famous architecture – Page 6

October 12, 2011September 29, 2017

The “American Horror Story” House

Last week, fellow stalker Owen sent me an email with a tip, as well as this Curbed LA article, about a Haunted-Hollywood-type location that he thought I might be interested in stalking – the imposing brick and marble abode which figures as the focal point of the new television series American Horror Story. And right he was! I had just TiVo-ed the premiere episode of the show the previous night and could hardly wait to sit down and watch it. And I was not disappointed – American Horror Story is absolutely riveting! The fact that Owen had already tracked down the main location used in it was like icing on the cake! Randomly enough, another fellow stalker named August sent me an email this past Thursday evening in which he also tipped me off to the location of the American Horror Story house, along with a link to the exact same Curbed LA article that Owen had also sent! I figured the universe was most definitely trying to tell me something, so I dragged the Grim Cheaper right on out to stalk the place this past weekend.

The American Horror Story house was originally built sometime during the early 1900s (the home’s official website says it was built in 1902, but Curbed LA and various other sites state that it was most likely constructed in 1908) by Alfred F. Rosenheim as his personal residence. The prominent Los Angeles architect also designed the Majestic Theatre on Broadway, the Herman W. Hellman Building in Downtown Los Angeles (L.A.’s very first first ten-story building), the Doheny Mansion’s glass conservancy and palm house in West Adams, and the Second Church of Christ Scientist, also in West Adams. The Rosenheim residence, which in 1999 was declared Los Angeles’ Historic-Cultural Monument Number 660, features a 9,660-square-foot, three-story main house, 7 bedrooms, 7 baths, Tiffany stained-glass windows, as well as Tiffany glass doors and light fixtures, maid’s quarters, a library, a hand-painted Japanese gold- and silver-leafed ceiling, a formal dining room, six different Batchelder fireplaces, a solarium, and a 1,600-square-foot basement. According to the Paradise Leased blog, upon its unveiling, the Los Angeles Times stated that the mansion was “magnificently appointed” and featured “almost every conceivable modern convenience and luxury” – including an intercom system that is still in working condition to this day!

In 1918, Rosenheim sold his self-designed abode to a mining tycoon named A.J. McQuatters, who used the mansion as his winter home. The property went through a succession of different residents in the following years, including character actor Edward Everett Horton, who leased the home for a short while, and the Sisters of Social Service, who converted the dwelling into a convent. In 1954, the Sisters also built a 50-foot-long, 4,500-square-foot detached chapel on the premises. That chapel has since been transformed into a recording studio. According to Curbed LA, the Rosenheim house has been on and off the market since 1999 and is currently for sale for a cool $4.5 million.

As you can see above, the residence, which sits on a 3/4-acre, corner plot of land and is truly magnificent in person, is actually much larger than its façade would lead you to believe. The place is absolutely GINORMOUS!

American Horror Story House–For Sale

You can watch the home’s real estate video by clicking above.

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The pilot episode of American Horror Story opens up in the year 1978 and shows two twin boys wreaking havoc on a dilapidated old mansion.

The real life interior of the property, which you can see pictures of here, was used in the filming of those scenes, although it was dressed considerably to appear neglected and run-down.

The episode then switches to the present day where it begins to follow the story of the Harmon family – mother Vivien (aka Connie Britton), father Ben (aka Dylan McDermott), and daughter Violet (aka Taissa Farmiga, who, in real life, is the younger sister of Up in the Air’s Vera Farmiga) – who has moved from Boston to Los Angeles in order to start a new life after suffering a considerable series of misfortunes. The family purchases the old mansion, which has since been fixed-up, despite being told about the previous owners’ murder-suicide, which took place shortly beforehand.

The real life interior of the house, in its actual state, is used extensively as the interior of the Harmon residence. You can see more interior photographs of the property here.

Oddly enough, though, the series does not make use of the property’s kitchen, which you can take a look at here. As you can see, it looks nothing like the kitchen that is shown on TV.

Thanks to fellow stalker Robert, from the Movie Locations and More website, I learned that the Rosenheim home was also used in the Halloween-themed Season 4 episode of Buffy the Vampire Slayer titled “Fear, Itself”, as the Alpha Delta fraternity house where Buffy Summers (aka Sarah Michelle Gellar) and her friends attended a Halloween party.

The interior scenes look to have been shot at a different location, though.

Except for the scene in which Oz (aka Seth Green) turned into a werewolf, which was filmed inside of one of the property’s real life bathrooms.

There seems to be quite a bit of erroneous information about the home’s filming history floating around online. According to the property’s official website, it appeared in a 1950’s movie named Old Blue Eyes which starred Frank Sinatra, although I can find no such production listed on Frank’s IMDB page. And according to this website, the house was also used in 2002’s Spiderman and 2007’s Because I Said So, but I scanned through both of those movies earlier today and did not spot the place anywhere. That same website also states that the residence appeared in Seabiscuit, but because I do not own the film and could not find it to rent or stream anywhere, I was not able to verify that.

Big THANK YOU to fellow stalkers Owen and August for telling me about this location! Smile

Stalk It: The American Horror Story house is located at 1120 Westchester Place in the Country Club Park section of Los Angeles.

October 10, 2011September 29, 2017

The “Double Indemnity” House

A couple of weekends ago I dragged the Grim Cheaper out to the Beachwood Canyon area of the Hollywood Hills to stalk one of the most famous macabre movie locations of all time – the Spanish-Colonial-Revival-style abode that was featured in Double Indemnity. Incredibly, up until a few weeks ago I had yet to see the 1944 film noir classic, which was directed by Billy Wilder, even though it is largely considered to be one of the greatest movies of all time. And I have to say that I was pleasantly surprised when I finally did sit down to watch it. Not only did the film not seem dated, but I was absolutely riveted to my chair for the entire 107 minute run time. Sure, some scenes were a bit cheesy – especially the love scenes between Pacific All Risk Insurance Company salesman Walter Neff (aka Fred MacMurray) and disgruntled housewife Phyllis Dietrichson (aka Barbara Stanwyck), not to mention Walter’s silly pronunciation of the word “baby” – but overall the film was incredibly well-done and thoroughly suspenseful, which is shocking being that it was made almost a full seven decades ago. If you have yet to see it, I cannot more highly recommend doing so!

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In Double Indemnity, the supposed-Glendale-area hillside abode pictured above is where Phyllis lives with her abusive oilman husband, Mr. Dietrichson (aka Tom Powers), and his daughter, Lola Dietrichson (aka Jean Heather). It is while walking up to the home at the very beginning of the film that Walter Neff utters what is arguably its most famous line. Of the residence, he says, “It was one of those California Spanish houses everyone was nuts about ten or fifteen years ago. This one must have cost somebody about thirty thousand bucks – that is if he ever finished paying for it.” It is at the house that Phyllis and Walter first meet and fall in love. The two later cook up a scheme to purchase an accident insurance policy for Phyllis’ unknowing husband and then murder him to collect on the claim. The “double indemnity” of the title refers to a clause in the policy which stipulates that in the case of certain more unlikely accidents, i.e. a death on a train, the amount of the insurance payout would double.

Amazingly enough, as you can see above, the house has remained virtually unchanged since 1944 when Double Indemnity was filmed. I simply cannot express how cool I think that is!

The only real difference is the garage door, which has since been modernized. Otherwise though, the home looks pretty much exactly the same in person as it did onscreen in all of its black-and-white glory.

The view has obviously changed a bit in the ensuing years, though. Winking smile

The screenplay for the movie, which was co-written by Raymond Chandler and Billy Wilder, was based on an 8-part serial written by James M. Cain that was first published in Liberty Magazine in 1936. Cain based his story on the real life 1927 murder of Albert Snyder by his wife Ruth Snyder and her lover Henry Judd Gray, the trial of which Cain had covered while working as a journalist in New York. And amazingly enough, it seems as if the house that wound up being used in the movie was the very same house that Cain had written about in his story. In the book he calls the abode the “House of Death” and, of it, he says, “I drove out to Glendale to put three new truck drivers on a brewery company bond, and then I remembered this renewal over in Hollywoodland. I decided to run over there. That was how I came to this House of Death, that you’ve been reading about in the papers. It didn’t look like a House of Death when I saw it. It was just a Spanish house, like all the rest of them in California, with white walls, red tile roof, and a patio out to one side. It was built cock-eyed. The garage was under the house, the first floor was over that and the rest of it was spilled up the hill any way they could get it in. You climbed some stone steps to the front door, so I parked the car and went up there.” Cain’s words could not be a more perfect description of the residence that appeared in the movie, which leads me to believe that the abode must have served as the inspiration for the home in the story and that Cain then later suggested the place to producers to use for the filming. So incredibly cool!

According to an October 17, 2009 Los Angeles Times article, an almost exact replica of the interior of the house was recreated on a soundstage at Paramount Studios in Hollywood for the filming.

As you can see above, in real life the home’s front door is much closer to the bottom of the central staircase than it was onscreen. The actual residence, which was built in 1927 and boasts 4 bedrooms, 3 baths, and 3,077 square feet of living space, currently belongs to interior designer/set decorator Mae Brunken. You can check out some fabulous photographs of the actual interior of the property here. (The photograph of the home pictured above does not belong to me, but remains the sole property of the Los Angeles Times and photographer Ricardo DeAratanha).

In an interesting twist, as you can see above, producers had the address number of the Double Indemnity house changed from “6301” to “4760” for the filming. I would not have thought that sort of thing happened back in the days before DVD players, pause buttons, and the internet, but all evidence to the contrary.

Until next time, Happy Stalking! Smile

Stalk It: The Double Indemnity house is located at 6301 Quebec Drive in the Beachwood Canyon area of the Hollywood Hills.

October 3, 2011September 29, 2017

The Mills View House from “Picket Fences”

Well, my fellow stalkers, it is finally that time of year again, the month I look forward to all year long – October! With it comes fall leaves, cooler temperatures, and my favorite holiday of them all, Halloween. And you know what that means – I will once again be devoting the entire month of blog posts to locations having to do with Haunted Hollywood! First up is the Mills View house, a Monrovia-area property that I learned about way back in March from a journalist named Toni Momberger who interviewed me for an Inland Valley Daily Bulletin newspaper article she was writing about famous movie homes. Toni told me that she had toured the huge, Victorian-style abode as part of her research for the article and she was shocked to discover that I had never before heard of the place. As fate would have it, the house had been featured prominently in not one, but two spooky productions over the years, so I figured it would be the perfect start to my Haunted Hollywood theme and I dragged the Grim Cheaper right on out to stalk it a few weeks back.

The 5-bedroom, 2-bath, 3,140-square-foot Mills View house, which was built in 1887 by architects Luther Reed Blair and Uriah Zimmerman, was originally situated on a 5-acre plot of land on what was then the corner of Banana Avenue (now Hillcrest Boulevard) and Melrose Avenue. The Eastlake-Victorian-style home was commissioned by William N. Monroe, the founder of Monrovia, as a wedding gift for his son, Milton Monroe, and his new bride, Mary Nevada. Construction on the property began in May of 1887, shortly after Milton and his wife were married, and was completed a mere seven months later. Sadly, the Monroes divorced a short time after tying the knot and ended up selling their wedding home to Colonel John H. Mills and his wife, Elizabeth Cook Mills, in 1893. The Mills dubbed their new residence “Mills View” because on a clear day the island of Catalina was supposedly visible from one of the third floor windows. Unfortunately, Colonel Mills passed away only three months after moving into the home and it went through several ownership changes after Elizabeth subsequently died in 1905. Mills View, which boasts numerous stained glass windows, a third floor attic, hardwood flooring throughout, and five fireplaces with original tilework, became a Monrovia City Landmark on June 4, 1996.

According to this Monrovia Patch article, Mills View has appeared in over 20 productions since 1980 alone. Sadly though, I know of only two – both of which, as I mentioned above, fit the thriller genre. And the property definitely does give off a spooky vibe in person – I think primarily due to its gargantuan size – so it is not very hard to see why location scouts have flocked to it over the years.

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In the Season 1 Halloween-themed episode of fave show Picket Fences titled “Remembering Rosemary”, Mills View was where Rosemary Bauer committed suicide ten years prior by jumping out of a third-floor window, and where Sheriff Jimmy Brock (aka Tom Skerritt) and his deputies Maxine Stewart (aka Lauren Holly) and Kenny Lacos (aka Costas Mandylor) returned to investigate the case after deciding to re-open it a few days before Halloween.

I am fairly certain that the real life interior of the house, which you can see some photographs of here, was used in the episode.

Mills View was also the primary location used in the 1986 horror flick House. In the movie, it was the haunted property that mystery-writer Roger Cobb (aka William Katt) inherited from his Aunt Elizabeth (aka Susan French). According to the House production notes, for the onsite filming, which lasted two weeks, production designer Gregg Fonseca repainted the exterior of the property and added Victorian gingerbread detailing, a few spires, a wrought-iron fence, and a sidewalk. At the rear of the residence, he covered up the home’s real life clapboard siding with a fake brick edifice and added some much-needed landscaping.

No filming took place inside of the actual home, though. For all of the interior scenes, a replica of the house, which included two full stories, a living room, a den, a staircase, and three upstairs bedrooms, was built on a soundstage at Ren Mar Studios in Hollywood.

And I am fairly certain that the pool shown in the movie was either a fake built on the property solely for the filming or that a second location was used, as Mills View does not currently appear to have a pool.

Two very lucky British House fans were given a personalized tour of Mills View last year and wrote a great blog post about it which you can check out here.

On a Halloween side note – I was finally able to dig up a photograph of me dressed up as Agent Dana Scully for Halloween one year during college, which I had mentioned in the blog post I wrote about meeting David Duchovny back in June. The only picture I could find, though, was not a very good one as my eyes are closed in it. Ah well. That is my good friend Alex, who was dressed up a Parrothead, posing with me.

While going through boxes at my parents’ new house looking for the Dana Scully picture, I also stumbled upon my Fox Mulder doll, which I could NOT have been more excited about! I am so going to have to stalk DD again and get him to sign the doll for me. How incredibly cool would that be??

Until next time, Happy Stalking! Smile

Stalk It: Mills View, from the movie House and the “Remembering Rosemary” episode of Picket Fences, is located at 329 Melrose Avenue in Monrovia.

September 28, 2011September 28, 2011

Johnie’s Coffee Shop Restaurant on Wilshire

Because I encountered so much filming location misinformation while researching my post on Bob’s Big Boy Broiler in Downey last week, I decided that I just had to write a blog about the place’s sister eatery, the now-defunct Johnie’s Coffee Shop Restaurant on Wilshire Boulevard in the Miracle Mile District of Los Angeles, which has also appeared in countless productions over the years. So I dragged the Grim Cheaper right on out to stalk the place this past Saturday afternoon.

Johnie’s Coffee Shop Restaurant, which was originally named Romeo’s Time Square, was built in 1955 by Louis Armet and Eldon Davis, the Googie-style architecture firm that was once deemed the “Frank Lloyd Wright of ‘50s coffee shops” by author Merrill Shindler in a 2009 Daily Breeze article that is sadly no longer available online. The Armet and Davis duo was also responsible for creating the Norm’s Restaurant on La Cienega Boulevard, the iconic Schwab’s Pharmacy on Sunset Boulevard, the now-demolished Holiday Bowl bowling alley on Crenshaw Boulevard, and Twain’s Restaurant in Studio City, which was featured in fave movie A Lot Like Love. The sleek, bright, space-age construction of Romeo’s was designed to catch the attention of passing motorists and lure them – and their wallets – in for a bite to eat.

Romeo’s Time Square went through several changes in ownership and name in the ensuing years, becoming “Ram’s Restaurant” in the 1960s and then, finally, Johnie’s Coffee Shop Restaurant shortly thereafter. In 1994, the property was purchased by the Gold family, owners of the 99 Cents Only Store chain, who sadly shuttered the eatery in 2000. The building has thankfully remained intact, though, and its parking lot is now being used by a 99 Cents Only Store located nearby. As you can see above, the store even made use of one of the original Johnie’s signs, which I think is so incredibly cool.

In 2003, the Gold family made a few restorations to the shuttered restaurant, including repainting the exterior, fixing the cantilevered roof, and repairing the many burnt-out lights on the exterior neon signage. According to this July 15th, 2004 article which appeared in the Los Angeles Times, Eric Schiffer, president of the 99 Cents Only Stores, would like to see the place re-open as a restaurant someday. He said, “This needs to be done in a special way. We’re open to hearing creative uses. We just don’t have time to go out and market the building.” Here’s hoping that a savior steps in soon, much like Bob’s Big Boy did with Johnie’s Broiler in Downey, and restores the historic eatery to its former 1950’s glory. Surprisingly, despite being closed for more than a decade, the restaurant appears to be in pretty good shape. I was able to snap the above photographs of Johnie’s interior through the many windows, on which the shades were, thankfully, not drawn.

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Thanks to its futuristic and streamlined design, Johnie’s has long been a location scout favorite. In a very prominent scene from 1988’s Miracle Mile, the eatery was where Harry Washello (aka Anthony Edwards) learned that the world was about to end.

In 1992’s Reservoir Dogs, Johnie’s was where Mr. Orange (aka Tim Roth) met up with his superior.

In the 1997 disaster flick Volcano, Johnie’s pops up very briefly in the scene in which the firefighters of Los Angeles stand off against the lava from a nearby volcano.

In 1998’s Very Bad Things, Johnie’s was where Michael Berkow (aka Jeremy Piven) announced to a roomful of confused diners that he had just killed his brother.

In 1998’s The Big Lebowski, Johnie’s was where The Dude (aka Jeff Bridges) and Walter Sobchak (aka John Goodman) discussed severed toes, victimless crime, and First Amendment rights.

Johnie’s popped up in 1998’s City of Angels as the spot where Nathaniel Messinger (aka Dennis Franz) told Seth (aka Nicolas Cage) how to become a human.

The diner was featured at the end of 1998’s American History X as the place where Derek Vinyard (aka Edward Norton) and his younger brother Danny Vinyard (aka Edward Furlong) stop to grab a bite to eat before heading over to Venice High School.

Johnie’s also appeared in the 1999 music video for the Tom Petty and the Heartbreakers’ song “Swingin’”, which starred The Mentalist’s Robin Tunney and which you can watch by clicking here.

And the restaurant showed up in 2004 in Reba McEntire’s music video for her song “Somebody”.

Reba McEntire – Somebody Video Filmed at Johnie’s Coffee Shop Restaurant

You can watch that video by clicking above.

The diner was featured prominently in the 2007 music video for Sean Kingston’s “Beautiful Girls”, which is SUCH a great song, by the way! I literally cannot stop listening to it!

Sean Kingston–Beautiful Girls Video filmed at Johnie’s Coffee Shop Restaurant

You can watch that video by clicking above. But be forewarned – it is HIGHLY addictive!

Until next time, Happy Stalking! Smile

Stalk It: Johnie’s Coffee Shop Restaurant is located at 6101 Wilshire Boulevard in the Miracle Mile District of Los Angeles.

September 26, 2011September 25, 2011

The Emser Tile Building from “Lethal Weapon”

Located just up the street from the original Barney’s Beanery restaurant in West Hollywood, which I blogged about last Friday, is the Emser Tile Building which appeared in a very memorable scene in the first Lethal Weapon movie. And even though I have never actually seen any of the four Lethal Weapon flicks (I know, I know – that has to be tantamount to stalker sacrilege or something!), because I was right there stalking Barney’s, I figured I might as well head on over to the Emser Building to snap some quick pics.

Surprisingly enough, even though the 7-story Emser building is quite unique and appears to be historical, I could find virtually no information about the structure online. All that I was able to discover was that, as you can see in this 1928 picture from The Bruce Torrence Photograph Collection, the building originally belonged to the Bekins moving and storage company. And thanks to the YouAreHere website, I also learned that it was constructed in 1925 by the architecture firm of Niebecker & Jeffers. The property now serves as the corporate offices of Emser Tile, a company that supplies natural stone and tile to commercial builders and contractors.

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In one of the most famous scenes in 1987’s Lethal Weapon, Martin Riggs (aka Mel Gibson) is sent by his new partner, Roger Murtaugh (aka Danny Glover), to the top of the Emser Tile Building in order to talk down a potential jumper.

Instead of talking him out of committing suicide, though, Riggs winds up handcuffing himself to the man and jumping off of the building with him, tandem-style, right into the safety of a police airbag. Sadly, Dar Robinson, the stuntman who stood in for the suicidal man and performed the actual jump in the scene (and yes, he really did jump off of the 7-story Emser Building for the filming!), was tragically killed a few weeks after principal photography on Lethal Weapon had wrapped. Dar, who was the holder of 21 different stunt records and was listed as the highest paid stuntman in the 1986 Guinness Book of World Records, had never so much as broken a bone in his 19-plus year career. But on November 21, 1996, while performing a routine motorcycle stunt in Page, Arizona for the movie Million Dollar Mystery, he accidentally lost control of his bike and careened off of a cliff at the tender age of 39. You can read a more detailed history of the legendary Dar, who was dubbed “King of the Stuntmen”, on the People Magazine website here.

And you can watch a short video in which Mel Gibson talks about Dar and the Emser Building jump by clicking above.

After Riggs jumps off of the Emser Building, Murtaugh pulls him into a vacant storefront where he chastises him for his dangerous behavior and suicidal tendencies. It is there that Murtaugh realizes that Riggs is not acting crazy in order to “draw a psycho pension”, but that he just simply is crazy.

Ironically enough, that storefront was actually vacant when I stalked it back in July, just as it was portrayed to be in the movie. Love it!

Until next time, Happy Stalking! Smile

Stalk It: The Emser Tile Building from Lethal Weapon is located at 8431 Santa Monica Boulevard in West Hollywood. The storefront where Riggs and Murtaugh discuss the fact that Riggs might actually be crazy is located at 8441/8445 Santa Monica Boulevard. The original Barney’s Beanery restaurant is located just half a block west of the Emser Tile Building at 8447 Santa Monica Boulevard in West Hollywood.

September 16, 2011September 15, 2011

Bob’s Big Boy in Burbank from “Heat”

While doing some stalking in the Burbank area way back in November of last year, I dragged the Grim Cheaper out to the Bob’s Big Boy restaurant on Riverside Drive to grab a bite to eat. And even though the eatery has quite a vast Hollywood history, is a filming location, serves fried food (my favorite!), and is currently the oldest remaining Bob’s in the entire restaurant chain, for whatever reason in my ten-plus years of living in Los Angeles I had yet to dine there. But, let me tell you, the place was well worth the wait! Both the GC and I absolutely LOVED it!

Bob’s Big Boy in Burbank was originally built in 1949 by franchise owners Scott MacDonald and Ward Albert, and was designed by Wayne McAllister, the legendary Googie-style architect who also designed the Biltmore Hotel’s Biltmore Bowl ballroom, the Sands Hotel and Desert Inn in Las Vegas, and the Hollywood Roosevelt Hotel’s Cinegrill nightclub. In 1993, after several changes in ownership and a few dining room remodels, the property was purchased by the MacDonald family, who immediately set about an extensive renovation in order to restore the Streamline-Moderne-style eatery to its original glory. The MacDonald’s also added a front patio to the premises, re-fabbed the famous exterior signage, and, best of all, re-instated car-hop service from 5 to 10 p.m. each Friday and Saturday night. So incredibly cool! In 1993, the restaurant was also deemed a California Point of Historical Interest.

Visiting Bob’s Big Boy, one is immediately transported back in time, thanks largely to its curved counter and open kitchen ;

cantilevered roof and petal-like umbrellas,

and commanding 50s-style signage –

the most impressive of which is the 70-foot-tall free-standing display sign pictured above.

And the food! Oh, the food! I ordered the chicken strips and they were absolutely out-of-this-world! And don’t even get me started on the ranch dressing! I was almost ready to start eating it by itself, soup-style, it was so good! The GC opted for the famous “Big Boy” double-decker hamburger, which he loved. The “Big Boy” was originally invented by Bob’s Big Boy founder Bob Wian in 1937 and was the precursor to the now-legendary McDonald’s Big Mac. He created the sandwich as a joke one night when one of his regular customers asked for a “different” kind of burger. And the rest, as they say, is hamburger history. Amazingly, Bob was also one of the very first restaurant owners to offer his employees a profit-sharing plan and medical insurance.

Bob’s Big Boy in Burbank has been a celebrity hangout since the very beginning. Just a few of the stars who have been spotted there over the years include Bob Hope (who was a regular), James Dean, Mickey Rooney, Dana Andrews, Jonathan Winters, Alexis Smith, Debbie Reynolds, Craig Stevens, Miley Cyrus, Demi Lovato, Taylor Lautner, Tiffany Thornton, Tori Spelling, Melissa Joan Hart, David Henrie, Taylor Swift, Joey Lawrence, Cheech Marin, Selena Gomez, Jay Leno, David Lynch, Dennis Haskins, and Freddie Prinze Jr. During the summer of 1965, all four members of The Beatles famously dined at one of the eatery’s back booths, which is pictured above.

That occasion was marked with the gold plaque pictured above, which one employee told me has been stolen countless times over the years. I cannot tell you how much I hate hearing things like that! Apparently, the owners were sick of constantly having to replace the sign, so for a time they left the wall in that area blank. Thankfully though, the plaque was back in its proper place when I stalked the restaurant last year.

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And, as I mentioned above, Bob’s Big Boy in Burbank is also a filming location! The diner was featured twice in the 1995 heist movie Heat. It first popped us as the restaurant where a fresh-out-of-prison Donald Breedan (aka Dennis Haysbert) got hired as a janitor/cook.

Towards the end of the movie, it shows up once again in the scene in which Neil McCauley (aka Robert De Niro), Michael Cheritto (aka Tom Sizemore), and Chris Shiherlis (aka Val Kilmer) convince Donald to be the driver for their upcoming bank heist. Apparently there was once a plaque displayed in the booth where that scene took place commemorating the occasion, but it was stolen countless times as well and had yet to be replaced in November.

In the Season 8 episode of Dancing with the Stars, Derek Hough took Lil’ Kim to Bob’s Big Boy in Burbank to get her into character for their upcoming 50s jive performance. You can watch a clip of that segment being filmed here.

Until next time, Happy Stalking and Happy Voting – don’t forget to vote for me to be the face of About Me! There are only five voting days left – you can vote once every 24 hours now through Tuesday, September 20th.

Stalk It: Bob’s Big Boy, from Heat, is located at 4211 West Riverside Drive in Burbank. You can visit the restaurant’s official website here. Priscilla’s Coffee Tea & Gifts, from Desperate Housewives, which I blogged about back in December of 2009, is located just across the street from Bob’s at 4150 Riverside Drive in Burbank.

September 15, 2011September 14, 2011

The “Beaches” Mansion

One location that I have been asked about repeatedly ever since I first started my blog almost four years ago (and I CANNOT even believe that it has been that long!!!) is the large Tudor-style mansion where Hillary Whitney Essex (aka Barbara Hershey) lived in the 1988 tearjerker Beaches. And while it had long been noted on various websites that the property was located somewhere in the Pasadena area, try as I might, I just could not seem to track the place down. Then this past January a fellow stalker named Alain who lives in France emailed me to ask about a mansion that had appeared in the Season 7 episode of Columbo titled “Try and Catch Me”. He mentioned that the same estate had also been used in Beaches. I explained to Alain that I had been trying to find that particular home for years, but had had absolutely no luck. Flash forward 9 months to this past Tuesday afternoon when I received another email from Alain, this one announcing that he had found the property! Whoo-hoo! How he managed to locate it while living thousands of miles away in France, when I failed to do so while living right here in Pasadena, is absolutely beyond me! My hat is most-definitely off to you, Alain!

So I, of course, ran right out to stalk the place early Wednesday morning. Sadly though, as you can see above, hardly any of the property is visible from the street.

But, as I have said before, that is why God created aerial views. In real life, the 7,479-square-foot, 8-bedroom, 4-bath home, which was built in 1916 by the noted Pasadena architecture firm Marston & Van Pelt (who also designed the Twins mansion), is known as the S. S. Hinds Estate. The property was named for one of its original owners, actor Samuel S. Hinds, who is best known for playing Peter Bailey, George Bailey’s (aka James Stewart’s) father, in the 1946 classic It’s A Wonderful Life. According to my buddy E.J. over at The Movieland Directory, Hinds lived in the home from the 1920s until the 1940s. Ironically enough, Hinds was originally a very prominent attorney who lost his fortune in the stock market crash of 1929. He was able to keep his Pasadena manse during that difficult time by renting it out to various boarders. Finding himself destitute at the age of 54, he decided to abandon law and try his hand at acting and it was not long before Hollywood came a’callin’. Hinds went on to star in over 200 films before his death in 1948.

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In Beaches, the S.S Hinds Estate stood in for the supposed Atherton-area residence where Hillary lived both as a child and an adult.

The house’s front gate was used quite prominently in the movie in the scenes in which Hillary checked her mailbox in anticipation of receiving letters from her lifelong best friend, Cecilia “CC” Carol Bloom (aka Bette Midler).

And while the gate is thankfully visible from the street and still looks EXACTLY the same today as it did in 1988 when Beaches was filmed, sadly, as you can see above, Hillary’s mailbox is not there in real life. I am guessing that it was just a set piece that was brought in solely for the filming.

The real life interior of the property was also used in the flick.

Thanks to fave website OnLocationVacations, I learned that the Season 3 episode of Mad Men titled “My Old Kentucky Home” was also filmed at the S.S. Hinds Estate. In the episode, the property stood in for the country club where Roger Sterling (aka John Slattery) and Jane Siegel (aka Peyton List) hosted their Kentucky Derby party.

As you can see in the screen captures above, one of the hallways that appeared in Beaches was also used in Mad Men as the spot where Betty Draper (aka January Jones) first met Henry Francis (aka Christopher Stanley).

I am fairly certain, though, that the club’s bar, where Don Draper (aka Jon Hamm) spent most of his evening, is not actually located inside of the Hinds Estate, but is a real life bar somewhere in Los Angeles.

And again thanks to OnLocationVacations, I also learned that the estate was used as the Turnbill Mansion, which Leslie Knope (aka Amy Poehler) fought to save, in the Season 2 episode of Parks & Recreation titled “94 Meetings”.

Amazingly, the very same hallway that appeared in both Mad Men and Beaches was also featured in Parks and Recreation.

As was the stairway from Beaches.

And the front gate, which Leslie Knopes barricaded herself to, thinking it opened in the middle, on Parks and Recreation. LOL

A large painting of the mansion was created for the filming of Parks and Recreation, as well. Being that I doubt the painting would ever be used again on the series, I am wondering if the owners of the Hinds Estate got to keep it. So cool if they did!

Unfortunately, I was not able to find a copy of the Columbo “Try and Catch Me” episode anywhere, so I could not make screen captures of the Hinds Estate’s appearance in it for this post.

Big THANK YOU to fellow stalker Alain for telling me about this location! Smile

Until next time, Happy Stalking! Smile

Stalk It: The Beaches mansion is located at 880 La Loma Road in Pasadena.

September 6, 2011September 5, 2011

Grandma Bunny’s House from “You Again”

As I mentioned in last Friday’s post, the hunt for Aunt Mitsy’s (aka Kathy Bates’) house from Rumor Has It actually began when fellow stalker Geoff, from the 90210Locations website, asked for some help in tracking down the abode where Grandma Bunny (aka Betty White) lived in the 2010 flick You Again. I immediately got fellow stalkers Chas, from the It’sFilmedThere website, and Owen on the case, but even with their master stalking skills, for whatever reason, this particular location mystery took us quite a bit of time to solve. The one major clue that we had to go on was that the house appeared to be situated on some sort of slanted lot and was not perfectly parallel to the street. And while several crew members had informed Chas that the dwelling was located in Altadena, he had remembered seeing some slanted-type houses in the Monrovia area while he was searching for the Georgia Rule abode way back in March of this year, so he decided to begin his hunt there. Thank god that guy has a good memory! Winking smile

As you can see in the above screen capture, an address number of “240” was also visible in the background of flick, so Chas got started searching all of the 200 blocks on every “slanted” street he could find in the Monrovia area and, amazingly enough, it was not long before he spotted the right house! So I, of course, ran right out to stalk the place just a few days later.

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Grandma Bunny’s Victorian-style abode is actually only featured once in You Again and very briefly at that. It pops up in the scene in which Marni (aka Kristen Bell), her brother Will (aka James Wolk) and his new fiance/Marni’s high school nemesis Joanna (aka Odette Annable) arrive to pick up Grandma Bunny for a wedding dance rehearsal. It is there that, while helping Bunny put in her false teeth, Marni accidentally gets denture adhesive all over her hands and then winds up getting her hands stuck in her hair, causing Grandma Bunny to chop a large chunk of it off. (It pretty much goes without saying that You Again was not that great of a movie. Winking smile )

I am very happy to report that Grandma Bunny’s house, which was originally built in 1887 (the same year that Monrovia was incorporated) and is one of the city’s oldest surviving Victorians, is just as adorable in person as it appeared to be onscreen. At the time of its construction, there were only 164 homes in Monrovia and a scant 2,000 residents. According to the city’s Historic Preservation Group’s website, the Colonial Revival-style front porch is not original, but was added to the property in the early 1900’s. In real life, the charming little abode boasts 3 bedrooms, 2 bathrooms, and measures 1,482 square feet, although its façade makes it appear to be much larger. Ironically enough, in a bit of foreshadowing the home’s actual owner described the dwelling as “everyone’s idealized version of grandma’s house” in a Los Angeles Times article that was published in January 1989. I guess the You Again filmmakers felt the exact same way when they scouted the property. Smile

Big THANK YOU to Chas, from the It’sFilmedThere website, for finding this location. And you can check out Geoff’s, from the 90210Locations website, extensive You Again filming locations page here.

Until next time, Happy Stalking! Smile

Stalk It: Grandma Bunny’s house from You Again is located at 240 West Hillcrest Boulevard in Monrovia.

August 12, 2011December 6, 2013

The Washoe County Courthouse from “The Misfits”

As promised, while visiting my grandmother in Reno last month, I did indeed bring along a copy of The Misfits on DVD and we did indeed watch it. Prior to gathering around her television set, my grandma informed me that she had actually seen The Misfits once before, back in 1961 when it first came out in theatres. How incredibly cool is that! When I asked her if she had enjoyed it, she said “No, not particularly.” Ha! My grandmother has never been one to mince words. Winking smile She told me that the movie was a bit too depressing for her taste and that the horse-wrangling scenes seriously disturbed her. Now, having seen the flick myself, I can say that her analysis was spot on. The Misfits was seriously depressing and I had to fast-forward through each and every one of the scenes involving horse-wrangling. I must say, though, that it was, as always, thoroughly enjoyable to see my girl Marilyn Monroe onscreen in what many consider to be her finest performance. Every time MM would enter a scene, my mom, who watched the film with us, would say, “God, she was beautiful!” And it is so true! The camera certainly loved Marilyn and she was absolutely luminous in The Misfits, which, as fate would have it, was the last picture the starlet ever completed.

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A very brief, but important scene from The Misfits, which was filmed almost in its entirety in the Silver State, takes place at the Washoe County Courthouse in Downtown Reno, a building which is still in use to this day. So I, of course, just had to drag my dad and my grandma out to stalk the place while we were in town. (My mom, who had just had back surgery, decided to sit this one out.) The absolutely beautiful, neo-classical-style courthouse was originally designed in 1911 by Frederic DeLongchamps, in what was to be the prolific Nevada-area architect’s very first solo commission. The stunning structure, which was added to the National Register of Historic Places in 1986, cost $250,000 to construct and features a copper dome, towering Corinthian columns, a large portico, terrazzo tile flooring, and a stained glass ceiling.

Sadly though, as you can see above, no photography whatsoever is allowed inside of the building. According to the Yahoo! Travel website, more marriage licenses have been given out at the Washoe County Courthouse than at any other courthouse of its size in the entire country. Consequently, due to Reno’s lenient divorce laws (the city’s waiting period for a divorce in the early 1900s was only six months; in 1927 that waiting period was shortened to three months; and in 1931 it was shortened yet again to a scant six weeks!), countless marriages have ended within the courthouse walls, as well, resulting in the city being dubbed “The Divorce Capital of the World”. In the 1930s alone over 33,000 divorces were granted at the historic courthouse, which is, I am guessing, how The Misfits came to be filmed there.

In The Misfits, Guido (aka Eli Wallach, whom my sharp-as-a-tack, 86-year-old grandmother immediately recognized as Arthur Abbot from fave movie The Holiday), drives Roslyn Taber (aka Marilyn Monroe) and her friend Isabelle Steers (aka Thelma Ritter) to the Washoe County Courthouse so that Roslyn can be granted a – you guessed it – divorce. Guido drops the two women off on the northeast corner of South Virginia Street and Court Street in the scene, just across the road from the courthouse, which you can see in the background in the two screen captures pictured above.

Roslyn and Isabelle then cross South Virginia Street and head to the courthouse, where they run into Roslyn’s soon-to-be ex-husband, Raymond Taber (aka Kevin McCarthy), and have a brief confrontation with him on the front steps. I find it absolutely amazing that the courthouse not only still looks exactly the same today as it did in 1961 when The Misfits was filmed, but that the place is still in use almost a full century after its inception. SO INCREDIBLY COOL!

While stalking the courthouse, I was under the mistaken assumption that Marilyn had walked up the north side of the front steps in The Misfits and I had my dad take a photograph of me posing there. It was not until I got home and re-watched the scene that I realized that Marilyn had actually walked up the south side of the steps. Ugh, I am such a blonde sometimes! Ah well, I guess I will just have to go back and re-stalk the place during my next visit to Reno!

Until next time, Happy Stalking! Smile

Stalk It: The official address of the Washoe County Courthouse from The Misfits is 75 Court Street in Downtown Reno, but the front of the building and the area that appeared in the movie is actually located around the corner at 117 South Virginia Street.

July 28, 2011September 4, 2012

Frankie’s House from “Alpha Dog”

One location that I have been on the lookout for for what seems like forever now is the home belonging to Frankie Ballenbacher’s (aka Justin Timberlake’s) father, Juergen Ballenbacher (aka Chris Kinkade), in the ultra-dark and depressing movie Alpha Dog. As I have expressed a few times before on this blog, I was not at all a fan of the 2006 flick, which was based on the real-life kidnapping and murder of 15-year-old Nicholas Markowitz by Jesse James Hollywood and his group of drug-dealing cronies, as it was far too disturbing for my taste. But I did absolutely fall in love with the mid-century-modern-style abode where the teenaged kidnap victim, who was named Zack Mazursky (aka Anton Yelchin) in the movie, spent the majority of his imprisonment. I started looking for the Ballenbacher residence pretty much immediately after first watching the film and, even though I knew it was located somewhere in the Palm Springs area, try as I might, I just could not seem to find it. Then on June 1st, fellow stalker/location manager Scott Trimble, of the STS Locations website, wrote a comment on my post about the Caliente Tropics Resort, the motel featured in Alpha Dog, stating that he had actually worked on the movie. So I immediately wrote to him and enlisted his help in tracking the place down. And even though he had only worked on the portion of the movie that was filmed in Los Angeles and was therefore unsure of where the Ballenbacher home was located, he was instrumental in finally helping me to find it. Thank you, Scott! Smile So a couple of weekends ago, while out visiting my parents in Palm Springs, I dragged the Grim Cheaper right on out to stalk the place.

In real life, the Ballenbacher residence is known as the Koerner House and it boasts 4 bedrooms, 4 bathrooms, 4,224 square feet of living space, and 1.1 acres of land. The abode was originally designed in 1955 by legendary mid-century modernist architect E. Stewart Williams, the very same man who constructed the Kenaston Residence in Rancho Mirage – the dwelling where Brad Pitt and Angelina Jolie posed for their now-infamous July 2005 W Magazine photo shoot. As you can see above, the home is pretty darn incredible!

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In Alpha Dog, drug-dealing kingpin Johnny Truelove (aka Emile Hirsch) orders his friend Frankie to take Zack, whom Johnny is holding as a marker for a $1,200 debt Zack’s brother has incurred, to Frankie’s father’s house in Palm Springs to hide out for a few days. The vast majority of the movie was filmed at the dwelling and both the exterior . . .

. . . and the interior of the property were used in the flick.

And while the house is pretty darn incredible, it was actually the backyard area, which appeared quite frequently in Alpha Dog, that I became so enamored of. What an absolutely amazing piece of property! As you can see above, because it is so strikingly beautiful, it was rather difficult for me to narrow down which screen captures of the backyard to post.

While driving to stalk the Koerner House, the GC and I spotted several open house signs and, thinking that it might just be the Koerner House that was open and that I might just have the opportunity to go inside and see that amazing backyard in person, I almost had a full-blown heart attack! Sadly though, it was in fact a neighboring residence that was hosting the open house, so I guess, for the time being at least, I will just have to settle for looking at aerial views of the property.

Big THANK YOU to Scott Trimble, from the STS Locations website, for finding this location for me! Smile You can follow Scott on Twitter, and learn all about his many location scout adventures, here.

Until next time, Happy Stalking! Smile

Stalk It: The Koerner House, aka Frankie Ballenbacher’s home from Alpha Dog, is located at 1275 South Calle De Maria in Palm Springs.