Raymond Chandler – IAMNOTASTALKER

As I mentioned a couple of weeks ago in my post about the Pretty Woman party house, fellow stalker Mike, from MovieShotsLA, and I have recently been on the hunt for a few of the flick’s more elusive locations – the two most important of which being the alleyway where the body of “Skinny Marie” was found and, across the street from it, The Blue Banana Club where Vivian Ward (Julia Roberts) and Kit De Luca (Laura San Giacomo) hung out in the film. And, amazingly enough, Mike was able to track down both locales in a relatively short period of time – as were fellow stalkers E.J., from The Movieland Directory website, and Scott Michaels, from the Findadeath website, whom I also enlisted in the hunt. So, while out doing some stalking in the Hollywood area three weekends ago, I dragged the Grim Cheaper right on over to stalk both spots.

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In one of Pretty Woman’s opening scenes, Vivian is shown walking through an alleyway where the dead body of a fellow prostitute named Skinny Marie has just been pulled out of a garbage dumpster.

While watching the scene, Mike happened to recognize the unique roofline of the historic Miceli’s Restaurant in the background behind a very young Hank Azaria, who played the role of a nameless homicide detective who laments about tourists taking photographs of Skinny Marie’s body in the flick. From there, Mike simply used Google Street View to look for an alley in the area half a block west and on the opposite side of the street from Miceli’s. And voila, it was not long before he found the right spot! Yay!

As it turns out, though, the Pretty Woman alleyway is not actually an alleyway at all, as we had originally thought, but the main lobby of The Outpost Building – a Spanish-Colonial-style structure that was commissioned by a Mr. and Mrs. B.C. Donnelly and designed by architect B.B. Horner in 1927. The historic property, which was fashioned after stores in Madrid, Spain, was originally comprised of apartment units that became home to countless aspiring starlets during the Hollywood heyday, but today is made up solely of offices and retail space.

Sadly, the building was closed when we showed up to stalk it, but I did manage to snap the above photographs through the glass front doors. As you can see, the “alley” still looks exactly the same today as it did in Pretty Woman, despite the fact that over twenty-two years have since passed! Even the shoe shine stand that Vivian walked by is still there! LOVE IT!

Amazingly enough, when I showed Mike the photographs I had taken of the lobby of The Outpost Building, he immediately recognized the place as the “Celebrity Apartments” where Tom Turner (Greg Kinnear) lived in the 1996 comedy Dear God. Both the exterior of the property . . .

. . . and the lobby area were used in the flick. In an interesting twist, Dear God was directed by none other than Garry Marshall, the very same man who also directed Pretty Woman. I guess the guy just has a thing for The Outpost Building!

Thanks to the Lenrek website, I also discovered that in the 1984 cult classic Angel, high school student/prostitute Molly “Angel” Stewart (Donna Wilkes) walked from the rear entrance of The Outpost Building, through the lobby and out the front door while on the search for a serial killer.

Interestingly enough, according to the GPSMyCity website, The Outpost Building also has a connection to novelist Raymond Chandler. In his 1939 mystery The Big Sleep, Chandler describes Geiger’s Rare Books and Deluxe Editions as follows: “A. G. Geiger’s place was a store frontage on the north side of the boulevard near Las Palmas. The entrance door was set far back in the middle and there was a copper trim on the windows, which were backed with Chinese screens, so I couldn’t see into the store. There was a lot of oriental junk in the windows. I don’t know whether it was any good, not being a collector of antiques, except unpaid bills. The entrance door was plate glass, but I couldn’t see much through that either, because the store was very dim. A building entrance adjoined it on one side and on the other was a glittering credit jewelry establishment.” Apparently, numerous Chandler aficionados believe that that description was inspired by none other than The Outpost Building. So incredibly cool!

Once Mike had located The Outpost Building, tracking down The Blue Banana Club was a snap, since in the movie it was shown to be situated directly across the street from the alleyway where Skinny Marie’s body was found.

Shockingly enough, The Blue Banana Club was actually a part of the historic Egyptian Theatre! At the time that the movie was filmed, the property belonged to the United Artists Corporation and it looked considerably different than it does today, but you can see pictures of the place in its Pretty Woman state on The Bruce Torrence Hollywood Photograph Collection website here and here, and on the Gorillas Don’t Blog website here. Ironically enough, a few minutes after Mike had texted me to let me know that The Blue Banana was actually the Egyptian Theatre, I received an email from both E.J. and Scott telling me the exact same thing. Great minds . . .

Today, the storefront that stood in for The Blue Banana houses the newly-opened Maui and Sons Bar & Grill. I am, unfortunately, unsure of what was in that location at the time of the filming, but back in the 1930s through the 1950s it housed the Larry Dine men’s clothing store and, in more recent years, it was the site of a Lickity Split ice cream shop.

In his commentary on the Pretty Woman 15th Anniversary Special Edition DVD, Garry Marshall states that, while set dressers had created a fake exterior for the outside of The Blue Banana Club, the interior scenes were filmed at an actual club located somewhere in Hollywood. Sadly though, as of yet, we have been unable to track down that location.

The interior looks like it might have been some sort of historic building, though, as it features some fairly ornate detailing, as you can see in the above screen capture.

On a side-note – My good friend Katie, from the Matthew Lillard Online website, is hosting a contest today to win two tickets to the Hollywood Rush show, in which the cutie actor will be directing a ten-minute play, taking place this Sunday night at 7 p.m. at the Wilshire Ebell Theatre in L.A. You can enter the contest on Matthew Lillard Online or on twitter at @mattlillardfans.

Big THANK YOU to fellow stalkers Mike, from MovieShotsLA, E.J., from The Movieland Directory, and Scott, from Findadeath, for finding these locations!

Until next time, Happy Stalking! Smile

Stalk It: The Pretty Woman alleyway is actually the lobby of The Outpost Building, which is located at 6715 Hollywood Boulevard in Hollywood. You can visit the property’s official website here. Maui and Sons Bar & Grill, aka the exterior of The Blue Banana Club from Pretty Woman, is located across the street at 6708 Hollywood Boulevard in Hollywood. You can visit the restaurant’s official website here.

A couple of weekends ago I dragged the Grim Cheaper out to the Beachwood Canyon area of the Hollywood Hills to stalk one of the most famous macabre movie locations of all time – the Spanish-Colonial-Revival-style abode that was featured in Double Indemnity. Incredibly, up until a few weeks ago I had yet to see the 1944 film noir classic, which was directed by Billy Wilder, even though it is largely considered to be one of the greatest movies of all time. And I have to say that I was pleasantly surprised when I finally did sit down to watch it. Not only did the film not seem dated, but I was absolutely riveted to my chair for the entire 107 minute run time. Sure, some scenes were a bit cheesy – especially the love scenes between Pacific All Risk Insurance Company salesman Walter Neff (aka Fred MacMurray) and disgruntled housewife Phyllis Dietrichson (aka Barbara Stanwyck), not to mention Walter’s silly pronunciation of the word “baby” – but overall the film was incredibly well-done and thoroughly suspenseful, which is shocking being that it was made almost a full seven decades ago. If you have yet to see it, I cannot more highly recommend doing so!

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In Double Indemnity, the supposed-Glendale-area hillside abode pictured above is where Phyllis lives with her abusive oilman husband, Mr. Dietrichson (aka Tom Powers), and his daughter, Lola Dietrichson (aka Jean Heather). It is while walking up to the home at the very beginning of the film that Walter Neff utters what is arguably its most famous line. Of the residence, he says, “It was one of those California Spanish houses everyone was nuts about ten or fifteen years ago. This one must have cost somebody about thirty thousand bucks – that is if he ever finished paying for it.” It is at the house that Phyllis and Walter first meet and fall in love. The two later cook up a scheme to purchase an accident insurance policy for Phyllis’ unknowing husband and then murder him to collect on the claim. The “double indemnity” of the title refers to a clause in the policy which stipulates that in the case of certain more unlikely accidents, i.e. a death on a train, the amount of the insurance payout would double.

Amazingly enough, as you can see above, the house has remained virtually unchanged since 1944 when Double Indemnity was filmed. I simply cannot express how cool I think that is!

The only real difference is the garage door, which has since been modernized. Otherwise though, the home looks pretty much exactly the same in person as it did onscreen in all of its black-and-white glory.

The view has obviously changed a bit in the ensuing years, though. Winking smile

The screenplay for the movie, which was co-written by Raymond Chandler and Billy Wilder, was based on an 8-part serial written by James M. Cain that was first published in Liberty Magazine in 1936. Cain based his story on the real life 1927 murder of Albert Snyder by his wife Ruth Snyder and her lover Henry Judd Gray, the trial of which Cain had covered while working as a journalist in New York. And amazingly enough, it seems as if the house that wound up being used in the movie was the very same house that Cain had written about in his story. In the book he calls the abode the “House of Death” and, of it, he says, “I drove out to Glendale to put three new truck drivers on a brewery company bond, and then I remembered this renewal over in Hollywoodland. I decided to run over there. That was how I came to this House of Death, that you’ve been reading about in the papers. It didn’t look like a House of Death when I saw it. It was just a Spanish house, like all the rest of them in California, with white walls, red tile roof, and a patio out to one side. It was built cock-eyed. The garage was under the house, the first floor was over that and the rest of it was spilled up the hill any way they could get it in. You climbed some stone steps to the front door, so I parked the car and went up there.” Cain’s words could not be a more perfect description of the residence that appeared in the movie, which leads me to believe that the abode must have served as the inspiration for the home in the story and that Cain then later suggested the place to producers to use for the filming. So incredibly cool!

According to an October 17, 2009 Los Angeles Times article, an almost exact replica of the interior of the house was recreated on a soundstage at Paramount Studios in Hollywood for the filming.

As you can see above, in real life the home’s front door is much closer to the bottom of the central staircase than it was onscreen. The actual residence, which was built in 1927 and boasts 4 bedrooms, 3 baths, and 3,077 square feet of living space, currently belongs to interior designer/set decorator Mae Brunken. You can check out some fabulous photographs of the actual interior of the property here. (The photograph of the home pictured above does not belong to me, but remains the sole property of the Los Angeles Times and photographer Ricardo DeAratanha).

In an interesting twist, as you can see above, producers had the address number of the Double Indemnity house changed from “6301” to “4760” for the filming. I would not have thought that sort of thing happened back in the days before DVD players, pause buttons, and the internet, but all evidence to the contrary.

Until next time, Happy Stalking! Smile

Stalk It: The Double Indemnity house is located at 6301 Quebec Drive in the Beachwood Canyon area of the Hollywood Hills.

Tag: Raymond Chandler

The Alleyway and The Blue Banana Club from “Pretty Woman”

The “Double Indemnity” House