Pretty Woman – IAMNOTASTALKER

November 22, 2019November 20, 2019

Valentino from “Pretty Woman”

Pretty Woman is one of the most well-documented movies out there when it comes to locations. Oddly though, despite the legions of websites and books with sections dedicated to its locales, I have yet to see identified the Rodeo Drive shop where Vivian Ward (Julia Roberts) and Edward Lewis (Richard Gere) spent an “obscene amount of money” mid-film. So I recently set out to find it.

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The exterior of the boutique, where Vivian famously spits her gum onto the sidewalk, is only shown briefly in the shopping scene, unfortunately. And my copy of the movie on DVD (the 15th Anniversary Special Edition which I’ve owned for years) is surprisingly grainy, giving away little in terms of the shop’s location. So I decided to stream a high-definition version in the hopes that some clues might be discernable. And there were! In the high-res format available on Amazon, the words “Valentino” and “a Torie Steele boutique” were visible at the bottom of one of the store’s windows, as was the familiar Valentino logo featuring a large “V” above the front door. The start of an address number reading “40” could be seen, as well!

I was thrilled to make out the last digit – an “8” – on the back of the door shortly after Vivian and Edward entered the store. From there, it was not hard to put the pieces together – the Pretty Woman shopping/gum spitting scene was lensed at the Valentino boutique formerly at 408 North Rodeo Drive.

A quick Newspapers.com search confirmed that a Valentino outpost owned by Torie Steele was located at that address from the mid-80s through the mid-90s.

Torie Steele, a revelation in the fashion industry, pioneered the merchandising of foreign designers’ wares to American consumers via a stretch of Rodeo Drive boutiques she established in the 1980s that, along with Valentino, specialized in Ferré, Versace, and Krizia.

When Torie retired in the ’90s, her popular boutiques were shuttered. The Valentino space was purchased by Lladró in 1994, five years after Pretty Woman was shot and four years before my first visit to Beverly Hills, sadly. Even had I known about the locale, it would have been far too late for me to stalk it.

Per everything I’ve come across, the 408 North Rodeo building as it exists today was constructed in 1997, so it was either torn down after the Lladró sale or extensively gutted and remodeled. The exclusive ceramics company then opened a boutique/museum in the space in March 1997.

Because of the remodel/razing, there are no elements leftover from the time that Pretty Woman was shot, leaving the storefront completely unrecognizable from its 1990 cameo.

Lladró’s interior, designed by Juan Vicente Lladró (son of one of the company’s original founders) and architect Ki Suh Park, also bears no resemblance to the inside of Valentino as it appeared in Pretty Woman. The spectacular space, which you can see a photo of here, featured a grand double staircase rising three levels and a domed ceiling.

It is a bit surprising that producers chose to use a Valentino outpost in the scene rather than an unnamed boutique (as was the case with the movie’s other famous shopping segment) being that none of Vivian’s clothes were actually made by the fashion house. Her enviable wardrobe was instead created by costume designer Marilyn Vance in its entirety, right down to the iconic red opera gown, as detailed in this fabulous interview. Somehow, despite the fact that I’ve seen Pretty Woman about a gazillion times, I only just noticed while making screen captures for this post that the famous crimson frock can briefly be seen displayed on a mannequin on the Valentino sales floor during the shopping sequence, as denoted below!

During 408 North Rodeo’s almost twenty-year tenure as Lladró, Michael Jackson frequented the place regularly. One of his many visits is pictured below via a video posted by Marianna Sarte on YouTube.

In summer 2014, Lladró moved to a new storefront a block away at the Two Rodeo complex. It’s former home, the 16,129-square-foot 408 North Rodeo building, had been sold to Chanel the year prior for a whopping $117 million. Per The Hollywood Reporter, it was “the highest per-square-foot retail sale in L.A. County!”

Chanel was set to raze the building, as well as its flagship store next door, in order to construct a massive new boutique, but those plans have yet to come to fruition.

The space did house a St. Supéry Estate Vineyards and Winery pop-up for a time in 2017, but sits vacant today, a distant memory of its famed 1990 role.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: Valentino, where Vivian and Edward shopped in Pretty Woman, was formerly located at 408 North Rodeo Drive in Beverly Hills. The building is currently vacant.

November 8, 2019November 18, 2019

Cicada from “The Morning Show”

I don’t know what all the hullabaloo regarding The Morning Show being terrible is about. The Grim Cheaper and I trepidatiously tuned in earlier this week and, considering all the jeers reviewers are spewing, were shocked at how much we enjoyed the new Apple TV+ series! We devoured the three episodes that have aired so far in one sitting and literally loved every second! So artfully done and intriguing is the show that it even managed to pull one over on me, locations-wise! Set in NYC, I assumed all filming had taken place there as well. While I did have a few “That looks like L.A.” moments throughout episode 1, it was not until Bradley Jackson (Reese Witherspoon) walked up the instantly recognizable split staircase of downtown’s iconic Cicada restaurant at the start of episode 2 that I realized my mistake! A quick look at the drama’s Wikipedia page confirmed that it was largely lensed in Los Angeles, with a few exteriors shot in the Big Apple. Hoping to throw a little love The Morning Show’s way, I figure it is the perfect time to blog about Cicada, a spot I stalked ages ago (while scouting wedding venues prior to my 2010 nuptials!) but somehow have yet to write about.

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Any article about quintessential Los Angeles restaurants will undoubtedly feature Cicada. Initially established as Rex iI Ristorante in 1981, the landmark eatery sits on the ground floor of the Oviatt Building in the heart of downtown. The 13-story structure was the brainchild of James Oviatt, a famous clothier who outfitted the likes of Clark Gable, John Barrymore, and Gary Cooper during the Golden Age of Hollywood. Originally employed as a window dresser at Desmond’s Department Store, Oviatt partnered with fellow employee Frank Alexander in 1911 to open their own haberdashery, the exclusive Alexander & Oviatt. It was an instant success. A 1925 visit to Paris’ International Exhibition of Modern Decorative and Industrial Arts (which introduced Art Deco to the world) inspired James to construct a gilded architectural marvel of his own in L.A. Thus the Oviatt Building was born in 1928.

Designed by Albert Walker and Percy Eisen, the exquisite structure featured maillechort detailing, hand-carved wood paneling, more than 30 tons of glass artworks created by René Lalique, and an arcade with an ornate frosted-glass ceiling courtesy of artist Gaetan Jeannin (pictured below).

Sadly, much of both Lalique and Jeannin’s pieces were later sold off and have since been replaced with facsimiles, though some of their original works remain, like the doors below.

The building’s pièce de résistance was easily its street-level salon which housed the new Alexander & Oviatt haberdashery. Gilded, grand and absolutely striking, the boutique featured a large open sales floor flanked by wooden cabinets filled with the finest clothes money could by, a magnificent split staircase, a mezzanine which was home to the women’s department (aka the Salon des Elegances), and an outdoor palm grove, where patrons could experience the wares in natural light.

Though L.A.’s premier place to shop for fine clothing for decades, Alexander & Oviatt saw a decline in patronage in the 1960s and closed its doors in 1967. The once-popular boutique subsequently sat vacant for years. By that time, the building was showing its age. Enter Wayne Ratkovich and Don Bowers, developers who, seeing potential in the once-grand structure, made an offer to buy it in 1977 and subsequently dedicated $5 million into a major renovation. A huge part of that renovation was a reimagining of the former Alexander & Oviatt space, which was transformed into an exclusive eatery courtesy of Mauro Vincenti. Because the Oviatt had been declared a Historic-Cultural Monument in 1978, the nuts and bolts of the boutique’s interior, thankfully, couldn’t be changed, but the Rome-born restauranteur outfitted it with décor and design elements inspired by a dining room from the 1930s-era Italian cruise ship the SS Rex. Mauro dubbed the place “Rex il Ristorante,” which translates to “Rex the Restaurant.” The gorgeous site was soon the spot to dine in L.A.

Vincenti sadly passed away in August 1996 at the untimely age of 53. His widow kept his famed eatery open until the following January when the lease on the site expired. Stephanie Taupin subsequently took over the 14,000-square-foot space and re-located her West Hollywood restaurant Cicada there.

Though the interior was given a bit of a facelift, the ceiling painted with gold leaf and much of the décor swapped out, thanks to its Historic-Cultural Monument status, the former boutique still looks not only much as it did when Rex was in operation but Alexander & Oviatt as well!

It is easily one of the most gorgeous places in L.A.!

I mean!

In the first episode of The Morning Show, titled “In the Dark Night of the Soul It’s Always 3:30 in the Morning,” Corey Ellison (an absolutely brilliant, but utterly unrecognizable Billy Crudup) and Chip Black (Mark Duplass) dine at what is supposedly the Archer Gray Hotel in New York, where they discuss future strategy for their program after one of the hosts, Mitch Kessler (Steve Carell), gets fired for sexual harassment. It is the top screen capture below that gave me that initial “That looks like L.A.” moment while watching and I actually turned to the GC and said, “Wow, that place is the spitting image of Cicada.” Facepalm!

It took Bradley venturing up the staircase and around Cicada’s mezzanine at the top of the second episode, “A Seat at the Table,” for the pieces to fall into place for me.

The Morning Show is hardly the only production to feature Cicada. In fact, the restaurant is practically royalty when it comes to Hollywood! So much so that it would be impossible for me to chronicle all of its cameos here, but read on for a list of some of the more significant.

In easily its most famous appearance, Viviane Ward (Julia Roberts) tosses an escargot shell across the Rex il Ristorante dining room in the 1990 classic Pretty Woman.

Rex also served as a locale in another Richard Gere film – the 1992 thriller Final Analysis. It was there that Heather Evans (Kim Basinger) suffered from an extreme bout of pathological intoxication while out to dinner with her husband, played, ironically enough, by Julia’s brother, Eric Roberts.

David Murphy (Woody Harrelson) confronts Diana (Demi Moore) and John (Robert Redford) outside of Rex in the 1993 drama Indecent Proposal.

Longfellow Deeds (Adam Sandler) takes Babe Bennett (Winona Ryder) on a romantic date at Cicada that ends in a massive fight with other diners in the 2002 comedy Mr. Deeds.

The following year, Cicada popped up as the spot where Bruce Nolan (Jim Carrey) brought girlfriend Grace Connelly (Jennifer Aniston) to tell her that he was finally given the anchor job in Bruce Almighty.

Charlene Morton (Queen Latifah) teaches Peter Sanderson (Steve Martin) to dance there in the 2003 comedy Bringing Down the House.

John (Brad Pitt) and Jane (Angelina Jolie) share a seductive tango at Cicada in 2005’s Mr. & Mrs. Smith.

Mad Men utilized the restaurant in no less than three episodes. In Season 1’s “New Amsterdam,” which aired in 2007, it was both the restaurant where Pete Campbell (Vincent Kartheiser) dined with his wife and her parents . . .

. . . and where he later met clients for a drink.

The following year, Roger Sterling (John Slattery) tried to convince his daughter to have a big wedding over dinner at Cicada in Season 2’s “Three Sundays.”

And Don Draper (Jon Hamm) won a Clio Award at the restaurant in Season 4’s “Waldorf Stories,” which aired in 2010.

George Valentin (Jean Dujardin) overhears some unkind words from Peppy Miller (Berenice Bejo) while at Cicada in the 2011 film The Artist.

In 2015, the exterior of Cicada, as well as that of the Oviatt Building, portrayed the outside of Hotel Cortez in American Horror Story: Hotel.

Though no filming actually took place inside, Hotel Cortez’s lobby was very closely modeled after the interior of Cicada.

Cicada occasionally masked as the entrance to Lux nightclub during the third season of Lucifer, which began airing in 2017.

Cicada also masquerades as the restaurant where Rick Dalton (Leonardo DiCaprio) dines while filming on location in Italy in Once Upon a Time in Hollywood (which is not yet out on DVD so I am unable to make screen captures of that scene), as well as the bar from which Marvin Schwarz (Al Pacino) calls him (which is shown briefly in the trailer as pictured below).

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: Cicada, aka New York’s fictional Archer Gray Hotel from The Morning Show, is located at 617 South Olive Street in downtown Los Angeles. You can visit the restaurant’s official website here.

August 28, 2017August 30, 2017

Jewel’s Catch One from “Pretty Woman”

They say that Lady Luck makes for a fickle mistress, but she was certainly smiling on me earlier this month. Not only did I track down the Campbell residence from Soap and the original Mama’s Family house during the first week of August, but fellow stalker Chas, from It’s Filmed There, sent me a text saying that he had finally, finally located the interior of The Blue Banana from the 1990 romcom Pretty Woman, a place I had been looking for for ages. I was shocked to learn that Vivian Ward’s (Julia Roberts) favorite hangout was actually Jewel’s Catch One, an oft-filmed site that also appeared in another of my favorite movies, Girls Just Want to Have Fun. The Arlington Heights hot spot shut its doors in July 2015, unfortunately, after 44 years in business. It crushed me to realize that up until two summers ago, the venue was still in operation and I could have stalked it! Knowing the transient nature of nightclubs, in all my years of searching for the locale, never in my wildest dreams did I think it would still be in business, intact, or even remotely recognizable 27 years after filming took place. But a Google search of images of Jewel’s Catch One showed me that, up until the closure, the lounge still looked exactly as it did in Pretty Woman. Another Google search told me that the site now housed a different nightclub named Union. I happened to be in L.A. when I received Chas’ text, so I headed right on over to stalk the venue. And there was Lady Luck once again at my side. Union was closed when we stopped by, but while I was taking photos, one of the booking managers happened to walk out. I asked if there was any way he might show me the interior and he could not have been more happy to do so! I literally just about hyperventilated from excitement. That excitement only heightened when I saw that, despite the change in ownership, the interior of the club is still very recognizable as The Blue Banana!

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Before I delve into that, though, a little history on the site. Jewel’s Catch One was founded in 1973 by Jewel Thais-Williams, an African-American lesbian who had long been growing weary over the difficulty she was having getting in to the popular West Hollywood gay clubs of the era due to her skin color and gender. Recognizing the need for a safe haven for minority members of the LGBT community to dance, party and let loose, Jewel took matters into her own hands and purchased a neighborhood bar located on the ground floor of a three-level 1923 building that once housed the Diana Ballroom. She transformed the small space into Jewel’s Catch One, a welcoming nightclub that offered the ultimate in privacy and discretion for its patrons. It quickly caught on, becoming so popular that Jewel was able to expand into other areas of the building, eventually purchasing and taking over the entire 7-room property.

Jewel’s Catch One attracted people of all races, genders, and sexual orientation. Thanks to the privacy the club afforded, it wasn’t long before celebrities started popping in, as well. Just a few of the stars the lounge played host to include Sammy Davis Jr., Gregory Hines, Warren Beatty, Ali MacGraw, Madonna, Sharon Stone, Janet Jackson, Christina Aguilera, Sade, and Pink.

In 1985, the club suffered a massive fire in its top-floor disco room. Despite having to shut down for two years to rebuild, Jewel’s prevailed, coming back stronger than ever.

Thais-Williams could be found on the premises nightly, mixing drinks and mingling with her customers. She was so much more than just a nightclub owner, though. Jewel quickly found herself in the position of trailblazer, community leader, and humanitarian. When the AIDS epidemic first hit, she held fundraisers and offered her support to those afflicted. She helped local addicts get clean. She operated a soup kitchen out of Catch One’s parking lot to provide food to those who couldn’t afford to feed themselves. She co-founded countless community organizations, including the Minority AIDS Project, the Unity Fellowship of Christ Church, the Imani Unidos Food Pantry, and Rue’s House, a living facility for women and children with HIV. She didn’t stop there, though. After sitting through an appointment with an inefficient doctor in the ‘90s, Jewel decided to go back to school to study Eastern Medicine. She graduated in 1999 with a Masters of Science in Oriental Medicine – at the age of 60 no less. Two years later, she opened the Village Heath Foundation next door to Catch One. The free clinic, which is still in operation, provides medical services to the community’s less fortunate. Today, Jewel can even add “producer” to the long list of her accomplishments, having served as one on a 2016 documentary about her club titled Jewel’s Catch One.

Sadly, Catch One saw a decline in patronage in recent years. As Jewel explained in a 2014 The Neighborhood News Online interview, “The need [for the club] isn’t there anymore. The population was gay and lesbian for most of the years — though everybody came, including straight people and stars — but now the community can go anywhere they want to. And now, even when I come out on a Saturday night, no one’s dancing, no one’s talking. They’re all standing on the edge of the room and all you see is white lights, screens.” In July 2015, she decided to shutter the site, put it up for sale, and instead focus her energies on running the Village Health Foundation. The space was purchased by Mitch Edelson in November of that year and re-opened as Union in February 2016. I love that the club’s original signage was left intact, despite the changeover.

Today, the venue boasts six dance areas known as the Disco, The Loft, Jewel’s Room, Circle Bar, Noise Room, and Tavern. Jewel’s Room (pictured below) is the space that appeared as The Blue Banana in Pretty Woman and is the area of the club most often featured onscreen. It is not very hard to see why producers choose to use it regularly. It definitely has a retro aura, even with the modernizations made by Edelson when the site became Union.

As I walked into Jewel’s Room, I just about passed out from excitement.

I was in awe at how recognizable it still is from Pretty Woman, as you can see above and below.

I was most excited to see the stairwell leading to the mezzanine, which Vivian walked down in the movie. The white metal railing has since been swapped out for a modern glass and metal railing (which bummed me to no end), but I was thrilled to finally be laying eyes on the stairs nonetheless.

Never thought I’d be posing for this photo! Finally! (Due to the room’s low lighting, my pictures came out a bit hazy, unfortunately – some worse than others. My apologies.)

Jewel’s Room’s mezzanine was referred to as the “Poor Room” in Pretty Woman. When I mentioned that factoid to our tour guide, he asked if I wanted to head upstairs to see the space in person. It was about that time that I completely lost my cool. (Again, I’m sorry about the poor quality of my photos here.)

When I saw that the mezzanine area boasts an air hockey table in real life, I was ecstatic. Not quite the pool table seen in Pretty Woman, but close enough!

Another shot of the “Poor Room” is pictured below.

As I mentioned in this February 2012 post, the front exterior of The Blue Banana was a mocked-up section of the Egyptian Theatre in Hollywood.

The rear exterior of Jewel’s Catch One did appear in a deleted scene, though, that was featured on Pretty Woman’s 15th Anniversary Special Edition DVD. In the scene, Vivian stops by The Blue Banana with Edward Lewis (Richard Gere) to look for her roommate, Kit De Luca (Laura San Giacomo). While there Edward proceeds to get into an altercation with drug dealer/pimp Carlos (Billy Gallo). It was because of that segment that Chas was finally able to identify the club. While watching the scene a couple of weeks ago, he happened to recognize Catch One’s back entrance (namely the doorway and stairwell) from its appearance in both Girls Just Want to Have Fun and Pretty in Pink, two movies he has chronicled on his site. (You can check out his posts on those flicks here and here.)

The interior of Jewel’s Room was also utilized in the deleted scene.

In fave movie Girls Just Want to Have Fun, which premiered in 1985, Jewel’s Catch One portrayed The Court nightclub, where Janie Glenn (Sarah Jessica Parker) and Jeff Malene (Lee Montgomery) rehearsed for the big Dance TV contest. In the scene, Catch One’s rear entrance masked as the front of The Court.

I am not sure if the scenes that took place inside The Court were shot at Jewel’s, but I am guessing they were. I believe the Disco was utilized for those segments. Due to the fire that occurred in the Disco in 1985 and the subsequent remodel of the space, it is hard to say for certain either way, though.

Catch One masqueraded as Cats nightclub, where Andie (Molly Ringwald) regularly hung out in 1986’s Pretty in Pink.

As you can see from comparing my photographs below to the screen captures above, Catch One’s rear entrance is now fenced in and, though still recognizable, looks quite a bit different than it did onscreen in Pretty Woman, Girls Just Want to Have Fun, and Pretty in Pink.

Thanks to our friendly tour guide, I was able to snap a pic of the stairwell seen in the three films from behind the fence.

Because so little of the inside of Cats was shown in Pretty in Pink and what was shown was dimly lit, I cannot say with any certainty if Jewel’s Catch One or a different location was utilized for the interior segments.

In the 1988 drama Beaches, Catch One popped up as two different spots. Jewel’s Room first appeared as The Blue Cave, the New York City lounge where CC Bloom (Bette Midler) tried her hand at being a jazz singer.

Later in the movie, the Disco portrayed San Francisco’s Pink Palm nightclub, where CC and Hillary Whitney Essex (Barbara Hershey) made up after not speaking for years.

Jewel’s Catch One also masked as two different places in the 1988 comedy I’m Gonna Get You Sucka. The Disco first popped up in the movie’s Soul Train flashback scene.

Later in the film, Catch One’s front exterior . . .

. . . and Jewel’s Room portrayed the Big Brim Bar, the hangout of “every criminal and major player in town.”

Catch’s One rear exterior and Jewel’s Room appeared as The Gold Tooth, the supposed Decatur, Georgia nightclub where Nisi (Halle Berry) and Mickey (Natalie Desselle Reid) hung out in the 1997 comedy B*A*P*S.

Jewel’s Catch One played The Bell, the Philadelphia-area nightclub where 23 people were killed in a 1978 fire, in the Season 1 episode of Cold Case titled “Disco Inferno,” which aired in 2004.

Though the Disco was utilized for the majority of the shoot, Jewel’s Room was featured at the end of the episode as the spot where Lilly Rush (Kathryn Morris) took ADA Jason Kite (Josh Hopkins) to celebrate after solving the case.

In 2015’s Straight Outta Compton, the Disco portrayed Doo-To’s Club, the Compton spot where Dr. Dre (Corey Hawkins) and Ice Cube (O’Shea Jackson Jr.) first performed.

Jewel’s Catch One was also supposedly featured in the 1993 Tina Turner biopic What’s Love Got to Do with It, but I scanned through the movie and did not see it anywhere.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Big THANK YOU to Chas, from the It’s Filmed There website, for finding this location!

Until next time, Happy Stalking! Smile

Stalk It: Union, aka Jewel’s Catch One, aka The Blue Banana from Pretty Woman, is located at 4067 West Pico Boulevard in Arlington Heights. You can visit the nightclub’s official website here.

May 13, 2015May 12, 2015

Latest Discover Los Angeles Post – Movie and TV Restaurants

Be sure to head over to Discover Los Angeles today to check out my latest article, about restaurants featured in movies and television shows.

February 24, 2012February 23, 2012

Barb’s Quickie Grill from “Pretty Woman”

Another Pretty Woman location that I spent countless hours trying to track down recently was the tiny café where Vivian Ward (Julia Roberts) and Edward Lewis (Richard Gere) had dinner towards the end of the classic 1990 flick. And while the name of the establishment – “Barb’s Quickie Grill” – and a street number – “7006” – were clearly visible in the scene, and a quick Google search had provided me with an address – 7006 Santa Monica Boulevard in Hollywood – this particular locale actually turned out to be quite the difficult find. Thanks to a January 2008 Los Angeles Times article, I knew that the restaurant had closed its doors in 1999, but was shocked to discover, when searching on Google Street View, that the structure that had once housed it was nowhere to be found. The place had seemingly just disappeared right off the sidewalk. So I immediately dragged the GC right on out to Hollywood to do some in-person investigating, but when we got there, the mystery only deepened.

In Pretty Woman, Barb’s Quickie Grill did not appear to be flush with the gray façade seemingly located behind it, so I made the assumption that the eatery was a small structure situated in the space in front of it.

As you can see above, the vertical grooves running down the orange building currently located at 7006 Santa Monica Boulevard clearly match up to those of the gray building visible behind Barb’s Quickie Grill in Pretty Woman. But, as you can also see above, the sidewalk in front of the orange building is nowhere near big enough to have once housed a restaurant, even one as tiny as Barb’s.

Perplexed, I returned home, whereupon I enlisted the help of fellow stalkers Mike, from MovieShotsLA, and Scott, from the FindaDeath website, and for the next few days the three of us put in quite a bit of elbow grease doing research on the former eatery. I even purchased a copy of the book Fantastic Dives, in which the diner had been featured, hoping it would provide some clarity. Sadly, it did not. It was not until Mike found this image on the Scotty Moore website that we realized that the lighting and camera angles of Pretty Woman had created an optical illusion and that Barb’s was not a structure that had been located in front of the orange building, but that it actually was the orange building! Doh! You can check out some fabulous historic pictures of the eatery that were just added to The Bruce Torrence Hollywood Photograph Collection website here, here, and here.

The history behind the eatery is almost as heart-warming as the movie in which it once appeared and was actually the main reason I was so darn intent on finding the place. The establishment was originally founded as “Lou’s Quickie Grill” by Lou Shulkin and his wife, Anita, at a storefront on the corner of Santa Monica Boulevard and Highland Avenue in 1954. A young L.A.-transplant from Oklahoma City named Barbara Knox started working, first as a dishwasher, then as a waitress, at the short-order café just a short time later. In 1960, the Grill moved a few blocks west to 7006 Santa Monica Boulevard, directly next door to Radio Recorders (pictured above), the then-largest recording studio in the country. It did not take long for the legendary vocalists working at RR, as well as countless celebrities filming at other nearby studios, to discover Lou’s. Just a few of the luminaries who frequented the 12-stool diner throughout its 54-year history include Drew Barrymore, Denzel Washington, James Garner, Ronald Reagan, The Lennon Sisters, Orson Welles, Martin Sheen, Richard Crenna, Bill Cosby, Herb Albert, Buddy Ebsen, Mel Blanc, Jack Benny, and Lawrence Welk. And while Elvis never actually set foot inside of the establishment, he is said to have ordered deliveries from Lou’s each time he recorded music at RR.

Amazingly enough, when Lou and Anita decided to retire in August of 1987, they handed the Grill over to Barbara AT NO COST, despite the fact that they had been offered “tremendous” money for the place over the years. The Shulkins had come to view Barbara as a daughter and, because their own children had established careers in areas outside of the restaurant business, they could think of no better person to endow their beloved café to. So, in late August, Lou, Anita, and Barbara headed down to the Los Angeles County Hall of Records and Lou signed the restaurant over to his long-time waitress. The following morning he had the metal “Lou’s Quickie Grill” sign taken off of the roof of the building and replaced with a new neon window sign which read “Barb’s Quickie Grill”. According to a January 17th, 1988 Lakeland Ledger article, of the incredible gift, Barbara said, “Lou couldn’t give me a gold watch and a handshake and just walk way, like anybody else would. He’s not that kind of man.” Barbara continued to run the restaurant successfully, with frequent visits from her benefactors, until 1999, when she regrettably had to close the doors due to an ongoing battle with Alzheimer’s. She sadly passed away in 2008, at the age of 74. Sometime after the Grill was closed, the space was taken over by Studio 56, which had replaced Radio Recorders, and was completely remodeled. You can read an August 18th, 1987 Los Angeles Times article about the Grill here and a January 12, 2008 Los Angeles Time article about Barbara’s passing here.

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In Pretty Woman, Barb’s Quickie Grill appeared very briefly during the montage scene in which Edward takes the day off of work to spend time with Vivian.

Barbara Knox was even featured in the background of the scene. So incredibly cool!

Finding this location was definitely a group effort, so a big THANK YOU goes out to Mike, from MovieShotsLA, and Scott, from the FindADeath website, for their help. Smile

Until next time, Happy Stalking! Smile

Stalk It: Barb’s Quickie Grill, from Pretty Woman, was formerly located at 7006 Santa Monica Boulevard in Hollywood. The location now houses the offices of a CPA and is virtually unrecognizable from its onscreen appearance.

February 17, 2012February 16, 2012

The Alleyway and The Blue Banana Club from “Pretty Woman”

As I mentioned a couple of weeks ago in my post about the Pretty Woman party house, fellow stalker Mike, from MovieShotsLA, and I have recently been on the hunt for a few of the flick’s more elusive locations – the two most important of which being the alleyway where the body of “Skinny Marie” was found and, across the street from it, The Blue Banana Club where Vivian Ward (Julia Roberts) and Kit De Luca (Laura San Giacomo) hung out in the film. And, amazingly enough, Mike was able to track down both locales in a relatively short period of time – as were fellow stalkers E.J., from The Movieland Directory website, and Scott Michaels, from the Findadeath website, whom I also enlisted in the hunt. So, while out doing some stalking in the Hollywood area three weekends ago, I dragged the Grim Cheaper right on over to stalk both spots.

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In one of Pretty Woman’s opening scenes, Vivian is shown walking through an alleyway where the dead body of a fellow prostitute named Skinny Marie has just been pulled out of a garbage dumpster.

While watching the scene, Mike happened to recognize the unique roofline of the historic Miceli’s Restaurant in the background behind a very young Hank Azaria, who played the role of a nameless homicide detective who laments about tourists taking photographs of Skinny Marie’s body in the flick. From there, Mike simply used Google Street View to look for an alley in the area half a block west and on the opposite side of the street from Miceli’s. And voila, it was not long before he found the right spot! Yay!

As it turns out, though, the Pretty Woman alleyway is not actually an alleyway at all, as we had originally thought, but the main lobby of The Outpost Building – a Spanish-Colonial-style structure that was commissioned by a Mr. and Mrs. B.C. Donnelly and designed by architect B.B. Horner in 1927. The historic property, which was fashioned after stores in Madrid, Spain, was originally comprised of apartment units that became home to countless aspiring starlets during the Hollywood heyday, but today is made up solely of offices and retail space.

Sadly, the building was closed when we showed up to stalk it, but I did manage to snap the above photographs through the glass front doors. As you can see, the “alley” still looks exactly the same today as it did in Pretty Woman, despite the fact that over twenty-two years have since passed! Even the shoe shine stand that Vivian walked by is still there! LOVE IT!

Amazingly enough, when I showed Mike the photographs I had taken of the lobby of The Outpost Building, he immediately recognized the place as the “Celebrity Apartments” where Tom Turner (Greg Kinnear) lived in the 1996 comedy Dear God. Both the exterior of the property . . .

. . . and the lobby area were used in the flick. In an interesting twist, Dear God was directed by none other than Garry Marshall, the very same man who also directed Pretty Woman. I guess the guy just has a thing for The Outpost Building!

Thanks to the Lenrek website, I also discovered that in the 1984 cult classic Angel, high school student/prostitute Molly “Angel” Stewart (Donna Wilkes) walked from the rear entrance of The Outpost Building, through the lobby and out the front door while on the search for a serial killer.

Interestingly enough, according to the GPSMyCity website, The Outpost Building also has a connection to novelist Raymond Chandler. In his 1939 mystery The Big Sleep, Chandler describes Geiger’s Rare Books and Deluxe Editions as follows: “A. G. Geiger’s place was a store frontage on the north side of the boulevard near Las Palmas. The entrance door was set far back in the middle and there was a copper trim on the windows, which were backed with Chinese screens, so I couldn’t see into the store. There was a lot of oriental junk in the windows. I don’t know whether it was any good, not being a collector of antiques, except unpaid bills. The entrance door was plate glass, but I couldn’t see much through that either, because the store was very dim. A building entrance adjoined it on one side and on the other was a glittering credit jewelry establishment.” Apparently, numerous Chandler aficionados believe that that description was inspired by none other than The Outpost Building. So incredibly cool!

Once Mike had located The Outpost Building, tracking down The Blue Banana Club was a snap, since in the movie it was shown to be situated directly across the street from the alleyway where Skinny Marie’s body was found.

Shockingly enough, The Blue Banana Club was actually a part of the historic Egyptian Theatre! At the time that the movie was filmed, the property belonged to the United Artists Corporation and it looked considerably different than it does today, but you can see pictures of the place in its Pretty Woman state on The Bruce Torrence Hollywood Photograph Collection website here and here, and on the Gorillas Don’t Blog website here. Ironically enough, a few minutes after Mike had texted me to let me know that The Blue Banana was actually the Egyptian Theatre, I received an email from both E.J. and Scott telling me the exact same thing. Great minds . . .

Today, the storefront that stood in for The Blue Banana houses the newly-opened Maui and Sons Bar & Grill. I am, unfortunately, unsure of what was in that location at the time of the filming, but back in the 1930s through the 1950s it housed the Larry Dine men’s clothing store and, in more recent years, it was the site of a Lickity Split ice cream shop.

In his commentary on the Pretty Woman 15th Anniversary Special Edition DVD, Garry Marshall states that, while set dressers had created a fake exterior for the outside of The Blue Banana Club, the interior scenes were filmed at an actual club located somewhere in Hollywood. Sadly though, as of yet, we have been unable to track down that location.

The interior looks like it might have been some sort of historic building, though, as it features some fairly ornate detailing, as you can see in the above screen capture.

On a side-note – My good friend Katie, from the Matthew Lillard Online website, is hosting a contest today to win two tickets to the Hollywood Rush show, in which the cutie actor will be directing a ten-minute play, taking place this Sunday night at 7 p.m. at the Wilshire Ebell Theatre in L.A. You can enter the contest on Matthew Lillard Online or on twitter at @mattlillardfans.

Big THANK YOU to fellow stalkers Mike, from MovieShotsLA, E.J., from The Movieland Directory, and Scott, from Findadeath, for finding these locations!

Until next time, Happy Stalking! Smile

Stalk It: The Pretty Woman alleyway is actually the lobby of The Outpost Building, which is located at 6715 Hollywood Boulevard in Hollywood. You can visit the property’s official website here. Maui and Sons Bar & Grill, aka the exterior of The Blue Banana Club from Pretty Woman, is located across the street at 6708 Hollywood Boulevard in Hollywood. You can visit the restaurant’s official website here.

February 1, 2012January 31, 2012

The “Pretty Woman” Party House

Over the past few weeks, fellow stalker Mike, from MovieShotsLA, and I have been on an extensive hunt for several unfound locations from the 1990 classic romantic comedy Pretty Woman. And the locale that I was most interested in tracking down, you ask? Why, the huge, modern-style abode where Edward Lewis (Richard Gere) attended a party in the film’s opening scene, of course. You all know how this stalker absolutely loves herself some movies houses! Anyway, after doing some extensive digging online, purchasing the Pretty Woman 15th Anniversary Special Edition DVD, watching each and every one of the special features included in it, and still coming up completely empty-handed, Mike decided that we had to change our course.

Mike had noticed a smattering of tall buildings in the background of the Pretty Woman party scene and, although the view of them was not entirely clear, he had a hunch that they were located in Century City.

So using an aerial map of West Los Angeles, he drew an angled line based on those views from Century City outward and it led him straight to the hills of Bel Air. He then zoomed in on the spot where the line had pointed and immediately noticed a huge white mansion that was very reminiscent of the Pretty Woman party house. And, sure enough, upon closer inspection, he found that it was, indeed, the right place! Wahoo! So I dragged the Grim Cheaper right on out there to stalk the place this past weekend.

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The opening scene of Pretty Woman centered around a party held at a large house high up in the hills above Hollywood, thrown in honor of Edward’s arrival in Los Angeles. I believe that the residence was supposed to belong to Edward’s lawyer, Philip Stuckey (Jason Alexander), in the flick, but that was never actually specified.

Sadly, not very much of the property is visible from the street, but, as you can see above, the bush where the valet stand was placed, the double windows located above the garage, the brick driveway, and the bent tree on the side of the driveway, all still look exactly the same as they did onscreen way back in 1990. So incredibly cool! In real life, the Pretty Woman party house, which was originally built in 1988 and sits on an almost 3/4-acre plot of land, measures 5 bedrooms, 8 baths, and a whopping 10,650 square feet of living space.

As you can see in the above aerial views, both the home and its surrounding property are absolutely ginormous!

According to director Garry Marshall’s commentary on the Pretty Woman 15th Anniversary Special Edition DVD (which I highly recommend, by the way – the special features are fabulous!), the real life interior of the home was also used in the filming. Man, what I wouldn’t give to see the inside of that place!

Amazingly, when Mike went to stalk the house a few days after I had, the gate just happened to be open and he was able to snap a few pictures of the front of it! WHOO-HOO!

Big THANK YOU to Mike, from MovieShotsLA, for finding this location! Smile

Until next time, Happy Stalking! Smile

Stalk It: The party house from the opening scene of Pretty Woman is located at 650 Sarbonne Road in Bel Air.

January 24, 2012January 23, 2012

The “Sylvester Stallone” House from “Pretty Woman”

A couple of weeks ago, while trying to figure out in what movie I had spotted L’Orangerie, aka Chez Quis restaurant from Ferris Bueller’s Day Off (which, maddeningly, I still have yet to determine, by the way!), I started scanning through the 1990 romantic comedy Pretty Woman and found myself wondering why I had never stalked the house jokingly referred to as being Sylvester Stallone’s in the flick. Fellow stalker Chas, of the It’sFilmedThere website, had tracked down the Hollywood-area residence quite some time ago and, while the address had been on my “To Stalk” list ever since, for whatever reason, I had never made it out there. So I quickly decided to remedy the situation and dragged the Grim Cheaper right on over there just a few days later.

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At the very beginning of Pretty Woman, Edward Lewis (Richard Gere), while lost in Hollywood, spots a hobo on the sidewalk digging through some trash and pulls over to ask him the way to Beverly Hills. The hobo replies, “You’re here! That’s Sylvester Stallone’s house right there!” LOL LOL LOL I swear, I have seen Pretty Woman about one hundred times and that scene never fails to make me laugh!

To find “Sylvester Stallone’s house”, Chas tracked down a helpful crew member who told him the general vicinity in which it was located. From there, he simply scanned aerial views and it was not long until he found the right place. And, amazingly enough, despite the fact that over two decades have since passed, the property still looks almost exactly the same today as it did when Pretty Woman was filmed! The small front door/front porch area was at some point enclosed, but otherwise the place appears to have been untouched by time. So incredibly cool! In real life, the tiny home, which was originally built in 1902, measures 3 bedrooms, 2 baths, and 1,201 square feet.

On a Pretty Woman side-note – While scanning through the flick a couple of weeks back, I was knock-me-over-with-a-feather-shocked to discover that the lobby scenes were not filmed inside of the Regent Beverly Wilshire hotel in Beverly Hills (pictured above) or on a soundstage at Disney Studios, as countless websites and books have suggested over the years.

Amazingly enough, the lobby scenes from Pretty Woman were actually shot at the since-demolished Ambassador Hotel in Los Angeles.

What tipped me off to this fact was the famous Ambassador lobby fountain, the base of which is visible in the background of almost all of the hotel scenes. You can see a photograph of that fountain here.

Upon closer inspection, I spotted several other elements of the interior of the Ambassador lobby that matched perfectly with what appeared in Pretty Woman, including the curved, check-in desk, which you can see a photograph of here (credit).

and the gold-detailed ceilings and wood-paneled columns, which you can see a photograph of here (credit).

I also realized that the lobby lounge where Vivian Ward (Julia Roberts) waited for Edward was actually the Ambassador’s famed The Palm Bar, which you can see photographs of here, here, and here.

And it has long been known that the ballroom where Vivian (aka Julia Roberts) learned the proper use of flatware and where Edward played the piano was the Ambassador’s Embassy ballroom, which you can see a photograph of here. So it now seems as if the vast majority of Pretty Woman was actually filmed inside of the Ambassador Hotel, which makes the fact that the structure no longer stands even more heartbreaking than it already was. Oh, how I wish I had seen that place in person! Sigh.

Big THANK YOU to Chas, from the It’sFilmedThere website, for finding this location. You can check out Chas’ extensive Pretty Woman filming locations page here.

Until next time, Happy Stalking! Smile

Stalk It: The “Sylvester Stallone” house from Pretty Woman is located at 1735 North Hudson Avenue in Hollywood.

March 9, 2011March 9, 2011

Brenda’s Horseback Riding Center from “Beverly Hills, 90210”

One location that I have wanted to stalk for what seems like forever now is the supposed Minnesota-area equestrian center where a childhood Brenda Walsh (a young actress stood in for my girl Shannen Doherty in this episode, but I, unfortunately, cannot seem to find her name anywhere online) went horseback riding in the Season 2 episode of fave show Beverly Hills, 90210 titled “Meeting Mr. Pony”. For whatever reason, though, I just could not seem to track the place down. I told the Grim Cheaper of my plight a little over a year ago and he informed me that filming had most likely taken place at the Los Angeles Equestrian Center in Burbank, where the classic 1990 romantic comedy Pretty Woman had also been lensed. So the two of us promptly ran right out to stalk the place. Oddly enough, though, when we got there, the center did not look at all familiar from 90210. It wasn’t until after I got home and re-watched the “Meeting Mr. Pony” episode that I realized the GC had, in fact, been correct! So I immediately added the place to my “To Re-Stalk” list and finally made it back out there this past weekend.

In the “Meeting Mr. Pony” episode of Beverly Hills, 90210, Brenda goes to speak with a psychologist to deal with the fallout she endured after being robbed at gunpoint at the Peach Pit. While there, the therapist asks Brenda to think back to a time in her life when she felt the most happy and the most secure. Brenda immediately envisions her childhood riding sessions with her father, Jim Walsh (aka James Eckhouse), and her “beloved” horse, whom she actually calls both Sylvester and Sebastian in the episode! LOL

The area which appeared in the episode is the Los Angeles Equestrian Center’s main jumper ring which is located just east of the center’s main entrance.

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In the scene, Jim Walsh stood along the wooden fence that borders the southern edge of the ring, just north of the center’s main parking lot. That portion of the ring looks slightly different today as the white fence which was located behind Jim has since been removed and the wooden beams located at the bottom of the fence have since been swapped out and replaced with round pieces of wood, as you can see in the above screen capture and photograph.

The approximate spot where Jim stood is denoted with a pink “X” in the above aerial view.

The very same jumper ring was also the site of the polo match that Edward Lewis (aka Richard Gere) and Vivian Ward (aka Julia Roberts) attended in Pretty Woman.

Until next time , Happy Stalking! Smile

Stalk It: The Los Angeles Equestrian Center, aka Brenda’s horseback riding center from the “Meeting Mr. Pony” episode of Beverly Hills, 90210, is located at 480 West Riverside Drive in Burbank. You can visit the center’s official website here. Both 90210 and Pretty Woman were filmed in the jumper ring located just east of the center’s main entrance, in the area denoted with a pink circle in the above aerial view.

April 16, 2010April 15, 2010

The “Pretty Woman”/”(500) Days of Summer” Fountain and Park

Another Downtown Los Angeles location that my fiancé and I stalked this past weekend was the water fountain and park which appeared in both fave movie Pretty Woman and not so fave movie (500) Days of Summer. I discovered this location way back in September of 2007 when I was called to serve as a juror on a four day trial at the Clara Shortridge Foltz Criminal Justice Center in Downtown L.A. I’m glad to know jury duty is at least good for something. 😉

As I’ve mentioned a few times before on this blog, included in Los Angeles’ jury orientation presentation are directions to the nearest Starbucks – made complete with a PowerPoint slide showing a map which details the cafe’s exact location. I am not kidding here! Needless to say, I spent quite a bit of time at that Starbucks, especially because jurors are often given two hour-plus lunches (also not kidding!). The “Courthouse Starbucks” as I came to call it is located in the middle of the Civic Center Mall, which is a large plaza that can be found about two blocks away from the Criminal Justice Center. While waiting in line to order my latte one morning, I noticed a HUGE fountain located just north of where I was standing and immediately recognized it as the fountain which appeared in Pretty Woman. I had always wondered where that fountain was located, so I was beyond floored to have discovered it while waiting in line to purchase a cup of coffee. It always amazes me the things I notice if I just have my eyes open, instead of buried in my Blackberry. 😉 Anyway, because jurors aren’t allowed to bring cameras into the Criminal Justice Center, I wasn’t able to take any photographs of the fountain while on jury duty, so this past weekend I dragged my fiancé back there so that I could finally blog about the place.

In Pretty Woman, the fountain shows up towards the end of the movie in the scene in which Vivian Ward (aka Julia Roberts) has just convinced Edward Lewis (aka Richard Gere) to take his very first day off of work. Vivian is shown walking along the rim of the fountain where she announces that she wants a “snap dog” – whatever that is.

The official name of the Pretty Woman fountain is the Arthur J. Will Memorial Fountain and it was dedicated on May 18, 1966. Will, who served as the chief administrative officer of the County of Los Angeles from 1951 to 1957, was instrumental in developing the Civic Center Mall as an urban park and garden for those Angelinos who worked in the area so that they could enjoy a bit of outdoor time during their busy day. The Civic Center Mall is officially known as El Paseo De Los Pobladores De Los Angeles, which translates to “The Walk of the First Settlers of Los Angeles”, and was named in honor of the 44 Mexican settlers who on September 4th of 1781 founded the City of Angels.

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I have to give some serious props to the Grim Cheaper right now, as he is turning out to be quite the little stalker! While we were taking pictures of the Arthur J. Will Memorial Fountain he immediately recognized the park located just south of it as the spot where Edward and Vivian “copped a squat” in Pretty Woman. I am ashamed to admit that I didn’t recognize the park at all, and was so convinced that it wasn’t the same one which appeared in Pretty Woman that I told him not to bother taking any photographs of it! It’s a good thing he didn’t listen to me,though, because as it turns out, the patch of grass which is located in the southern portion of the Civic Center Mall is, in fact, the Pretty Woman park. Thank you, G.C.!

The park was featured in the scene immediately following the fountain scene, in which Edward and Vivian are shown relaxing on a blanket and reading Shakespeare out loud to each other.

As I mentioned above, the Civic Center Mall was also featured in the 2009 flick (500) Days of Summer and I immediately recognized the place when I saw the movie a few months back. The Arthur J. Will Memorial Fountain appeared very briefly in the beginning of the big Hall & Oates “You Make My Dreams Come True” dance sequence.

The vast majority of the dance sequence takes place on the walkway just east of the fountain, in between the Kenneth Hahn Hall of Administration building and the Courthouse Starbucks.

I also immediately recognized the dance area when I first watched (500) Days of Summer, as it is located along the exact route I would take multiple times each day while on my frequent Starbucks runs during jury duty – and yes, I go to Starbucks multiple times a day and I’m not ashamed to admit it! 🙂

Needless to say, the (500) Days of Summer dance sequence was my absolute favorite scene in the entire movie! I’m a sucker for any sort of musical type performance and being that “You Make My Dreams Come True” is one of my VERY favorite ‘80s songs, I felt like the whole thing was pretty much tailor-made for me. But because the scene was so incredibly fun and upbeat and joyful, it made the movie’s ending all that more shocking of a blow. 🙁 You can watch the big (500) Days of Summer dance number by clicking above – but I’m warning you, unless you want to be depressed for a good couple of hours, do NOT watch the rest of the movie.

Until next time, Happy Stalking! 🙂

Stalk It: The Civic Center Mall, aka El Paseo De Los Pobladores De Los Angeles, is located in between the Los Angeles County Municipal Court (111 N. Hill Street) and the Kenneth Hahn Hall of Administration (500 West Temple Street), and is bordered by Hill Street to the north and Grand Avenue to the south. The Arthur J. Will Memorial Fountain, aka the Pretty Woman fountain, is located in the northern portion of the Mall, near North Grand Avenue, in between West Temple Street and West 1st Street. The Pretty Woman park is located just a bit south of the fountain, on North Hill Street. The (500) Days of Summer dance sequence took place on the walkway in front of the Kenneth Hahn Hall of Administration. The cameras were facing southwest for most of that scene, looking towards the Hall of Records building.