Meg Ryan – IAMNOTASTALKER

August 28, 2019August 27, 2019

The Sharper Image from “When Harry Met Sally”

Movies don’t typically surprise me, as far as locations go. But When Harry Met Sally has me absolutely shocked as of late! Ever since first seeing the romcom when it debuted back in 1989, I had been under the impression that it was lensed entirely in New York. The city is so woven into the fabric of the film – it is practically a character in the story! – that I couldn’t imagine even one frame of it being shot elsewhere. That all changed in 2016, though, when I contacted a crew member regarding a locale from a different production – the crab restaurant from A Few Good Men. As I chronicled in this post, said crew member not only informed me that the eatery I was looking for was in the San Pedro area, but that it had also appeared in When Harry Met Sally! Gobsmacked, I immediately started researching the matter further and discovered several more WHMS sites in Los Angeles, one of which being The Sharper Image where Sally Albright (Meg Ryan) karaoked with Harry Burns (Billy Crystal). Sadly, it’s no longer in business, but I figured it was still blog-worthy nonetheless.

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As has long been documented online, the exterior of The Sharper Image store at 4 West 57th Street in New York (which today houses an Ermenegildo Zegna boutique) was shown in an establishing shot at the top of the When Harry Met Sally karaoke scene. I had always assumed interior footage had been shot there, as well.

During my deep dive into the film’s L.A. locations, though, I was stopped in my tracks by a comment from a man named Colin Stone on the On the Set of New York’s When Harry Met Sally page who stated, “The interior scene of The Sharper Image was actually filmed at the Los Angeles (Wilshire and Grand) store.” A quick Google search for further information on the shop yielded absolutely nothing, which told me it was long since out of business. So I hopped over to Newspapers.com in the hopes of pinpointing its exact former address and found several ads (like the one below from 1986) noting its location as 601 Wilshire Boulevard, right on the corner of Wilshire and Grand, as Colin had said. (Also noted? The fact that it was a non-smoking store! Were people honestly allowed to smoke in retail shops back then??? I certainly don’t remember that as a kid!)

I ran out to stalk it shortly thereafter. At the time (July 2018), the site housed a print shop named LA Grafix.

Per Google Street View, it sits vacant today.

But back in the ‘80s, it was home to the mecca of all-things-yuppie, The Sharper Image. It was there that Harry and Sally headed to find a housewarming gift for their respective BFFs, Jess (Bruno Kirby) and Marie (Carrie Fisher). While shopping, the two test out a “singing machine” with a duet of “The Surrey with the Fringe on Top” and, in the process, run into Harry’s ex-wife, Helen Hillson (Harley Jane Kozak), and her new boyfriend, Ira Stone (Kevin Rooney), thereby setting Harry on a downward spiral. Quite a lot of the interior is shown in the scene (which you can watch here). Sadly though, other than the store seeming quite large (which goes against it being located in New York City), there really aren’t any identifying factors like doors or windows visible which would have helped me verify its use in the film. So I, of course, went straight to the source and tracked down Colin! As it turns out, he couldn’t have been nicer or more informative! Currently, he is a professional relaxation therapist and composer, but during The Sharper Image’s early days, he worked in the DTLA store creating health and fitness products, which is how he knew of its big-screen cameo.

I am absolutely kicking myself now for not having ventured inside LA Grafix during my stalk. I (wrongly) assumed that due to the passage of thirty years and the change in occupancy, the space would no longer look anything like it did onscreen. But as Colin wrote in his email, “I popped over to the location maybe 4 years ago and saw that it was a printing place (it was a Saturday and it was closed, but still in business then) and I was totally surprised and amazed to look in the windows and see they still had all the grey and burgundy fixtures, counters, displays, slatwall, everything, still intact from the TSI days!” Talk about a fail on my part!

I did manage to dig up some interior images of the place from a past real estate listing which corroborate Colin’s observations. As you can see, some of The Sharper Image’s grey slatwall, visible in When Harry Met Sally, was held over when the store closed.

There’s some more of it pictured below, though it is no longer grey.

The Sharper Image’s decorative triangular ceiling lining was retained by LA Grafix, as well.

You can also make some of it out here.

The Wilshire & Grand Sharper Image, which was the fifth of the company’s brick and mortar stores, opened its doors on November 12th, 1984. Founder Richard Thalheimer chose the location in a rather unconventional way. As he told the Los Angeles Times, “I just stand on street corners and count the number of people who walk by wearing suits and ties.” Though he looked at spots in Westwood, Beverly Hills and Century City, the corner of Wilshire and Grand fit the bill for his SoCal venture. As the article states, “There among the skyscrapers, he figured, were throngs of young professionals with a potential soft spot for gold-plated dumbbells, sculptured pillows designed to look like Porsche and BMW cars, guns that fire pulses of infrared light and even tummy exercisers, among other things.” Colin said the methodology was backed by the “San Franciscan logic that people shop where they work,” which turned out not to be the case in L.A. At least, not at the time. Today, DTLA is a bustling live/work community, but in the ‘80s, ‘90s, and even the early 2000s, the city virtually cleared out as soon as offices closed. And on weekends, it was practically a ghost town. Not exactly a fertile environment for retail. The downtown Sharper Image was apparently the lowest-performing in the entire chain. Per Colin’s recollection, the store closed in late 1992/early 1993, though the other outposts in Sherman Oaks and Beverly Hills remained open for a time. The company filed for bankruptcy in February 2008 and by the end of that same year, all of its retail stores had, sadly, closed, truly marking the end of an era.

Huge THANK YOU to Colin Stone for identifying this location and providing so much of the intel that appears in this post.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: The Sharper Image from When Harry Met Sally was formerly located at 601 Wilshire Boulevard in downtown Los Angeles. The space is currently vacant, but was home to the print shop LA Grafix when I stalked it last year.

July 24, 2017July 29, 2017

Hollywood Diner from “Sleepless in Seattle”

Another day, another diner from a Meg Ryan movie! Unlike the Port Café, the Wilmington, California eatery that portrayed East Coast establishments in both When Harry Met Sally . . . and A Few Good Men, today’s locale can actually be found close to the Atlantic – though its name would have you believe otherwise. I’m talking about the Hollywood Diner in downtown Baltimore, which played the Capital Diner in the 1993 romcom Sleepless in Seattle. To discuss the restaurant’s history, though, we have to go back to the filming of a much earlier movie, 1982’s Diner.

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When writer/director Barry Levinson started pre-production on his semi-autobiographical coming-of-age drama Diner, set in 1959 Baltimore, he sought out to find a coffee shop similar to the one he hung out in during his youth for the shoot. His former stomping ground, the Hilltop Diner, which largely inspired his story, had been turned into a liquor store years prior, so filming there was not a possibility. After failed negotiations with the owners of the Double T Diner in Catonsville, Maryland, Levinson wound up coming across a vacant plot of land in Charm City’s Canton neighborhood that overlooked the famed Domino Sugars sign and thought it would make the perfect setting for his movie. All he needed was a diner. So he headed to a diner graveyard in New Jersey and quickly set his sights on a streamlined silver structure that formerly served as Long Island’s Westbury Grill. He leased the 1954 café from the graveyard, transported it to the plot of land in Canton, and proceeded to shoot Diner there, dubbing the fictional eatery “Fells Point Diner.”

Both the interior and exterior of the diner were used extensively in the shoot. (And yes, that’s a very young Kevin Bacon in the second screen capture below. <3)

Though some sources claim that Bendix Diner in Hasbrouck Heights, New Jersey was used for the filming of Diner’s interior scenes, that information is incorrect. The establishment does bear a considerable resemblance to the café where Eddie Simmons (Steve Guttenberg), Shrevie Schreiber (Daniel Stern), Boogie Sheftell (Mickey Rourke), Timothy Fenwick Jr. (Bacon), and Modell (Paul Reiser) hung out in the flick, but upon close inspection, it is obvious that the two are not one and the same.

When filming on Diner wrapped, the 48-foot by 17-foot restaurant was shipped back to the diner graveyard in New Jersey, which would have been the end of the story had then Baltimore mayor William Donald Schaefer not stepped in. Shortly after the movie premiered in early 1982, Schaefer implored local citizens to help return the structure to Charm City, putting purchase and transport of the eatery on his civil “wish list.” WBAL Radio heeded his cry, bought the restaurant from the graveyard and gifted it to Baltimore. It was transferred to its new home at 400 East Saratoga Street in the heart of downtown in January 1984. At the time, the diner lacked a bathroom and a kitchen, but locals donated time and money to spruce up the structure and transform it back into a functional restaurant. It opened later that year as The Kids’ Diner. Run by city schools and the mayor’s office, the site served as both an eatery and a vocational training center for area students.

Plagued by financial woes from the start, the restaurant was taken over by the Chesapeake Foundation for Human Development in 1991 and renamed “Hollywood Diner.”

The foundation couldn’t quell the café’s money problems, though, and, after undergoing a series of different management organizations and restaurant iterations, the site finally shuttered in 2012. Though there were plans to turn the property into a food truck park, using the interior of the diner for seating, it does not appear that the project ever took of.

Despite the longtime closure, the diner still stands intact today, thankfully.

I was floored when I walked up to the structure and saw that the interior was visible through the front windows!

At the beginning of Sleepless in Seattle, Annie Reed (Meg Ryan) stops for tea at the diner while on a Christmas Eve road trip to her fiancé’s parents’ house.

It is amazing to me how little the restaurant has changed since filming took place over 24 years ago.

Hollywood Diner has appeared in several productions over the years. In fact, Barry Levinson has quite a soft spot for the place, having utilized it in two of his other movies. In 1987’s Tin Men, the restaurant serves as Ernest Tilley’s (Danny DeVito) regular breakfast joint.

And Van Kurtzman (Adrien Brody) also hangs out there in Levinson’s 1999 drama Liberty Heights.

The director even named the eatery “Fells Point Diner” in the movie, as a nod to his 1982 film.

Though some websites state that the diner also appears in the 1990 Levinson-directed drama Avalon, in the scene in which Michael Kaye (Elijah Wood) watches as a restaurant is dropped into place on a vacant lot, that information is incorrect. As you can see below, the eatery in Avalon looks nothing like the Hollywood Diner (not only do the windows not match, but neither does the general shape of the structure). Not to mention that by the time Avalon was shot, The Kids’ Diner had already been installed at its downtown location and in full operation for over six years.

In the Season 2 episode of The Wire titled “Duck and Cover,” which aired in 2003, a drunken Detective James “Jimmy” McNulty (Dominic West) heads to the Hollywood Diner for coffee and winds up going home with his waitress.

Hollywood Diner provided the setting for the 2017 short film The Dark of Night, directed by Robin Wright.

The restaurant also reportedly appeared in an episode of Homicide: Life on the Street, though I am unsure of which episode.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: Hollywood Diner, aka Capital Diner from Sleepless in Seattle, is located at 400 East Saratoga Street in Baltimore. The restaurant is currently closed.

July 21, 2017July 21, 2017

The Site of the “A Few Good Men” Crab Restaurant

To paraphrase Dorothy (Judy Garland) in The Wizard of Oz, our heart’s desires can often be found right in our own backyard. Even though I’ve seen the 1939 film about a gazillion times, I failed to heed Dorothy’s advice while searching for the crab restaurant Lt. Cdr. JoAnne Galloway (Demi Moore) took Lt. Daniel Kaffee (Tom Cruise) to in fave movie A Few Good Men. The eatery had long been at the top of my Must-Find List, but because I always assumed it was located in the D.C. area where the 1992 courtroom drama was partially shot, I never put much energy into tracking it down. When I found out that the Grim Cheaper and I would be journeying to the East Coast last fall, though, I immediately sprang into action – and was shocked to discover that the locale was right in my own backyard the whole time. Or at least, it was. The restaurant has, sadly, since been razed, hence the odd photo above which shows roughly where it once stood.

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For those who don’t remember the scene (or perhaps have never seen the movie, which I can’t imagine is possible!), toward the middle of A Few Good Men, JoAnne shows up unexpectedly at Danny’s apartment and asks if she can take him out for dinner (it’s not a date, though!) at a good seafood place she knows. After razzing her quite a bit, Danny accepts the invite and the two head to a very East Coast-looking spot, where they proceed to eat crab off of a paper-covered table, with mallets as their only utensils.

The scene absolutely mesmerized me. Though I grew up in San Francisco, home to fish restaurants galore, until watching A Few Good Men, I had never seen crab eaten in such a way and wanted nothing more than to visit a place like that myself. So, on one of my first visits to D.C., back in 2001, I told my friends who lived in the area that I was not leaving town without going to a similar spot. (This was before I became a master stalker, so it never even occurred to me to try to track down the actual A Few Good Men restaurant during that trip.) My friends happily obliged and that meal is one of my fondest memories of the whole vacation. A page from my D.C. photo album is pictured below, showing us enjoying crab in all of our messy-handed glory.

For this trip, I decided I had to track down the real spot. Most sources I came across online claimed that the A Few Good Men scene was lensed at The Dancing Crab, a D.C. institution that had been around for more than 40 years, but was, sadly, shuttered in 2014. At the time of its closure, the restaurant was located at 4615 Wisconsin Avenue NW in the District’s Tenleytown neighborhood. The photos of the site posted on Yelp did not look anything like what appeared in AFGM, though. So I did some digging and learned that the eatery had moved locations in recent years. It was originally situated one storefront to the south at 4611 Wisconsin Avenue NW. Though I could not find any images of The Dancing Crab from its time at that spot, I could tell from looking at the outside of the building via Google Street View that it was not the right place. Two large windows are visible in the background of the AFGM scene, but the original Dancing Crab site (pictured below) has no such windows. So it was back to the drawing board. (Come to find out, The Dancing Crab does have an A Few Good Men connection, but more on that in a bit.)

I decided to start contacting crew members and got lucky when one responded right away. His reply to my query absolutely blew my mind. He informed me that the AFGM crab restaurant could not be found in Washington, D.C., but much closer to home, about 20 miles south of Los Angeles. As he explained, the eatery was a diner in the San Pedro area that had been redressed to look like a seafood restaurant for the shoot. Then he shocked me even further when he mentioned that the same site had also been used in When Harry Met Sally . . .! At the time, I was unaware that the 1989 romcom had done any filming in the L.A. area. My crew member friend did not remember the name or address of the diner, so I started looking into things and fairly quickly came across its whereabouts thanks to the book Shot On This Site, which stated that a scene from When Harry Met Sally . . . had been lensed at the Port Café in Wilmington. I was devastated to learn upon reading further that the eatery, once located at 955 South Neptune Avenue, just steps from the Port of Los Angeles, had since been demolished.

Scant information about the Port Café is available online, other than a few building permits and the short blurb below which was featured in the book Wilmington (Images of America). Originally built in 1941, the diner was mainly patronized by people who worked on the docks nearby. Aside from moving about 100 feet to the north in 1956 in order to accommodate the enlargement of a nearby terminal, little of the restaurant was changed over the years. Sadly, I could not locate any photos of the interior of the space to compare to screen shots from A Few Good Men.

So I popped in my When Harry Met Sally . . . DVD and was dismayed to see that the café, featured in the beginning of the movie in the scene in which Harry Burns (Billy Crystal) and Sally Albright (Meg Ryan) stop for a roadside meal during their drive from Chicago to Manhattan, did not look anything like the A Few Good Men crab restaurant. I started to think that maybe my crew member friend had gotten it wrong. Even though I knew that the space had been completely redressed for AFGM, I thought that some small detail at the very least would be recognizable from WHMS. I could not find a single matching element, though. Nothing. Nada. Zip.

Enter my friend/fellow stalker Michael (you know him from his many fabulous guest posts). Michael’s eye is much keener than mine, so I asked him to take a look at the AFGM crab restaurant scene and compare it to the WHMS diner scene to see if I was missing anything. Sure enough, I was! As he noticed, a post and lintel (denoted with a purple circle below) and a beam (denoted with a green arrow) that match each other perfectly are visible in the respective scenes.

Upon taking another look at the two movies, I also spotted the post and lintel (albeit the opposite side of it) in an exterior shot in When Harry Met Sally . . .

And I noticed that the stainless steel/green/pink wall schematic (denoted with a purple bracket below) was the same in both flicks. (Love that the Port Café’s 955 address number is visible just to the right of Billy Crystal in the WHMS cap.)

The two movies (which were both coincidentally, or not so coincidentally, directed by Rob Reiner) really showcase different sections of the Port Café, which, along with the re-dressing of the space for A Few Good Men, makes it appear to be two totally distinct places. Helping with the visual manipulation is the fact that the restaurant seems to have had two counters (denoted with purple arrows below) and two kitchens (denoted with green arrows below) – one of each in the center of the space and one of each on the side.

Though the side counter is mainly featured in When Harry Met Sally . . . , Michael pointed out that we get brief views of the central counter, as well, when Harry and Sally enter and exit the restaurant.

The diagonal edge (denoted with purple arrows below) of the counter in A Few Good Men, the wood material, the metal piece running parallel to the floor (denoted with green arrows below) and the foot rest (denoted with yellow arrows below) all correlate to the center counter briefly seen in When Harry Met Sally . . . The green flooring visible in both movies is also a match.

Because I was having trouble envisioning how the Port Café was laid out (the two counters/kitchens really threw me), Michael was kind enough to draw up a diagram, which I transformed into the graphic below. The areas of the eatery utilized and visible in A Few Good Men are denoted in red (the initials TC and DM stand for Tom Cruise and Demi Moore, respectively), those utilized and visible in When Harry Met Sally . . . are blue (BC and MR stand for Billy Crystal and Meg Ryan), and those utilized and visible in both movies are teal.

When Harry Met Sally . . . provides us with some great views of the exterior of the Port Café.

I thought those views, along with the Historic Aerials image pictured below, would help me discern the Port Café’s exact former location when I went out to stalk it last week.

When I got to the area, though, I could not make heads or tails of anything and failed to take photos of the precise place. The picture below is the closest I got to the correct location. The Port Café was formerly located pretty much in the spot where the purple arrow is pointing.

Had I panned just a bit to the north, I would have captured its exact former site. Thank God for Street View!

The purple box outlines where the eatery was formerly situated.

In When Harry Met Sally . . ., Sally’s car travels north on Neptune Avenue before turning left (west) onto East Pier A Place and then into the Port Café parking lot. A very crude graphic showing her route is pictured below. The pink line depicts the path of Sally’s car.

Many of the tanks visible when she drives to the restaurant have been razed, as you can see from my photograph below (which, believe it or not, is pretty much a matching angle to the screen capture), though the tall white one on the left-most side still stands.

The tank situated on the side of the Port Café also still stands. It is pictured below, albeit from a different angle.

As I mentioned earlier, A Few Good Men does have a connection to the now defunct Dancing Crab restaurant. In his DVD commentary, Rob Reiner states that while filming in the D.C.-area, he took the cast and crew out for dinner at The Dancing Crab. The ambiance of paper-covered tables and mallet utensils made such an impression on him that he was inspired to place an AFGM scene in a similar setting. So when they got back to L.A., he did just that. And the rest, as they say, is history.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Big THANK YOU to my friend Michael for helping me to identify this spot! Smile You can check out Michael’s many fabulous guest posts here.

Until next time, Happy Stalking! Smile

Stalk It: The Port Café, aka the crab restaurant from A Few Good Men, was formerly located at 955 South Neptune Avenue in Wilmington. The spot where it once stood is denoted with a pink box below.

February 27, 2017February 23, 2017

Baltimore’s Washington Monument from “Sleepless in Seattle”

Most people know about the Washington Monument in Washington, D.C., but what few realize is that there is another memorial honoring America’s first president located nearby and that it actually predates the District one. It is a filming location, to boot – from Sleepless in Seattle, one of my favorite movies, no less! So I just had to do some stalking of it while I was back east last September.

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The original Washington Monument, which was constructed from 1815 to 1829 and was the first public memorial to pay homage to George Washington, stands about forty miles outside of the nation’s capital in Baltimore, Maryland’s Mount Vernon neighborhood. The structure was designed by architect Robert Mills, who also designed its D.C. counterpart, though that one did not begin to take shape until 1848 and was not completed for another 37 years after that.

Manufactured out of marble from three local quarries, the monument stands at 178 feet, 8 inches tall.

The focal point of the memorial is a towering Doric column positioned at the center of a rectangular base. Inside of the base is an exhibit about the monument and its surrounding neighborhood. Unfortunately, I had a bit of a stalking fail with this particular location because until I started doing researching for this post, I was unaware that visitors could not only venture inside the structure, but to the very top of it! The tower’s apex apparently provides some fabulous views of the city, so I am really disappointed the Grim Cheaper and I did not head inside.

Affixed to the exterior of the monument’s base are eight bronze captions denoting important events in Washington’s life.

And holding court at the top is a sculpture designed by Italian artist Enrico Causici that represents the moment when Washington resigned as commander-in-chief of the Continental Army on December 23rd, 1783. Why did Causici choose to immortalize that particular occasion? As History.com explains, “Washington’s willingness to return to civilian life was an essential element in the transformation of the War for Independence into a true revolution. During the war, Congress had granted Washington powers equivalent to those of a dictator and he could have easily taken solitary control of the new nation. Indeed, some political factions wanted Washington to become the new nation’s king. His modesty in declining the offer and resigning his military post at the end of the war fortified the republican foundations of the new nation.”

The detailing of the statue cannot be seen from ground level, which is quite possibly a good thing. The Baltimore Business Journal’s Kevin Litten got a close-up view of the piece in 2014, while the monument was undergoing a $5.5-million, 19-month restoration, and as he humorously reported, Causici’s rendering of the nation’s first president depicts him with “a wide, googly-eyed stare” that “looks a lot more like the late actor Jack Elam than the father of our country.” Who is Jack Elam, you ask? Litten explains, “Elam was known both for his frequent depiction of evil characters in western films, and for having what the New York Times called a ‘leer, bulging eye’ that ‘conveyed villainy as surely as [Jimmy] Durante’s nose suggested humor.’” I mean, try to look at this photo and not laugh. I’m literally in hysterics as I write this.

In 1917, it was decided that a statue of Marquis de Lafayette, the French aristocrat who fought alongside Washington during the Revolutionary War, would be added to the site. Sculptor Andrew O’Connor was commissioned to create the instillation and architect Thomas Hastings was enlisted to re-design the area surrounding the Washington Monument to better suit the new piece. The statue was eventually dedicated in 1924.

Surrounding the monument are four gorgeously manicured park-like squares.

Lined with trees, the squares feature fountains, shaded paths, and benches and chairs where visitors can enjoy quiet respite from the bustle of Baltimore.

It truly is a gorgeous site and fitting homage to the father of this great nation.

Towards the beginning of Sleepless in Seattle, Annie Reed (Meg Ryan) and her BFF Becky (Rosie O’Donnell) pass by the Washington Monument on their way to have lunch at the Women’s Exchange, which I blogged about last week.

In the scene, the two ladies are shown walking from the east side of the monument to the south side, past the Marquis de Lafayette statue.

Baltimore’s Washington Monument has popped up in a few other productions over the years.

In the 1979 thriller . . . And Justice for All, Arthur Kirkland (Al Pacino) takes a spontaneous jog around the monument and Marquis de Lafayette statue.

Robert Clayton Dean (Will Smith) and Rachel F. Banks (Lisa Bonet) have a clandestine meet-up at the Washington Monument in 1998’s Enemy of the State.

That same year, the memorial was featured briefly in the opening scene of the John Waters comedy Pecker as the spot where Pecker (Edward Furlong) caught a bus.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: The Washington Monument, from Sleepless in Seattle, is located at 699 Washington Place in Baltimore. Several other filming locations can be found in the same vicinity, including the Women’s Exchange, also from Sleepless in Seattle, at 333 North Charles Street; the George Peabody Library, again from Sleepless, at 17 East Mount Vernon Place; Terry Lambert’s (Steve Guttenberg) apartment from The Bedroom Window at 12 East Mount Vernon Place; and The Helmund from He’s Just Not That Into You at 806 North Charles Street.

February 17, 2017February 15, 2017

The Women’s Exchange from “Sleepless in Seattle”

Last year, I had incredible luck getting access to filming locations typically closed to the public. While visiting New York in April, I was granted tours of three non-accessible places that I literally would have given my eye teeth to see. Thankfully, none of my friendly tour guides collected on that offer. (And yes, I will be blogging about those sites soon.) One spot I was not as fortunate with was the tea room at the Women’s Exchange in Baltimore, which was featured briefly in Sleepless in Seattle. I was thrilled to come across information about the place while researching Charm City filming locales prior to my September trip back east, and was even more thrilled to discover that the space, though closed, was still in existence and used as a special events venue. While I contacted the Women’s Exchange a few months prior to my visit to see if a tour might be arranged, unfortunately the staff was not able to make that happen. But I still ventured over to stalk the outside of it while in town.

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The Women’s Exchange was established in 1880 as a place where Civil War widows and impoverished females could make money outside of the workplace by selling handmade goods. The non-profit organization, initially called the Women’s Industrial Exchange, was founded by G. Harmon Brown and originally operated out of her private residence. The program quickly proved successful, was incorporated in 1882, and moved to its current home, a five-story former boarding house on Charles Street that was constructed in 1815, five years later.

The organization purchased the picturesque property, which is on the National Register of Historic Places, in 1889.

In 1900, a consignment boutique was opened on the premises and the building’s stately dining hall was transformed into a tea room.

The eatery, which featured white and black checkered flooring, a tall fireplace, and red leather booths, became a popular spot for society women, as well as D.C. politicians, to “lunch.” Amazingly, it remained in operation until 2002 (more than a century!), at which point it was shuttered due to a decline in patronage.

Various restaurants were opened in the tea room space by outside companies in the ensuing years, but, sadly, none took.

Woman’s Industrial Kitchen, which debuted in 2011, was the last eatery to operate in the historic venue, but it was shuttered in 2014 and the site has remained closed, outside of hosting special events, ever since.

Closure of the Women’s Exchange consignment and gift store occurred shortly thereafter and, although a pop-up shop was opened on the premises during the holiday season in 2015, for the most part the locale has remained dark and its future currently appears uncertain. You can see some photographs of the tea room over the years here and here.

In Sleepless in Seattle, Annie Reed (Meg Ryan) and Becky (Rosie O’Donnell) grab lunch at the Women’s Exchange tea room. While there, Becky calls Annie out on her crush on the “Sleepless in Seattle” radio caller.

According to a 2012 The Baltimore Sun article, Sleepless director Nora Ephron became a huge fan of the Exchange after visiting it while scouting locations for the movie, so much so that she wound up eating lunch on the premises daily during the shoot. Ephron had a particular affinity for the tea room’s orange cupcakes and had them delivered by the dozen to the set on a regular basis for the cast and crew to enjoy. She was most taken by the place’s historic aesthetic, though, telling a reporter in 1992 that “It was out of time,” which fit perfectly with her vision of creating an enduring love story. She explained, “We had to do a movie about love that was also about movies about love that I want people to watch for 20 years. I don’t want them to say, ‘Oh, that was made in ’93.’” In my opinion, she succeeded. Sleepless in Seattle is just as touching and poignant today as it was when it first premiered 24 years ago. (Fun fact – Ephron cast longtime Exchange waitress Marguerite Schertle as Annie and Becky’s server in Sleepless. When the director asked her to say a few lines and to “pat” Annie and Becky in the scene, Schertle refused, saying, “Look, just let me do it my way.” She’d been an employee of the tea room for 45 years by that time, after all, and knew how to play the part. That’s her below in the blue uniform, which was her actual work attire.)

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: The Women’s Exchange, from Sleepless in Seattle, is located at 333 North Charles Street in Baltimore. You can visit the exchange’s official website here. The property, including the tea room and the store, is currently closed to the public.

February 15, 2017February 15, 2017

The George Peabody Library from “Sleepless in Seattle”

The Grim Cheaper has never been much interested in filming locations, as I’ve mentioned many times before. He does love stalking them with me, though, as doing so usually involves seeing historic and unique spots. One site that absolutely bowled him over during our trip back east last September was the George Peabody Library in Baltimore. The locale first came on my radar way back in 1993 thanks to its appearance in fave movie Sleepless in Seattle. Once I started researching and viewing photographs of it online prior to our trip, I became a wee bit obsessed with its staggering beauty and knew I wasn’t leaving Charm City without stopping by.

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In February 1857, philanthropist George Peabody announced his plans to create a cultural center for the citizens of Baltimore consisting of an art gallery, a music school, and a library – but not just any library. As George conceived it, the place was to be an “extensive library, to be well furnished in every department of knowledge and of the most approved literature, which is to be maintained for the free use of all persons who may desire to consult it.”

HIs vision became a reality in 1878 when the Library of the Peabody Institute of the City of Baltimore opened to the public. Designed by local architect Edmund George Lind, the Renaissance Revival-style structure, while pretty, is rather non-descript on the outside.

It is the interior that had my tongue wagging.

Dr. Nathaniel H. Morison, the first provost of the Peabody Institute, wasn’t speaking in hyperbole when he described the library as a “cathedral of books.”

The building’s atrium-like interior is a dazzling array of cast iron balconies;

towering stacks featuring more than 300,000 volumes of books;

gold leaf columns that stretch six stories;

black and white marble flooring;

and a paned skylight that looms 61 feet above the ground, casting the space in gorgeous natural light.

As I walked through the library’s entrance doors, my jaw dropped to the floor.

I truly felt like Belle in Beauty and the Beast.

The George Peabody Library is easily one of the most beautiful places I have ever visited in my life.

In 1967, the City of Baltimore acquired the property and it became part of the Enoch Pratt Free Library.

Johns Hopkins University took over the space in 1982 and continues to own it today.

Open to students and visitors alike, the library is also used as a special events venue.

Not surprisingly, the George Peabody Library has become one of Baltimore’s most popular wedding locations.

Also not surprisingly, it has popped up numerous times onscreen.

In Sleepless in Seattle, Annie Reed (Meg Ryan) heads to the Peabody Library to visit her brother, Dennis (David Hyde Pierce), who works on the premises. While there, the two discuss Annie’s recent obsession with a widower she heard on the radio who lives in Emerald City. Dennis’ advice on the matter? “It rains nine months of the year in Seattle!” According to a 1992 The Baltimore Sun article, Sleepless director Nora Ephron was so enamored of the grand library that she changed Dennis’ profession in the script from a psychiatrist to a musicologist so that scenes could be shot there.

The library’s exterior was used in the movie, as well. In the scene, Annie drives west on East Mount Vernon Place and parks in front of the building. In reality, that move wouldn’t be allowed. Mount Vernon Place is a one-way street on which cars are only permitted to drive east.

In the 1990 drama Men Don’t Leave, Beth Macauley (Jessica Lange) rather loudly delivers a catered lunch from the bakery where she works to a music rehearsal taking place at the Peabody.

The Peabody Library very briefly appears as a Parisian music store where Catherine Sloper (Jennifer Jason Leigh) shops in the 1997 drama Washington Square.

The building pops up twice as the University of Baltimore’s library in 1999’s Liberty Heights.

The rear side of the Peabody, which can be found on Centre Street, masks as Hotel Cotesworth, where Claire Underwood (Robin Wright) hosts a large charity gala – and outsmarts some protestors, as well as a hotel union – in the Season 1 episode of House of Cards titled “Chapter 5.”

The Peabody’s lobby area also appeared in the episode.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: The George Peabody Library, from Sleepless in Seattle, is located at 17 East Mount Vernon Place in Baltimore. The site is open Tuesday through Friday and admission is free. You can visit the library’s official website here. Terry Lambert’s (Steve Guttenberg) apartment from The Bedroom Window is located right across the street at 12 East Mount Vernon Place.

November 21, 2016November 20, 2016

Annie’s House from “Sleepless in Seattle”

We all have those movies – the ones that affected us so much upon first viewing, they left a lasting imprint on our hearts. Sleepless in Seattle is one such movie for me. As I mentioned in this 2010 post about the houseboat from the 1993 romcom, I still remember exactly where I was the first time I saw it and have my ticket stub tucked away in a box. The film had an immediate visceral effect on me – and still does to this day. So when I found out that the Grim Cheaper and I were heading to Baltimore, where Sleepless was partially filmed, this past September, I started putting together a list of must-see locales from the movie, namely the gorgeous brick townhome where Annie Reed (Meg Ryan) and her fiancé, Walter (Bill Pullman), lived.

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Annie’s residence has been well-documented online for years, so I did not have to do any sleuthing to hunt it down.

Miraculously, the dwelling looks almost exactly the same today as it did 23 years ago when Sleepless in Seattle was filmed.

Even the duck boot scraper visible in the bottom right of the above screen capture is still intact.

Annie’s house was featured several times throughout Sleepless in Seattle.

In real life, the three-story property, which was originally built in 1900, houses 1,995 square feet of space and 3.5 baths.

Though I do believe the structure was a private residence at one point, today it serves as an office, housing the Baltimore branch of Captel, a fundraising and membership development company.

Only the exterior of the site was used in Sleepless in Seattle. While I always assumed that the charming interior of Annie’s home was a set, my friend/fellow stalker David, who is a denizen of the Pacific Northwest, has heard that interiors were shot at an actual residence in West Seattle. So the jury’s still out on that one.

If interiors were shot at a real place, what I wouldn’t give to track it down!

The pier just outside of Annie’s home was also used in the filming.

In one particularly memorable scene (well, to me, anyway), Annie walks to the end of the pier and sits on a bench located there, while Sam Baldwin (Tom Hanks) does the exact same thing more than 2,000 miles away at a dock in Seattle. (As you can see in my images above and below, a car commercial was being shot on the pier the day we were there! Apparently, Broadway Pier, as it is known, is used for filming quite often.)

Unfortunately, the bench where Annie sat in the scene was just a prop.

But that didn’t stop me from posing for a photo there. Smile

Broadway Pier was also used very briefly in the “ . . . if she’s not sleeping with you” vignette from He’s Just Not That Into You. The building visible in the background of the scene has been remodeled in recent years and looks quite a bit different today than it did in 2009 when HJNTIY was shot, so I’m using a comparison image below from Google Street View that was taken in 2011.

Broadway Square, which is located just about one hundred feet north of Annie’s house, was also featured in He’s Just Not That Into You, as the spot where Connor (Kevin Connolly) called Mary (Drew Barrymore) to discuss the placement of his real estate ads. In the scene, Connor sat at the southern end of Broadway Square, just east of Admiral Fell Inn.

I recently discovered a couple of other He’s Just Not That Into You locales in the same vicinity. Duda’s Tavern, which is located about 500 feet west of Annie’s house at 1600 Thames Street, served as the exterior of City Supper Club, the bar owned by Alex (Justin Long) in the flick.

And The Waterfront Hotel, located about 300 feet east of Annie’s house at 1710 Thames Street, masked as the exterior of The Huntsman’s Den, where Alex gave Gigi (Ginnifer Goodwin) some pointers on reading body language.

The entire area around Annie’s house is absolutely adorable.

Unfortunately, we did not get to spend a lot of time there, but I found myself wishing we had stayed at one of the hotels lining the main drag as there are so many shops and restaurants in the cobblestoned vicinity.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: Annie’s house from Sleepless in Seattle is located at 904 South Broadway in Baltimore’s Fells Point neighborhood. The spot where Connor sat in He’s Just Not That Into You can be found about one hundred feet north at Broadway Square, just east of the Admiral Fell Inn at 888 Broadway. Duda’s Tavern, which was used as the exterior of City Supper Club in HJNTIY, is located one block west of Broadway Square at 1600 Thames Street. And The Waterfront Hotel, which masked as the exterior of The Huntsman’s Den in HJNTIY, is located one block east at 1710 Thames Street.

July 18, 2016July 16, 2016

The “You’ve Got Mail” Breakup Restaurant

Locations from the movie You’ve Got Mail have been well-documented online on countless sites. I chronicled quite a few of them on mine – in a December 2007 post, as well as in follow-up posts that you can read here and here. One spot that hasn’t been mentioned anywhere and one that I was desperate to find was the café where Kathleen Kelly (Meg Ryan) and Frank Navasky (Greg Kinnear) so amicably broke up in the 1998 comedy. So I got to work in tracking it down shortly before heading out to NYC in April.

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While scanning the breakup scene for clues, I spotted a (rather blurry) neon sign reading “Monsoon” posted on the window of the storefront across the street. Figuring it was most likely an eatery of some sort, I did a Google search for “Monsoon,” “restaurant,” and “Upper West Side” (since the vast majority of the movie was shot in that area of the city), and the first result kicked back was for Monsoon Vietnamese Cooking at 435 Amsterdam Avenue. Though that spot is now shuttered and looks a bit different today, I was able to toggle back to the 2007 Street View image of it and the red patio area shown matched perfectly to what was seen in You’ve Got Mail.

A current view of that site is pictured below. As you can see, not only has it been cleaned up significantly, but the entire patio area has been removed. The space is now occupied by a Thai eatery named Spice.

I then used Street View to see what restaurant was located across the street from the former Monsoon site. At present, there is an American/Irish bar in that spot named St. James Gate.

Toggling back through the years, I could see that St. James Gate took over the space in 2008 and that, prior to that, it was the site of a different eatery, one that I could not make out the name of. So I did a deep Google search of the place’s address – 441 Amsterdam Avenue – and was able to discern that the location’s previous occupant was an American Nouveau/Mediterranean restaurant named Louie’s Westside Café, which originally opened on the premises in 1986. Eureka! As you can see below, despite the change in tenancy, little else of the structure has been altered since St. James Gate moved in.

Some further research on Louie’s pulled up the review pictured below. Looks like I should have just used Yelp from the get-go to find this locale!

Louie’s Westside Café was originally established by a woman named Louie Sloves and in its early days boasted a scant 11 tables with seating for 35. Despite the small size and lack of a liquor license, it managed to become a local favorite.

Louie eventually expanded the space and installed a full bar and a glass-enclosed patio. You can see photos of what Louie’s Westside Café looked like when it was still in operation here, here, and here. I was floored to see that, though the décor is now different, the basic layout of the restaurant remains the same.

Louie’s Westside Café popped up towards the end of You’ve Got Mail in the scene in which Kathleen and Frank admit to each other that they are in love with other people – Frank with Sydney Anne (Jane Adams) and Kathleen with “the dream of someone else.”

In the scene, they sat in the southwest corner of the restaurant, in the area pictured below.

The brick beam visible behind Kathleen in the scene is still there.

Though we did not have time to eat on the premises, the employees at St. James Gate could not have been nicer and invited me in to take all of the photographs that I wanted.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: St. James Gate, aka Louie’s Westside Café, aka the You’ve Got Mail breakup restaurant, is located at 441 Amsterdam Avenue on New York’s Upper West Side.

June 25, 2014June 24, 2014

The Viper Room from “Entourage”

Once I found the location of Zebra tattoo parlor, on which Jeremy Piven’s name was displayed during the opening credits of Entourage each week (I blogged about it here), I just had to track down the spot where cutie Jerry Ferrara’s moniker was showcased. Upon finally doing so, I was a bit embarrassed that I had not recognized the place beforehand, being that it is one of Hollywood’s most well-known landmarks – The Viper Room in West Hollywood.

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Although arguably most famous for the fact that it was where River Phoenix died of a drug overdose in 1993, The Viper Room had a long, storied history prior to that time. The space was originally the site of a night spot named The Cotton Club, which then became Greenwich Village and then the Rue Angel – all during the first half of the 20th century. When the Rue Angel was burned in a fire in 1950, its doors were shuttered. The site reopened shortly thereafter as The Last Call, a drag show venue, which did not prove fruitful. The Last Call was closed in April 1951 and was subsequently transformed into The Melody Room, a small jazz bar that opened on June 14th of that same year. The Melody Room was successful for almost two decades and was reportedly frequented – and maybe even backed -by mobsters Bugsy Siegel and Mickey Cohen.

In 1969, The Melody Room was sold and became Filthy McNasty’s, a live rock ‘n’ roll venue. Sometime during the late ‘70s/early ‘80s, the property’s name was changed once again, this time to “The Central.” By 1993, The Central, which had remained a forum for rock ‘n’ roll acts, was on the verge of closing. When actor Johnny Depp found out, he decided to invest. Along with a few partners (one of whom, Anthony Fox, mysteriously went missing in 2001), he revamped the place and dubbed it “The Viper Room.” It opened to the public on August 14th, 1993, with Tom Petty and the Heartbreakers serving as one of the inaugural acts. The Viper Room was immensely popular from the get-go, especially with the young Hollywood set. Just a few of the celebrities who were spotted there during the early years include Christina Applegate, Drew Barrymore, Jen Aniston, Nicole Eggert, Tim Burton, Quentin Tarantino, Sean Penn, Leonardo DiCaprio, Mick Jagger, Johnny Cash, Tommy Lee, Pamela Anderson, Gwen Stefani, Ellen DeGeneres, and Michael Keaton.

Shortly after its opening, The Viper Room would be forever marred by the death of 23-year-old actor River Phoenix, who passed away on the sidewalk just outside the club’s front doors in the early morning hours of October 31st, 1993. Following the tragedy, the venue closed down for a full two weeks.

While stalking The Viper Room recently with Mike, from MovieShotsLA, we were shocked to see a payphone nearby. (I wasn’t aware those things still existed!) After some research, I learned that it was the payphone where Joaquin Phoenix made his now infamous call to 911 following River’s collapse. The phone is located in front of the Sun Bee food mart at 8860 West Sunset Boulevard. And yes, I realize how morbid this subject matter is, but I was absolutely astounded to discover that it was still standing, all these years later, especially considering the fact that payphones are such a rarity in today’s world.

In 2004, in the midst of a lawsuit with his partners, Johnny Depp sold his portion of The Viper Room. Today, the property is owned by Harry Morton, son of Hard Rock Café founder Peter Morton. You can check out some photos of the venue over the years in all of its many incarnations here and you can see some pictures of what the interior of the club looks like today here.

In the Entourage opening credits, Jerry Ferrara’s name was shown in neon lettering above The Viper Room awning. As I mentioned earlier, I am embarrassed to admit that I did not recognize the site during all my years of watching the series. No, it was not until a couple of weeks ago, when I did a Google search for “Terner’s Liquor,” a neighboring storefront visible in the Entourage credits, that I made the connection. In my defense, though, The Viper Room looked quite a bit different in the opening, as you can see below.

You can watch the Entourage opening credits by clicking below.

The Viper Room has been spotlighted onscreen several times over the years. In 1983, when it was still operating as The Central, its interior popped up in the movie Valley Girl as the site of the club where Randy (Nicolas Cage) took Julie Richman (Deborah Foreman) shortly after meeting her. Only the interior of The Central was used, though. The exterior was a bar in Hollywood that has since been torn down.

In 1991’s The Doors, The Central masqueraded as the London Fog where Jim Morrison (Val Kilmer) and the group played in their early days. At the time, the exterior, which has since been painted black, looked considerably different than it does today.

The real life interior of the club also appeared in The Doors.

In 2005’s Be Cool, The Viper Room was where Chili Palmer (John Travolta) heard Linda Moon (Christina Milian) sing for the first time. Only the exterior of the site was used in the shoot.

The interior of the club that appeared in Be Cool is far larger than The Viper Room’s actual interior. I have been to The Viper Room a few times over the years (one of my acting class friends used to date a bouncer there, so we were VIP all the way, all the time! Winking smile ) and the inside of it is tiny. I’m talking tiny. Like I’m pretty sure my apartment has more square footage. I am guessing that the interior of the Be Cool bar was a set. Either that or filming took place inside of a a different Los Angeles nightclub.

For more stalking fun, be sure to follow me on Facebook, Twitter, Instagram and Los Angeles magazine online. And you can check out my other blog, The Well-Heeled Diabetic, here.

Until next time, Happy Stalking! Smile

Stalk It: The Viper Room, from the opening credits of Entourage, is located at 8852 West Sunset Boulevard in West Hollywood. You can visit the club’s official website here.

August 16, 2010August 16, 2010

The Athenian Inn from “Sleepless in Seattle”

Another location at the very top of my Must-Stalk-While-in-the-Pacific-Northwest list was the Athenian Inn Seafood Restaurant and Bar, which made a brief, but quite memorable appearance in the 1993 romantic comedy Sleepless in Seattle. I had been absolutely dying to stalk the restaurant for what seemed like years for a couple of reasons. One, because as I’ve mentioned before, Sleepless has long been one of my very favorite movies. And two, because fellow stalker Kerry had previously visited the place and told me that there were numerous photographs of the filming displayed on the restaurant’s walls. As you can imagine, I could NOT wait to see those photographs for myself! So, after grabbing a coffee at the very first Starbucks store, which I blogged about a couple of weeks ago, Kerry, her husband Jim, the Grim Cheaper, and I all headed across the street to Pike Place Market, where the Athenian Inn has been located for over a century. Yes, you read that right! The Athenian Inn, which was founded by the three Pappadakis brothers, who hailed from Greece – hence the “Athenian” in the name – first opened over one hundred years ago, in 1909. Originally a bakery/candy shop/luncheonette, the establishment later transformed into a bar (in 1933, it was one of the first places in Seattle to be granted a liquor license to serve wine and beer) and then eventually into a full-blown restaurant. In 1964, the Inn was purchased by Bob and Louise Cromwell, who added a lounge and a balcony to the premises, and although Bob passed away in 2002, Louise still owns and manages the place to this day. You can read a more comprehensive history of the restaurant here.

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In Sleepless in Seattle, the Athenian Inn was the restaurant where Sam Baldwin (aka Tom Hanks) and his friend Jay (aka Rob Reiner) discussed dating in the ‘90s, “cute butts”, and the mystery that is tiramisu. And even though the scene that was filmed there took up only one minute and thirty-eight seconds of screen time, it made such an impact on the movie-going public that seventeen years later the place is STILL one of Seattle’s top tourist attractions! Isn’t that amazing?!?! Less than two minutes of screen time in a movie that is almost two decades old and the restaurant is still drawing crowds! INCREDIBLE! It reminds me of what happened with Magnolia Bakery in New York – a cupcakery that appeared in a one minute and seventeen second scene from an episode of Sex and the City which first aired over a decade ago, and fans are STILL lining up around the block to catch a glimpse of the place. I think it is so incredibly cool when a movie or television show creates such a monumental impact like that! But I digress.

The Sleepless in Seattle scene that was filmed at the Athenian Inn was shot at the northwest corner of the restaurant’s counter, right near the main entrance.

Not that I really need to explain that here, though, because the restaurant actually has plaques which denote the exact location where filming took place. How incredibly cool is that???? Oh, how I wish EVERY filming location would honor its cinematic history by doing something similar. LOVE IT!!! LOVE IT!!! LOVE IT!!!

And fellow stalker Kerry and I, of course, just had to recreate the Sleepless scene while we were there!

Thankfully, little has changed at the Athenian Inn in the more than 17 years since Sleepless was filmed there and the place looks pretty much EXACTLY the same today as it did then.

In fact, from what I’ve been able to discern, it seems that not much has been changed in the more than hundred years since the historic restaurant first opened. The neon sign that was first hung over the establishment’s front door by the Pappadakis brothers in 1933 is still hanging in the very same spot to this day! So darn cool!

I honestly cannot recommend stalking the Athenian Inn enough! The food was great, the prices reasonable, the views of Elliot Bay amazing, and the staff super friendly. Not to mention the many nods to the restaurant’s cinematic history which are proudly displayed on the walls. 🙂

Until next time, Happy Stalking! 🙂

Stalk It: The Athenian Inn from Sleepless in Seattle is located at 1517 Pike Place, inside Pike Place Market, in Seattle. You can visit the restaurant’s official website here. In Sleepless, Tom Hanks and Rob Reiner sat at the northwest corner of the restaurant’s counter.