Nick’s (Almost) Apartment from “The Crush”

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Just a mile and a half away from the Forrester mansion, which appeared in the 1993 thriller The Crush and which I blogged about yesterday, is the supposed Seattle-area apartment house where Nick Eliot (aka Cary Elwes) tried to rent a unit after discovering that his current landlords’ 14-year old daughter Adrian (aka Alicia Silverstone) had developed a highly-inappropriate and psychotically-obsessive crush on him.  I found this location, yet again, thanks to master stalker Owen, who had managed to track down one of the movie’s crew members who happened to remember the general vicinity where the apartment house was located.  From there, Owen once again employed Google Street View to pinpoint the property’s exact location.  And even though the building only showed up in two very brief scenes in The Crush, because of my Alicia Silverstone connection, I just had to stalk the place.

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I am very happy to report that Nick’s apartment house looks much the same in person as it did onscreen in The Crush, except for one pretty glaring difference – the building is now located in a different place. 

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Yes, you read that right – according to this Flikr website, Nick’s apartment house was formerly located just a bit north of where it is now, adjacent to a vacant lot, and was numbered 2132 (as you can see in the above screen capture).   When the neighboring Reeve house, a historic property, was moved for preservation purposes in 1999, the Crush apartment also had to be moved a few hundred feet to the south to accommodate it.  The Crush building’s address number was subsequently changed to 2156 and, because it had to be built into the side of a hill, appears to be a bit lower to the ground now than it was previously.  Isn’t that incredible?  I mean, I’ve heard of filming locations being torn down entirely, but I’ve never heard of one being moved from one plot of land to another!  I’m so, so glad that the property was preserved, though, for all of us stalkers to continue to appreciate.  You can see some great interior photographs of the building’s super-cute little front unit on a former real estate listing from 2008 here.  I absolutely LOVE the built-in bookshelves next to the fireplace!!  So darn cute!  I am a little upset, though, that the real estate agent failed to make mention of the property’s cinematic history on the listing.  Hmph!

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On an interesting side note – While doing research on The Crush for yesterday’s blog post, I came across some information on IMDB which stated that the flick’s screenwriter/director Alan Shapiro based his screenplay on actual events from his life that took place while he was living in a guesthouse on the property of a wealthy Beverly Hills family back in 1982.  And while I don’t know how much of the movie was actually based on fact and how much was embellished for dramatic effect, apparently Shapiro touted his production as being inspired by “real-life events”.  Quite a bit of the story must have been factual, though, because after the movie premiered in April of 1993, Shapiro was sued by his former landlords over the fact that he had named his lead character “Darian” – the actual name of his former landlords’ daughter.  The lawsuit was eventually settled and producers agreed to dub the name “Adrian” in for “Darian” in all future airings and DVD/VHS copies of the flick. 

Big THANK YOU to Owen for finding this location!  🙂

Until next time, Happy Stalking!  🙂

Stalk It: The apartment Nick unsuccessfully tries to rent towards the end of The Crush is located at 2156 Cypress Street in Vancouver, British Columbia.

The New York Public Library from “Sex and the City: The Movie”

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In honor of today’s big premiere of Sex and The City 2, I thought I’d blog about a location from the original movie that I stalked this past October while I was in Manhattan – the New York Public Library.  And even though I’ve actually blogged about this location once before, since I did not include any interior photographs, I thought the place was definitely worth re-visiting.  In the original Sex and the City movie, Carrie Bradshaw (aka Sarah Jessica Parker) and her fiancé Mr. Big (aka Chris Noth) plan to hold their upcoming nuptials at the library because, as Carrie says, it is “the classic New York landmark that housed all the great love stories”.  The New York Public Library was constructed during the years 1902 through 1911 on the site of the former Croton Reservoir and was designed by the architecture firm Carrere & Hastings.  The Beaux-Arts structure, which is made of white marble and cost $9 million to build, encompasses two full blocks of New York City land and contains 88 miles of shelving which holds over seven million books.  Amazingly enough, any one of those seven million tomes can be requested and delivered to the library’s main circulation desk within a period of ten minutes or less!  The New York Public Library, which was named a National Historic Monument in 1965, is a truly amazing piece of architecture and, being that it is symbolic of the two great loves of Carrie Bradshaw’s life – New York City and writing – it is easy to see why producers chose it as the site of her ill-fated wedding.

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The library shows up twice in Sex and the City: The Movie. It first appears in the scene in which Carrie, while returning the book “Love Letters of Great Men, Volume I”, spots a wedding being set up in the library’s mezzanine.  She immediately decides the place is the perfect location for her own upcoming nuptials.

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That first scene was shot in the extremely beautiful McGraw Rotunda, which is located on the library’s second floor.

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The New York Public Library next appears in the big wedding scene, during which Mr. Big stands Carrie up at the altar.  And I should state here that the wedding scene seriously annoyed me.  I mean, honestly, how many times can we expect Big to screw up before Carrie leaves him for good????  The SATC writers really need to come up with a new way of creating tension, because the whole Big-breaks-Carrie’s-heart thing was already getting old way back in Season 3.  We should be long past that storyline by now, but I digress.

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According to the SUPER nice security guard I spoke with, producers had the McGraw Rotunda intricately decorated with thousands upon thousands of flowers and other adornments for the wedding scene, yet none of it was visible in the movie.  The only time any of the wedding decorations can be spotted is in the above-pictured blink-and-you’ll miss it scene in which Anthony Marentino (aka Mario Cantone) tells an assistant to keep all of the wedding guests off of the main stairwell.

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The scene in which Mr. Big tells Carrie via telephone that he “couldn’t get out of the car” and that he will not be going through with the wedding was filmed in the library’s Astor Hall area, just off of the main lobby.

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Miranda (aka Cynthia Nixon) and Charlotte (aka Kristin Davis) immediately grab Carrie and rush her out of the library’s northernmost front door.

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And, while I was stalking the library, I, of course, just had to reenact the scene in which a devastated Carrie drops her cell phone after finding out that Big has stood her up.

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Sex and the City: The Movie was hardly the first production to film at the library, though.  The building was also the site of the benefit gala in the Season 3 episode of Gossip Girl titled “Ex-Husbands and Wives”

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In the 1961 movie Breakfast at Tiffany’s, Paul Varjak (aka George Peppard) and Holly Golightly (aka Audrey Hepburn) stop into the library during their “things we’ve never done before” day.  And while the real life exterior of the library appeared in that scene, I cannot say for certain that the actual interior was also used.  The interior scenes quite possibly may have been filmed on a studio soundstage.  The library also appeared in a later scene in the movie as the spot where Paul first tells Holly that he loves her.  And I just have to say here that I find it absolutely amazing that Audrey Hepburn’s costumes are still stylish today, almost five decades after Breakfast at Tiffany’s was filmed!  I mean, how adorable is the orange jacket pictured above?  But, again, I digress.

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In the original Spider-Man movie, Uncle Ben (aka Cliff Robertson) drops off Peter Parker (aka Tobey Maguire) at the library, where he is supposedly going to do some studying.  Peter instead goes to a wrestling match dressed as Spider-Man.  When Ben later comes to pick Peter up, he gets killed outside of the library’s main entrance.

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Jenna Rink (aka Jennifer Garner) and Matt Flamhaff (aka Mark Ruffalo) stage part of their “Class of 2004” photo shoot in front of the New York Public Library in fave movie 13 Going On 30.

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In 1997’s Picture Perfect, the library was the site of the Gulden’s Mustard party where Kate Mosley (aka my girl Jennifer Aniston) first becomes disillusioned with the advertising world.

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And while a large portion of the movie The Day After Tomorrow was set in the New York Public Library, no filming actually took place there.  Instead producers built a replica of the library’s interior on a studio soundstage that they later destroyed during the massive flood scenes.  According to the security guard that I spoke with, set designers spent weeks taking measurements of the interior of the library so that it could be exactly replicated for the filming.

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In The Thomas Crown Affair, the inside of the library stood in for the Metropolitan Museum of Art, as the Met refused to let any interior scenes be shot on the premises.

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The first Ghostbusters movie actually opens with a shot of the New York Public Library and its famous stone lions, who are named Patience and Fortitude.  The library has also appeared in the movies On The Town, Pickup on South Street, A Thousand Clowns, The Clock, King Kong, and You’re a Big Boy Now, and in the television series Kings.

Until next time, Happy Stalking!  🙂

Stalk It: The New York Public library is located on the corner of Fifth Avenue and West 42nd Street in New York City.  It is open to the public daily.

The “FlashForward” FBI Headquarters Building

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I was thoroughly disappointed to learn about the cancellation of the ABC television series FlashForward earlier this week, as the show was one of my favorites of the 2009 Fall Season.  What makes the cancellation most heartbreaking, though, for me at least, is the fact that because the season finale was filmed long before the series was canceled, producers did not get a chance to wrap-up the show’s central mystery.  I am afraid that unless a different network purchases FlashForward (which does happen on occasion), its fans will not be offered any sort of ending, resolution, or closure.  Not only will it remain a mystery as to what exactly caused the two minute and seventeen second worldwide blackout, but we will also never know how the lives of the main characters turn out.  UGH!  So annoying!  Anyway, a few weeks back, long before I left for Minnesota, I dragged my fiancé out to Downtown L.A. to stalk the John Ferraro building, which is used as the FBI Headquarters building each week on FlashForward.  Oddly enough, even though the building looked familiar to me when I first watched the pilot episode of the series, I couldn’t figure out exactly where I had seen it before.  Thankfully, though, fellow stalker Owen clued me into the fact that Gary, from the Seeing Stars website, was putting together a FlashForward locations page.  So, I emailed him to ask where the headquarters building was located and he wrote back immediately.  Yay!  Thank you, Gary! 

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The John Ferraro building, which was originally known as the Department of Water and Power’s General Office building, took four years to construct at a cost of $30 million and was first dedicated on June 24th, 1965.  The 17-story building, which was built entirely out of glass, steel, and concrete, was designed by architect Albert C. Martin of AC Martin Partners, an architectural firm who, according to a 1979 Los Angeles Times article, designed “more than 50 percent of all the major buildings erected in downtown Los Angeles since World War II”.  Martin, who was apparently light years ahead of his time, incorporated many “green” elements into the construction of the building, including a system which used the property’s fountains to cool the interior and its lighting to heat it.  Amazingly enough, that system is still in use today!  On November 16, 2000, the City of Los Angeles renamed the Department of Water and Power building in honor of former L.A. Councilman John Ferraro, who at the time had dedicated over 50 years of his life to public service.

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I can quite honestly say that the John Ferraro building is one of the most beautiful structures in all of L.A. – and one of my favorites!  With its 360 degree views of the Downtown Los Angeles skyline and ginormous fountain which surrounds its perimeter, the building is nothing short of majestic.  If you haven’t had the chance to stalk the place yet, I HIGHLY recommend doing so.  As was made apparent by the group of people enjoying a leisurely walk around the building, the photographers taking time-lapse pictures of the fountains, and the many couples just sitting and enjoying the unparalleled views, this is one building that can be appreciated by stalkers and non-stalkers alike.  It’s simply breathtaking!  And a place I never would have even known about had it not been for FlashForward!

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In addition to being used each week in establishing shots of the FBI Headquarters on FlashForward . . .

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. . . some filming has also taken place on location at the John Ferraro Building, including the fight scene between Detective Janis Hawk (aka Christine Woods) and Marcie Turoff (aka Amy Rosoff) in the episode titled “Queen Sacrifice” (pictured above) and the suicide scene of Agent Al Gough (aka Lee Thompson Young) in the episode titled “The Gift”.

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The parking structure of the John Ferraro Building was also used in the big chase scene between Sarah Connor (aka Linda Hamilton), Kyle Reese (aka Michael Biehn) and The Terminator (aka Arnold Schwarzenegger) in the first Terminator movie.  There are also some reports floating around that the John Ferraro Building stood in for both New York’s 14th Precinct on the 1980’s television series Cagney & Lacey and a Tacoma police station in the 1989 movie Three Fugitives, but that information is actually incorrect. 

On a side note – For those who have yet to visit the Google website today, you really need to do so NOW!  In honor of the 30th anniversary of PacMan,Google has implanted a fully-functional mini-version of the 80’s classic arcade game on their homepage.  It is just about the coolest thing ever and I’ve already spent WAY too much time today playing it.  Love it, love it, love it!

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Big THANK YOU to Gary, from Seeing Stars, for finding this location.  🙂

Until next time, Happy Stalking!  🙂

Stalk It: The John Ferraro Building, aka FBI Headquarters from FlashForward, is located at 111 North Hope Street in Downtown Los Angeles.

“The Mary Tyler Moore Show” Apartment Building

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In 1975, after the real-life owner of The Mary Tyler Moore Show house put a big, fat ixnay on letting the series do any more filming on her property, producers decided to move their spunky heroine to the newly-built, multi-colored apartment complex known as Cedar Square West in the Cedar-Riverside area of Minneapolis.  My parents and I had actually driven by the complex, which is now called Riverside Plaza, numerous times during our stay in the North Star State – and had often commented on what an eyesore it was – but it wasn’t until stumbling upon John Weeks’ Mary Tyler Moore Show locations website while killing time at the Mayo Clinic that I realized the place was a filming location.  Once I learned that the building stood in for the home of Mary Richards during the final two seasons of the iconic series, I decided I just had to write a blog post about it, which I did during the 90-minute car ride from Rochester back to Minneapolis this past Friday morning.  I had planned on taking photographs of Riverside Plaza once we reached our destination, but, sadly, it rained pretty much all day on Friday, so I put it off, thinking the pictures would not come out very well.  I figured I could snap a few photos the following morning while on our way to the airport to fly back home.  Since we had passed Riverside Plaza on our way into town after first landing in Minneapolis the week prior, I thought it would stand to reason that we would also pass it on our way out of town while heading back to the airport, but that’s not exactly what happened.  For whatever oddball reason, our GPS unit took us on an alternate route to the airport, a route which did not go past Riverside Plaza, and I therefore never got any photographs of the place!  UGH!  But since I had already written the content about the locale, I decided to do a post on it anyway.  Which landed me in uncharted territory – a blog post with no photographs to go with it.  Thankfully, though, I found a video about the Plaza on the MinnPost news website, from which I was able to make the screen captures which appear above and throughout the rest of this post.  Thank you, MinnPost!  🙂  And let that be a lesson to me – never write a blog post without first taking pictures of the subject on which I am writing.  😉

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Riverside Plaza, which is comprised of six towers, was constructed in 1973 by modernist architect Ralph Rapson and was modeled after a multi-use residential housing design known as Unite d’Habitacion, which was created by the Swiss-French architect Le Corbusier, aka Charles-Edouard Jeanneret-Gris (try saying that one three times fast!).  The towers were designed in the very aptly-named brutish-style and, in my never-to-be-humble opinion, stick out like a sore thumb in the otherwise beautiful skyline that makes up Downtown Minneapolis.  The buildings are such an eyesore, in fact, that each time my family drove past them, one of us would comment on their not-so-aesthetic appearance.  Rapson was inspired to build the complex after a vacation in Europe, during which he discovered similar style communities in which groups of different economic and cultural backgrounds lived together in close proximity.  He originally envisioned Riverside Plaza to be comprised of 11 buildings with 12,500 different apartment units which would house over 30,000 people.  His vision was never realized, however.  The developer funding the project defaulted on his loans and only six buildings, comprised of 1,303 individual units, were completed.  Supposedly, there are several “skyways” – covered walking bridges which connect buildings – on the premises which were never finished and therefore lead to nowhere.  Because 50% of the units are subsidized housing, the complex is currently home to a large number of low-income residents.  According to quite a bit of information online, the Plaza is rundown, infested with crime and drugs, and is colloquially called “the crack stack”, which is why I had only planned on taking pictures of the place from afar.  😉  Riverside Plaza is scheduled to undergo a $90 million renovation project in the near future in order to make the place more energy-efficient and is currently being considered for Historic Landmark status.  Being that so many Minnesota residents despise the place, though, I have serious doubts that the status will be awarded.  You can see a great photograph of Riverside Plaza here.

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Riverside Plaza first appeared in the Season 6 episode of The Mary Tyler Moore Show which was aptly entitled “Mary Moves Out”.  Mary continued to be a resident of the building throughout the remaining two seasons of the series, which ended in 1977.

Until next time, Happy Stalking!  🙂

Stalk It: Riverside Plaza, aka Mary Richards’ apartment building on The Mary Tyler Moore Show, is located at 1600 South 6th Street in the Cedar-Riverside neighborhood of Minneapolis, Minnesota.

On the Set of “NCIS: Los Angeles”

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This past Thursday afternoon, my fiancé called me up to let me know that an episode of NCIS: Los Angeles was being filmed at the YWCA building in Pasadena, just a few blocks away from his office.  So, I immediately grabbed my jacket and my camera and headed over to the set with one goal in mind – to get a photograph with actor Chris O’Donnell, who had been the love of my life back in my high school days.  I showed up to the corner of North Garfield Avenue and East Union Street to find that NCIS had commandeered an entire city block of Old Town Pasadena for the filming!  But, unfortunately, all of the action was taking place inside of the YWCA building, so aside from a slew of production equipment and a myriad of about thirty production trucks, there wasn’t a whole lot to see.  And, sadly enough, the security guard on duty – who absolutely could NOT have been nicer – told me that I had missed both LL Cool J and Chris O’Donnell by a mere twenty minutes.  Apparently, the two actors had walked out of their makeup trailer shortly beforehand and, on their way to the set, had stopped to pose for photographs with a small group of fans who had showed up to watch the filming.  UGH!  Talk about bad timing!  The security guard told me that I was welcome to hang around, though, and that the actors would most likely be back outside at some point during the next few hours.  So, hang around, I did.

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And, as luck would have it, I spotted Chris O’Donnell walking alone from the set to his trailer just a few minutes later.  But because he had no entourage with him and because he was a good twenty feet away from me, I didn’t realize it was him until it was much too late.  I was absolutely shocked – and pleasantly surprised – to have spotted Chris walking alone, as stars almost always have some sort of an entourage – or “handlers” as they are called in “the biz” – who accompany them while on set.  Even more shocking was the fact that Chris had walked to his trailer.  It is fairly commonplace for stars to be driven back and forth to their Star Waggons while working on a production.  Granted, Chris’ trailer was located only about a half a block away from the YWCA building, but I’ve seen stars be driven far less distances while on set.  Heck, I’ve even seen one celeb being driven from one side of a street to the other!  Not kidding!  Chris seemed super down-to-earth and friendly and made it a point to wave and say hello to the security guard who was on duty, which I also thought was incredibly cool!  I have so much respect for stars who acknowledge and are friendly to the crew members who work behind the scenes of their productions.  I once read that Drew Barrymore makes it a point to learn the name of each and every crew member – right down to the negative cutter – who works on her movies, which I thought was just about the coolest and most non-divaish thing I had ever heard!  So love it!  Anyway, once I spotted Chris, I parked myself outside of his trailer and immediately called up the Grim Cheaper and told him to get over to the set as soon as possible so that he could take a picture of the two of us.  The GC was NOT happy about this development, but headed over to the YWCA building anyway.  Ah, the things we do for love.  🙂   Thankfully, it was only about an hour before Chris exited his trailer and walked to the set – again sans entourage.  I called out to him and asked if he would mind taking a picture with me, and the guy truly could NOT have been nicer!  He was so incredibly friendly, down-to-earth, and low-key that he almost didn’t even seem like a celebrity.  He happily posed for the above photograph (during which the wind was blowing like mad, which is why my hair ended up in my face!  UGH!) and shook my hand and introduced himself.  I told him that I had been a fan since 1992 when Scent of a Woman first premiered, and he thanked me for the longtime support and then continued on to the set.  Sigh!  The few NCIS: Los Angeles crew members that I spoke with were also incredibly friendly and nice and the vibe on set reminded me distinctly of that of CSI: Miami.  Love it!  🙂  After meeting Chris, the GC was ready to head home, so I never did get to see LL Cool J.  But getting a photo with Chris O’Donnell more than made up for that fact.  🙂

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The Young Women’s Christian Association building, where filming took place, was originally constructed in 1921 by famed Los Angeles-area architect Julia Morgan, who is best known for designing the world-famous Hearst Castle in San Simeon.   The land on which the YWCA now sits was donated to the Association by prominent Pasadenean David Gamble, of Proctor and Gamble fame.  The building, which cost $350,000 to build and was originally used by the Association as a social venue and a dormitory of sorts for young women, is currently in a state of disrepair and has sat abandoned and boarded up for the past two decades.   The City of Pasadena is currently involved in an eminent domain dispute with its owner and is trying to purchase the historic building and restore it to its former glory.  The owner, however, is refusing to sell. You can read more about the history of the YWCA building, which is on the National Register of Historic Places, here and  you can see some great interior photographs of the place here.  Other productions filmed on the premises include the movie Idle Hands and an episode of Heroes.

Until next time, Happy Stalking!  🙂

Stalk It: NCIS: Los Angeles was filmed at the YWCA building, which is located at 78 North Marengo Avenue in Pasadena.

Carol Burnett’s Childhood Home

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A few weeks ago, fellow stalker Lavonna gifted me with a copy of one of her all-time favorite books, Carol Burnett’s autobiography entitled One More Time: A Memoir.  I finished reading the tome this past week and, let me tell you, I absolutely loved it!  Even though I’ve never been a huge Carol Burnett fan – not that I had anything against the comedienne, I just didn’t really know all that much about her – I literally couldn’t put the book down.  It’s a fascinating, and somewhat heartbreaking, story about growing up in Depression-era Hollywood with an alcoholic mother and an alcoholic father and a very loving, if at times off-beat, grandmother.  One of the things I liked best about the book was the fact that in it Carol dolled out quite a few addresses, one of which being the Hollywood apartment building where the actress lived for over a decade during her formative years.  Carol was actually born in Texas and spent the first few years of her life with her grandmother “Nanny” and her great-grandmother “Groggy” in a home located at 2803 West Commerce Street in San Antonio.  Her parents, Louise “Lou” Burnett and Joseph “Jody” Burnett, had moved to Los Angeles in the early 1930s in order to make it in the movie industry, leaving their infant daughter behind in the Lone Star State.  Lou and Jody ended up divorcing a few years later and didn’t send for Carol until she was seven, at which point she and her grandmother said goodbye to Texas and headed West where they moved into a one bedroom studio apartment in a building named the Hollywood Arms.  So, of course, as soon as I finished the book, I had to run right out and stalk the place.

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Because Carol had been raised pretty much since infancy by her grandmother, she chose to stay with Nanny and not her mother upon moving into the Hollywood Arms.  Nanny and Carol settled into Room 102, a studio apartment on the building’s first floor, just a few doors down from Lou.  The tiny room, which Carol described as a “12 foot by 16 foot box”, was comprised of a kitchenette, a tiny bathroom, and one single Murphy bed, which is where Nanny slept.  Carol bunked on a small couch in a corner of the room and used the shower rod in the bathroom as her closet.  During her childhood years, she spent quite a bit of time on the building’s roof, staring up at the Hollywood sign and dreaming of one day becoming a famous actress.  She would also often play “movie star” on the roof with her best friend and neighbor, Illomay Sills.  Carol and Nanny remained residents of Room 102 for the next fourteen years, until 1954, when the wanna-be actress migrated to New York to pursue a career on Broadway.  Nanny stayed behind at the Arms until Lou passed away in 1959, at which point Carol moved her to a bigger apartment a few blocks away on Cherokee Avenue. 

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With all of the changes in Hollywood in recent years, I wasn’t sure if Carol’s former apartment building would still be standing today.  But, thankfully, it is!  The 49-unit building, which was originally built in the 1920’s, was purchased by a real estate development company named StarPoint Properties in 2003 and underwent an extensive renovation and restoration process shortly thereafter.  And, while the exterior supposedly looks much the same today as it did when Carol lived there back in the ‘40s, the building and surrounding area are much more upscale now than they were then.  You can see some current interior photographs of the building here.

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And, let me tell you, I just about died when I noticed that one of the hallway windows was open while I was stalking the building yesterday, allowing me a quick glimpse of the interior.  I could only just barely see the entrance to Room 104, which I am assuming is located just two doors down from Carol and Nanny’s old studio, which, unfortunately, was not visible.  Oh, how I would have loved to have seen the doorway to Room 102!  And, believe me, I tried, but my neck just wouldn’t crane that far.  😉

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In 1985, long after she had become a star and her beloved grandmother had passed away, Carol returned to the Hollywood Arms and Room 102 to revisit old memories.  The new occupants graciously left the premises for an hour, so she could spend a bit of time in her childhood home.  Of the experience she said, “You think when you’re gonna go back that it’s going to look different . . . maybe smaller, because you’re taller, I don’t know, but this is just the way I remembered it: the same walls, the same size, the same colors.”  The above photograph was taken during her visit in 1985. 

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She also stipulated that day that “this’ll be the last time I’ll ever see it, I know that . . . ”, but, in fact, she was wrong.  In 1998, Carol and her daughter, Carrie Hamilton, began a five year process of co-writing a play based on Carol’s childhood.  They named the play “Hollywood Arms” in honor of Carol’s former home.  In 2001, while in the midst of the writing process, Carol went back to the Arms building and was shocked to find the place undergoing StarPoints Properties massive renovation.  When she discovered that Room 102 was vacant, she immediately rented it to use as her writing office.  Prior to moving in, Carol and her daughter burned sage in every corner of the tiny studio in the hopes of removing the bad spirits and sad memories.   “Hollywood Arms” went on to become a hit, but sadly Carrie passed away in January of 2002, a few months before the show opened on Broadway.  You can read more about the play here.

Big THANK YOU to Lavonna for giving me One More Time: A Memoir, which led me to write this post.  🙂

Until next time, Happy Stalking!  🙂

Stalk It: The Hollywood Arms, aka Carol Burnett’s childhood home, is located at 6434 Yucca Street in Hollywood.  Carol and her beloved Nanny lived in Room 102.

Charlie’s Apartment Building from “Monster-in-Law”

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The third and final Monster-in-Law locale that I set out to find this past weekend was the supposed Venice Beach area apartment building where Charlie Cantilini (aka Jennifer Lopez) lived in the flick.  Fellow stalker Nick had already determined that the Spanish-style building was located somewhere in Hollywood, so from there I set out on a Google search using the terms “Mediterranean”, “apartments”, and “Hollywood”.  And I have to say that I got REALLY lucky on this one, because the first thing that popped up was this  link to a complex named “Mediterranean Apartments” on North Sycamore Avenue.  After looking at an aerial view of the building, I quickly determined that it was not, in fact, the Monster-in-Law locale that I had been searching for, but I did notice another apartment complex just a few doors down that looked an awful lot like Charlie’s. And sure enough, it was!  The stalking gods were definitely smiling on me during this search, because, honestly, what are the odds of tracking the building down so easily???  And, let me tell you, I almost fell over when I realized that not only had I already stalked Charlie’s apartment a few years prior, but I had even blogged about it!  More on that later, though.

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In real life, Charlie’s apartment building is known as the El Cadiz and it is located in the heart of Hollywood, a good fifteen miles away from Venice Beach, it’s purported location in Monster-in-Law.   The building was constructed during the height of the Great Depression in 1936 by architect Milton J. Black and was named after the province of El Cadiz in the south of Spain.  According to the book Courtyard Housing in Los Angeles: A Typological Analysis, the complex has the distinction of being the very last Spanish Revival-style courtyard apartment building to be constructed in L.A.  In 2005, the Church of Scientology purchased the El Cadiz, and thanks to the community’s fear that the place would subsequently be torn down, just a few months later the City of Los Angeles declared it a Cultural Historic Monument, preserving its beauty for future generations to appreciate.  The El Cadiz is an absolutely gorgeous dwelling that boasts numerous Andalusian decorative elements including a red-tiled roof, covered balconies scattered throughout, large water fountains, arched doorways and windows, and a multitude of courtyards.  Sadly, though, none of those elements is visible from the street and what is visible is fairly non-descript, as you can see above.

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Even more unfortunate is that fact that not even Google maps can give us a very good view of the building.  🙁   But you can read a more in-depth history of the property and see a picture of its interior courtyard here.

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Charlie’s apartment building is only featured at the very beginning of Monster-in-Law, in the scenes which take place before she moves in with new-fiancé Kevin Fields (aka Michael Vartan). 

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Because of the way some scenes were filmed and because, according to the movie’s production notes, all of the apartments in the El Cadiz building were vacant and undergoing extensive renovations at the time of the filming, I am fairly certain that the real life interior of one of the units was used in the movie, too.

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Coincidentally, the El Cadiz was also featured each week during the first two seasons of the immensely popular television series Alias, where it stood in for Sydney Bristow’s apartment.   (An even further coincidence is that both productions starred actor Michael Vartan!)  As I mentioned above, I actually stalked the place – and blogged about it! – back in February of ‘08, but because only the exterior of the complex was featured in Alias, while only the interior courtyard was featured in Monster-in-Law, I didn’t recognize that they were actually the same place.   

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Big THANK YOU to fellow stalker Nick for helping me find this location!  🙂

Until next time, Happy Stalking!  🙂

Stalk It: El Cadiz, aka Charlie’s apartment building from Monster-in-Law and Sydney Bristow’s apartment building from Alias, is located at 1721-1731 North Sycamore Avenue in Hollywood.

The (Probable) Warehouse from Michael Jackson’s “Beat It” Video

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Another day, another “Beat It” locale!  After tracking down the probable diner that appeared in “Beat It”, I set my sights on locating the warehouse which was also featured in Michael Jackson’s iconic 1983 music video.  And I really have to say a big thank you to my friend and fellow stalker David in Spain before I go any further with this post because had he not informed me that the “Beat It” diner was located somewhere on Fifth Street in Downtown Los Angeles’ skid row area, I doubt any of us would have ever been able to track down the other locales featured in the short film.  Finding these locations has been like a veritable domino effect, one locale leading to the next and to the next and to the next, all thanks to that original clue that David emailed me a few weeks back.  So, thank you, David!  Anyway, two weeks ago I was at my parents house watching my dad’s Michael Jackson’s Number Ones  DVD trying to figure out where the “Beat It” warehouse was located, when my dad spotted an address number of 1013 (pictured above) painted on the building’s exterior wall. I immediately sent that information out to Mike, from MovieShotsLA, David in Spain, and another fellow stalker named David who lives right here in the U.S. (the very same David who tracked down the Martini house from It’s A Wonderful Life which I blogged about back in December).  Well, it wasn’t an hour later that David from America (is this getting confusing yet? ;)) emailed me back with the warehouse’s location – 1013 Fifth Street – which is the very same street  where the “Beat It” diner and former pool hall/now grocery store can be found!  So, I immediately dragged my dad right out to stalk the place.  THANK YOU, DAVID! 

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As the word “probable” in the title of this post implies and as was the case with the diner, I can’t say with absolute, one hundred percent certainty that the warehouse David found is the actual “Beat It” warehouse.  There are quite a few irrefutable similarities between the building that appeared in the video and the one pictured above, but because almost three decades have passed since filming took place, there are also, of course, some major differences.  My gut is telling me that it’s the right spot, and they do say that you should always trust a woman’s intuition, but I just can’t be sure.  So, once again, dear readers, I am putting it out there for to you to answer.   Let me know what you think after reading this post.  Did David find the correct place or should we continue our search?  And now, on with the blog!  The “Beat It” warehouse is currently occupied by a food distributer known as Jing San Food, Incorporated and all I have to say is THANK GOD my dad was with me on this particular stalk because he somehow managed to not only talk our way into the building, but to also get permission to take photographs of the place!  Simply AMAZING!  Anyway, according to the people I talked to, Jing San Food moved into the warehouse space two years ago and, unfortunately, no one seemed to know what sort of business occupied the premises before that time.  Nor did anyone seem to know anything about “Beat It” being filmed there – if, in fact, it was.  Anyway, as you can see in the above photographs, the address number of Jing San Food is actually 458 and not 1013 as we had seen in the video. 

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But, if you look at the above Google Maps Aerial View of the warehouse you can see that it is located on the corner of Alameda and Fifth Streets.  The 458 address number refers to its location on Alameda.  As is also referenced in the above map, though, the south side of warehouse is situated on the 1000 block of Fifth Street, on the odd-numbered side of the street, which means that it is very possible that way back in 1983, the year “Beat It” was filmed, the warehouse could have been numbered 1013.  I am guessing that the building was divided up and leased to more than one tenant at that time, which would have required there to be more than one address number.  Because the building is only occupied  by one tenant today, those multiple address numbers would be redundant and unnecessary.  I am guessing that they did away with the Fifth Street numbers and just kept the Alameda Street address once the new tenants moved in.  But, again, that is entirely a guess on my part.

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Amazingly enough, though, I did spot a “0” posted on the Fifth Street side of the warehouse – which seems to be a left over address number from quite some time ago and absolutely cements my belief that that particular part of the building was numbered 1013 at one time.  So, that’s one thing we’ve got going in our favor.

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The next, and quite possibly biggest, thing we’ve got going for us is the cement staircase which leads up to the warehouse.  As you can see it is a pretty exact match to the one which appeared in “Beat It”.  The warehouse doors have changed and there is now a makeshift doorway in one of the bays (which you can see more pictures of later on in this post) . . .  

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. . . but otherwise this part of the exterior looks pretty darn similar to the “Beat It” warehouse exterior.

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  The windows which appear across the street from the warehouse are also pretty darn spot on to the windows which appear across the street in “Beat It”.  Unfortunately, I couldn’t match up the exact angle that appeared in the video as there were by no stretch of the imagination at least fifteen big rig trucks parked out on the street in front of the warehouse blocking my view.

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Yet another thing we’ve got going in our favor is the fact that the warehouse in the “Beat It” video has an awning of some sort on its exterior and the warehouse David found also has remnants of what looks to be a former awning.

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The inside of the warehouse, however, is an entirely different story.  As you can see in the above photograph and screen capture, the ceiling of the building does not look at all like the ceiling from “Beat It”.  I confirmed with one of the Jing San Food workers that the entire ceiling of the warehouse had been replaced – not redone, but actually replaced – two years ago, before they took over the space, so it would make sense that it wouldn’t match.  But I have no way to confirm what the old ceiling looked like and it seems odd to me that someone would actually change the entire shape of the roof from peaked to flat.  I mean, it’s possible that that happened, but I can’t say that it’s very likely. 

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As promised, pictured above is the interior view of the makeshift door that now stands in the “Beat It” bay.  As you can see, the door, which did not appear in the video, was quite obviously an add-on to the property and not an original part of the warehouse.  It also, sadly, alters the appearance of the interior quite a bit.

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While stalking the warehouse, my dad and I tried to locate something that would tie the place to the “Beat It” video – any small remnant that would irrefutably prove that we were in the right place.  Sadly, no such remnant was to be found.  In the video, it appears that there is some sort of makeshift office space located behind Michael and the gang members.   That office space is no longer there, though.  My dad said that warehouses typically have some type of coarse office set-up like the one which appeared in “Beat It” and that because it is usually constructed in a rudimentary manner, it would not be at all uncommon for a new tenant to dispose of it.

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Part of that rudimentary office space consisted of a second floor area (you can see the stairway leading up to it in the above screen capture).

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At first blush I wouldn’t think that the warehouse I visited would have been tall enough to house a second floor, but as you can see in the above photographs, the tenants are currently having one installed!  So, it actually is possible and is, in fact, being done!

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The chipped up cement floor of the warehouse is also very similar to the one which appeared in “Beat It”, but then again I would expect the floor of any heavily trafficked warehouse to have that same worn-in appearance.

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So, like I said earlier, I am putting it to you to decide, dear readers.  Have we found the warehouse?  If David was right and this is in fact the actual “Beat It” warehouse, it is absolutely mind-boggling to me that I was in the exact spot where the King of Pop made music history almost three decades prior.  That warehouse floor is definitely hallowed ground and I can’t even believe I was able to stand on it!

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David was also able to track down the probable manhole cover that the gang members came out of at the beginning of “Beat It”.  And I just have to say here that that particular part of the video never really made sense to me.  What, do these guys live underground?  Just hang out there?   LOL  Even as a child I can remember wondering why people would be coming up out of the ground like that.  But I digress. 

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We believe the manhole cover is located just east of the warehouse in the middle of the intersection of East Fifth and Seaton Streets.  This particular location will be the toughest of them all to prove, though, because . . . well . . it’s a manhole cover.  Such covers are located all over the city, pretty much all look exactly the same, and, unfortunately, aside from a nearby set of train tracks, there aren’t really any landmarks seen in the “Beat It’” video with which to distinguish it.  But, due to its close proximity to the warehouse and a set of train tracks. I’d say it’s a pretty safe bet that the manhole cover pictured above is the one which appeared in “Beat It”. 

Big THANK YOU to David (from America) for finding this location and to David (from Spain) for setting off the entire “Beat It” chain of events!  🙂

Until next time, Happy Stalking!  🙂

Stalk It: The probable “Beat It” warehouse, aka the Jing San Food, Inc. warehouse, is located at 458 South Alameda Street, at the corner of Alameda and East Fifth Streets, in Downtown Los Angeles.  The probable manhole cover is located at the intersection of East Fifth and Seaton Streets, just due east of the warehouse.

Marilyn Monroe’s Childhood Orphanage

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It’s shaping up to be Marilyn Monroe week here at iamnotastalker, because here I am yet again blogging about yet another location relating to the late actress.  Thanks to the “Movie Star Homes and Notorious Crime Scenes” map that Mike, from MovieShotsLA, purchased for me while the two of us were out and about doing some Oscar Weekend stalking earlier this month, we were able to visit the famous Hollygrove Home for Children, the orphanage where a young girl named Norma Jeane Baker spent twenty-one formative months of her childhood.  For some particularly odd reason I had always been under the incorrect assumption that Marilyn’s childhood orphanage was located in the Van Nuys area, so when I found it’s Hollywood address on my new star map, I was absolutely elated and begged Mike to drive right over there so that we could stalk the place.  As fate would have it, Marilyn’s former orphanage is located a scant seven blocks away from Tom Kelley’s Photography Studio – the spot where she would later take her now infamous nude calendar photos in 1949 – which I blogged about on Friday.

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In December of 1934, Marilyn’s mother Gladys, who had long suffered from mental illness, had a complete emotional breakdown and was committed to an asylum.  Her eight year old daughter, Norma Jeane Baker, was sent to live with Grace McKee, her mother’s best friend, whom Marilyn soon nicknamed “Aunt Grace”.  Aunt Grace cared for the young girl for about a year until she lost her job with Columbia Pictures and could no longer afford to do so.  On September 13, 1935, she was forced to bring Norma Jeane to the Los Angeles Orphans Home Society – Hollygrove’s original name – where she became the orphanage’s 3,463rd ward.  Marilyn stayed at Hollygrove on and off for a period of almost two years, during which time she was also shuttled between no less than nine different foster homes.  She left the orphanage for good on June 12, 1937, at which time she moved back in with Grace McKee where she remained for about a year before being shuttled off to yet another family member.   And while some Marilyn biographies stipulate that the star played up her sad upbringing as part of her Hollywood persona and did not really live in quite as many foster homes as she led people to believe, spending any part of one’s childhood in an orphanage constitues a “Hard Knock Life” in my eyes.  It’s amazing to think of what she was able to do with her life after surviving such a tumultous beginning.

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As legend has it, the window of Marilyn’s orphanage dormitory, which she shared with 26 other girls, looked out upon the former RKO Studio’s water tower and led to her dreams of someday becoming a world famous movie star.  One of my all-time favorite quotes from the actress reads, “I used to think as I looked at the Hollywood night, ‘There must be thousands of girls sitting alone like me, dreaming of becoming a movie star.  But I’m not going to worry about them.  I’m dreaming the hardest.’”  Love it!

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The Los Angeles Orphans Home Society, which changed its name to the Hollygrove Home For Children in 1957, was originally founded in 1880 in Chinatown and was L.A.’s very first orphanage.   It moved to its current location in Hollywood a few years later where it served as a home for displaced children for over 125 years.  In 2006, Hollygrove transitioned from a residential center for abandoned children to an “EMQ Families First Agency”, which, as far as I’ve been able to discern, is an outpatient treatment center for young child abuse victims.  Sadly, as you can see in the above photographs, the property looks much different today than it did in the ‘30s when Marilyn lived there.  You can read a more detailed history of the former orphanage here.

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I am very happy to report that the old Hollygrove sign in still in place, though, which was incredibly exciting for me to see in person.

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  If you look closely in the above photographs, you will see that someone even went so far as to spell out “Norma Jeane” on the bottom part of the Hollygrove letters.  So darn cool!  🙂  While we were stalking Marilyn’s former orphanage, Mike rang the front buzzer to see if we might be allowed inside.  When I asked him what he was going to say to whomever picked up the phone, he joked, “I’m going to tell them that my name is Mike Monroe and that I’m interested in adopting a little blond girl.”  LOL  LOVE IT!  I swear I was still cracking up over that statement hours later.  Sadly, though, Hollygrove’s main office was already closed by the time we got there and no one answered our call, which is especially upsetting being that according to this L.A. Times  article there is actually a “hallway museum” inside of the former orphanage which features photographs of a young Marilyn.   Oh, what I wouldn’t give to see those!

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During Marilyn’s stay at Hollygrove, she attended Vine Street Elementary School, which is located just a few blocks away from the former orphanage, so, of course, Mike and I just had to stalk that location as well.   Because school was in session at the time, though, we didn’t get to take many photographs of the property while there.  🙁

Until next time, Happy Stalking!  🙂

Stalk It: Hollygrove, Marilyn Monroe’s former orphanage, is located at 815 North El Centro Avenue in Hollywood.  Vine Street Elementary School is located at 955 North Vine Street, also in Hollywood.

Marilyn Monroe’s Former Doheny Drive Apartment Building

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Another day, another Marilyn Monroe location.  🙂  Last month, fellow stalker and major Drew Barrymore aficionado Ashley, from The Drewseum website, tipped me off to The Marilyn Monroe Collection Blog which had just published a post about an apartment building where my girl had lived at two separate times during the 1950s and 1960s. Amazingly enough, for whatever reason, I had never heard of that particular apartment building in relation to Marilyn Monroe before and I immediately added the address to my list of must-see locations!    So, while were out in Hollywood doing some Oscar Weekend stalking earlier this month, I finally dragged my fiancé right over to Doheny Drive in Beverly Hills to stalk Marilyn’s former residence.  YAY!

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I was especially excited to stalk this particular former residence of Marilyn’s because The Marilyn Monroe Collection Blog had posted a photograph of the actress which had been taken while she was parked in front of the building!  So darn cool!  As you can see in the photographs above, while there have definitely been some changes to the property since the picture of MM was taken – including the addition of garage doors and the removal of the vent-like structures above the carport area – the building is still very recognizable from the time when the actress lived there.  Love it!

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Marilyn first moved into the Doheny Drive apartment building, which had been constructed just one year prior, in 1953 and lived there for about a year before marrying baseball legend Joe DiMaggio on January 14, 1954.  The actress, who was already wildly popular at the time thanks to starring roles in both Niagara and Gentleman Prefer Blonds, lived in Unit #3 of the building, a one bedroom, one bathroom dwelling which measured a scant 648 square feet!  It is incredibly hard to imagine one of the world’s most popular movie stars living in such tiny digs, but she must have liked the place because in April of 1961, after her divorce from playwright Arthur Miller was finalized, the actress left New York and once again leased the very same unit in the very same building.  She stayed there until March of 1962, at which point she moved into the Brentwood area home she had purchased a few months prior, the same home in which she would sadly pass away on the night of August 4th, 1962 (or in the early morning hours of August 5th, 1962, depending on which report you believe).   Marilyn’s former apartment building is now a made up of individually owned condominium units.  

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According to my buddy E.J. over at The Movieland Directory, Marilyn’s former building, the front entrance of which is pictured above, is no stranger to celebrity.  Other stars who have lived on the premises include actor James Coburn, pinup girl Jeanne Carmen, French actress Bella Darvi, and actress Viola Mertz.

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Big THANK YOU to Ashley from The Drewseum for tipping me off to this location!  🙂

Until next time, Happy Stalking!  🙂

Stalk It: Marilyn Monroe’s former apartment building is located at 882 North Doheny Drive in Beverly Hills.  The actress lived in unit #3.