Tag: Movie Locations

Linda Vista Community Hospital

Way back in August, in preparation for my Haunted Hollywood postings, I dragged the Grim Cheaper out to a spot that is, hands down, the spookiest location I have ever visited in all my years of stalking – Linda Vista Community Hospital in Boyle Heights. Because the property is not only a filming location, but has been abandoned for close to two decades now and is largely rumored to be haunted, I figured it would fit in perfectly with my Halloween-themed month. And the stalking gods must have agreed because a magical thing happened while we were there! As fate would have it, we happened to run into one of the hospital’s caretakers while we were snapping pictures outside and when he saw my enthusiasm for the place’s vast filming history, he invited us in for a private tour!

Linda Vista Community Hospital, which was originally named Santa Fe Coast Lines Hospital or Santa Fe Railroad Hospital, was first built in 1904 as a private infirmary for sick and injured employees of the Santa Fe Railroad Line. The 6-story, 150-bed property, which was expanded several times after its opening, was transformed into a community hospital in 1937, at which point its name was changed to Linda Vista. Sadly, as the Boyle Heights area fell upon hard times, the hospital suffered and, in 1989, due to a lack of funds and a drop in Medicare reimbursements, the Linda Vista Emergency Room was closed. Two years later, in 1991, the hospital shuttered its doors altogether. And that’s when Hollywood came a’knockin’. Shortly after the closure, Linda Vista’s property manager, Francis Kortekaas, decided to lease the site out to film crews in order to offset its high maintenance costs and he has not looked back since! Due to its vacancy and aged appearance, location scouts cannot seem to stay away from the place. The hospital, which is on the National Register of Historic Places and is a Los Angeles Historic-Cultural Monument, currently plays host to between 100 and 150 productions each and every year!

Linda Vista Community Hospital is also currently home to the Boyle Heights Paranormal Project, a research team that not only conducts intensive investigations of paranormal activity on site, but hosts regular events on the property – including late-night “flashlight tours” and overnight visits in which those stalkers far more brave than myself can actually spend the night inside of the hospital. Um, I think I’ll pass on that one! It was scary enough just being in that place in the broad daylight!

On our tour of Linda Vista Community Hospital, the GC and I were shown most areas of the property, including the hallways;

the front lobby;

the chapel;

an examination room;

the original morgue, which was dressed for the filming of an Eminem music video that had taken place a few days prior;

the original morgue freezer;

a room where serial killer Richard Ramirez supposedly camped out before he was caught;

and the basement area, which was used extensively in the pilot episode of ER and was the area that I had most wanted to see.

The basement contains a lobby area, which had been dressed with fake blood for a student film;

a kitchen/break room;

a surgical room;

and a fake morgue, which was constructed specifically for filming.

As you can see above, only one of the morgue freezers actually opens, the rest are fake. SO INCREDIBLY COOL! And while I have to say that I was scared out of my wits pretty much the entire time, the tour was one of the most exciting experiences of my life. 🙂 You can check out some more interior photographs of Linda Vista Community Hospital here.

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Linda Vista Community Hospital has been featured in so many productions over the years that it would be virtually impossible for me to chronicle them all here. But I will do my best to try. In a flashback scene in the Season 1 episode of Dexter titled “Let’s Give the Boy a Hand”, Linda Vista stood in for the Angel of Mercy Hospital where Harry Morgan (aka James Remar) took his son, Dexter (aka Michael C. Hall), to show him where his grandfather worked for thirty years. Harry and Dexter then posed for a photograph out in front of the hospital.

When the scene then switches back to the present day, Dexter once again heads out to the Angel of Mercy Hospital, which has since been abandoned, where he finds Tony Tucci (aka Brad William Henke) – one of the Ice Truck Killer’s victims – alive, but with a severed right foot.

The next episode of Dexter, titled “Love American Style”, in which the Miami Metro Police Department investigates the torture of Tony Tucci, was also filmed at Linda Vista.

In the Season 1 episode of Charmed titled “Dream Sorcerer”, the exterior of Linda Vista stood in for Bay General Hospital where Prue Halliwell (aka my girl Shannen Doherty) recuperated after being in a car accident.

I am not sure, though, if the interior hospital scenes were also filmed at Linda Vista or at a different location.

In the Season 1 episode of FlashForward titled “Goodbye Yellow Brick Road”, Linda Vista stood in for the abandoned Raven River Psychiatric Hospital in Arizona, where Dr. Olivia Benford (aka Sonya Walger) and Agent Shelly Vreede (aka Barry Shabaka Henley) investigated former patient Gabriel McDow (aka James Callis). When Olivia and Shelly first pull up to the hospital, Olivia says, “It’s like the setting in one of those slasher movies!” LOL

In the Season 1 episode of Moonlight titled “Arrested Development”, Linda Vista’s fake morgue was used as the morgue of St. John Hospital where Mick St. John (aka Alex O’Loughlin) and Beth Turner (aka Sophia Myles) investigated a Jane Doe who had been killed by a vampire.

Linda Vista’s former asylum building was also used in that episode, as the supposed-Los-Feliz apartment building where Mick and Beth tried to catch Jane Doe’s killer.

The asylum building, which is pictured above, is located just south of the main hospital.

In the second episode of the recently-aired Bachelor Pad 2, Michael Stagliano wins a date in which he takes Erica Rose, Michelle Money, and former-fiancé Holly Durst for an overnight visit to Linda Vista Hospital. As I said above, I think I’ll pass on that one!

While all of the later episodes of the television series ER were shot on a soundstage at Warner Brothers Studios in Burbank, as I mentioned above, the pilot, which was titled “24 Hours”, was shot in its entirety at Linda Vista. And even though I was never a huge fan of ER, I cannot tell you how cool it was to see that area of the hospital!

Linda Vista was one of several different locations used as the exterior of the Honolulu Hospital where Nurse Lt. Evelyn Johnson (aka Kate Beckinsale), Nurse Betty Bayer (aka Jamie King), Nurse Sandra (aka Jennifer Garner), and the rest of the girls worked in Pearl Harbor.

A false front was built on the back side of the hospital, in the area denoted with a pink rectangle above, for the filming.

And while the Pearl Harbor interior hospital scenes also supposedly took place at Linda Vista, I did not see any rooms on our tour that even remotely resembled the rooms pictured above.

Mike, from MovieShotsLA, happened to be at Linda Vista during the filming of Pearl Harbor and snapped the above photograph while there. As you can see, there looks to have been some sort of set built in the parking lot area of the hospital and because the window sizes and shapes of that set match up to what appeared onscreen, I am guessing that it is where the interior hospital scenes were filmed.

In 1995’s Outbreak, Linda Vista stood in for the hospital in Cedar Creek, California where the massive outbreak first occurred.

In 1999’s End of Days, Linda Vista was used as the New York hospital where Christine York (aka Robin Tunney) was born.

It was also where Satan (aka Gabriel Byrne) found and killed Thomas Aquinas (aka Derrick O’Connor).

In 1985’s To Live and Die in LA, the hospital, which in a nod to its history was called Santa Fe Hospital, was where prisoner Carl Cody (aka John Turturro) pretended to have a sick relative in order to escape from Secret Service Agent Richard Chance (aka William Peterson).

The 2007 Duran Duran “Falling Down” music video, in which a Britney Spears’ inspired starlet is forced into rehab, was shot at Linda Vista Community Hospital.

Duran Duran “Falling Down” Music Video–Filmed at Linda Vista Hospital

You can watch that video by clicking above.

And the 2005 video for the Garbage song “Bleed Like Me” was also filmed at Linda Vista.

Garbage “Bleed Like Me” Music Video–Filmed at Linda Vista Hospital

You can watch that video by clicking above.

Linda Vista Hospital also supposedly appeared in The Cell, but I scanned through the flick earlier today and could not find it anywhere.

Until next time, Happy Stalking!

Stalk It: Linda Vista Hospital is located at 601 South St. Louis Street in the Boyle Heights area of Los Angeles. You can visit the hospital’s official website here. You can check out the Boyle Heights Paranormal Project’s Facebook page here and you can find out more about their upcoming events and tours here.

October 27, 2011
Villa Primavera – The “In a Lonely Place” Apartment Building

While doing research on the Double Indemnity house, which I blogged about a couple of weeks ago, I came across some information about Villa Primavera – a courtyard-style apartment building that was featured in the 1950 film noir classic In a Lonely Place. I immediately became intrigued with the West-Hollywood-area building due to an anecdote that was listed on the movie’s IMDB trivia page. Apparently, In a Lonely Place director Nicholas Ray had lived at Villa Primavera upon first moving to Southern California in the 1940s and was so enamored with the place that he decided to build a replica of the entire complex, courtyard and all, on a soundstage at Columbia Studios (now Sunset-Gower Studios) in Hollywood to be used as Humphrey Bogart’s bachelor pad in the flick. At some point during the shoot, Nicholas walked in on his wife, Gloria Grahame, who also starred in the movie, in bed with his 13-year-old son from a previous marriage. Nicholas immediately moved out of the home he shared with Gloria and into the Villa Primavera apartment set, where he ended up living – in what was essentially an exact replica of his former apartment – until filming wrapped. Because the building was so inextricably linked with both In a Lonely Place and the behind-the-scenes turmoil that marked the shoot, I was absolutely dying to see the place in person and dragged the Grim Cheaper right on out to do just that a few days later.

Villa Primavera was constructed by legendary husband and wife architecture team Arthur and Nina Zwebell in 1923 and was the couple’s very first Spanish-Revival-style building. The charming complex features red-tile roofs, white adobe walls, and a central courtyard with a large tiled fountain, an outdoor fireplace, lush foliage, and wandering brick pathways. The individual apartment units boast corner fireplaces, exposed wood ceilings, and tile floors. The Zwebells loved the design so much that they eventually moved into the Hacienda-like property for a time and legend has it that James Dean and Katharine Hepburn also once called the place home. Sadly though, as you can see above, the ten-unit complex is gated and not much of it can be viewed from the street.

I did manage to catch a brief glimpse of the interior courtyard and central fountain through the front gate, though, and they both looked absolutely beautiful.

Amazingly enough, when the GC and I first arrived at Villa Primavera, this little guy ran up to greet us.

And I just about died when I realized that he was a polydactyl cat, aka a “Hemingway cat”, aka a cat with more than five toes on one or more of its paws! I had watched a television special on the unusual felines a little over ten years ago and have been absolutely obsessed with them ever since. I cannot tell you how incredibly fitting it was that we ran into a so-called “Hemingway cat” while visiting an apartment building with such a storied Old Hollywood history! Love it!

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In In a Lonely Place, Villa Primavera stood in for the supposed-Beverly-Hills-area “Beverly Patio” apartments where frustrated Hollywood screenwriter Dixon Steele (aka Humphrey Bogart) and his beautiful new neighbor, Laurel Gray (aka Gloria Grahame), lived.

The location was such an integral part of the murder mystery – which was fabulous by the way – that it led Roger Ebert to write in an August 13th, 2009 review, “The courtyard of the Hollywood building occupied by Humphrey Bogart in In a Lonely Place is one of the most evocative spaces I’ve seen in a movie. Small apartments are lined up around a Spanish-style courtyard with a fountain. Each flat is occupied by a single person. If you look across from your window, you can see into the life of your neighbor.” It is thanks to that interior view of neighboring units that Laurel is able to provide an alibi for Dixon after he is accused of murdering a young woman whom he had been seen with the night before. And while the courtyard area that is pictured above;

and the interior of both Dixon and Laurel’s individual apartments were recreations built at Columbia Studios, some actual filming did take place on location at Villa Primavera.

In the beginning of In a Lonely Place, Dixon returns home from the Beverly Hills police station after being questioned about the murdered woman and walks across the lawn of the real life apartment building. As you can see, a fake sign reading “Beverly Patio Apartments” was installed for that scene.

Until next time, Happy Stalking!

Stalk It: Villa Primavera, the In a Lonely Place apartment building, is located at 1300-1308 North Harper Avenue in West Hollywood.

October 24, 2011
Sierra Madre Pioneer Cemetery from “Twin Peaks”

As I mentioned in my post last month about The Old Place restaurant, thanks to fellow stalker/David-Lynch-aficionado Brad, from the Brad D Studios website, I recently discovered that fave television series Twin Peaks was shot almost in its entirety in Southern California. Because I have long been a Twin Peaks fanatic, I was beyond eager to start stalking the many locations mentioned on Brad’s blog – the most exciting of which was Sierra Madre Pioneer Cemetery, the site of the funeral of Laura Palmer (aka Sheryl Lee) in the Season 1 episode titled “Rest in Pain”. Surprisingly, even though Sierra Madre is located just a few miles east of Pasadena and even though the cemetery has been featured in several spooky productions over the years, until perusing through Brad’s site in early September, I had never before even heard of it! So, because the place fit in perfectly with my Haunted Hollywood theme, I waited to drag the Grim Cheaper out there until this past weekend.

Pioneer Cemetery was originally established in 1881 by Sierra Madre’s founding father, Nathanial Coburn Carter, who, that same year, purchased a 1,103-acre plot of land from Santa-Anita-Park-racetrack-founder Elias Jackson “Lucky” Baldwin. Carter set aside 2.32 of those 1,103 acres to build a cemetery and the first burial, of one of Carter’s servants, took place just a year later in 1882. Today, Sierra Madre Pioneer Cemetery is the final resting place of over 1,700 souls, including Carter and his family, as well as numerous veterans of the Civil War, the Spanish-American War, both World Wars, the Korean War, and the Vietnam War.

I cannot tell you how absolutely amazing it was to wander the grounds of the place and see tombstones dating all the way back to the 1880s, some so old that the inscriptions had simply worn off. And while I realize that “charming” might be an odd word to describe a graveyard, that is exactly what Sierra Madre Pioneer Cemetery is. It is an extremely small and quiet space, with cherry blossom, sycamore, oak, and palm trees dotting the landscape, as well as several stone benches on which one can sit and reflect.

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In the “Rest in Pain” episode of Twin Peaks, Laura Palmer’s friends and family gather at Sierra Madre Pioneer Cemetery to lay the slain teenager to rest. This being Twin Peaks, weirdness, of course, ensues – one of the mourners has a Tourette’s moment and starts screaming out “Amen”, Laura’s father, Leland Palmer (aka Ray Wise), jumps on her coffin as it is being lowered into the ground, and a fist-fight even breaks out. Yes, at a funeral!

Laura Palmer’s funeral was held in the northwest section of Sierra Madre Pioneer Cemetery, in the area denoted with a pink “X” above.

Her funeral location is pictured above.

The crooked tombstone that was visible in the background of the scene is, I am fairly certain, the same tombstone that is circled in the above photograph. In real life, it reads “Fannie J. Garey”.

The tree in front of which James Hurley (aka James Marshall) stood during the funeral is located just east of Laura’s burial site.

In real life, James’ tree is located behind a large gravestone that reads “Gibson P. Kelly” and next to a gravestone that reads “Zola M. Croman”.

A view of tree from the funeral site is pictured above.

And I, of course, just had to pose like James while there. That’s my brooding face above.

Amazingly, Sierra Madre Pioneer Cemetery also appeared in Alfred Hitchcock’s final film, 1976’s Family Plot, in the scene in which George Lumley (aka Bruce Dern) heads to the supposed “Barlow Creek Cemetery” to look for a missing person whom he has been hired to find. According to a fabulous Sierra Madre Patch article, before filming began, production designer Henry Bumstead, who was a San Marino resident and often used nearby locations in his movies, had the Pioneer caretakers cease weeding the property so that it would appear to be unkempt and dilapidated. The shoot also happened to take place on two particularly gloomy L.A. days, which only added to the macabre atmosphere. And cinematographer Leonard South lit the set without using any artificial lighting to further add to the dismal effect.

The caretaker’s shack which appeared in the scene has since been replaced with a more modern-looking structure.

Sierra Madre Pioneer Cemetery also shows up once again towards the end of Family Plot, in the scene in which Joseph P. Maloney (aka Ed Lauter) is buried.

For that scene, Hitch brought in a thirty-foot scaffold so that he could shoot the chase sequence between George and Mrs. Maloney (aka Katherine Helmond) from above.

And Mike, from MovieShotsLA, let me know that Pioneer Cemetery was also used in the 1978 horror flick Halloween, in the scene in which Michael Meyer’s psychiatrist, Sam Loomis (aka Donald Pleasence), discovers that Judith Meyer’s headstone, which is supposed to be located in Row 18, Plot 20, is missing. As I mentioned in yesterday’s post about the Strode residence, Halloween director John Carpenter is a huge Alfred Hitchcock fan, so I do not believe it was a coincidence that he chose to film a scene at the very same cemetery where the Master of Suspense once filmed.

In the Halloween scene, Dr. Loomis enters the graveyard and parks his car near what is actually Pioneer Cemetery’s exit, on the southeastern side of the property. Amazingly enough, that area still looks almost exactly the same today as it did back in 1978 when the movie was filmed, minus a large tree, which as you can see above, has since been removed.

But the three tombstones that Dr. Loomis parked next to still look exactly the same as they did three decades ago.

The area where Judith Meyers’ headstone was located is directly behind James’ tree from Twin Peaks and in front of a large tombstone which reads “Sinclair”.

Ironically enough, the back of the Sinclair tombstone can be seen behind James during Laura Palmer’s funeral scene.

On a Twin Peaks side note – I had the amazing good fortune to run into Special Agent Dale Cooper himself, Kyle MacLachlan, at the Emmy Awards last month. Kyle could NOT have been nicer and not only agreed to pose for a picture, but also chatted briefly with me about Twin Peaks and how much he loved being a part of it. For this stalker, who had answered “Special Agent Dale Cooper” when asked “What do you want to be when you grow up?” as an Eighth Grade yearbook quote, this was a particularly special moment.

Big THANK YOU to Brad, from Brad D Studios, for telling me about this location!

Until next time, Happy Stalking!

Stalk It: Sierra Madre Pioneer Cemetery, from the “Rest in Pain” episode of Twin Peaks, is located at 553 East Sierra Madre Boulevard in Sierra Madre. Laura Palmer’s funeral was held in the area marked with a pink “X” in the above aerial view. James Hurley’s tree is located behind a large gravestone which reads “Gibson P. Kelly” and directly next to a gravestone which reads “Zola M. Croman”. In Halloween, Dr. Loomis and the caretaker enter the cemetery in the area marked with a blue arrow above. The spot where Dr. Loomis parks his car is denoted with a blue oval and Judith Meyer’s gravesite is located just west of a large headstone that is marked “Sinclair”.

October 20, 2011
Laurie Strode’s House from “Halloween”

A couple of months ago, fellow stalker Mikey, from the Mike the Fanboy website, clued me into an INCREDIBLY cool little bit of Haunted Hollywood stalking information that I had not been previously aware of. Apparently, the real life owners of the home that stood in for the Strode residence in the 1978 classic horror film Halloween are so extremely stalker-friendly that they provide a supply of plastic pumpkins on their front porch all year long for fans of the movie to pose with in photographs. Well, as you can imagine, I was absolutely bowled over with excitement upon hearing this news and decided that, even though I had previously stalked the Strode house and blogged about it briefly way back in October of 2008, that it was most-definitely worthy of a re-visit. So I dragged the Grim Cheaper out to South Pasadena to do just that this past weekend.

And, sure enough, as soon as we arrived at the home, I spotted an assortment of plastic foam pumpkins sitting on a chair on the property’s front porch, along with a framed sign.

That sign reads, “Yes this is the scene with Jamie Lee Curtis from the 1978 Halloween. You may borrow the pumpkin. Have a good time.”

The sign also includes a still from the movie so that fans can refer to it while posing on the front walkway. How incredibly cool are these homeowners??? Big, huge, Andre-the-Giant-sized props go out to them for embracing the cinematic history of their residence and allowing stalkers to share in some of the fun. If I owned a famous movie home, you can bet your bottom dollar that I would be doing this same, exact thing. LOVE IT! LOVE IT! LOVE IT!

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The supposed-Haddonfield, Illinois Strode residence was featured several times in Halloween. It first appeared in the beginning of the movie in the scene in which Laurie Strode (aka Jamie Lee Curtis) is reminded by her father, Morgan Strode (aka Peter Griffith), to drop a key off at the “Meyer’s place”. According to the fabulous website The Cabinet, that particular scene was the very first of the entire movie to be shot. And according to IMDB’s Halloween trivia page, director John Carpenter hired Jamie Lee Curtis, in what was her very first movie role, as a sort-of nod to Alfred Hitchcock who had cast Jamie’s mother, Janet Leigh, in the iconic role of Marion Crane in Psycho. In another homage to the legendary Hitchcock classic, Carpenter also named the character of Michael Meyer’s psychiatrist “Sam Loomis” after Marion’s lover in Psycho.

The Strode residence next shows up in the scene in which Laurie returns home from school, after having been accidentally scared by Sherriff Leigh Bracken (aka Charles Cyphers).

And finally, it appears in the scene in which Laurie waits, pumpkin in hand, to be picked up by her friend Annie Brackett (aka Nancy Kyes) to go baby-sitting.

It is that scene that the homeowners allow you to recreate with their fake pumpkins. SO INCREDIBLY COOL!

Amazingly, the Strode residence looks pretty much exactly the same today as it did in 1978 when Halloween was filmed. The north-facing side of the house is the area that appeared in the movie.

For whatever reason, the east-facing side, which is pictured above, was not seen in Halloween. According to fave website Zillow, in real life the property is not a single-family home, but a multi-occupancy dwelling which features three separate units.

And while I cannot say for certain that the home’s actual interior was used in the filming, I am guessing that it was.

On a very random side-note – while doing some research on Halloween earlier today, I almost fell off my chair upon discovering that Kyle Richards (star of The Real Housewives of Beverly Hills, whom I loathe more than there are words in the English language to express – I honestly do not think there has ever been a bigger b*tch in the history of reality television, but I digress) had played Lindsey Wallace, the little girl whom Annie babysat, in the 1978 flick.

And on a Halloween side-note – as the GC and I were driving away from the Strode residence, we spotted a house that was decorated beyond belief for the upcoming holiday!

As you can see above, the amount of detail that went into the embellishment of the home is utterly incredible!

I was shocked to discover that the fence which runs along the perimeter of the property and reads “cemetery” above the gate was actually just a prop! I mean, I, of course, realized the “cemetery” part was decoration, but the entire fence? WOW!

And it was not until I was about to leave that I realized the home’s brick façade was also just a decoration! As you can see in the above photograph, the entire front of the residence has been wrapped in some sort of plastic covering. Talk about going all out!!! If I ever have a house, you better believe that this is what it is going to look like every year come Halloween!

Until next time, Happy Stalking!

Stalk It: Laurie Strode’s house from the original Halloween movie is located at 1115 Oxley Street in South Pasadena. The massively-decorated-for-Halloween home that we stumbled upon is located right around the corner at 1130 Diamond Avenue in South Pasadena.

October 19, 2011
The “Psycho” Car Dealership

While putting together a list of spooky-type locales to stalk during my Haunted Hollywood month a couple of weeks ago, I decided to peruse through fave book James Dean Died Here: The Locations of America’s Pop Culture Landmarks by Chris Epting for a little inspiration. And, let me tell you, I just about died of excitement when I saw a blurb about the North-Hollywood-area car dealership that appeared in the 1960 Alfred Hitchcock classic Psycho. In the blurb, Epting mentioned that not only was the place still standing, but that it was also still a car dealership – over fifty years later! How incredibly cool is that?!? So because Psycho is arguably one of the most well-known and best-loved horror movies of all time, I decided that I just had to include the location in my Haunted Hollywood postings and dragged the Grim Cheaper right on out to the Valley to stalk it a few days later.

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In Psycho, Marion Crane (aka Jamie Lee Curtis’ mother, Janet Leigh), who is on the run from the police after having stolen $40,000 in cash from her boss in Arizona, stops by the supposed-Bakersfield-area “California Charlie’s Used Car Lot” in order to trade her car in for one with California plates. While there, her brusque, hurried attitude causes California Charlie (aka John Anderson) to say his famous line, “Well, it’s the first time the customer ever high-pressured the salesman.” At the time of the filming, the dealership was known as Harry Maher’s Used Car Lot and, because the Ford Motor Company was a sponsor of Alfred Hitchcock Presents, Maher was required to swap out his real life inventory with a supply of Fords for the one-day shoot. Hitchcock was apparently such a perfectionist that, according to a fabulous article written on The Cabinet website, he sent assistant director Hilton A. Green all the way to Bakersfield to photograph real-life used car salesmen in order to see their clothing so that California Charlie’s costume would be realistic. He also commissioned Psycho screenwriter Joseph Stefano to observe car salesmen while writing the script so that Charlie’s dialogue would be legitimate. Talk about attention to detail!

Also according to The Cabinet article, the bathroom scene, in which Marion takes $700 out of her purse in order to pay for her new car, was not filmed on location at Harry Maher’s Used Car Lot, as the restroom there was too small to fit an entire camera crew. Hitch instead decided to shoot that brief scene at Universal Studios, on what I am assuming was just a set that was built on a soundstage.

Today, Harry Maher’s Used Car Lot is home to MINI of Universal City and it, sadly, does not look much like it did in 1960 when Psycho was filmed.

Because the lot has changed so considerably over the years, it was hard to discern the exact spot where filming took place. But if I had to venture a guess, I would say that the California Charlie’s scene was shot in the area denoted with a pink rectangle in the above aerial view. And I am fairly certain that the building denoted with a blue arrow was not in existence at the time that Psycho was filmed.

It is my guess that the screen capture and photograph pictured above show the same exact area of the lot. I believe that the California Charlie’s sales office is now the MINI dealership’s service office . . .

. . . and that the door shown in the screen capture above is in pretty much the same location as the door denoted with a pink arrow in the photograph.

I am also fairly certain that the MINI showroom was built in the portion of the lot that Marion walked through in Psycho . . .

. . . and that the above images show the exact same view, albeit 50 years apart. Even though the property has changed so drastically in the five-plus decades since the filming of Psycho took place, I was still absolutely elated to be standing on such hallowed ground. The thought that Alfred Hitchcock had once been in the same spot I was now stalking was literally mind-blowing. So incredibly cool!

Until next time, Happy Stalking!

Stalk It: MINI of Universal City, aka the Psycho car dealership, is located at 4270 Lankershim Boulevard in North Hollywood. You can visit the dealership’s official website here.

October 18, 2011
The “Double Indemnity” House

A couple of weekends ago I dragged the Grim Cheaper out to the Beachwood Canyon area of the Hollywood Hills to stalk one of the most famous macabre movie locations of all time – the Spanish-Colonial-Revival-style abode that was featured in Double Indemnity. Incredibly, up until a few weeks ago I had yet to see the 1944 film noir classic, which was directed by Billy Wilder, even though it is largely considered to be one of the greatest movies of all time. And I have to say that I was pleasantly surprised when I finally did sit down to watch it. Not only did the film not seem dated, but I was absolutely riveted to my chair for the entire 107 minute run time. Sure, some scenes were a bit cheesy – especially the love scenes between Pacific All Risk Insurance Company salesman Walter Neff (aka Fred MacMurray) and disgruntled housewife Phyllis Dietrichson (aka Barbara Stanwyck), not to mention Walter’s silly pronunciation of the word “baby” – but overall the film was incredibly well-done and thoroughly suspenseful, which is shocking being that it was made almost a full seven decades ago. If you have yet to see it, I cannot more highly recommend doing so!

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In Double Indemnity, the supposed-Glendale-area hillside abode pictured above is where Phyllis lives with her abusive oilman husband, Mr. Dietrichson (aka Tom Powers), and his daughter, Lola Dietrichson (aka Jean Heather). It is while walking up to the home at the very beginning of the film that Walter Neff utters what is arguably its most famous line. Of the residence, he says, “It was one of those California Spanish houses everyone was nuts about ten or fifteen years ago. This one must have cost somebody about thirty thousand bucks – that is if he ever finished paying for it.” It is at the house that Phyllis and Walter first meet and fall in love. The two later cook up a scheme to purchase an accident insurance policy for Phyllis’ unknowing husband and then murder him to collect on the claim. The “double indemnity” of the title refers to a clause in the policy which stipulates that in the case of certain more unlikely accidents, i.e. a death on a train, the amount of the insurance payout would double.

Amazingly enough, as you can see above, the house has remained virtually unchanged since 1944 when Double Indemnity was filmed. I simply cannot express how cool I think that is!

The only real difference is the garage door, which has since been modernized. Otherwise though, the home looks pretty much exactly the same in person as it did onscreen in all of its black-and-white glory.

The view has obviously changed a bit in the ensuing years, though.

The screenplay for the movie, which was co-written by Raymond Chandler and Billy Wilder, was based on an 8-part serial written by James M. Cain that was first published in Liberty Magazine in 1936. Cain based his story on the real life 1927 murder of Albert Snyder by his wife Ruth Snyder and her lover Henry Judd Gray, the trial of which Cain had covered while working as a journalist in New York. And amazingly enough, it seems as if the house that wound up being used in the movie was the very same house that Cain had written about in his story. In the book he calls the abode the “House of Death” and, of it, he says, “I drove out to Glendale to put three new truck drivers on a brewery company bond, and then I remembered this renewal over in Hollywoodland. I decided to run over there. That was how I came to this House of Death, that you’ve been reading about in the papers. It didn’t look like a House of Death when I saw it. It was just a Spanish house, like all the rest of them in California, with white walls, red tile roof, and a patio out to one side. It was built cock-eyed. The garage was under the house, the first floor was over that and the rest of it was spilled up the hill any way they could get it in. You climbed some stone steps to the front door, so I parked the car and went up there.” Cain’s words could not be a more perfect description of the residence that appeared in the movie, which leads me to believe that the abode must have served as the inspiration for the home in the story and that Cain then later suggested the place to producers to use for the filming. So incredibly cool!

According to an October 17, 2009 Los Angeles Times article, an almost exact replica of the interior of the house was recreated on a soundstage at Paramount Studios in Hollywood for the filming.

As you can see above, in real life the home’s front door is much closer to the bottom of the central staircase than it was onscreen. The actual residence, which was built in 1927 and boasts 4 bedrooms, 3 baths, and 3,077 square feet of living space, currently belongs to interior designer/set decorator Mae Brunken. You can check out some fabulous photographs of the actual interior of the property here. (The photograph of the home pictured above does not belong to me, but remains the sole property of the Los Angeles Times and photographer Ricardo DeAratanha).

In an interesting twist, as you can see above, producers had the address number of the Double Indemnity house changed from “6301” to “4760” for the filming. I would not have thought that sort of thing happened back in the days before DVD players, pause buttons, and the internet, but all evidence to the contrary.

Until next time, Happy Stalking!

Stalk It: The Double Indemnity house is located at 6301 Quebec Drive in the Beachwood Canyon area of the Hollywood Hills.

October 10, 2011
The “Doppelganger” Mansion

Another location from the 1993 thriller Doppelganger that I dragged the Grim Cheaper out to stalk this past weekend was the mansion where Holly Gooding (aka Drew Barrymore) grew up in the flick. I found this locale, once again, thanks to Tony, my friend and fellow stalker who has the amazing Flickr photostream which I mentioned yesterday. Incredibly enough, Tony has somehow managed to track down almost every single location featured in Doppelganger and he was kind enough to share them all with me so that I could blog about them during my Haunted Hollywood month – well, every location that is except for the supposed-Arcadia-area Our Lady of Mercy Psychiatric Institute which I have now become just a wee bit obsessed with finding. But I digress. Anyway, last weekend, after stopping by the apartment building featured in the movie, the GC and I headed a short two miles north to Los Feliz to do some stalking of the mansion.

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The Doppelganger mansion is featured twice in the flick. It first pops up in the scene in which Holly and her new roommate, struggling mystery writer Patrick Highsmith (aka George Newbern), meet with Holly’s family lawyer, Mike Wallace (aka George Maharis), in order to get the keys to her former home which has been locked up and sealed since her father’s murder four years prior. While there, Patrick says that the abode is “right out of a Bette Davis movie” – a line which I, of course, loved.

The large, English-country-style abode later pops up in the movie’s climactic, rather odd, and definitely spooky final scene in which Holly returns to her childhood home in the middle of the night to confront her evil doppelganger and finally end the nightmare in which she has been living.

Patrick, of course, follows Holly and, carrying a baseball bat, climbs up the side of the house and through a second story window in the hopes that he can save her.

I believe that the interior of the mansion that was shown in the movie was just a set and not the home’s real life interior.

According to fave website Zillow, the Doppelganger mansion, which was originally built in 1923, boasts 5 bedrooms, 2 baths, and 3,500 square feet of living space, although I would have guessed it to be much, much larger. And amazingly, the property still looks almost exactly the same today as it did 18 years ago when Doppelganger was filmed. Even the three large circular trees which flank the home’s front door and front window still look exactly the same. Love it!

Big THANK YOU to fellow stalker Tony for finding this location! You can check out Tony’s FANTASTIC Flickr photostream, which features countless filming locations, here.

Until next time, Happy Stalking!

Stalk It: The Doppelganger mansion is located at 2421 Glendower Avenue in the Los Feliz section of Los Angeles. Donna Martin’s house from the B.Y.O.B. episode of Beverly Hills, 90210 is located just two doors south of the Doppelganger mansion at 2405 Glendower Avenue. And the so-called “Los Feliz Murder House”, which I blogged about back in January, is located just around the corner at 2475 Glendower Place.

October 7, 2011
The “Doppelganger” Apartment Building

Last week, while perusing through my friend and fellow stalker Tony’s Flickr photostream – which is comprised of an absolutely AMAZING collection of pictures of hundreds upon hundreds of filming locations – I came across his photographs of the apartment building that was used in the thriller Doppelganger. And while I had absolutely loved me some Doppelganger when it first came out way back in 1993, I had not seen the movie in such a long time that I had somehow forgotten Drew Barrymore was even in it! So I decided it was most definitely time for a re-watch and ran right out to rent the flick that very night. Unfortunately, it was not nearly as good as I had remembered it to be, especially the ending which I did not understand at all. But I, nevertheless, still had to drag the Grim Cheaper right on out to stalk the apartment building that very same weekend – especially since it fit in so perfectly with my Haunted Hollywood theme!

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In Doppelganger, Holly Gooding (aka Drew Barrymore) migrates from New York to Los Angeles after being cleared of a murder charge, whereupon she moves into an apartment building with a struggling mystery writer named Patrick Highsmith (aka Father of the Bride’s George Newbern).

In the movie, the idyllic little building, which has a central courtyard, a two-tiered fountain, and a communal birdcage, is named “Angel’s Court” and it is supposedly located at 1167 North Orange Grove Avenue in the Hollywood area.

In reality, the building is located just east of Hollywood and south of Thai Town and is, sadly, not nearly as inviting or picturesque in person as it appeared to be in Doppelganger. Don’t get me wrong, the building is by no means unattractive, but the neighborhood where it is located is, unfortunately, a bit on the iffy side and the courtyard that seemed so charming onscreen is rather bare in real life. I am guessing that the fountain and birdcage that appeared in the movie, along with the archway that was situated over the front gate, were just props that were brought in solely for the filming as they are no longer there.

In Doppelganger, Patrick and Holly lived in Apartment #2 and I am guessing that the real life interior of that particular unit was also used in the filming.

And, according to my buddy E.J. over at The Movieland Directory website, the building, which was originally constructed in 1922, was once also home to a few celebrities – cinematographer Harry Zech lived there during the 1920s and silent film actress Frances Deamer lived there in the 30s.

Big THANK YOU to fellow stalker Tony for finding this location! You can check out Tony’s FANTASTIC Flickr photostream, which features countless filming locations, here.

Until next time, Happy Stalking!

Stalk It: The Doppelganger apartment building is located at 1165 North Hobart Boulevard in Los Angeles. In the movie, Patrick and Holly lived in Apartment 2 and FBI Agent Stanley White (aka Dan Shor) lived in Apartment 6.

October 6, 2011
The Stimson House from “House II: The Second Story”

After stalking Mills View, the Monrovia-area residence that appeared in the 1986 movie House, I started doing some online research on the flick’s 1987 sequel, House II: The Second Story, and came across information about the Stimson House, an incredibly unique, castle-like property located in Los Angeles’ West Adams District. I was immediately intrigued by the home and, because it has been featured in several spooky productions over the years, figured it would fit right in with my Haunted Hollywood theme and dragged the Grim Cheaper right on out to stalk the place a short time later. Incredibly though, thanks to the abode’s unusual beauty and prominent history, this was one location that he actually did not mind being dragged to!

The 3 1/2-story Stimson House was originally built in 1891 as a retirement home for Chicago lumberman/financier Thomas Douglas Stimson. The 12,800-square-foot, 30-room property was designed in the Richardsonian Romanesque style by architect Carroll H. Brown and featured an Arizona red sandstone façade, a 4-story octagonal corner tower, stained glass windows, gabled Gothic arches, Palladian windows, and brick chimneys. The interior, which was dubbed “a shrine to lumber” by Jake Doherty in a January 1994 Los Angeles Times article, consisted of oak flooring, hand-carved wood-paneled walls, beamed ceilings, custom-built china cabinets, and made use of over 8 different kinds of wood, including ash, sycamore, walnut, gumwood, birch, mahogany, oak, and monkeypod. Construction on the residence was completed in 1893 and cost approximately $130,000, making it, at the time, the most expensive home in all of Los Angeles. After Stimson passed away in February 1898, his widow, Achsah, continued to live at the residence until her death in 1904. The property was then sold and underwent several ownership changes until 1940, at which time it was purchased by the USC chapter of the Pi Kappa Alpha fraternity for $20,000. For the next 8 years, the Stimson House became the site of boisterous parties, elaborate pranks, and late-night frolicking.

At the time, Carrie Estelle Doheny, the widow of oil tycoon Edward L. Doheny, lived in the mansion located directly behind the Stimson House and was not at all happy with her rowdy neighbors. After filing countless complaints with the USC president, she decided to take matters into her own hands and offered the Pi Kappa Alphas $70,000 for the residence. They agreed, moved out, and Carrie promptly deeded the home to a much quieter set of neighbors, the Sisters of St. Joseph of Carondelet. The Sisters transformed the abode into a convent where they lived until 1969, at which point they allowed the neighboring Mount St. Mary’s College to use the property as student housing. In 1993, the Sisters returned to the house and set about an extensive $1 million restoration of the property. They continue to live there to this day and often rent the place out for filming in order to offset the mansion’s expensive upkeep and to finance their retirement fund. The Stimson House was listed on the National Register of Historic Places on March 30, 1978 and became Los Angeles’ 212th Historic-Cultural Monument on May 16, 1979.

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In House II: The Second Story, the Stimson house was the haunted residence inherited by Jesse (aka Arye Gross) and his girlfriend, Kate (aka Lar Park-Lincoln).

The Aztec-inspired interior appears to have been a set, though, as it does not match up with these interior photographs of the actual home.

In the Season 2 episode of The Bionic Woman titled “Black Magic”, the Stimson mansion was used as the island home of wealthy inventor Cyrus Carstairs (aka Vincent Price). Both the exterior . . .

. . . and the interior of the property were featured in the episode. And, according to the aforementioned Los Angeles Times article, Vincent Price became so enamored of the house’s echo-y acoustics during filming that he returned there later to tape a few productions of his own.

In the 1989 horror movie After Midnight, the Stimson house appeared in the segment titled “The Old Dark House” as the spot where Joan (aka Nadine Van der Velde) and Kevin (aka Marc McClure) sought help after getting two flat tires while driving late at night. Ironically enough, though, only the front porch and the interior of the Stimson house appeared in the flick.

As you can see above, for the wide angle shots of the mansion’s exterior another location altogether was used.

In the Season 1 episode of Pushing Daisies titled “The Fun in Funeral”, the Stimson House stood in for the Schatz Brothers Funeral Home in Couer d’Couers, where grave-robbing twins Lawrence and Louis Schatz (who were both played by Brad Grunberg) worked and also died.

The home’s real life interior was also used in the episode.

Two television mini-series, 1976’s Captains and the Kings, and 1977’s Testimony of Two Men, were also filmed at the mansion, but unfortunately I could not find copies of either of them to make screen captures for this post.

Until next time, Happy Stalking!

Stalk It: The Stimson house, from House II, is located at 2421 South Figueroa Street in the West Adams District of Los Angeles.

October 4, 2011
The “Beaches” Mansion vs. The “Starsky & Hutch” Mansion

Two weeks ago, fellow stalker Jenny left a comment on my post about the long-sought-after Beaches mansion in which she mentioned that the very same residence had also been used in both 1983’s Mr. Mom and 1987’s Who’s That Girl. Ironically enough, I had received virtually that same exact comment from a fellow stalker named Sarah on the post I wrote about the Starsky & Hutch mansion (pictured above) way back in May of 2009. So yesterday I decided to do some digging to see which mansion, if either, had been used in the two 80s flicks – a task which proved to be easier said than done.

Both the Beaches mansion and the Starsky & Hutch mansion are extremely large, Tudor-style residences situated on absolutely huge pieces of land in Pasadena, so it is easy to see how they have been mistaken as being one in the same over the years. The Beaches mansion, which is pictured above although sadly not much of it can be seen from the street, was originally built in 1916 and boasts 8 bedrooms, 4 baths, and a whopping 7,479 square feet of living space.

The gargantuan home sits on just under two acres of land.

In Beaches, the mansion was where Hillary Whitney Essex (aka Barbara Hershey) lived with her daughter, Victoria Cecilia Essex (aka Grace Johnston).

The Starsky & Hutch mansion, which was built in 1912, boasts 13 bedrooms (and no that is not a typo!), 8 baths, and 11,573 square feet of living space.

The monstrous residence sits on a 2.2 acre plot of land.

In 2004’s Starsky & Hutch, the mansion was where Reese Feldman (aka Vince Vaughn) lived with his wife, Mrs. Feldman (aka Molly Sims), and was where David Starsky (aka Ben Stiller) accidentally shot a pony while at a bar mitzvah party.

As it turns out and as you can see above, Mr. Mom was filmed at the Starsky & Hutch mansion and not at the Beaches mansion. In the movie, the property stood in for the residence belonging to Caroline’s (aka Teri Garr’s) millionaire boss, Ron Richardson (aka Martin Mull).

And here’s where things get confusing. As you can see above, the Starsky & Hutch mansion was also used as the home of Simon Worthington (aka John McMartin) in Who’s That Girl. Well, the front of the house was, at least.

The backyard, though, where the wedding of Louden Trott (aka Griffin Dunne) and Wendy Worthington (aka Sixteen Candles’ Haviland Morris) was supposed to take place, was actually the backyard of the Beaches mansion!

The interior scenes from Who’s That Girl were also filmed at the Beaches mansion. The screen captures in the top row pictured above were taken from Who’s That Girl, while the ones in the bottom row were taken from Beaches, and, as you can see, the interiors match perfectly.

The Starsky & Hutch mansion was also used numerous times in the television series Falcon Crest as the home belonging to Carlo Agretti (aka Carlos Romero) and his daughter, Melissa (aka Ana Alicia). It first showed up in the Season 1 episode titled “House of Cards” and then popped up repeatedly throughout the next few seasons. According to IMDB, the Starsky & Hutch mansion was also used in the Season 2 episode of Fantasy Island titled “The Last Whodunit” and in the Season 4 episode of Murder She Wrote titled “Witness for the Defense”, neither of which I could find a copy of to make screen captures for this post. And according to my buddy E.J. over at The Movieland Directory, the property also appeared in an episode of the short-lived television series Pepper Dennis.

As I mentioned in my post two weeks ago, the Beaches mansion has also been used in countless productions over the years. It stood in for Roger Sterling’s (aka John Slattery’s) country club in the Season 3 episode of Mad Men titled “My Old Kentucky Home”.

And in the Season 2 episode of Parks & Recreation titled “94 Meetings” it appeared as the Turnbill Mansion, which Leslie Knope (aka Amy Poehler) fought to save.

Fellow stalker Tamara in Australia also let me know that the Beaches mansion was used as the residence where the eponymous Alice (aka Natalie Gregory) lived in 1985’s FABULOUS Irwin-Allen-produced television movie Alice in Wonderland, which featured an all-star cast and which I used to watch repeatedly with my grandma when I was a child. The same property also appeared in the Season 7 episode of Columbo titled “Try and Catch Me”, which I was unfortunately unable to find a copy of to make screen captures for this post.

Big THANK YOU to fellow stalkers Jenny, Sarah, and Tamara for helping me to clear up the filming location confusion with these particular properties.

Until next time, Happy Stalking!

Stalk It: The Beaches mansion is located at 880 La Loma Road in Pasadena. The Starsky & Hutch mansion is located just about two miles east at 1050 Arden Road in Pasadena.

September 29, 2011