The Deco Building from “Hollywood”

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Ryan Murphy’s latest Netflix series, Hollywood, is worth a watch for a slew of reasons, not the least of which is its locations.  The Los Angeles featured in the 1940s-set show is nothing short of jaw-dropping!  Even the seemingly mundane spots like the bank Jack Costello (David Corenswet) and his wife, Henrietta (Maude Apatow), briefly visit in episode 1 are drool-inducing!  So I, of course, set out to ID it!  Countless Zigzag Moderne elements were visible dotted around the striking space, leading me to do a Google search for “Art Deco,” “bank,” and “Los Angeles.”  One of the first results kicked back was this L.A. Conservancy page detailing The Deco Building at 5209 Wilshire Boulevard in Hancock Park.  I had never heard of the place, but headed right over to Google Images and was floored at what I saw – a pristine Art Deco time capsule hidden away on a busy L.A. street.  Despite its stunning exterior, I had driven by countless times without even realizing it was there!  I decided to promptly amend that by doing some socially-distant stalking of it just a few days later.

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The Deco Building was originally constructed as the Security-First National Bank in 1929.  You can check out a photo of it from its early days here.

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Designed by the Morgan, Walls and Clements architecture firm, the exterior is clad in stunning black and gold terracotta tile.

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Sadly, it is one of the only black and gold Art Deco structures still standing in the city.

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The Deco Building operated as a bank until 1970 and subsequently went through several different incarnations including a gold and silver wholesale dealership, a Persian rug showroom, and a cabaret/private club known as Zephyr.  Following a restoration in 1999, the site was transformed into upscale office space.

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Though the exterior is spectacular, it is the inside that is the real stunner.

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The two-story space, which is a Los Angeles Historic-Cultural Monument, features high ceilings, a mezzanine, gilded skylights, and intricate chandeliers.  The vault, visible at the back of my photos above and below, even remains intact!

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Considering its gorgeously preserved architecture, it is no surprise that the property wound up in a production like the historically-set Hollywood.

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In the premiere episode, titled “Hooray for Hollywood,” Jack and Henrietta head to the bank building hoping to secure a $20,000 loan to buy a home, but they are unsuccessful.

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Though brief, the scene is pivotal as the loan denial pushes Jack to agree to work as an escort at Golden Tip Gasoline, thereby setting off the series’ main storyline.

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The short segment also gives us fabulous glimpses of The Deco Building’s interior and all of its grand detailing.

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Hollywood is not the site’s only small-screen foray.

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The Deco Building portrays the headquarters for Governor Charles Brooks’ (Richard Burgi) re-election campaign in the Season 2 episode of Lie to Me titled “Bullet Bump,” which aired in 2010.

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And J (Issa Rae) has a job interview there in the Season 2 episode of The Misadventures of Awkward Black Girl titled “The Call,” which aired in 2013.

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The Deco Building also boasts a Disney connection!  A portion of the Mickey’s of Hollywood store at Disney World’s Hollywood Studios was modeled after the structure.  You can check out an image of it here.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine, and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: The Deco Building, aka the bank from the “Hooray for Hollywood” episode of Hollywood, is located at 5209 Wilshire Boulevard in Hancock Park.

The CalEdison from “The Morning Show”

CalEdison from The Morning Show (41 of 58)

L.A. never ceases to amaze!  Case in point – the CalEdison.  Built in 1931, the Art Deco masterpiece is not only a sight to behold, but its grand lobby is open to the public!  Somehow though, I never knew about the place until last week when I was researching locations from The Morning Show.

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During my viewing of the new Apple TV+ series’ premiere episode, “In the Dark Night of the Soul It’s Always 3:30 in the Morning,” I became a bit mesmerized with what was said to be the Archer Gray Hotel in New York.  With towering marble columns, ornate tile flooring, and intricate wrought-iron windows, the space was striking to say the least.  Shocked I had never come across it in all my years of stalking, I immediately set out to track it down.  Because The Morning Show is largely filmed in L.A., with only a few exteriors shot in NYC, I knew the Archer Gray had to be somewhere in SoCal.  Its seemingly historic architecture led me to look first in the downtown area.  But Google searches for “historic building,” “grand lobby,” and “marble columns” did not bring up images that even remotely resembled the place.

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CalEdison from The Morning Show (1 of 1)

It was not until episode 5, “No One’s Going to Harm You, Not While I’m Around,” aired that I was able to pinpoint it.  In a scene at the close of the episode, Bradley Jackson (Reese Witherspoon) attempts to secure the room number of her boss Cory Ellison (Billy Crudup) from an uncooperative Archer Gray front desk clerk, during which a massive mural is visible behind her, as well as what appeared to be a coffee bar of some sort.  Adding those elements to my search terms led me straight to The CalEdison, a historic office building in the heart of downtown.  I was elated to discover upon researching the place further that it is open to the public!  My parents just happened to be heading into L.A. a few days after my discovery and had booked a room at the Millennium Biltmore Hotel, located right across the street from The CalEdison.  So I, of course, tagged along and ran right over to stalk the building immediately upon check-in.

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CalEdison from The Morning Show (1 of 1)

The 14-story structure originally served as the headquarters of Southern California Edison and was known, appropriately, as the Southern California Edison Building.

CalEdison from The Morning Show (2 of 58)

Designed by the Allison & Allison architecture firm (who also gave us the First Congregational Church of Los Angeles and UCLA’s Kerckhoff Hall), the property’s gorgeous exterior features a limestone and terracotta façade, bas-reliefs sculpted by artist Merrell Gage, and a towering two-story entry portico.

CalEdison from The Morning Show (5 of 58)

CalEdison from The Morning Show (6 of 58)

It is the interior that is the real stunner, though!

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The expansive lobby boasts over 17 varieties of marble, 30-foot coffered ceilings, a mural painted by Hugo Ballin, and stunning friezes above each elevator.

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CalEdison from The Morning Show (25 of 58)

Even the trash cans are elegant!  And those building directories!

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The CalEdison is more than just a pretty face, though.  As the first seismically-retrofitted building in L.A., as well as the first to be electrically heated and cooled, it was incredibly technologically advanced.

CalEdison from The Morning Show (37 of 58)

Boasting 250,000 square feet of office space, The CalEdison cost a whopping $2.5 million to construct.

CalEdison from The Morning Show (24 of 58)

When SoCal Edison sold the place in 1972 in order to relocate to Rosemead, it was renamed One Bunker Hill.  Its stellar architecture was mutilated in the decade that followed – its ceilings dropped, walls removed, and large fourth-floor patios enclosed with glass casings.  I actually really like the look of the latter, which have been described as “greenhouse-like structures.”  You can see what they looked like here.  Thankfully, the lobby was left untouched during the renovations.

CalEdison from The Morning Show (46 of 58)

In October 2015, the grand building was bought by Hermes Investment Management of London, Limestone Investments and Rising Realty Partners for $92 million.  The group renamed it The CalEdison and set about bringing the site back to its original glory, as well as renovating the many upstairs office spaces into creative work sites.  The patio casings were also removed as part of the project.  Though I wish those casings had been left intact, the rest of the work performed can only be described as perfection.

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GreekOak Real Estate bought out both Hermes and Limestone earlier this year for $140 million, though Rising Realty continues to hold on to its share of the property.

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While walking around the vast lobby, I couldn’t help but think how fabulous is it that this masterpiece exists and that it is open to the public for Angelinos and tourists alike to enjoy.

CalEdison from The Morning Show (51 of 58)

On The Morning Show, the Archer Gray Hotel is where network exec Cory checks in upon arriving in New York to deal with the fallout from the firing of Mitch Kessler (Steve Carell).  Bradley also moves there in episode 5 after being relocated from The Standard, where she was initially put up.  Only the lobby of the building is featured on the series.  (My photo below is a little off on the angling, but shows the same area of The CalEdison as is pictured in the screen capture.)

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CalEdison from The Morning Show (27 of 58) 

Bradley’s room . . .

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. . . as well as Corey’s are both just studio-built sets.

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And the exterior of the Archer Gray Hotel is a building in New York that I have yet to identify.

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The Morning Show is not CalEdison’s only claim to fame!

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CalEdison from The Morning Show (20 of 58)

The building is also seen briefly in the 1953 noir The Bigamist in the scene in which Mr. Jordan (Edmund Gwenn) first arrives in L.A.

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The property was used for interior shots of the office building Davey Osbourne (Henry Thomas) and Kim Gardener (Christina Nigra) try to infiltrate in 1984’s Cloak & Dagger.

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Basher Tarr (Don Cheadle) gets arrested for robbing a bank at The CalEdison before being rescued by Rusty Ryan (Brad Pitt) in the 2001 thriller Ocean’s Eleven.

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Jack Bauer (Keifer Sutherland) almost gets arrested there in the Season 8 episode of 24 titled “11:00am-12:00pm,” which aired in 2010.

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That same year, the building served as the office of Victor Racine (Michael Ironside) in the Season 2 episode of Castle titled “Den of Thieves.”

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Narcy (Paz Vega) heads to the bank on The CalEdison’s lower level to empty her dead husband’s safety deposit box in the 2015 Lifetime television movie Beautiful & Twisted.

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During the second season of Big Little Lies, which aired in 2019, the offices of Scheper Kim & Harris LLP, located on CalEdison’s 12th floor, portrayed the office of lawyer Ira Farber (Denis O’Hare), as I detailed in this post.  (I learned this tidbit thanks to a reader, but because only the 12th floor appeared in the episodes, I never took a look at images of the lobby or the rest of the building, which is why I was unfamiliar with it prior to trying to track down the Archer Gray.)

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

CalEdison from The Morning Show (10 of 58)

Until next time, Happy Stalking!  Smile

Stalk It: The CalEdison, aka the Archer Gray Hotel from The Morning Show, is located at 601 West 5th Street in downtown Los Angeles.  The building’s lobby is open to the public from 8:30 a.m. to 5 p.m. on weekdays.

The Union Theological Seminary Rotunda from “The Ice Storm”

The Union Theological Seminary Rotunda from The Ice Storm (56 of 60)

Locations have been making impressions on me for ages, long before I even knew stalking was a thing.  Case in point – way back in 1997 while watching The Ice Storm, I became fixated on the ornate stone staircase Libbets Casey (Katie Holmes) walked down in an early scene.  Even though I only saw the movie once, those stairs were ingrained in my head.  So when I started location hunting years later, I, of course, put some time into searching for them.  Though I knew they had to be in New York or Connecticut, where the bulk of The Ice Storm was shot, I came up empty.  Then, shortly before my April 2016 trip to the Big Apple, I saw the stairs pop up in an episode of White Collar and decided to revisit the hunt.  Once again, I was unsuccessful.  So I called in my friend Owen for an assist.  And while I had yet to send him screen captures of the steps, he miraculously wrote me back in a matter of minutes saying he had come across a mention on the White Collar TV Live Journal site that noted the show did some filming at Union Theological Seminary in Morningside Heights, which he thought might be the spot I was seeking.  One look at photos told me it was!  I also quickly gleaned that while the school is closed to the public, it is available for special events.  So I wrote to an events coordinator on staff, explained my fascination with the staircase, and asked if I might be able to tour it while in NYC.  I was thrilled to receive a response shortly thereafter with a date and time to show up!

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As my tour guide explained, the staircase used in The Ice Storm is known as The Rotunda in real life.  It is situated in the John Crosby Brown Memorial Tower, just beyond the campus’ main entrance.

The Union Theological Seminary Rotunda from The Ice Storm (13 of 60)

Situated at the corner of West 120th Street and Broadway, the sprawling English Gothic-style campus is actually Union Theological Seminary’s third location.  The Christian school, which educates those wishing to lead a life dedicated to the church, was initially established in a small building in Lower Manhattan in January 1836.  With space for only a scant thirty pupils, it was not long before the need for a new, larger facility arose.  Union Theological Seminary first re-located to Lenox Hill in 1884, but by the 1890s that site had been outgrown as well.  So in 1904, a 36-lot plot of land in Morningside Heights was secured for a new school location.  Architects Francis Richmond Allen and Charles Collens were tapped to design it.  Construction began in 1908 and was completed in 1910.

The Union Theological Seminary Rotunda from The Ice Storm (7 of 60)

The Union Theological Seminary Rotunda from The Ice Storm (5 of 60)

As professor emeritus Daniel Johnson Fleming said of the new campus, “The Directors of the Seminary had as one of their aims that the very buildings should become an element in the education of those who live and study within its walls.”

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I’d say Allen and Collens certainly delivered on that goal.

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The Rotunda, constructed of marble and featuring a vaulted ceiling with rosette detailing, is literally breathtaking.

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The three-story vestibule, which serves as Union Theological Seminary’s entrance hall, boasts fan tracery ornamentation that culminates in a central point showcasing the shields of the University of Edinburgh, the University of Cambridge, the City of Geneva, and the Westminster Assembly.

The Union Theological Seminary Rotunda from The Ice Storm (33 of 60)

The Union Theological Seminary Rotunda from The Ice Storm (32 of 60)

As I explained in my email plea for a tour, “I have to admit that I did not even like the movie The Ice Storm.  But I took one look at Katie Holmes walking down the curved staircase and thought it was one of the most beautiful spaces I had ever seen.”

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In person it was even more striking!

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I literally couldn’t stop taking photos of the grand space.

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It is not at all hard to see how The Rotunda wound up onscreen.

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Because Union Theological Seminary itself is such a prolific film star, I decided it best to just focus on The Rotunda’s many onscreen cameos for this particular post.

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I’ll cover the school as a whole in a future article.

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It is on The Rotunda stairwell that Paul Hood (Tobey Maguire) attempts to make a connection with Libbets over the writings of Dostoyevsky at the beginning of The Ice Storm.  Hauntingly beautiful, it is no surprise that the space stayed with me all these years.

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As I mentioned, The Rotunda also popped up in an episode of White Collar.  In Season 3’s “Upper West Side Story,” which aired in 2012, Neal Caffrey (Matt Bomer) and Peter Burke (Tim DeKay) walk down the staircase while investigating a case at what is said to be Manhattan Prep.

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Our tour guide was kind enough to fill me in on several of The Rotunda’s other cameos.

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Claire (Mimi Rogers) walks through The Rotunda with her sister, Rose Morgan (Barbra Streisand), on the way to her wedding ceremony in the 1996 dramedy The Mirror Has Two Faces.

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Detectives Elliot Stabler (Christopher Meloni) and Olivia Benson (Mariska Hargitay) descend the staircase and walk through the halls of Union Theological Seminary, which is standing in for The Crestborne School, while investigating a former teacher in the Season 2 episode of Law & Order: Special Victims Unit titled “Abuse.”  The episode, which aired in 2001, features a very young Hayden Panettiere in a guest role.

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Interestingly, Benson and Stabler briefly revisit The Rotunda (the bottom level of it is visible behind them in the cap below) in another episode of Law & Order: Special Victims Unit that guest-starred Hayden Panettiere  – Season 6’s “Hooked,” which aired in 2005.

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The duo once again heads to Union Theological while investigating the murder of a student at the fictional Morewood School in the Season 10 episode of SVU titled “Hothouse,” which aired in 2009.

Katherine Ann Watson (Julia Roberts) is told by President Jocelyn Carr (Marian Seldes) that she has gotten complaints regarding her teaching methods while in The Rotunda in 2003’s Mona Lisa Smile.

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Max Carrigan (Joe Anderson) and his friends slide down the bannister of The Rotunda stairs in the 2007 musical Across the Universe.

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In 2010, The Rotunda popped up very briefly in the Season 4 episode of Gossip Girl titled “Goodbye, Columbia,” in the scene in which Blair Waldorf (Leighton Meester) talks with her minions about the teaching assistant job she is hoping to land.

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Danny Reagan (Donnie Wahlberg) closed a case in the grand space in the Season 3 episode of Blue Bloods titled “Higher Education,” which aired in 2012.

The Rotunda appeared in the pilot episode of Masters of Sex, which aired in 2013, as the spot where Virginia Johnson (Lizzy Caplan) registers for classes at what is supposedly Washington University in St. Louis, Missouri.

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Jason McCord (Evan Roe) gets into a fistfight with a fellow student in The Rotunda in the Season 1 episode of Madam Secretary titled “The Ninth Circle,” which aired in 2015.

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Beck (Elizabeth Lail) talked to Professor Paul Leahy (Reg Rogers) on The Rotunda staircase before class in the Season 1 episode of You titled “The Last Nice Guy in New York,” which aired in 2018.

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And Abe Weissman (Tony Shalhoub) chased Simon (Michael Countryman) up The Rotunda stairs, supposedly located at Columbia University, in the Season 3 episode of The Marvelous Mrs. Maisel titled “Marvelous Radio,” which aired in 2019.


Big THANK YOU to my friend Owen for tracking down this location!  Smile
For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

The Union Theological Seminary Rotunda from The Ice Storm (10 of 60)

Until next time, Happy Stalking!  Smile

Stalk It: Union Theological Seminary is located at 3041 Broadway in Morningside Heights.  You can visit the school’s official website here.  The Rotunda, from The Ice Storm, can be found just past the main entrance.  Please keep in mind that the seminary is closed to the public and that I was only able to see it via a pre-arranged tour.

The Stuart at Sierra Madre Villa from “American Woman”

The May Company from American Woman (6 of 42)

I’m taking a break from my regularly scheduled Big Little Lies reporting today to bring you a post about one of my favorite buildings in all of Pasadena – The Stuart at Sierra Madre Villa.  I’ve written about the Mid-Century Modern apartment complex and its cameo in That Thing You Do! before – way back in November 2013 – but last June, my friend/fellow stalker Kim sent me a photo of the place after seeing it pop up on American Woman, asking if I had any idea where it was.  It since went on to be featured prominently on the 2018 series (which has sadly been cancelled and won’t be returning for a second season), so I figured the site was worthy of a redo and stopped by for another stalk of it while passing through Crown City last week.

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The spectacular Neo-Formalist style property was designed by architect Edward Durell Stone, who also gave us New York’s Museum of Modern Art and the John F. Kennedy Center for the Performing Arts in Washington, D.C.  The structure, completed in 1958, originally served as the headquarters and plant of the Stuart Pharmaceutical Company.

The May Company from American Woman (7 of 42)

The May Company from American Woman (8 of 42)

The Mid-Century masterpiece boasts a myriad of striking architectural elements including saucer-like chandeliers, an arcade formed by cast concrete block screens, a long reflecting pool with fountains (which were not turned on the day I visited), gold columns, and pristine grounds designed by landscape architect Thomas Church.

The May Company from American Woman (9 of 42)

The May Company from American Woman (11 of 42)

Stuart Pharmaceutical’s forward-thinking owner Arthur O. Hanisch believed in creating a work environment that would foster both the health and comfort of his many employees.  As such, he had a plethora of then unique recreational amenities added to the complex including a pool, a pool house, a shaded pavilion, a garden court, a dining hall/lounge, and a terrace.  The original pool is actually still intact today and is pictured below.

The May Company from American Woman (1 of 42)

The May Company from American Woman (2 of 42)

Though the outside of The Stuart is stunning . . .

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The May Company from American Woman (12 of 42)

. . . it is the inside that sets my heart aflutter.

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The May Company from American Woman (22 of 42)

The two-story atrium that serves as the lobby’s centerpiece is nothing short of perfection!

The May Company from American Woman (32 of 42)

The May Company from American Woman (35 of 42)

Boasting massive hanging planters, globe lights, an open staircase, a coffered ceiling and textured wall paneling, the space is spectacular to behold.

The May Company from American Woman (27 of 42)

The May Company from American Woman (24 of 42)

It’s like the quintessential layout from a 1950s advertisement!

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The May Company from American Woman (28 of 42)

Or a Mad Men set come to life!

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The May Company from American Woman (25 of 42)

  As architectural historian Lauren Weiss Bricker stated in a 2004 Future Anterior article, Hanisch hoped to “build a completely new building concept.  He wanted his building to conform to the landscaping, not in the general California way but in a way that would combine timeless beauty with increased efficiency and a utilization of the Southern California climate to make for maximum comfort for his employees, both in working and recreation areas.”  I’d say he succeeded!  I can’t even imagine getting to work in such a beautiful space.

The May Company from American Woman (31 of 42)

The May Company from American Woman (34 of 42)

You can check out what The Stuart originally looked like here.  Amazingly, not much of its interior or exterior has changed over the years, though it did go through its fair share of trying times.

The May Company from American Woman (13 of 42)

Shortly after the Stuart Pharmaceutical Company merged with Johnson & Johnson/Merck Pharmaceuticals in 1990, the building was shuttered and then eventually put on the market.  In 1994, the Metropolitan Transit Authority snapped it up and, in a horrific turn, made plans to raze it to build a . . . parking lot.  Thankfully, the Pasadena Heritage Group stepped in, securing the property’s placement on the National Registry of Historic Places, thereby saving it from demolition.  The group couldn’t save the building from the vandals and vagrants that descended upon it during the years it sat vacant, though, and it suffered major damage and theft.  It was finally purchased by BRE Properties in 2002 and underwent a massive renovation helmed by preservation architect Robert Chattel during which the site was turned into a mixed-used apartment complex/performing arts center.  The 188-unit The Stuart at Sierra Madre Villa opened its doors to new residents in 2007.  Though some ancillary structures were torn down during the renovation, the original main headquarters, which serves as a leasing office and communal space, was left largely intact, as was the pool, behind which the residential buildings were erected, as you can see below.

The May Company from American Woman (3 of 42)

The May Company from American Woman (5 of 42)

On American Woman, The Stuart masks as the supposed Wilshire Boulevard May Company department store where Bonnie Nolan (Alicia Silverstone) gets a job after leaving her philandering husband.  It initially shows up in the series’ second episode titled “Changes and the New Normal,” first in the scene in which Bonnie shops for a suit prior to meeting with an employment agent and then as the spot where she puts her interest in fashion to good use by landing a saleswoman gig.

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That episode saw some on location filming at the building.

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As did the episodes titled “The Breakthrough” . . .

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. . . and “I Will Survive.”

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But for the most part, The Stuart was utilized in establishing shots.

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And only the exterior of it appeared onscreen.

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Interiors were shot on a set built at Warner Bros. Studio where American Woman was lensed.

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The series is hardly the only production to feature The Stuart.

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The May Company from American Woman (18 of 42)

The Wonders pose for publicity photos in the building’s atrium in 1996’s That Thing You Do!

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The Stuart portrays the fertility clinic that Kal (Ellen DeGeneres) and Fran (Sharon Stone) visit in the “2000” segment of the 2000 made-for-television movie If These Walls Could Talk 2.

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And in the Season 2 episode of Animal Kingdom titled “Betrayal,” which aired in 2017, The Stuart serves as the office of Morgan Wilson (Laura San Giacomo).

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Big THANK YOU to my friend Kim for alerting me to this location’s appearance on American Woman!

The May Company from American Woman (15 of 42)

Until next time, Happy Stalking!  Smile

Stalk It: The Stuart at Sierra Madre Villa, aka the May Company department store from American Woman, is located at 3360 East Foothill Boulevard in Pasadena.  You can visit the complex’s official website here.

Mary’s House from “All About Steve”

Mary's House from All About Steve (1 of 1)

If you listened to critics, you probably think All About Steve has no redeeming qualities whatsoever.  You’d be wrong, though.  While the 2009 comedy (and I use the term “comedy” loosely) is not remotely funny, boasts an odd storyline, and fails to properly showcase the talents of its fabulous cast, which includes Bradley Cooper, Sandra Bullock, Thomas Haden Church, Ken Jeong and DJ Qualls, it does feature some pretty stellar locations.  The delightfully retro residence where Mary Horowitz (Bullock) lives with her parents, Mr. and Mrs. Horowitz (Howard Hesseman and Beth Grant, respectively), in the flick especially had me drooling.  I, of course, set out to track it down shortly after first viewing All About Steve ten years ago, but was unsuccessful.  And though I subsequently revisited the hunt several times over the years following, I always came up empty.  Then, a couple of weeks ago, I decided to call in the big guns (aka my friend Owen, from the When Write Is Wrong blog), to see if he might be able to provide some assistance and in less than 24 hours he had an address for me.   Thanks to a helpful crew member, we learned that the Horowitz home is located at 1704 Wellington Road in Mid-City’s Lafayette Square neighborhood.  So I immediately ran out to stalk it.

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In real life, the All About Steve house is known as the J. Phyromn Taylor Residence.  The two-story pad was designed in 1953 by prolific architect Paul Revere Williams (you can read a few of my posts on his many famous properties here, here, here, here, here, here and here) for his good friend, wealthy doctor Jackson Phyromn Taylor.

Mary's House from All About Steve (2 of 34)

Mary's House from All About Steve (4 of 34)

Built in a style known as Los Angeles Contemporary, the home also boasts prairie, international, and midcentury design elements, as well as a lot of geometric detailing.  Per The Paul Revere Williams Project website, “The motif was used in a floating staircase flanked by a dramatic two-story sandblasted glass wall, metal work, etched room dividers, light fixtures and other midcentury-style custom furnishings designed for the space.”

Mary's House from All About Steve (3 of 34)

Mary's House from All About Steve (5 of 34)

Williams also incorporated Lafayette Square’s strict design regulations into the architecture of the residence, which included a second-floor balcony, deep setbacks, clean lines and a horizonal layout, with the long end fronting the street.

Mary's House from All About Steve (6 of 34)

Mary's House from All About Steve (8 of 34)

Sadly, Dr. Taylor passed away just a few short years after his home was completed, but the extraordinary residence remains in his family today.  It is currently owned by Lauren Smith, his granddaughter, who told the Larchmont Ledger, “They [Jackson Phyromn Taylor and his wife, Pearl] surrounded themselves with art, music their entire lives.  My uncle Phyromn was an accomplished jazz saxophonist so music was definitely a part of our lives.  My mom was a music major in college as well.  Very social, Paul Williams designed their house with their desire to entertain in mind.  My grandparents were proud to have an African American man, their friend, design their unique house.”

Mary's House from All About Steve (13 of 34)

Mary's House from All About Steve (9 of 34)

The home features 3 bedrooms, 3 baths, a whopping 5,062 square feet of living space, a 2-car garage, and a 0.27-acre lot.

Mary's House from All About Steve (28 of 34)

Mary's House from All About Steve (25 of 34)

Unfortunately, the property looks quite a bit different today than it did onscreen in All About Steve.  Not only is it now significantly covered over with foliage, but it has undergone a drastic paint change.  The result is a residence that is much darker and less aesthetically pleasing, at least in my opinion.  In fact, if it had boasted its current color scheme in the movie, I probably wouldn’t have been nearly as enamored of it.

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Mary's House from All About Steve (16 of 34)

Due to the pad’s rectangular orientation and decidedly midcentury feel, I had been convinced that it was an apartment building, not a single-family home, in real life.

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Mary's House from All About Steve (19 of 34)

And because of the mansion-like properties situated next door . . .

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Mary's House from All About Steve (24 of 34)

. . . and across the street, I knew it had to be located in an upscale neighborhood.  Accordingly, I spent copious hours searching Hancock Park and West Hollywood for a midcentury apartment complex, so it’s no surprise that I couldn’t find the place.  Somehow I had completely forgotten about Lafayette Square, an area I’ve been to a few times and even written abouttwice!  Thank goodness for the helpful crew member who provided Owen with the address!

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Mary's House from All About Steve (1 of 2)

The J. Phyromn Taylor Residence popped up several times in All About Steve.

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Mary's House from All About Steve (26 of 34)

The movie did a fabulous job of showcasing the dwelling . . .

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Mary's House from All About Steve (22 of 34)

. . . and all of its unique architectural details.

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Mary's House from All About Steve (31 of 34)

As fabulous as those details are, it was the interior of the Horowitz home that really stole my heart, namely the floating staircase.  The openness of the steps, the paned glass panel behind them, and the stone walls on either side practically had me drooling.

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I am torn as to whether what was shown onscreen was the real interior of the J. Phyromn Taylor Residence or a set modeled after it, though I’m leaning toward the former.  As you can see below, the glass panel pictured behind the stairs in All About Steve is a perfect match to that of the actual home.

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Mary's House from All About Steve (33 of 34)

And the geometric elements visible in several scenes, like the open metal wall in the foreground below . . .

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. . . and the silver sculpture to the left of the pool table, mesh with the interior detailing described on The Paul Revere Williams Project website.

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I am fairly certain, though, that Mary’s colorful bedroom . . .

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. . . and bathroom were just sets.

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Either way, what I wouldn’t give to see the inside of that place!

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Big THANK YOU to my friend Owen, from the When Write Is Wrong blog, for finding this location.  Smile

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Mary's House from All About Steve (18 of 34)

Until next time, Happy Stalking!  Smile

Stalk It: The J. Phyromn Taylor Residence, aka the Horowitz home from All About Steve, is located at 1704 Wellington Road in Lafayette SquareThe McGinley Residence, where Robert F. Kennedy is reported to have spent his last night, is right around the corner at 1821 South Victoria Avenue.  And the incorrectly identified Leave It to Beaver house is two blocks west at 1727 Buckingham Road.

Hoose Library of Philosophy from “What Women Want”

Hoose Library from What Women Want (56 of 61)

Those who were impressed by Doheny Memorial Library from Matilda (which I blogged about last November), wait ‘til you get a load of today’s locale!  It’s yet another stunning athenaeum on the University of Southern California campus.  Named the Hoose Library of Philosophy, it boasts some of the most remarkable architecture I have ever laid eyes on!  I first learned of the place while researching for my Doheny post and upon seeing photos of its grand vaulted interior, my jaw practically dropped to the floor.  I was thrilled – but not surprised – to discover while probing further that it had cameoed in numerous productions, including the 2000 romcom What Women Want.  So to the top of my To-Stalk List it went and I finally made it out there last week.

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The James Harmon Hoose Library of Philosophy, as it is formally known, is situated on the second floor of USC’s Mudd Hall.

Hoose Library from What Women Want (60 of 61)

Hoose Library from What Women Want (61 of 61)

Designed in 1930 by architect Ralph Carlin Flewelling, son of then USC School of Philosophy head Ralph Tyler Flewelling, the striking structure incorporates Romanesque, Byzantine and Arabesque elements.

Hoose Library from What Women Want (58 of 61)

Modeled after a medieval Tuscan monastery, the building features a 146-foot-tall bell tower . . .

Hoose Library from What Women Want (10 of 11)

. . . cloisters that seem to stretch forever . . .

Hoose Library from What Women Want (53 of 61)

. . . and a central courtyard with a fountain.

Hoose Library from What Women Want (9 of 11)

Hoose Library from What Women Want (50 of 61).

As gorgeous as Mudd Hall’s exterior is, though . . .

Hoose Library from What Women Want (4 of 11)

Hoose Library from What Women Want (5 of 11)

. . . Hoose Library is the site’s real stunner.

Hoose Library from What Women Want (20 of 61)

Named for James Harmon Hoose, the founder of USC’s Philosophy Department and its first department head, the dramatic space looks like something straight out of the Harry Potter universe.

Hoose Library from What Women Want (23 of 61)

With a cathedral ceiling that towers 38 feet above the checkered floor . . .

Hoose Library from What Women Want (17 of 61)

. . . a massive carved fireplace . . .

Hoose Library from What Women Want (38 of 61)

. . . a parade of archways at either side . . .

Hoose Library from What Women Want (19 of 61)

. . . stained glass windows . . .

Hoose Library from What Women Want (14 of 61)

. . . tile mosaic designwork . . .

Hoose Library from What Women Want (16 of 61)

. . . rich wood paneling . . .

 Hoose Library from What Women Want (41 of 61)

Hoose Library from What Women Want (42 of 61)

. . . and reading nooks galore . . .

Hoose Library from What Women Want (45 of 61)

. . . it is easily one of the prettiest venues I have ever had the pleasure of visiting.

Hoose Library from What Women Want (26 of 61)

The rest of Mudd Hall isn’t too shabby, either!

Hoose Library from What Women Want (1 of 61)

I was especially enamored with the stairs leading up to Hoose Library.

Hoose Library from What Women Want (6 of 61)

I mean!

Hoose Library from What Women Want (9 of 61)

That tiling!

Hoose Library from What Women Want (4 of 61)

Hoose, which spans 115 by 22 feet, is currently home to 50,000 tomes, the vast majority related to philosophy.

Hoose Library from What Women Want (39 of 61)

The locale, which has the distinction of being USC’s oldest continuously operating library, underwent a painstaking four-month seismic retrofitting in 2003.  After the walls were sheared and braced, artisans were brought in to cover any marks left behind as a result of the extensive work.  The outcome is flawless.  Hoose appears completely untouched and frozen in an idyllic past.

Hoose Library from What Women Want (29 of 61)

Hoose Library from What Women Want (32 of 61)

It is not at all hard to see how the place wound up onscreen.

Hoose Library from What Women Want (33 of 61)

In What Women Want, Nick Marshall (Mel Gibson) peruses the Hoose Library of Philosophy stacks in an attempt to “get inside women’s heads” as research for his new ad campaign.

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The site’s onscreen resume dates back much farther than that production, though.  In the 1930 short Hog Wild, Stan Laurel and Oliver Hardy drive by Mudd Hall.  That’s it on the extreme right in the two screen captures below.

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Thanks to fellow stalker Mike, I learned that Hoose and Mudd Hall popped up several times in the Season 4 episode of Charlie’s Angels titled “Angels on Campus,” which aired in 1979.

Along with Doheny Memorial Library, Hoose serves as the interior of Brain’s (Harry Dean Stanton) lair in 1981’s Escape from New York.

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Mudd Hall is the site of countless hijinks in the 1985 medical school comedy Stitches.

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The building’s clocktower makes a very brief appearance in the 1991 horror flick Freddy’s Dead: The Final Nightmare.

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In the 2000 comedy Nutty Professor II: The Klumps, Sherman Klump (Eddie Murphy) tries to figure out what went wrong with his hamster experiment while at Hoose.

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Rachel (Naomi Watts) researches Pacific Northwest-area lighthouses there in the 2002 thriller The Ring.

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Hoose masks as the church where John Constantine (Keanu Reeves) visits Gabriel (Tilda Swinton) in the 2005 drama Constantine.

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The site was tapped to portray a portion of the Berkeley campus in the Season 5 episode of Monk titled “Mr. Monk and the Class Reunion,” which aired in 2006.  In the episode, a detective actually refers to Hoose Library as “nothing special,” which is a bit mind-boggling.

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In the Season 6 episode of Brooklyn Nine-Nine titled “The Bimbo,” which aired this past April, the exterior of Mudd Hall stands in for Columbia University where Jake Peralta (Andy Samberg) and Captain Raymond Holt (Andre Braugher) investigate the theft of three ancient coins.

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One of the building’s first level rooms was also utilized in the episode.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Hoose Library from What Women Want (59 of 61)

Until next time, Happy Stalking!  Smile

Stalk It: Hoose Library of Philosophy, from What Women Want, is located at 3709 Trousdale Parkway, inside the Seeley Mudd Hall of Philosophy on the University of Southern California campus, in University Park.  The site is open Monday through Friday from 12 to 5 p.m.

Carlotta’s House from “Hail, Caesar!”

Carlotta's House from Hail Caesar (21 of 22)

Today’s locale involves something I’ve never come across in all my years of stalking!  Last June, a reader named Molly posted a comment on my Challenge Lindsay page asking for some help in tracking down the house where Carlotta Valdez (Veronica Osorio) lived in the 2016 Coen Brothers comedy Hail, Caesar!  She mentioned that two places had actually been used to portray the exterior of the residence and that while she had found one, she was still looking for the other.  Somehow I had never heard of the film (and I love a good Hollywood farce!), but was fascinated by the query.  A Google search led me to an L.A. Weekly article chronicling a few of the movie’s sites which backed up Molly’s claim – the segment taking place outside of Carlotta’s pad was indeed lensed in two different spots.  Though location trickery is old hat in Hollywood, this was the first I’d heard of a scene shot in two entirely different places, then stitched together to appear as one.  Appropriately intrigued, I set out to help Molly on her quest.

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Carlotta’s house pops up in one brief scene in Hail, Caesar! in which the starlet, who was inspired by real life “Brazilian Bombshell” Carmen Miranda, is picked up by cowboy actor Hobie Doyle (Alden Ehrenreich) to go to a movie premiere.  In the bit, the two characters are shown standing outside of Carlotta’s pad on a picturesque street greeting each other and making small talk.  In reality, the two sides of the segment were lensed miles apart.  Watching the illusory scene, which you can can do here, is quite jarring.  Despite knowing the logistics, the whole thing was done so seamlessly that I could hardly believe it was not all shot in the same spot.

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Though Molly had already tracked down the Hollywood Hills street where Hobie’s portion of the segment was lensed, she was looking for the gorgeous Spanish Colonial Revival that served as the backdrop for Carlotta’s.

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Carlotta's House from Hail Caesar (1 of 1)

As denoted in the L.A. Weekly article (and as Molly informed me), Hobie’s side of the scene was filmed at the intersection of Grace and Whitley Avenues in the Hollywood Hills.  Location manager John Panzarella, who also worked on L.A. Confidential, explains, “Joel and Ethan [Coen] are not shy about cheating reverses; they really embrace it.  They want the visual they have conceived.”  That visual consisted of Hobie performing a dazzling array of lasso tricks while waiting for Carlotta on a sleepy street corner.  Panzarella says, “Whitley Terrace was perfect for that, with the view of Hollywood in the background.”  The only trouble was, there was no dwelling in the vicinity that matched the Cohens’ vision of Carlotta’s pad.

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The directors instead found a place that fit the bill about three miles away in Los Feliz.  While the L.A. Weekly article did not denote the home’s exact location, it did mention that the pad was designed by famed architect Paul Revere Williams in 1927.  So I headed over to Google, where a quick search for “Paul Williams,” “Los Feliz,” and “1927” led me to this page on the Paul Revere Williams Project website about a dwelling at 4791 Cromwell Avenue.  One look at the images posted told me it was the right spot!

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Carlotta's House from Hail Caesar (1 of 1)

The stunning 5,211-square-foot, 4-bedroom, 4-bath property looks much the same in person as it did onscreen, though the film definitely showcased it through a 1950s-style Hollywood filter which muted its color palette a bit.

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Carlotta's House from Hail Caesar (1 of 1)

In real life, the home is known as the Blackburn Residence in honor of its initial owners Bruce and Lula Blackburn, who hailed from Missouri, but moved to Los Angeles in the early 1900s.  Initially settling in West Adams, once Bruce found financial success thanks to his invention of a roll-up window screen, he commissioned Williams to design the large Los Feliz estate.

Carlotta's House from Hail Caesar (22 of 22)

Carlotta's House from Hail Caesar (13 of 22)

Williams (who also gave us Johnny Weissmuller’s Bel Air home, the famed Perino’s restaurant, and Sloane’s house from Ferris Bueller’s Day Off) incorporated Bruce’s innovative screens into his design.  They made such an impression on the prolific architect that he used them in many of his later works, as well.

Carlotta's House from Hail Caesar (6 of 22)

Carlotta's House from Hail Caesar (8 of 22)

The sprawling Blackburn Residence also boasts 12 rooms, 2.5 stories, an elevator, a triple fireplace, ornate tile work, wrought iron detailing throughout, vaulted ceilings, a grand 2-level arched entry, and a lush 0.35-acre plot of land.

Carlotta's House from Hail Caesar (5 of 22)

The home continued to be owned by the Blackburn family until 1978, when it was offloaded by Bruce and Lula’s daughter, Elizabeth.  The property, which is Los Angeles Historic-Cultural Monument #913, last sold in November 2003 for $2,199,000 and, per Zillow, is worth a whopping $4.5 million today!

Carlotta's House from Hail Caesar (11 of 22)

Carlotta's House from Hail Caesar (10 of 22)

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Big THANK YOU to Molly for challenging me to find this location!  Smile

Carlotta's House from Hail Caesar (7 of 22)

Until next time, Happy Stalking!  Smile

Stalk It: The Blackburn Residence, aka Carlotta’s house from Hail, Caesar!, is located at 4791 Cromwell Avenue in Los Feliz.  The portions of the scene featuring Hobie were filmed at a different spot – on Grace Avenue in the Hollywood Hills.  More specifically, Hobie’s car was parked in front of the entrance to the condominium complex at 1979 Grace Avenue and he practiced his rope tricks at the intersection of Grace Avenue and Whitley Avenue.

The Westin Bonaventure Hotel & Suites from “True Lies”

The Westin Bonaventure Hotel (49 of 49)

There is no shortage of unique architecture in Southern California.  The Bradbury Building, LADWP, and the 8500 apartment complex all immediately come to mind as highly individualistic spots.  One structure stands heads and shoulders above the rest, though, as being extra extraordinary – The Westin Bonaventure Hotel & Suites in downtown Los Angeles.  If you’ve ever found yourself on the 110 Freeway, you are sure to have spotted its futuristic edifice gracing the skyline.  It’s been called “the world’s largest cappuccino machine,” “a bronzed grain elevator,” and “Camelot in glass” (all per a 1976 Baltimore Sun article that is not available to link to online).   Regardless of one’s feelings about the aesthetic of the massive towered building, its Hollywood allure can’t be argued.  Location managers have flocked to it like a beacon since its inception.  I happened to pop into the exceptional hotel last month and when my eyes landed upon the fountain Harry Tasker (Arnold Schwarzenegger) famously rode a horse through in True Lies, I realized that, although I wrote a brief post on the place back in 2008, it was definitely time for a redux.

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The Westin Bonaventure Hotel & Suites, originally known simply as the Los Angeles Bonaventure, was constructed from 1974 to 1976 at a cost of $110 million.  Designed by architect John C. Portman Jr., at the time it was the most expensive lodging ever built and the city’s largest.  It still holds that latter distinction today.

The Westin Bonaventure Hotel (45 of 49)

The Westin Bonaventure Hotel (47 of 49)

The 367-foot-tall Postmodern structure, which consists of 5 mirrored cylindrical towers flanked by 12 glass elevators, makes for a strikingly unique vision along the downtown horizon.

The Westin Bonaventure Hotel (48 of 49)

Housing 35 floors, the goliath hotel boasts a lobby with a 6-story atrium and a rambling indoor fountain so large it is often referred to as a “lake.”

The Westin Bonaventure Hotel (11 of 49)

The Westin Bonaventure Hotel (25 of 49)

The Bonaventure also features 1,358 rooms, 135 suites, an outdoor pool, a gym, 155,000 square feet of meeting and event space, and a plethora of restaurants and watering holes including the famed BonaVista Lounge, a revolving bar situated on the 34th floor.

The Westin Bonaventure Hotel (13 of 49)

The Westin Bonaventure Hotel (28 of 49)

There’s even a mall on the premises with more than 40 stores and a food court!

The Westin Bonaventure Hotel (35 of 49)

The Westin Bonaventure Hotel (36 of 49)

The Grim Cheaper and I have checked into the Bonaventure several times over the years and have always enjoyed our stay.  The rooms are small, but well-appointed and modern . . .

The Westin Bonaventure Hotel (1 of 49)

The Westin Bonaventure Hotel (2 of 49)

. . . and boast views for days!

The Westin Bonaventure Hotel (6 of 49)

And days!

The Westin Bonaventure Hotel (4 of 49)

To say that the Bonaventure is unique would be an understatement.

The Westin Bonaventure Hotel (17 of 49)

With its cement-clad interior, the hotel is almost post-apocalyptic in its minimalism and starkness . . .

The Westin Bonaventure Hotel (27 of 49)

The Westin Bonaventure Hotel (29 of 49)

. . . and I mean that in the best way possible.

The Westin Bonaventure Hotel (9 of 49)

Though no longer the case, the Bonaventure formerly boasted a highly unusual open-air gym on its third floor with pod-like overhangs holding exercise machinery cantilevered over the lobby below . . .

The Bonaventure's wierd gym

. . . each of which branched off a small indoor track, as you can see in the images above and below that the GC and I snapped during a 2005 visit.

The Westin Bonaventure (3 of 11)

The exercise equipment has long since been removed and today the former gym area remains eerily vacant.

The Westin Bonaventure Hotel (32 of 49)

The Westin Bonaventure Hotel (31 of 49)

The place even has a few ties to true crime!  On October 7th, 1979, a North Hollywood couple was shot, killed and dismembered in one of the Bonaventure’s rooms (their bodies were later removed via trash bags!) thanks to a drug deal gone wrong.  And it was there that John DeLorean was videotaped agreeing to smuggle cocaine as part of an FBI sting operation on September 28th, 1982, which is rather ironic being that a few years prior the hotel was used as a futuristic backdrop in an ad for the businessman’s infamous DMC-12 car.

The Westin Bonaventure Hotel (43 of 49)

The Westin Bonaventure Hotel (24 of 49)

Though management likely doesn’t relish those moments in the hotel’s past, great pride is taken in its cinematic history.  Not only is the hallway leading from the parking garage to the lobby lined with posters from the various productions lensed on the premises . . .

The Westin Bonaventure Hotel (19 of 49)

The Westin Bonaventure Hotel (20 of 49)

. . . but the elevators that have cameoed onscreen are outfitted with plaques denoting their respective résumés.  (Oddly, the In the Line of Fire placard pictured below boasts some erroneous info.  The action hit was released on July 8th, 1993, so there is no way that any filming of it took place on the Bonaventure grounds in September of that year, a full two months later!)

The Westin Bonaventure (10 of 11)

The Westin Bonaventure Hotel (7 of 49)

A poster noting the hotel’s use in Interstellar was even on display in the lobby the last time we checked in.

The Westin Bonaventure Hotel (18 of 49)

The Bonaventure has been featured in so many productions over the years, it would be impossible for me to chronicle them all here.

The Westin Bonaventure Hotel (8 of 49)

But I’ve corralled a list of some of my favorites.

Recognize it from Nick Of Time?

As I mentioned earlier, the Bonaventure most famously figures in a climatic action sequence in the 1994 hit True Lies in which Harry Tasker, on horseback, chases a motorcycle-riding Salim Abu Aziz (Art Malik) through the hotel’s lobby . . .

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. . . into one of its elevators . . .

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. . . and onto the roof, which he subsequently almost falls from.

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The BonaVista Lounge masked as the restaurant Above the Top in the 1980s sitcom It’s a Living.  Though all actual filming took place on a soundstage, the hotel was featured regularly in establishing shots as well as in the weekly opening credits.

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The BonaVista Lounge is also where David Addison Jr. (Bruce Willis) ambushed Maddie Hayes’ (Cybill Shepherd) date in the pilot episode of Moonlighting, which aired in 1985.

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MacGyver (Richard Dean Anderson) lands on top of the Bonaventure via helicopter at the beginning of the Season 1 episode of MacGyver titled “Deathlock,” which aired in 1986.  (The chopper apparently experienced dangerous “ground resonance” during the filming, as detailed here.)

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Dr. Bruner (Gerald R. Molen) attempts to buy off Charlie Babbitt (Tom Cruise) while walking around the Bonaventure’s pool in the 1988 drama Rain Man.

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The following year, Martin Riggs (Mel Gibson) and Roger Murtaugh (Danny Glover) got into a car crash in front of the hotel while chasing a suspect in Lethal Weapon 2.

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Mason Storm (Steven Seagal) is ambushed at the Bonaventure in 1990’s Hard to Kill.

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It is at the hotel that Mitch Leary (John Malkovich) sets up his plot to assassinate the President (Jim Curley) in 1993’s In the Line of Fire.

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Many areas of the property appeared in the thriller, but I am unsure if the California Ballroom is where the actual assassination attempt took place as has been asserted on a few websites.  That particular venue looks considerably smaller than the one featured, as you can see in these photos as compared to the screen captures below.

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  The Bonaventure also prominently appears in the 1995 thriller Nick of Time as the spot where accountant Gene Watson (Johnny Depp) is sent to kill Governor Eleanor S. Grant (Marsha Mason).

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Dr. Eugene Sands (David Duchovny) visits the Bonaventure to perform surgery on a gunshot victim in the 1997 thriller Playing God.

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Usher made great use of the place in his 2002 “U Don’t Have to Call” music video.

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In 2005, the outside of the Bonaventure was utilized in exterior shots of the hotel where Roberts (Michael Kenneth Williams) met with Carter (Paul Ben-Victor) in the Season 4 episode of Alias titled “Another Mister Sloane.”  The property’s elevators also appeared in the episode, but all other interior filming took place at The L.A. Grand Hotel Downtown, which I blogged about here.

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The hotel portrays a top secret NASA facility in the 2014 sci-fi drama Interstellar.

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That same year, the outside of the Bonaventure popped up as the Manhattan hotel where David Clarke (James Tupper) stayed in the Season 4 episode of Revenge titled “Repercussions.”  As was the case with Alias, interiors were filmed at The L.A. Grand Hotel Downtown.

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In the Season 4 episode of Bosch titled “Dreams of Bunker Hill,’” which aired in 2018, Harry Bosch (Titus Welliver) and Honey Chandler (Mimi Rogers) visit Michael Harris (Keston John) who is sequestered at the Bonaventure.

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The hotel is also said to have been featured in Forget Paris, but I scanned through the 1995 romance and didn’t see it anywhere.

Paris and Paris

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

The Westin Bonaventure Hotel (46 of 49)

Until next time, Happy Stalking!  Smile

Stalk It: The Westin Bonaventure Hotel & Suites. from True Lies, is located at 404 South Figueroa Street in downtown Los Angeles.  You can visit the property’s official website here.

The John Ferraro Building

The John Ferraro Building (35 of 44)

I was recently interviewed for an exciting new project (more details to come) and in my talks with producers beforehand was asked if I had any ideas about where the interview could take place.  They were hoping to meet up at a filming location that I felt best represented the spirt of L.A.  I didn’t hesitate in my answer – the John Ferraro Building.  The strikingly gorgeous structure is not only an onscreen stalwart and an icon of Los Angeles architecture, but it uniquely serves as both a notable part of the city skyline and one of the best places to view it.  I have covered the place countless times on my site – in a 2010 post, on My Must-Stalk List, in the “See” section of my 2015 Guide to L.A., to name a few – as well as for other entities, including my article on the Top 10 Science Fiction Locations for Discover Los Angeles and a blurb about must-see locales for the September 2018 issue of Los Angeles magazine.  My love for the John Ferraro Building is prolific.  While walking the perimeter of the property prior to my interview last week, I realized that in all my chronicling of it, I had yet to do a deep dive into its vast filming history, so I thought it only appropriate to amend that.

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Designed in 1965 by A.C. Martin & Associates, the Modernist/Corporate International-style structure was “green” before being green was even a thing.  Built to house the Los Angeles Department of Water and Power (LADWP), the architecture firm innovatively incorporated both elements into the design in the most unique way.

The John Ferraro Building (6 of 56)

The John Ferraro Building (9 of 44)

The building, which features concrete slabs cantilevered between towering glass walls, boasts specially-built ceilings on each of its 17 floors that absorb heat from the lighting system, helping to keep the property warm during cooler temperatures (yes, L.A. does get some of those) and at night.

The John Ferraro Building (23 of 44)

The John Ferraro Building (53 of 56)

As for water, the dramatic structure sits atop a 625 x 350-foot moat-like reflecting pool containing 2-million gallons of the stuff, portions of which are pumped through the HVAC system to cool the interior, essentially carrying 1/3 of the entire air conditioning load.

The John Ferraro Building (5 of 56)

The John Ferraro Building (17 of 56)

The pool and its eight fountains also make for some incredible views, the likes of which can’t be found anywhere else in the city.

The John Ferraro Building (1 of 56)

The John Ferraro Building (11 of 56)

I mean, come on!

The John Ferraro Building (3 of 56)

I challenge you to find a prettier spot in all of L.A.

The John Ferraro Building (16 of 56)

The John Ferraro Building (22 of 56)

Last one, I promise.

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Originally known as the DWP’s General Office Building (GOB), the property was renamed the John Ferraro Building in 2000 in honor of L.A.’s longest-serving city councilman.

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The distinctive 287-foot-tall site is Los Angeles Historic-Cultural Monument #1022.

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The John Ferraro Building (49 of 56)

Most of my photos in this post come from past visits to the LADWP.  While we were there last week, the site was undergoing some sort of maintenance and the typically stunning reflecting pool was dry and the plentiful fountains shut off, as you can see below.

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The John Ferraro Building (40 of 44)

Despite this fact, the building was still dazzling to look at.

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The John Ferraro Building (8 of 44)

Considering LADWP’s beauty, it is no surprise that the place is a frequent film star.  What is surprising is all of the misinformation about its various cameos floating around online.  But more on that in a bit.

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Robert Neville (Charlton Heston) jogs around the building in the 1971 Sci-Fi classic The Omega Man.

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Jerry Landers (John Denver) gets interviewed by God (George Burns) at the LADWP, which is said to be located at 1600 Hope Street, in the 1977 comedy Oh, God!, though not much of the building is shown in the scene.

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The property portrays a courthouse, where the two young winners of a traffic safety essay contest are interviewed – and mistakenly kidnapped – in the Season 3 episode of CHiPs titled “Kidnap,” which aired in 1980.

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Kyle Reese (Michael Biehn) explains to Sarah Connor (Linda Hamilton) what a Terminator is in the building’s parking garage in 1984’s The Terminator.  It is the rear side of the parking lot, on 1st Street, that Reese drives in and out of in the scene.

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In the Season 7 episode of The X-Files titled “All Things,” which aired in 2000, the John Ferraro Building masks as the exterior of Washington National Hospital, where Dana Scully’s (Gillian Anderson) former professor is being treated.

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John Hancock (Will Smith) holds a news conference at the LADWP to announce that he is heading to prison in the 2008 action flick Hancock.

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The site appeared regularly as FBI Headquarters on the short-lived television series FlashForward, which debuted in 2009.

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During the first season of Pretty Little Liars, which started airing in 2010, Hannah Marin (Ashley Benson) gets a job at her ex-boyfriend’s mother’s dental office, shown in establishing shots to be located at the LADWP, in order to work off the damage she caused by crashing his car.

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That same year, the site popped up very briefly as the exterior of a CIA building in the Season 3 episode of Chuck titled “Chuck Versus the Subway.”

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Also in 2010, the LADWP served as a dream world in Inception.  It is in the building’s reflecting pool that Cobb (Leonardo DiCaprio) and his wife, Mal (Marion Cotillard), conceived reconstructions of homes from their past, which were, of course, just CGI creations.

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The interior of the property also appears briefly in the film.  As Cobb leads Ariadne (Ellen Page) inside, he says, “We both wanted to live in a house, but we loved this type of building.  In the real world, we’d have to choose, but not here.”  He then takes her upstairs to his “residence,” which is supposedly located a short elevator ride away, but can actually be found about ten miles north at 215 South Grand Avenue in Pasadena.

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Emma (Natalie Portman) and Adam (Ashton Kutcher) randomly run in to each other at a farmers’ market taking place at the LADWP in the 2011 romcom No Strings Attached.

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In 2012, Detective Lydia Adams (Regina King) told Terrell (Michael Jace) that she was expecting his baby at the John Ferraro Building in the Season 4 episode of Southland titled “Thursday.”

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The locale pops up briefly in some establishing imagery of what is supposedly the Department of Justice in 2016’s The Nice Guys.

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Melinda’s (Punam Patel) “fountain unveiling” in the Season 2 episode of Adam Ruins Everything titled “Adam Ruins the Future,” which aired in 2017, takes place at the LADWP.

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In The Rookie, which began airing in 2018, the LADWP portrays the Los Angeles Police Department’s Mid-Wilshire Station.

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Now that we’ve covered a plethora of the productions that LADWP has been in, let’s debunk some of that erroneous info I mentioned earlier.  There is so much of it swirling around the internet that writing this post felt more like a disproving of the false reporting of the building’s film history than a chronicling of its many appearances.

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The John Ferraro Building (12 of 56)

   Though several websites claim that the LADWP masked as Washington, D.C.’s Bureau of Internal Revenue at the beginning of 1964’s What a Way to Go!, that is incorrect.  Filming actually took place at the Gateway West Building, once located at 1801 Avenue of the Stars in Century City.  The structure was demolished in 2015 as part of the Westfield Century City expansion, but you can see what it formerly looked like here.

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LADWP wasn’t a courthouse in the Season 6 episode of Adam-12 titled “Clinic on 18th Street,” which aired in 1974, either.  That building is actually the Clara Shortridge Foltz Criminal Justice Center located just a few blocks away at 210 West Temple Street.

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Nor did it portray the 14th Street Precinct in the 1980s television series Cagney & Lacey as has been reported.  The confusion on this one is semi-understandable, though, being that filming took place at another downtown L.A. DWP site – the Central District Facility located at 1350 South Wall Street.  Sadly, the exact building utilized has since been torn down, though.

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It has also been reported that the John Ferraro Building played the Tacoma Police Department in the 1989 comedy Three Fugitives.  That location, though, is actually the very same former Central District Facility building from Cagney & Lacey.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: The John Ferraro Building, aka the Los Angeles Department of Water and Power, is located at 111 North Hope Street in downtown L.A.  The facility’s lobby is open to the pubic each weekday from 9 a.m. to 5 p.m.

Harry Bosch’s House from “Bosch”

Harry Bosch's House (29 of 58)

I contemplated chronicling the best movie and television productions I discovered in 2018 as my first post of the new year.  Had I done so (and I still might later this month), Bosch would have topped the list.  As I mentioned in my recent write-up on Demitasse café, the Grim Cheaper and I started watching the Amazon original series just a few months ago and were immediately hooked.  A police procedural with a sarcastic and fabulously deadpan leading man set in Los Angeles – what more could this crime-obsessed, L.A.-loving stalker ask for?  The locations used are seriously phenomenal, by the way – none more so than the cantilevered hilltop home of titular character Detective Hieronymus “Harry” Bosch (Titus Welliver).  The pad couldn’t be more quintessentially Los Angeles if it tried.  So I, of course, ran right out to stalk it shortly after viewing the first episode.

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Bosch is based upon a bestselling series of novels by author Michael Connelly.  I have never read any of the books, but have been able to piece together the various info written about Harry’s house in them thanks to a detailed forum on MichaelConnelly.com.  In the novels, Detective Bosch is said to live on Woodrow Wilson Drive in the Hollywood Hills, though his specific address varies from “next to” 7203 Woodrow Wilson in 2010’s The Reversal to 8620 Woodrow Wilson in 2018’s Dark Sacred Night.  Per a commenter on the forum, Connelly has apparently stated that Harry’s pad doesn’t exist in real life, but that the site where he placed it in his stories is a burnt-out foundation of a former cantilevered residence that the author stumbled upon in 1992.  Additional commenters did some massive legwork on the subject and surmised that the location of said foundation is 7207 Woodrow Wilson Drive.  And they’re right – I came across a video of Connelly showing the exact spot where he imagined the home (a still of which is pictured below) and compared it to Street View imagery of that address (again, pictured below) and, sure enough, it’s the spot!  You can check out some photographs of the foundation and the land it sits on here.

7207 Woodrow Wilson Drive

In Blue Neon Night: Michael Connelly’s Los Angeles, a special limited edition DVD released in 2004 in which, as Amazon notes, the author “provides an insider’s tour of the places that give his stories and characters their spark and texture,” a house located at 7143 Woodrow Wilson is shown to be Harry’s and Connelly describes it as such, “Bosch’s home was fourth from the end on the right side.  His home was a wood-frame, one-bedroom cantilever, not much bigger than a Beverly Hills garage.  It hung out over the edge of the hill and was supported by three steel pylons at its mid-point.”

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When it came time to start shooting the series in November 2013, producers found an even more perfect embodiment of that Blue Neon Night description at 1870 Blue Heights Drive in Hollywood Hills West.

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Sitting high atop a hill, the architectural stunner, which was built in 1958, boasts 2 bedrooms, 2 baths, 1,513 square feet of living space, and a 0.26-acre lot.

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Per Zillow, it is currently worth a whopping $2,130,000.

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Harry Bosch's House (22 of 58)

The striking pad first popped up in Bosch’s pilot and has gone on to appear in pretty much every episode since.  It is the rear of the residence – its cantilevered side, which stands on a cliff overlooking the Sunset Strip, Culver City and beyond – that is regularly shown on the series.

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The street side of the house, which is much less spectacular than the rear, was featured briefly in Season 4’s “Devil in the House.”

While situated on a private cul-de-sac, that side of the property can be viewed from a portion of Blue Heights Drive that is open to the public – though there is not much to see.

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Harry Bosch's House (43 of 58)

Just west of the home’s front entrance, though, in an area that is also publicly accessible, is an open expanse of land where views matching those of Harry’s pad can be gleaned.

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And let me tell you, those views are absolutely incredible!

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I mean, come on!

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Last one, I promise.

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We know – thanks to this video – that the actual interior of the Blue Heights Drive residence was utilized in Bosch’s pilot.  And I am fairly certain that a few additional early episodes were shot on location inside the home, as well (quite possibly all of Season 1).  At some point, though, a set re-creation was built on a studio soundstage that has since been used for all subsequent seasons.

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How does a cop afford such a stellar pad, you ask?  Per the storyline of both the books and the series, Paramount made a movie based upon one of Harry’s cases, for which he was paid handsomely.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: Harry Bosch’s house from the television series Bosch is located at 1870 Blue Heights Drive in Hollywood Hills West.  The best views of the structure can be seen from the 1600 block of Viewmont Drive and the 8800 block of Hollywood Boulevard.