous one used is a mystery.

Though 66 Perry is undeniably charming and picturesque (that’s a picture of me on the stoop taken way back in 2004) and it is not hard to see how it came to be used on the series, as why it wasn’t chosen for filming during Season 2 instead of its neighbor . . . well, your guess is as good as mine.

The stalker found it, its Carrie's apartment.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

 Big THANK YOU to my friend Kim for stalking Carrie’s first apartment for me and to fellow stalker Owen, from the When Write Is Wrong blog, for helping in the hunt for her second apartment!  Smile

Until next time, Happy Stalking!  Smile

Stalk It: Carrie Bradshaw’s apartment from the first two episodes of Sex and the City is located at 960 Madison Avenue on New York’s Upper East Side.  The brownstone used in “Oh Come All Ye Faithful” was formerly located at 34 East 62nd Street, also on the Upper East Side, but no longer stands.  Her home from the latter part of Season 2 can be found at 64 Perry Street in the West Village.  And the brownstone used from Season 3 on is right next door at 66 Perry.

The Francis F. Palmer House from “Gossip Girl”

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A Gossip Girl tour of New York wouldn’t be complete without a visit to Constance Billard School for Girls/St. Jude’s School for Boys, the elite preparatory academy attended by Serena van der Woodsen (Blake Lively), Blair Waldorf (Leighton Meester), Chuck Bass (Ed Westwick), and the rest of “Manhattan’s elite” teenage set on the CW series.  The only problem is that four different locations (yes, four!) actually portrayed the learning institution.  I visited (and blogged about) the most recognizable of the bunch, the Museum of the City of New York, while in NYC back in 2009.  And while I desperately wanted to stalk the second-most recognizable spot, the Francis F. Palmer House, aka the Synod of Bishops of the Russian Orthodox Church Outside of Russia (try saying that one five times fast!), I wasn’t able to get around to it on that trip.  So there was no way I was missing it during my latest Big Apple vacation last April.

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The Francis F. Palmer House was originally constructed from 1916 to 1918 on a corner plot of land located at East 93rd Street and Park Avenue that was once the site of an 1847 residence built by Winfield Scott, a war hero who served as Commanding General of the United States Army from 1841 to 1861.

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Commissioned by wealthy banker Francis Palmer, the Georgian Federal-style estate was designed by the Delano & Aldrich architecture firm, who employed brick and Tuscan marble in the construction.  At the time of its inception, the five-story pad boasted a Mansard roof, a Juliet balcony, a library, a myriad of fireplaces, and a large formal garden courtyard situated on its west side.

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When Palmer passed away in 1926, his widow sold the residence to George F. Baker, Jr., the son of a well-to-do banker.  Baker snatched up three surrounding properties, as well, razed them and hired Delano & Aldrich to build a garage with servants’ quarters and a large secondary wing complete with a ballroom in their place.  The new structures were all situated around the garden courtyard, making it the focal point of the dwelling.

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In 1959, Baker’s widow sold the sprawling mansion to the Synod of Bishops (aka the administration of the Russian Orthodox Church Outside of Russia), who transformed it into their headquarters.  While the property underwent a few modifications to make it functional as a workplace, not much was altered, thankfully, and the changes that were made honored the original design.  As part of the transformation, the Synod opened up the large brick wall surrounding the central courtyard (allowing it to be visible from the street) and added a gorgeous wrought iron gate.  A towering Imperial staircase was also installed at the rear of the courtyard in order to grant easier access to the second floor.  Today, the site is comprised of an administration building and two churches, the Cathedral of the Icon of Our Lady of the Sign and St. Sergius Church.

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The Francis F. Palmer House was only utilized as Constance Billard School for Girls/St. Jude’s School for Boys during a portion of Gossip Girl’s inaugural season, first appearing in the episode titled “Poison Ivy.”

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The site’s 93rd Street exterior . . .

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. . . as well as its courtyard and stairwell made numerous appearances during Season 1 and should be immediately recognizable to GG fans.

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Eagle-eyed viewers undoubtedly know that a second school courtyard was also featured during Season 1 and throughout the end of Season 2.  That spot cannot be found at the Francis F. Palmer House, though.  It was actually just a set built on a soundstage at Silvercup Studios in Queens where the series was lensed.

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Most interior school scenes were also shot on a studio-built set at Silvercup.

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The inside of the Palmer House did pop up a few times as the interior of Constance Billard/St. Jude’s during Season 1, though, including in the episodes “Poison Ivy” and “A Thin Line Between Chuck and Nate.”

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“A Thin Line Between Chuck and Nate” was actually the last time the Palmer House made an appearance on Gossip Girl.  For whatever reason, beginning with the episode that followed, titled “The Blair Bitch Project,” the Museum of the City of New York started standing in for the gang’s school and the Palmer House was never to be seen again.

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Then, inexplicably, at the beginning of Season 2, locales shifted once again – this time to The Packer Collegiate Institute in Brooklyn, though establishing shots of the Museum of the City of New York were still often utilized.

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Despite the Palmer House’s rather brief stint on Gossip Girl, it is still, in my opinion, one of the most recognizable locations from the show, not to mention a gorgeous example of New York’s early 20th Century architecture.  I highly recommend a visit if you are in the area.

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The Palmer House also stands in for The Briarton School, where Jamie Burns (Matt Bomer) teaches, on the third season of The Sinner.

And it popped up as the home of Nicholas Endicott (Dermot Mulroney) in the Season 1 episode of Prodigal Son titled “Like Father . . . “

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!

Stalk It: The Francis F. Palmer House, aka the Synod of Bishops of the Russian Orthodox Church Outside of Russia, aka Constance Billard School for Girls/St. Jude’s School for Boys on Gossip Girl, is located at 75 East 93rd Street on New York’s Upper East Side.  The other locations utilized as the gang’s academy on the series are the Museum of the City of New York at 1220 Fifth Avenue, also on the Upper East Side, The Packer Collegiate Institute at 170 Joralemon Street in Brooklyn, and Silvercup Studios at 42-22 22nd Avenue in Long Island City.

Soup Burg from “Sex and the City”

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I am the first to admit that I get fixated on the most random things.  A few years back, I became obsessed with identifying the diner featured at the very end of the Season 1 episode of Sex and the City titled “Models and Mortals.”  Though the eatery only appeared briefly, I was consumed with tracking it down.  What can I say?  I love a good diner.  It took some legwork to find the place, but find it, I did.  Sadly, by that time, Soup Burg, at 922 Madison Avenue on New York’s Upper East Side, had long since closed its doors.  So while I never got the chance to eat there, I still ran right out to stalk its former location during my trip to the Big Apple last April.

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In “Models and Mortals,” Mr. Big (Chris Noth) and Carrie Bradshaw (Sarah Jessica Parker) run into each other at a fashion show after-party and strike up a conversation, during which he asks her where she writes her “cute” weekly newspaper column.  She responds, “Well, about half the time, I’m at my apartment and the other half I’m over at this coffee shop on 73rd and Madison.”  Flash forward to the episode’s final scene.  Big surprises Carrie by randomly showing up at said coffee shop, where they discuss men who date models.  During their brief conversation (he’s late for a meeting, you see), he informs her, “First of all, well, there are so many goddamn gorgeous women out there in this city.  But the thing is this – after a while, you just want to be with the one that makes you laugh.”  For those not well-versed in all things Sex and the City, Big is speaking about Carrie.  The two get together just a few episodes later.

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While scrutinizing “Models and Mortals” for clues as to the coffee shop’s whereabouts, I noticed that a sign reading “Soup Burg” was very briefly visible behind Mr. Big when he first sat down . . .

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. . . as well as on the door when he left the restaurant.

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So I headed to Google and quickly came across a Yelp page for a defunct eatery by that name which stated its former address as 1095 Lexington Avenue on New York’s Upper East Side.  Eureka, right?  Wrong.   It was not long before I figured out that while Soup Burg was a longtime UES staple dating back to the ‘40s, during its heyday the restaurant actually boasted three outposts, none of which was still in operation.  The Lex Ave location did not open until 2004 and the third iteration at 1026 1st Avenue was also established around that same time.  Since “Models and Mortals” was lensed in 1998, I knew the episode could not have been shot at either of those two spots.  Filming had to have occurred at the original Soup Burg.  So back to the drawing board I went.  Another Google search led me to this 2014 The New York Times article which noted that the restaurant’s inaugural site was on the corner of East 73rd Street and Madison Avenue – exactly where Carrie had said it was in the episode!  D’oh!  The article also mentioned that the space was now home to a cashmere shop.  From there it was easy to pinpoint the eatery’s exact former address of 922 Madison.

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Soup Burg was originally established at the Madison Avenue site way back in 1948.  I am unaware of who initially founded it, but in 1964, the café was purchased by Greek native Peter Gouvakis, who had worked on the premises since 1958.  Soup Burg thrived under Gouvakis’ tutelage, becoming a veritable New York institution.

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During the 1970s, Peter’s son Jimmy started working at Soup Burg, eventually taking it over, along with his brother, John, and their brother-in-law, Timmy Vlachos.  The trio further grew the business and perfected the recipes.  Soup Burg became known citywide for its burgers, which Time Out NY rated as the third best burgers in all of Manhattan in 2004.  Though the two sister cafes were opened, the Madison Avenue location remained the best-loved.  Of the site, New York magazine had this to say, “There are a few places on the East Side with this name, each as small as your first – or current – apartment, each looking like it was built in two days, each routinely buffed to a high Formica shine, and each with a menu big enough to daunt the banquet kitchen at the Marriott Marquis.  Ignore all of them but the one at this address.”

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In July 2006, Jimmy was informed that the rent on the Madison Avenue site was increasing from $21,000 a month to $65,000.  Sadly, Gouvakis could not afford the increase and the restaurant (which, by that time, had been operating in the same space for 58 years!) shuttered later that month.  By November, the upscale Manrico Cashmere boutique had moved in.  You can see what the Madison Avenue Soup Burg looked like while it was still in operation here, here, here, and here.   And you can read two great articles on its closing on the Doktor Weingolb blog here and here.

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By that time, the 1st Avenue location had also closed its doors.  And though the Lexington Avenue outpost remained open and extremely popular with New Yorkers as one of the only spots in the neighborhood to get a decent, affordable meal, it, too, faced a rent hike in 2014 and shuttered in June of that year.  The increase was a pretty dumb move on the landlord’s part if you ask me, being that, per Google Street View, the space is currently vacant and does not look to have ever been occupied since Soup Burg moved out.

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Many mourned the loss of the last operating Soup Burg.  The New York Times journalist Anne Barnard had this to say about the closure, “The Soup Burg is – was – the archetype of what in today’s homogenized, all-American city is usually called a diner.  Premillennial, pre-Starbucks New Yorkers would call it a coffee shop.  Not the kind where you get a latte, though that item was grudgingly added to the menu.  The kind where you get a burger bigger than its bun, or home fries with sweet peppers and onions, or a chicken orzo soup with saltines.  Where you can sit down and eat for $10, with a bottomless, not distractingly good $1.50 coffee, and where they know your face, your order and sometimes even your name.”

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  I’m really sad I never got the chance to dine at any of the Soup Burg restaurants, but at least the original is forever immortalized onscreen thanks to Sex and the City.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: Soup Burg, from the “Models and Mortals” episode of Sex and the City, was formerly located at 922 Madison Avenue on New York’s Upper East Side.  The space currently houses Manrico Cashmere.  Via Quadronno, one of my very favorite Big Apple eateries, is located right around the corner at 25 East 73rd Street.  It also appeared in “Models and Mortals.”  You can read my post on the restaurant here.