The Federal from “Four Christmases”

The Federal from Four Christmases (23 of 31)-2

I tracked down today’s locale thanks to some very insider information.  Back on December 19th, 2012, I wrote about the San Francisco pad that portrayed Brad (Vince Vaughn) and Kate’s (Reese Witherspoon) residence in Four Christmases.  Just a few hours after hitting “publish,” I received an email from the production designer of the 2008 holiday romcom, Shepherd Frankel, who had this to say, “Wow – I loved reading your blog and seeing your detective work unfold.  Truly amazing.  So interesting to read for me and I actually designed the film!”  His kind words just about made me fall over with excitement!  Though I often contact crew members to inquire about locations, a production designer getting in touch with me was a first!  Once I regained my composure, I wrote him back and, of course, asked for some help in IDing a few additional locations from the film, namely the restaurant where Brad’s firm’s holiday party was held.  And Shepherd was happy to help!  Though he did not remember the name of the eatery, he informed me that it was a former-bank-turned-restaurant in Long Beach.  Using those search parameters, I quickly figured out that filming had taken place at The Madison at 102 Pine Avenue.  Sadly, I also quickly figured out that the gastropub had recently closed.  I added it to my To-Stalk List regardless, hoping it would reopen at some point, which, thankfully, it did as “The Federal” just months later, at which point I ran out to stalk it.  Though I’ve briefly covered the place a couple of times before – first in my post about sister restaurant The Federal Bar in North Hollywood, then in My Guide to L.A. – Bars, and finally in a Scene it Before column for Los Angeles magazine – I figured this holiday season was the perfect time for a full-blown write-up.

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The 13-story, 146,000-square-foot building that houses The Federal was initially built in 1925 as the Long Beach headquarters of the Security Trust and Savings Bank of Los Angeles.  The stately site was designed in the Italian Renaissance Revival style by architects Aleck Curlett and Claud Beelman.  (The latter also gave us The Mayfair Hotel from The Office, The Standard, Downtown L.A. from Fracture, and the California Bank Building from Girls Just Want to Have Fun.)

The Federal from Four Christmases (30 of 31)

The Federal from Four Christmases (25 of 31)

The towering structure, known today as the “Security Trust and Savings Bank Building” as well as “Security Pacific National Bank,” was originally comprised of offices on its upper levels and a grand 3-story, 8,925-square-foot bank space complete with a basement vault on its lower floors.

The Federal from Four Christmases (7 of 31)

The Federal from Four Christmases (12 of 31)

When Security Trust and Savings, which had been renamed Security Pacific Bank, moved out in 1991, the bank space sat vacant for a time before catching the eye of Terry Antonelli and Enzo DeMuro, the famed restauranteurs who in 1990 founded Long Beach staple L’Opera in another former bank building located right across the street.  The duo decided to lease the site and worked their magic transforming it into upscale eatery The Madison, which opened its doors in May 1999.  During the conversion, the room’s gorgeous beamed ceilings, which had incredibly been covered over to make way for an air conditioning system at some point, were once again unveiled.

The Federal from Four Christmases (17 of 31)

Shortly after its debut, Los Angeles Times restaurant critic S. Irene Virbila wrote, “I’ve been to The Madison Restaurant & Bar, a posh new steakhouse, three times, and each time I’ve walked through the door, I’ve had to catch my breath because the size and grandeur of the rooms are overwhelming.  Built in the days before ATMs, when banks functioned as secular cathedrals and women donned hat and gloves to do their banking, the former Security Bank is one of Long Beach’s stateliest historic buildings.”  As you can see below, her words were not hyperbole.  The space is nothing if not breathtaking!

The Federal from Four Christmases (2 of 31)

The Federal from Four Christmases (9 of 31)

The Madison enjoyed a nice long run, remaining in operation until September 2012, just a few months before I learned about it.

The Federal from Four Christmases (1 of 31)

The Federal from Four Christmases (3 of 31)

Shortly after its closure, Morgan Margolis, the nightlife impresario behind The Federal Bar in North Hollywood (and son of Mark Margolis, aka Mr. Shickadance, the landlord from Ace Ventura: Pet Detective), toured the space and decided to open a sister Federal location on the premises.  The Federal Long Beach opened just a few months later.  Thankfully, not much of the interior was altered in the changeover.

The Federal from Four Christmases (21 of 31)

Still as grand as ever, the gorgeous eatery features 2 full bars, seating for 300 patrons, rich wood paneling, towering columns, an extensive menu of healthy and not-so-healthy comfort foods, and a speakeasy situated in the basement vault!  Quite the unique atmosphere to grab a bite!

The Federal from Four Christmases (13 of 31)

The Federal from Four Christmases (8 of 31)

My photos truly don’t do the space justice.  Unfortunately, the natural light beaming in through the windows wreaked havoc on most of the images I snapped while there, but at least they give you the gist of The Federal’s beauty.

The Federal from Four Christmases (18 of 31)

The Federal from Four Christmases (20 of 31)

It is at The Madison that the Rohlich and Tweel LLC 8th annual Christmas party is held in Four Christmases, during which Brad and Kate explain to Brad’s co-workers how they get out of spending the holidays with their families each year.  (Their advice?  Just lie and tell everyone you’re doing charity work.  “You know, something like building houses in third world countries.  Teaching English as a second language in Puerto Rico.  Delousing orphans in Somalia.  Helping Chinese kids capture lobsters – boil them, gut them, clean the weird stuff out of the middle.  We find that the more details you give, kinda throws them off the scent.”  After all, “You really can’t spell families without ‘lies.’”)

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The Federal from Four Christmases (1 of 1)

Though Shepherd and his team decked the restaurant out in Yuletide finery for the shoot, not much of the place was shown onscreen.  But what was visible remains very recognizable.

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The Federal from Four Christmases (1 of 1)

We get a much better view of the restaurant via Dinner for Schmucks.  In the 2010 comedy (and I use that term loosely), Tim (Paul Rudd) meets with some clients at The Madison and chaos quickly ensues thanks to the misguided efforts of uninvited guest Barry (Steve Carell).  In looking at the screen capture as compared to my photograph below, you can see the changes made to the site before it re-opened as The Federal.  For some inexplicable reason, a beam running across the vast dining area was installed which really cuts off the room in my opinion.

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The Federal from Four Christmases (14 of 31)

The main bar (on the left-hand side below) was also partially closed off and the beige upholstered booths swapped out for black leather versions.  You can check out some more images of the interior of The Madison here.  Oh, how I wish I could have seen it before it closed!  Despite the unfortunate changes, The Federal is still a stunning place to grab a bite or cocktail when in Long Beach!

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The Federal from Four Christmases (15 of 31)

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

The Federal from Four Christmases (31 of 31)

Until next time, Happy Stalking!  Smile

Stalk It: The Federal, aka the former The Madison from Four Christmases, is located at 102 Pine Avenue in Long Beach.  You can visit the eatery’s official website hereL’Opera Restaurant, from Charmed, can be found right across the street at 101 Pine Avenue.  You can visit that establishment’s website here.

Broadlind Hotel from “Over Her Dead Body”

Ashley's Apartment from Over Her Dead Body (4 of 14)

Over Her Dead Body is hardly a horror flick.  In fact, the only thing scary about it is the reviews, with one critic going so far as to opine, “A deceased bride, a depressed groom and a caterer who doubles as a psychic.  Yes, it’s an unlikely love triangle, and it’s even more unlikely that you’ll like this film.”  Ouch.  The 2008 “ghostcom,” as Roger Ebert called it, centers around would-be-newlywed Kate (Eva Longoria), who, after getting killed in a freak accident on her wedding day, decides to spend the afterlife haunting Ashley (Lake Bell), a psychic who starts to show interest in her former fiancé, Henry (Paul Rudd).  (I’m not gonna lie, that would be so be me!)  I initially learned of the movie many moons ago when fellow stalker Virginie emailed me a couple of its locations including Long Beach’s Broadlind Hotel, which doubled as the apartment building where Ashley lived and was haunted by Kate.  I finally sat down to give Over Her Dead Body a watch this week and was shocked to find it cute, sweet and funny – and though not of the horror genre, considering its subject matter, fully fitting of a Haunted Hollywood post.

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Built in 1928 as a boutique lodging by the Piper & Kahrs architecture team, the Italian Renaissance-style Broadlind Hotel featured 20 rooms as well as a manager’s unit at its inception.

Ashley's Apartment from Over Her Dead Body (13 of 14)

Ashley's Apartment from Over Her Dead Body (14 of 14)

The property’s name was derived from its location on the corner of East Broadway and Linden Avenue in Long Beach’s East Village Arts District.

Ashley's Apartment from Over Her Dead Body (10 of 14)

Featuring handsome brickwork, terra cotta detailing, two-story arches dotting the lower levels, and carved wooden doors, the structure, dubbed “the biggest little hotel in Long Beach,” was mainly patronized by naval officers temporarily stationed at the now-defunct Long Beach Naval Complex in its early days.  Amenities included a tiled bath and shower in every room and a barbershop, beauty parlor, and restaurant on the ground floor.

Ashley's Apartment from Over Her Dead Body (11 of 14)

Ashley's Apartment from Over Her Dead Body (5 of 14)

The basement level, now home to the Blind Donkey whiskey lounge, served as a gambling hall and watering hole during the Prohibition years.

Ashley's Apartment from Over Her Dead Body (7 of 14)

The Broadlind eventually transitioned into an apartment facility before falling into disrepair and sitting vacant for many years.  Then in 2005, it was picked up by a new owner who made plans to restore it to its original use as a boutique lodging.  Those plans finally came to fruition in 2017.  Today, the 20-room property, a Long Beach Historical Landmark, is marketed as a European-style “ApartHotel,” meaning it is part apartment/part hotel.  Each of the units features many of the comforts of home, including a kitchenette with an oven, refrigerator and microwave, cookware, utensils, a flat-screen television with digital channels, and Wi-Fi.  Laundry facilities are also on the premises, as well as a lobby balcony for guests to enjoy their morning coffee.  In a unique twist, there is no front desk or on-site reception – vacationers are instead granted access to their rooms via keyless entry codes.

Ashley's Apartment from Over Her Dead Body (8 of 14)

The Broadlind even has a penthouse suite in the tower situated at its northeast corner.

Ashley's Apartment from Over Her Dead Body (3 of 14)

The hotel’s ground floor is currently home to a Thai restaurant and a juice bar.  And don’t forget about the Blind Donkey in the basement!

 Ashley's Apartment from Over Her Dead Body (12 of 14)

Though the place looks absolutely adorable both from the outside and in its website photographs, sadly the reviews are less than stellar.  Yelpers really don’t mince words about the property, with one referring to it as “whipped cream on dog sh*t” and another deeming it the “Fyre Festival of hotels.”  Yikes!

Ashley's Apartment from Over Her Dead Body (9 of 14)

It is the penthouse area that Ashley calls home in Over Her Dead Body.  Oddly, we only get one establishing shot of it throughout the entire movie.

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Though I didn’t take a matching photograph, that’s the penthouse in my images below.

Ashley's Apartment from Over Her Dead Body (6 of 14)

Ashley's Apartment from Over Her Dead Body (2 of 14)

Broadlind’s front entrance also makes a brief appearance in the film . . .

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. . . as does its interior stairwell . . .

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. . . and its north side, where Thai District restaurant is now located.

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The interior of Ashley’s apartment only existed in a studio soundstage, though.  You can see what the actual penthouse looks like here.  The sole element of it that matches its onscreen counterpart is the perimeter of arched, paned windows.

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The hallway leading up to Ashley’s apartment was also just a set.  Production designer Cory Lorenzen incorporated elements of the Broadlind’s actual exterior, including arches, tile work and wooden doors, into the design of both, though.

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The Blind Donkey has also famously cameoed onscreen.  The basement lounge masked as the interior of Seb’s, the jazz club owned by Sebastian (Ryan Gosling), at the end of La La Land.

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Big THANK YOU to fellow stalker Virginie for telling me about this location!  Smile

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Ashley's Apartment from Over Her Dead Body (1 of 14)2

Until next time, Happy Stalking!  Smile

Stalk It: Broadlind Hotel, aka Ashley’s apartment building from Over Her Dead Body, is located at 149 Linden Avenue in Long Beach.  You can visit the property’s official website here.

The Queen Mary Observation Bar from “He’s Just Not That Into You”

Queen Mary from HJNTIY (3 of 4)

I am beginning to discover that The Queen Mary is a lot like the Millennium Biltmore Los Angeles in that every square inch of it has appeared onscreen in multiple notable productions.  Case in point – while scanning through Adaptation to make screen captures for my post on Zipper Concert Hall last week, I noticed that the 2002 drama’s opening scene took place in the ship’s Observation Bar & Art Deco Lounge.  I had long been aware of the watering hole’s appearance in favorite movie He’s Just Not That Into You (which I detailed in a 2014 article for L.A. magazine), but immediately got curious about what other productions made use of it.  When I got to digging, I was shocked at the number of big and small screen hits that feature the bar.  So I figured it was only right to dedicate a post to it.

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When we lived in Los Angeles, The Queen Mary was one of my and the Grim Cheaper’s favorite places to staycation.  Originally a Cunard-White Star Line luxury liner, the grand 1934 ship is permanently moored just south of downtown Long Beach.

Queen Mary from HJNTIY (2 of 4)

Queen Mary from HJNTIY (1 of 4)

She was purchased by the city after making her final voyage (the last of 1,001 Atlantic crossings) in 1967.  Following a painstaking three-year renovation, The Queen Mary opened as a hotel and tourist attraction.  The restored vessel is nothing short of stunning inside and out and stepping aboard immediately transports one back in time to the grand old days of ocean travel.  I first visited the ship with my parents for my birthday in June 2000, at the height of my Titanic obsession, and honestly felt like I had wandered right onto one of the film’s opulent sets.

Queen Mary from HJNTIY (2 of 2)

Queen Mary from HJNTIY (1 of 2)

On that visit, the Observation Bar & Art Deco Lounge quickly became one of our favorite spots on the boat.  Originally a first class parlor (you can see what it looked like in its early days here), the gilded space appears to have been ripped right out of the pages of an Art Deco magazine.  Shockingly, during The Queen’s time as a troop ship in World War II, the ornate room was utilized as a dormitory for soldiers.  I can’t even imagine bunking amid all that glitz!

Queen Mary from HJNTIY (1 of 1)

For some inexplicable reason, as the ship was being renovated into a hotel, it was decided that The Queen Mary should take on an Old English theme (which explains the extremely odd grouping of fairy-tale-like storefronts that dot the parking lot).  As such, all of the Observation Bar’s glam Art Deco furnishings were removed (but thankfully not thrown away) and replaced with Old English décor, giving the space a pub-like feel.

Queen Mary from HJNTIY (2 of 10)

Queen Mary from HJNTIY (1 of 2)

Fortunately, the watering hole was returned to its initial grandeur in the early ‘80s and, though it has gone through some additional revamps in the years since, it remains an utterly glorious space.

Queen Mary from HJNTIY (10 of 10)

Queen Mary from HJNTIY (2 of 10)

Today, the semi-circle-shaped site boasts massive red torchiere lamps, a carved balustrade, a Massacar ebony bar, silver and bronze detailing, maple and cedar woodwork, an original mural that hangs above the bar, 21 windows, and amazing views of Queensway Bay.

Queen Mary from HJNTIY (9 of 10)

Queen Mary from HJNTIY (2 of 2)

It is in the elegant space that Anna (Scarlett Johansson) sings at the end of 2009’s He’s Just Not That Into You.

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Back in 1981, Dr. R. Quincy, M.E. (Jack Klugman) discovers what has been ailing his fellow cruise passengers when a woman goes into premature labor in the Observation Bar in the Season 7 episode of Quincy M.E. titled “Slow Boat to Madness: Part 2.”  (Spoiler – it’s contaminated tortillas!)

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The Observation Bar portrays the New York cocktail lounge where NYPD detective Mike Keegan (Tom Berenger) takes murder witness Claire Gregory (Mimi Rogers) for drinks on his last night of protecting her in the 1987 thriller Someone to Watch Over Me.

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In 1989, the Observation Bar popped up a couple of times in the Season 6 episode of Murder, She Wrote titled “The Grand Old Lady.”

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The site masks as the New York bar where Garland Stanford (David Warrilow) tells Barton (John Turturro) that Capital Pictures wants to put him under contract in 1991’s Barton Fink.

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In the Season 6 episode of Beverly Hills, 90210 titled “You Say It’s Your Birthday: Part 1,” which aired in 1996, Kelly Taylor (Jennie Garth) and Valerie Malone (Tiffani Thiessen) discuss Colin Robbins’ (Jason Wiles) disappearance with FBI agent Richard Ballen (Jon Hensley) while at the Observation Bar.  (Don’t mind the craptastic screen captures below.  Unfortunately, the episode is not available to stream anywhere, not even on Hulu which inexplicably has all of the others from Season 6, so I had to settle for grabs from a poor-quality Dailymotion upload.)

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Later in “You Say It’s Your Birthday: Part 1,” Kelly grabs breakfast with Andrea Zuckerman (Gabrielle Carteris) at the bar.

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In 1999’s Being John Malkovich (such a great movie!), John Malkovich (playing himself) enters the portal to his own head and winds up seeing himself everywhere at the Observation Bar.

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The 2002 film Adaptation opens with actual behind-the-scenes footage of the Being John Malkovich segment lensed at the lounge.  (I apologize for the blurry screen caps below, but the scene has a lot of movement.)

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Howard Hughes (Leonardo DiCaprio) also celebrates the wrap of Hell’s Angels at the Observation Lounge in the 2004 biopic The Aviator.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Queen Mary from HJNTIY (3 of 10)

Until next time, Happy Stalking!  Smile

Stalk It: The Observation Bar & Art Deco Lounge, from He’s Just Not That Into You, is located on the bow of The Queen Mary’s Promenade Deck at 1126 Queens Highway in Long Beach.  You can visit the ship’s official website here.  Tickets or hotel reservations are required to venture aboard.

Rose Towers from “CSI: Cyber”

Rose Towers from CSI Cyber-0542

Spanish-style courtyard apartment complexes are my jam (as evidenced here, here, here, here, here, here, and here).  One that I became especially enamored of a little over a year ago was the pink-hued building where Tristan Jenkins (fave actor Matt Lanter) lived on the Season 2 episode of CSI: Cyber titled “Corrupted Memory.”  While I don’t typically watch CSI: Cyber, when I learned that ML would be guest-starring I made sure to tune in – and was not disappointed.  Not only did Matt do a fabulous job portraying an agoraphobe, but my jaw dropped during one of the opening shots when cameras swooped in to reveal the colorful terraced apartment complex his character called home.  I immediately pulled out my laptop to try to figure out where filming had taken place, which my instinct told me was somewhere in West Hollywood.  I came up completely empty-handed, though.  I even tweeted Matt to ask about the locale, to no avail.  It wasn’t until early this year that I was finally able to identify the place, via a rather circuitous route.

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A couple of months ago, the Grim Cheaper and I were watching an episode of Scorpion (our latest obsession) and I spotted what I thought was the exterior of the apartment building where Mia (Emma Stone) lived in La La Land.  I did a quick Google search for “La La Land apartment building” and was shocked when photos of what I immediately recognized as Tristan’s complex from CSI: Cyber were kicked back!  As it turns out, Tristan and Mia’s buildings are one and the same!  (Though I was wrong on the whole Scorpion thing.)  I was thrilled with the discovery and added the place’s address – 1728 East 3rd Street in Long Beach – to my To-Stalk List.  Well, imagine my surprise when just a few days later, my friend Nat, who lives in San Francisco (you may remember her from Wednesday’s post), texted to let me know she was heading down to the LBC.  While she was hoping we could meet up during her visit, I couldn’t make it out there.  But I did ask if she’d be willing to stalk Tristan’s apartment on my behalf and she happily agreed.  Thank you, Nat!  (For those keeping track, this is the second locale that she has stalked for me over the past few months.  I’ve taken to calling her my field correspondent and the GC has suggested I get her a press pass.  Winking smile)

Rose Towers from CSI Cyber-0541

In real life, Tristan’s apartment building from CSI: Cyber is known as Rose Towers.  The complex was originally built in 1928 as El Cordova Apartments.  Designed by George D. Riddle, the 20-unit Spanish Colonial Revival-style property boasts Moorish influences, wrought-iron balconies, lush landscaping, a terraced central courtyard with a tiled fountain, and arched entryways.

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In 1955, El Cordova was transformed into an own-your-own apartment complex and then was transitioned once again in 1992, this time into condos.

Rose Towers from CSI Cyber-0549

Rose Towers from CSI Cyber-0548

In 2006, the homeowners association decided to re-stucco the building and, in doing so, discovered that there was also some water damage, wood rot, and minor structural issues that needed attention.  The group banded together, performing much of the general contractor work themselves, to restore the property to its original glory.  Their efforts, which took 4 months to complete at a cost of $150,000, earned them a preservation award from the Los Angeles Conservancy.

Rose Towers from CSI Cyber-0538

In “Corrupted Memory,” a woman is murdered at Rose Towers, which is said to be located at 1298 Horizon Court in Tampa, Florida, and the only witness is her agoraphobic neighbor Tristan, who is so traumatized by the event that his entire memory of it is blocked.

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Quite a bit of the complex was shown in the episode.

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I am fairly certain that the inside of two of the building’s actual condos were also utilized in the production.  You can check out interior photos of a couple of the complex’s units here and here.

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The exterior of Rose Towers was only shown once in La La Land, during the “Someone in the Crowd” musical number at the beginning of the movie.  Very little of the structure was featured in the scene and none of the courtyard area, which is why I didn’t recognize it from CSI: Cyber.

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While several websites report that Mia lived in Unit #16, her actual apartment exterior never appeared in the movie.  Apparently, the portion of the “Someone in the Crowd” sequence shot at Rose Towers was originally supposed to be much longer -with Mia shown exiting her unit, dancing on the terrace, down the stairs, and past the fountain – but most of it wound up on the cutting room floor, leaving audiences with only a very brief view of the complex from the street.

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You can watch a video put together by the Gazettes website about the filming of the “Someone in the Crowd” scene, in which host Jo Murray talks with homeowners about how the segment was shot and the cuts made, by clicking below.

The back alley behind Rose Towers was also shown briefly in a later La La Land scene in which Sebastian (Ryan Gosling) picks Mia up for a date.

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Only the exterior of the complex was utilized in La La Land.  Sadly, Mia’s brightly-colored apartment interior was just a studio-built set.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Big THANK YOU to my friend Nat for stalking this location for me!  Smile

Rose Towers from CSI Cyber-0547

Until next time, Happy Stalking!  Smile

Stalk It: Rose Towers, aka the former El Cordova Apartments from the “Corrupted Memory” episode of CSI: Cyber, are located at 1728 East 3rd Street in Long Beach.

The “Ferris Bueller’s Day Off” Race Home Locations

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It’s five minutes until six and everybody’s favorite truant, Ferris Bueller (Matthew Broderick), has to beat his parents home lest they find out that he has cut school for the ninth time! (“I don’t remember him being sick nine times!”) So begins one of the most famous sequences in all of moviedom, the race home from Ferris Bueller’s Day Off. Though said to take place in Chicago, Ferris’ race home – as well as the rest of the 1986 comedy – was shot in both Illinois and California. This past June I wrote about the film’s L.A. locales for Discover Los Angeles in honor of its 30th anniversary. While doing research for the column, I enlisted the help of my friend Owen, from the When Write Is Wrong blog, to track down some of the movie’s unknown locations. Along the way, the two of us somehow wound up on a hunt to pinpoint the various Chicago- and Los Angeles-area spots featured in the race home sequence. It turned out to be the most exhaustive search of my entire stalking career – not to mention the most fun! Email conversations, complete with arrow-laden screen captures and comparison street-view images, went back and forth between us for days. Unfortunately, I was only able to chronicle the SoCal locales for Discover L.A., so our hunt proved rather anticlimactic. The other day it occurred to me that I should write a post about our finds for IAMNOTASTALKER. Since Owen was so instrumental in the hunt, I thought it only fitting that he add notes to the column. His commentary is featured in the pink-lined white boxes below. So, without further ado, we present to you a breakdown of the Ferris Bueller’s Day Off race home sequence filming locations from beginning to end.

Whoa. Hold on. Don’t put the kibosh on the ado. There is ado anew, from someone new. It’s my ado debut. When Lindsay needs help, I show up. Unlike the subject of a certain water tower, I have an exemplary attendance record. We made a fantastic team tracking down these locations. We were like Ferris and Sloane. Ooh, I take that back. There was nothing amorous between us during our dalliance with one of the highest-grossing movies of 1986, and I don’t want to give the Grim Cheaper the wrong impression and have him hunt me down. Actually, as we retraced a truant’s dash home, Lindsay embodied Ferris and I was Cameron incarnate. So now, without further ado, is our breakdown.

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Sloane’s House (340 South Westgate Avenue, Brentwood)

It is while standing in the picturesque backyard of his girlfriend Sloane’s (Mia Sara) house that Ferris discovers the late hour via a peek at her Cartier watch. He quickly kisses her and bids her adieu before rushing back to his own home. Owen tracked down Sloane’s American Colonial Revival-style residence (it’s known as the Preminger House in real life) thanks to a helpful crew member who told him to search in Brentwood in December 2014, long before I ever pitched the idea of writing about Ferris locations to my Discover L.A. editor. I ran out to stalk the place shortly thereafter. You can read my post on the 1925 pad, which was also featured in the movie’s swimming pool/hot tub scene, here.

Lindsay ran out to stalk it. I’m assuming she didn’t run as far as Ferris. If he had been wearing an anachronistic Fitbit, the battery in it would have gone all Samsung Galaxy Note 7, because according to a cursory calculation I did on Google, Ferris ran 6,965 miles. Puts Gump to shame, huh? Ferris > Forrest.

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Jeanie and Katie Bueller Begin Their Drive Home (2194/2210 Greenview Road, Northbrook)

“Do you know what it’s like to be pulled out of work to pick up your daughter at the police station?” So asks Katie Bueller (Cindy Pickett) while driving home from the station with her daughter, Jeanie (Jennifer Grey), who was taken into custody for making a phony 911 call. (Don’t even get her started on the Vermont deal!) Owen and I only realized we were missing this site when we sat down to write this article. Thankfully, an address number of “2210” was visible on a mailbox that Jeanie and Katie drive by in the scene on the Ferris Blu-ray. We were fairly certain from the foliage and terrain that the street was located in either Winnetka or Northbrook, the Chicago suburbs where other portions of the race home were shot. We started searching those areas and Owen found the right spot fairly quickly by matching the placement of a fire hydrant (denoted with a number 1 in the graphic below), a speed limit sign (2), and a unique picket fence (3 – though this element can best be seen via alternate street views) on a tree-lined block of Greenview Road in Northbrook to what appeared onscreen. In the scene, Jeanie and Katie are driving north on Greenview in front of the houses located at 2194 and 2210. (As is the case below, because neither Owen nor I live in the Chicago area, we were not able to take photographs of many of these locations and therefore utilized street-view screen captures for much of our imagery.)

The phrase “fairly quickly” may be hyperbole. I was searching rather aimlessly for some time and started to wonder if, like Jimmy Hoffa’s remains, this spot would remain unfound. The breakthrough came when Lindsay managed to make out the “2210.” Blu-ray deserves co-credit honors for this find. And now, Katie, about the Vermont deal…

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Jeanie Almost Hits Ferris (455/477 Berkeley Avenue, Winnetka)

Jeanie’s luck takes a turn for the better when she literally runs into Ferris during his race home. Well, nearly runs into him. While driving, she unexpectedly and accidentally almost hits her brother with her mother’s station wagon in between the houses located at 455 and 477 Berkeley Avenue in Winnetka. This spot looks a bit different today. In fact, the trees have grown so considerably that the residence visible behind Katie’s car (477 Berkeley) can no longer be seen from the vantage point from which the footage was lensed. After coming to a screeching halt and locking eyes with Ferris, Jeanie speeds south on Berkeley Avenue and turns right (west) onto Cherry Street, running a stop sign in the process.

Jeanie Almost Hits Ferris Collage

Ferris then jumps into the front yard of the house at 460 Berkeley Avenue. The Tudor residence seen across the street from him is 455 Berkeley. These locales were found by Owen many moons ago and have long been documented online thanks to him.

Everybody has a favorite part of the race home, right? The trampoline scene is popular, and the bikini-clad sunbathers don’t attract Ferris only, but my favorite moments both involve the girl who also goes by the name Shauna. First is the intense, determined expression on her tilted head when she hits the gas, right after she almost runs down her brother. Second is the exasperation she displays moments later as she pounds on the steering wheel and screams at her mom, “I can’t drive while you’re yelling at me!” Ferris receives the race home accolades — it’s his movie, after all — but Jeanie shines brightest in this iconic scene. To me, anyway.

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Backyard #1 (1215 Cherry Street, Winnetka)

In a race now against time and Jeanie, Ferris cuts through two backyards. The first is that of a traditional gray clapboard home at 1215 Cherry Street in Winnetka, just around the corner from where he was almost hit by his sister moments before. The rear side of the residence has been drastically remodeled since filming took place, which made identifying it rather difficult. Owen first zeroed in on the property after pinpointing another race location just a few doors down. (More on that one in a bit.) Thankfully, Bing’s bird’s-eye view still shows the back of the house in its original state, and Owen was able to match certain elements to the home that appeared onscreen, including a small A-line roof on the property’s east side (1), a central section that popped out away from the rest of the structure (2), and a covered porch on the dwelling’s west side (3 – though this can best be seen from alternate aerial views). We also matched several features of the brick property located next door at 1209 Cherry Street. That home’s unique trim and chimney layout (4 – these can also best be seen from alternate views) are briefly visible as Ferris first steps into the backyard of 1215.

The chimney is what cinched it for me. Thank goodness a portion of 1209 Cherry St. was visible in the scene, if only for milliseconds. It was a small detail and, ahem, if you don’t stop and look around — or next door — once in a while, you could miss it.

Backyard #1 Collage

Backyard #2 (1223 Cherry Street, Winnetka)

No camera trickery was utilized in this portion of Ferris’ race home. As was depicted in the movie, the two yards Ferris is shown skirting through are actually located next door to each other. Backyard #2 can be found just west of Backyard #1 at 1223 Cherry Street. Thankfully, this house has not been remodeled and we were able to confirm its use in the scene by utilizing aerial views to match much of the window and door placement (1 and 2), as well as a peaked-roof extension on the west side of the home (3), to the property that appeared onscreen. The trim and windows of the residence located just to the west at 1229 Cherry (4) also directly correlate to what was shown of the neighboring residence in the scene.

I’m confident in our stalking abilities, but still, it was a Hughes success tracking down this backyard and many of the other race home locales. It wasn’t always easy, but it was always fun. The experience was some kind of wonderful.

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Jeanie Runs a Second Stop Sign (Ash Street and Hibbard Road, Winnetka)

Determined that her parents catch Ferris in the act of cutting school, Jeanie puts the pedal to the metal as she races to beat her brother home. In doing so, she plows through a second stop sign located at the intersection of Ash Street and Hibbard Road in Winnetka. As she turns north onto Hibbard, she catches the eye of a policeman, who attempts to pull her over. Nothing is stopping Jeanie, though! This location was another of Owen’s early finds that has since been well-documented online.

Owen found this; Owen found that. Oh, Lindsay, you’re making me blush. Stop exaggerating. Then again, exaggeration is the greatest thing in the history of the universe.

Jeanie Runs a Second Stop Sign Collage

Backyard of the Man Barbecuing

Unfortunately, the backyard where Ferris pilfers a Pepsi (not a beer as is commonly reported) from a man barbecuing is the one location we are unsure of. After speaking with a helpful crew member, we know that this site is located in Winnetka in the same vicinity as the other area locales used. Because there is so little to go on, though, and because identifying backyards via aerial views is difficult, the hunt for BBQ Man’s backyard has proven rather tough and we have not, as of yet, located it. If anyone happens to have any idea where this spot is, please let us know!

Let us know, yes, but don’t claim to know if you’re not 100 percent certain. I know we live in a “fake news” era, but I’ll never understand all the filming location misinformation on the Internet. Do people not care about accuracy, about proof? If I wanted to spend time reading things that weren’t true, I’d open the e-mails I get from Nigerian princes.

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House with Red Jeep (1229 Cherry Street, Winnetka)

After stealing the Pepsi in BBQ Man’s backyard, Ferris runs down the driveway of a neighboring home, eventually tossing the soda can into a garbage bin situated on the front lawn. That house is located next door to Backyard #2 at 1229 Cherry Street. Owen found this spot pretty early on in our hunt while searching Winnetka properties that were in the vicinity of other race home locales. This particular residence had some unique design elements that were visible in the scene, including a semi-curved brick window trim (1), a white gutter (2), and an in-ground light fixture (3) posted near the steps (4) leading from the driveway to the front door. In searching street views, he found aspects matching all of those items at 1229 Cherry. Pinpointing the site is what ultimately led us to finding Backyard #1 and Backyard #2. Not much of the property has changed in the 31 years (!) since filming took place, as you can see in the photograph below, which comes from a 2004 real estate listing.

Back to BBQ Man for a moment, if I may. Does anyone know what actor played that soda-drinking, meat-grilling part? I’d love to get in touch with him, if he’s still alive, but he’s not listed on IMDb, and finding him is proving more difficult than the time I had to let my parents know I was adopted.

House with Red Jeep Collage

Start of Tom Bueller’s Drive Home (Cherry Street and Locust Street, Winnetka)

Ferris’ race home wouldn’t be nearly as tense without his father involved, which is exactly what happens about halfway through. As Tom Bueller (Lyman Ward) begins the drive from work to the Bueller residence, he is shown heading east on Cherry Street before turning left (north) onto Locust Street in Winnetka. This is one of the first spots Owen tracked down during our hunt. He already knew that Jeanie almost hit Ferris with the car on Berkeley Avenue near Cherry Street, so he began poking around that same area for the white clapboard residence that is visible after Tom turns. He found it on the northwest corner of Cherry and Locust. This spot looks a bit different today because one of the houses seen behind Tom as he heads onto Locust has been razed and replaced, but the white clapboard dwelling is recognizable (despite a few alterations), as are the two adjoining trees in its front yard (though those cannot be seen in the screen capture below).

I forgot to mention why I was stoked to help Lindsay find all these locations. Of all the movies with the word “Ferris” in the title, this one is my favorite.

Start of Tom Bueller's Drive Home Collage

Backyard with Sunbathers (1310 Milan Avenue, South Pasadena)

Ferris wouldn’t be Ferris if he didn’t stop to introduce himself to some sunbathing beauties he passes while running through yet another backyard during his race home. That scene took place at 1310 Milan Avenue in South Pasadena, a good 2,000 miles away from the previous backyards that appeared in the segment. During our hunt, I managed to track down a very helpful crew member who worked on the L.A. portions of the movie. He checked his notes and told me that two homes on Milan Avenue, easily South Pas’ most oft-filmed street, were featured in Ferris, one of which was 1310. Despite the fact that we had been provided addresses, piecing together what was shot at each location required quite a bit of detective work. With this locale, we were able to use aerial views to match the window placement (1, 2, 3, and 4) and second-story balcony (5) of 1310 Milan to what appeared in the sunbathing scene (though you will notice in the graphic below that an addition was put on the house since filming took place and it looks a bit different than it did when Ferris was there).

Lindsay’s right — this location involved a lot of work. I knew we’d find it, though. We always finish what we sta

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Jeanie and the Police Pass by Tom (Glendale Avenue and Cherry Street, Winnetka)

While being pursued by the police, Jeanie speeds around her father’s car, which is stopped at an intersection at the corner of Glendale Avenue and Cherry Street in Winnetka. In the scene, Jeanie and the cop head south on Glendale, while Tom pauses at a stop sign to search for a Tic Tac in his glove compartment.

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Though much of this location has changed drastically in the three decades since filming took place (countless trees have been removed, the sidewalk has been altered, and the stop sign configuration has been modified), Owen managed to identify it a couple of years ago by matching elements of the house at 436 Glendale to the home seen through Tom’s windshield in the scene, namely the second-floor dormers (1), the two-car garage (2), and the large bay window (3). The big multi-branched tree on the other side of the street (4) is also a match to what appeared onscreen. (Though there were two trees in that spot at the time of filming, one has since been removed.)

SHAMELESS SELF-PROMOTION ALERT! I’ve written a couple of posts with a Ferris slant on my blog. You can read them here and here.

Jeanie and the Police Pass By Tom Graphic

Jeanie Finally Pulls Over (2117/2127 Glendale Avenue, Northbrook)

Many of the sites that appear toward the end of Ferris’ race home can be found in Northbrook, a Chicago suburb situated northwest of Winnetka. That includes the spot where Jeanie finally pulls over for the police. (“She got a speeding ticket – another speeding ticket – and I lost the Vermont deal because of her!”) In the scene, Jeanie and the policeman chasing her travel west on South Bridge Lane and then veer to the right (north) as it becomes Glendale Avenue. The two cars eventually stop in between the houses at 2117 and 2127 Glendale. Owen identified this locale a few years ago thanks to an address number of “2146” that was visible on a mailbox (1) in the scene. He searched 2100 blocks in both Winnetka and Northbrook for other elements that appeared in the segment, including a house with distinct half-brick, half-brown paneling (2), a “No Parking” sign (3 – though this can best be seen via alternate street views) and a fire hydrant (4) and, per usual, was successful in finding the right spot.

This location is a few blocks away from where Jeanie and Katie began their drive home, and it’s right around the corner from a few race home spots Lindsay will be writing about shortly. That’s a teaser, folks!

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Ferris Runs Down a Sidewalk (1326 Milan Avenue, South Pasadena)

For a very brief moment, Ferris is shown running down a leafy sidewalk. In John Hughes’ FBDO DVD commentary, he mentions that this scene always bothered him because a garbage can full of palm fronds is evident behind Ferris, tipping off eagle-eyed viewers to the fact that this portion of the movie was shot not in Chicago, but in Los Angeles. Armed with that bit of information (and in the interest of tracking down every single race home locale), I started searching on Milan Avenue for anything that might match the sidewalk shown in the short segment, namely what I thought was a “Neighborhood Watch” sign visible in the extreme background (1), a line of trees with odd trunks (2), and the overhanging branch that Ferris runs beneath (3). I wound up finding all three in front of 1326 Milan Avenue, just two houses south of the sunbathers’ backyard.

When I’m not busy helping Lindsay track down filming locations, I enjoy stealing “Neighborhood Watch” signs.

Ferris Runs Down a Sidewalk Collage

Tom Gets Caught Behind an Old Lady (2000/2100 Block Mallard Drive, Northbrook)

As Tom continues his drive home, he gets caught behind a slow-moving old lady who pulls out of a rather stately looking residence. The scene, as Owen discovered many years ago, was shot on the 2000/2100 block of Mallard Drive in Northbrook. Well, partially, at least. In the first two seconds of the segment, Tom is shown heading north on Hibbard Road in Winnetka before turning right (east) onto Oak Street. We can see a utility road leading into a park area and then the Winnetka Ice Arena outside of his car window before the scene magically segues to him turning right (south) onto Mallard Drive from Techny Road about five miles away in Northbrook. The old lady subsequently pulls out of the home at 2005 Mallard, and Tom proceeds to slowly follow her south before overtaking her in front of the house located at 2121 Mallard.

Remember that teaser? Dying of curiosity? Well, now you know. This is one of the scenes that filmed near where Jeanie was pulled over — and it won’t be the last. Tom is creeping along Mallard Drive, which is a mere two blocks away from the road where Jeanie was stopped.

Tom Gets Caught Behind an Old Lady Collage

Ferris Skids Around the Side of a House (1310 Milan Avenue, South Pasadena)

The friendly crew member we contacted explained that many different sections of the two Milan Avenue residences were utilized for the race home segment, including backyards, side yards and front yards, and that shots were angled toward the houses and away from them, creating the illusion of a blocks-long run in a much more confined area. So near the end of our hunt, when Owen mentioned that one of the only sites we had yet to find was the home that Ferris skids around, I had an inkling that one of the Milan pads might be the place we were looking for. Inspecting both properties from different angles, I quickly realized that Ferris races around 1310 Milan, the same spot where he introduced himself to the sunbathers moments before. In the scene, he heads west down 1310’s driveway and then cuts sharply to the right (cue skidding sound effects) before heading north across the front of the house, surprising two young women sitting on the porch.

I recall this find coming near the end of a stretch during which we were picking off missing locations left and right, pulling them out as if they were pencils in a big head of hair. And these weren’t easy finds, mind you. We had little to go on in our search for random backyards and stretches of sidewalk and what have you. Heck, we weren’t even sure what state we should be looking in some of the time. But we did it. Diligently. Tenaciously. Together.

Ferris Skids Around the Side of a House Collage

Tom Passes Ferris (2115 Butternut Lane, Northbrook)

During the home stretch of his journey, Ferris almost gets caught by his father when Tom pulls up next to him while he is running in the middle of a street. The two travel adjacent to each other for a moment before Ferris ducks away and into a house. Though Tom looks at his son briefly and has an inkling it might be Ferris, he doesn’t ultimately realize it is him. The bit was shot on Butternut Lane in Northbrook. In the scene, Tom and Ferris are heading north, in front of the home located at 2115 Butternut.

More teaser fulfillment! I did say Jeanie was pulled over near a few spots. This is another, and so is the next one. That’s five parts of the race home filmed within a mile of one another. And all of them are right by Glenbrook North High School, the alma mater of one John Wilden Hughes Jr. and the place where a trench coat-clad Ferris picks up Sloane.

Tom Passes Ferris Collage

Ferris Runs Through a House (2067 Butternut Lane, Northbrook)

“No, don’t get up. Smells delicious. Dinner’s ready.” So announces Ferris to a family as he runs through their house in order to avoid his father. To shoot the scene, a camera was set up on a track along the west side of the residence located at 2067 Butternut Lane in Northbrook. The camera panned from the front of the property, past three side windows, to the backyard.

Ferris Runs Through a House Collage

Amazingly, the deck that Ferris jumps from in the scene is still intact, as is evidenced by the real estate photograph below, which I snagged from a 2009 listing.

Ferris runs over fences, through bushes, inside homes, in backyards, past sunbathers and down suburban Chicago and L.A. driveways, sidewalks and streets. From the moment he says, “I’ll call you tonight” to Sloane as he dashes off to the moment he lands on terra firma following his slo-mo trampoline leap (more on that to come), exactly three minutes and 41 seconds have elapsed. It took Lindsay and me slightly more time to find all those fences, bushes, homes and so on.

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Trampoline Backyard (1230 Milan Avenue, South Pasadena)

The spot where Ferris hops over a tree, runs up the slide of a jungle gym, and then jumps on a trampoline, propelling himself into his own backyard, was the most arduous to prove. Though we had been told by our crew member friend that 1230 Milan Avenue in South Pasadena was used in the race home segment, we were unsure which portion of the scene was shot there. Thankfully, a small structure was visible behind Ferris for a fleeting moment before he ran up the jungle gym slide. The coloring and siding of the structure, which we knew due to its small size was a guest house or garage of some sort, matched the exterior of 1230 Milan, so we had a pretty good feeling that the trampoline segment had been lensed there. Verifying our theory was another story. Unfortunately, aerial views provided no confirmation, so we turned to other productions filmed at the residence. 1230 Milan has appeared onscreen countless times, in such productions as Bringing Down the House, The Mentalist, Jurassic Park III, The Whispers, xXx: State of the Union, and Honey, We Shrunk Ourselves. It also served as the Lawrence family home on the television series Family. Owen and I poured through virtually everything that was ever filmed on the premises and were finally able to substantiate our hunch thanks to the Season 2 episode of Family titled “An Endangered Species.” In the episode, a full view of the guest house that Nancy Lawrence (Meredith Baxter) lived in on the show was visible. It was an exact match to the structure visible behind Ferris. Danke schoen, Family!

This is the portion of the race home I was most excited to find. I figured the odds of us finding this backyard were the same as the odds of Ferris’ favorite team, the Chicago Cubs, winning the World Series. Oh, wait…

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Ferris’ Backyard (4160 Country Club Drive, Long Beach)

Though Ferris’ trampoline jump begins in South Pasadena, it ends a good 22 miles away in the backyard of the Long Beach pad that portrayed the Bueller residence in the movie. But I did not take that fact for granted during our hunt. Knowing that Hughes shot the race home sequence literally all over the place, I started having doubts that the backyard shown at the end was actually the backyard of the Bueller home. Thankfully, I was able to match the fenestration of the four second-story windows of the home next door at 4170 Country Club (1) to what was seen onscreen, as well as certain portions of the rear side of the Bueller dwelling. Though the back of the property has undergone some changes, a large portion of it remains untouched, namely the first-floor door (2), the window next to it (3), and the large second-story window (4).

Ferris' Backyard Collage

Both the interior and exterior of the stately Colonial-style residence were featured throughout Ferris Bueller’s Day Off, and despite the backyard alterations, the place is still very recognizable from its onscreen stint. You can see a library of photographs of the home, including some of the backyard, here.

I always assumed Ferris landed in the backyard of the Long Beach house and never really questioned it. I shouldn’t have done that. Lindsay’s work confirmed my assumption, though.

Bueller House Exterior

Well, Ferris is finally home, his parents are none the wiser, Principal Rooney’s cheese has been left out in the wind, and our work here is done. (Mostly done, anyway – we’re still missing that darn BBQ Man’s backyard!) As I said earlier, this hunt, though lengthy and exhaustive, was a blast from start to finish. Much like Ferris’ race, actually. I’m a bit sad that it’s over but am already anxiously awaiting my next joint stalking venture with Owen.

I echo Lindsay’s sentiments. I melancholily miss working with her on FBDO, but we’ll ride again someday. Perhaps in a 1961 Ferrari 250 GT California.

A huge THANK YOU to Owen for his partnership on both this hunt and this post. It is so thrilling to me that these locations have been identified, chronicled, and are now out there for other Ferris fans to enjoy!

Pfft. Your words are emptier than the seat on the bus next to the bespectacled girl with gummy bears. If you really want to thank me, use your filming location capabilities and connections to find the nursing home from the original Miracle on 34th Street. In all seriousness, thanks for letting me tag along, Cameron-style, on today’s post, Lindsay. I had so much fun retracing the race routes with you. Now, like the phony “Sausage King of Chicago,” I’ve gotta run.

Until next time, Happy Stalking!  Smile

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You’re still here? The article’s over. Go home. Go.

HarborPlace Tower from “The Craft”

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Today’s location is a special request from my good friends Katie and Lavonna, who, in a group text, both suggested I blog about some sites from The Craft as part of my Haunted Hollywood postings.  Now the 1996 horror flick is not one of my favorites and its locales have been pretty well documented elsewhere online, but I am never one to turn down a stalking plea from friends.  So Katie and Lavonna, this one’s for you!  Thankfully, I already had a few sites from the film stockpiled, ahem, stalkpiled.  Back in May 2015, a fellow stalker named Nathan wrote to me asking for some help in tracking down two locales from the movie, the occult shop (I told the story behind that search here) and the building where Nancy Downs (Fairuza Balk) lived with her mom, Grace Downs (Helen Shaver).  Lucky for me, that spot was an easy find thanks to a notation on IMDB which stated that The Craft had done some filming at Long Beach’s HarborPlace Tower.  Though Nathan didn’t think that was the right place, one look around the property on Google Street View told me it was.  I finally made it out to see the structure in person this past May.

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Construction on HarborPlace Tower (and no, that’s not a typo – per the building’s official website, the name is spelled “HarborPlace” with no spacing) began in 1990 and was completed in September 1992.

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The modern, Art Deco-ish building is comprised of 225 luxury condos.

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The structure boasts 22 floors, though there is no 13th, which I thought was quite fitting being that I am covering HarborPlace as a Haunted Hollywood locale.

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Building amenities include a pool, a spa, his-and-hers saunas, concierge service, a gym, an underground garage with parking for 600 cars, a 24-hour security guard, a sun deck, a park with artwork designed by sculptor Ned Smyth (some of those pieces are pictured in the images above and below), an expansive lobby, ocean views, and meeting rooms.

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You can check out a video showing the interior of the building and one of the units here.

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In The Craft, teen witch Nancy places a spell on her abusive step-father causing him to have a heart attack and die.  Thanks to his extensive life insurance policy, Nancy and her mom are subsequently able to move from the trailer park where they live to more upscale digs at HarborPlace Tower.

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In the scene in which Sarah Bailey (Robin Tunney), Bonnie (Neve Campbell), and Rochelle (Rachel True) visit Nancy’s new apartment for the first time, the girls enter the property on its East Ocean Boulevard side.  The buildings visible in the background (located at 555 East Ocean and 455 East Ocean) still look much the same today as they did in 1996 when The Craft was filmed.

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The interior of one of HarborPlace’s actual units stood in for Nancy’s apartment in the flick.

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While it was under construction, the building appeared as itself in the Season 10 episode of Columbo titled “Columbo and the Murder of a Rock Star,” which aired in 1991.

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And in the 1995 action flick Heat, Lt. Vincent Hanna (Al Pacino) ambushed Hugh Benny (Henry Rollins) at HarborPlace Tower.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: HarborPlace Tower, from The Craft, is located at 525 East Seaside Way in Long Beach.

The Los Angeles Filming Locations of “Ferris Bueller’s Day Off”

Bueller House

Be sure to check out my latest Discover Los Angeles article about the L.A. locations featured in Ferris Bueller’s Day Off.  I am especially excited about this post as – thanks to a lot of help from Michael Amundson, who worked on the movie, and my friend Owen, from the When Write Is Wrong blog – a few of the film’s previously unknown locales were discovered.  For me, personally, the trampoline location was mind-blowing!

The Willmore from “Rosewood”

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The Grim Cheaper and I became obsessed with a myriad of new shows this year, namely Blindspot, Quantico (though I think that one may have already jumped the shark), The Family, Limitless, The Grinder (those last three have, sadly, all been cancelled), and Rosewood.  Oh, how we love Rosewood.   The police procedural perfectly mixes comedy with drama, the writing is witty and smart, and Morris Chestnut, who plays the endlessly positive and charming titular character Dr. Beaumont “Rosie” Rosewood, Jr. is perfection, as is Jaina Lee Ortiz, who portrays his fiery cynical counterpart, Det. Annalise Villa.  My favorite aspect of the show, though, is that, while set in Miami, it is lensed largely in Los Angeles.  (Beaumont’s Magic City Lab is one of the few non-L.A. locales featured on the series – it can be found at 2043 North Miami Avenue in Miami).  One location that I recently became obsessed with identifying was the gorgeous Italian Renaissance-style building used in the episode titled “Aortic Atresia and Art Installations.”  And I have the GC to thank for tracking it down.

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In “Aortic Atresia and Art Installations” (try saying that one three times fast!), Rosie and Villa are led to the Willmore Hotel, said to be located at 315 Collins Avenue in Miami, via a clue left for them by a cryptic serial killer they have been chasing.  Not only was the name “Willmore” shown prominently in the killer’s clue . . .

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. . . but it was also visible above the front doors when Villa and Rosie arrived on the scene.  For whatever reason, though, I was quick to assume that the name and signage were fakes.  Thank goodness for the GC because when I paused the episode to ask him where he thought the building might be located, he said, “Looks like Long Beach.  I’m guessing the name is real, too.”  Though I doubted the latter, I figured his Long Beach hunch was correct, so I did a quick Google search on my phone for “Willmore” and “Long Beach” and was shocked to see that he was right!  Not only is the Willmore a real place, but it is indeed located in the LBC!  Nicely done, GC!  I am not ashamed to admit that he completely outwitted me on this one!

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Both the interior and the exterior of the Willmore were featured on Rosewood and, though shown only briefly, I was captivated by the place’s beauty.  The interior, which you can see some photographs of here, reminds me quite a bit of the Millennium Biltmore Hotel in downtown L.A.

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The Willmore was originally built in 1927 by the Stillwell Hotel Corporation.  At the time, it was operated as an upscale apartment hotel and was known as the “Stillwell.”

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The 11-story structure was designed by Fisher, Lake and Traver, the same architecture firm who gave us the Hollywood Roosevelt Hotel.

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Shortly after its inception, the property’s name was changed to the Willmore in honor of William Erwin Willmore, one of Long Beach’s first developers.

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Today, the building, which was deemed a City of Long Beach Historic Landmark in 1986, is made up of individually-owned condominiums, like this loft-style unit which came on the market in February 2015.  Love the half-exposed brick!

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Rosewood is not the only production to have made use of the site.  First Congregational Church, Long Beach, the main location featured in License to Wed, is situated across the street from the Willmore and, as such, the building was seen several times in the background of the 2007 romcom.

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The Willmore’s parking lot, located on the western side of the property, was also used as the church parking lot in a scene.

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The building was also where Henry (Paul Rudd) lived in Over Her Dead Body.  Ironically, way back in 2010, a fellow stalker named Virginie sent me the addresses of a couple of filming locations from the 2008 comedy, one of which was the Willmore.  I had never seen the movie and, aside from adding the sites to my To-Stalk List, did not do any further research on them, which is why I did not recognize the Willmore when it popped up on Rosewood.  It was not until I started gathering my Long Beach addresses together shortly before heading down there for a stalking expedition last week that I realized the connection.  Thank you, Virginie!

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The interior of Henry’s apartment was not a real Willmore unit, but a set.

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A portion of the Willmore’s bottom level houses a popular Italian restaurant named La Traviota.

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It was there that Henry and Ashley (Lake Bell) dined – and discussed cats – in Over Her Dead Body.

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Thanks to the book Emergency!: Behind the Scene (which was written by fellow stalker Richard Yokley), I learned that the Season 2 episode of Emergency! titled “Peace Pipe” was lensed at the Willmore.  Richard was even nice enough to provide the screen capture below.  Thank you, Richard!

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And, according to Location Filming in Long Beach, Ally McBeal and Profiler also did some filming at the Willmore, but I am unsure of which episodes in particular were shot there.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

The Willmore from Rosewood-9 -2

Until next time, Happy Stalking!  Smile

Stalk It: The Willmore, from the”Aortic Atresia and Art Installations” episode of Rosewood, is located at 315 West 3rd Street in Long Beach.

L’Opera Restaurant from “Charmed”

L'Opera Restaurant Charmed (13 of 18)

I rarely find myself in the LBC (that’s Long Beach, California, for those not in the know), so when I was out there a couple of months ago snapping photos for The Ultimate Guide to Clueless Movie Locations in Los Angeles Part I and Part II (which, if you haven’t checked out yet, you really should!), I made a quick detour to L’Opera Restaurant on Pine Avenue.  The upscale Italian eatery was featured in the pilot episode of Charmed and had remained unchecked on my To-Stalk List for literally years, so I was thrilled to finally see the place in person.

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L’Opera Restaurant was originally established by restaurateurs Terry Antonelli and Enzo DeMuro.  For their culinary endeavor, the duo chose a large corner unit of a 1906 building that formerly housed the First National Bank of Long Beach.  When they initially leased the space in 1988, it was an empty shell and Terry and Enzo spent two years and $2.4 million renovating it.  The eatery finally opened its doors on April 19th, 1990.L'Opera Restaurant Charmed (3 of 18)

L’Opera was an immediate hit and has gone on to win countless awards throughout its 25-year history, including “Best Award of Excellence” from Wine Spectator magazine, which should come as no surprise being that the place offers 600 different wine selections and stocks more than 18,000 bottles in its cellar.  The eatery has also won the Southern California Restaurant Writers’ two highest awards, the “5-Star Award” and “Golden Bacchus,” for the past 23 years running.

L'Opera Restaurant Charmed (8 of 18)

L'Opera Restaurant Charmed (14 of 18)

Celebrities have long flocked to L’Opera.  Just a few of the stars who have dined there include Paul Newman, Jimmy Vasser, Roger Penske, Mario Andretti, Tom Cruise, Dustin Hoffman, George Clooney, John Travolta, and Pete Sampras.

L'Opera Restaurant Charmed (18 of 18)

L'Opera Restaurant Charmed (9 of 18)

Sadly, L’Opera was closed when we showed up to stalk it, so we were not able to venture inside and grab a bite to eat, but I did manage to snap a photograph of the interior through the front window.  You can check out some more interior photos of the place here.

L'Opera Restaurant Charmed (1 of 18)

L’Opera Restaurant was only featured once on Charmed, in the pilot episode which was titled “Something Wicca This Way Comes.”  In it, Piper Halliwell (Holly Marie Combs) gets a job as a chef at the supposed San Francisco-area eatery.  Both the exterior . . .

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. . . and kitchen area appeared in the episode.

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By the second episode, “I’ve Got You Under My Skin,” filming had moved to a different location – the Pasadena Livery Building, where producers set up a fake restaurant entrance.  The name of Piper’s workplace was also changed to “Quake” at that time.  In reality, there is no eatery located in that spot.  As you can see below, what appeared as Quake is actually just an exterior walkway that leads to the Livery Building’s front doors.

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Quake Charmed (1 of 1)

Producers must have really liked the Quake exterior, because they sure got a lot of mileage out of it.  During Season 6 it showed up as two different restaurants – first as Café Le Blue in the episode titled “Spin City” . . .

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. . . and then as Anthony’s Restaurant in “Love’s a Witch.”

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Quake’s interior, which I believe was just a set, very closely resembles L’Opera’s interior.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

L'Opera Restaurant Charmed (6 of 18)

Until next time, Happy Stalking!  Smile

Stalk It: L’Opera Restaurant, from Charmed, is located at 101 Pine Avenue in Long Beach.  You can visit the eatery’s official website here.  The exterior of the fictional Quake restaurant is really the entrance to the Pasadena Livery Building located at 101 East Green Street in Pasadena.