Downtown L.A. filming locations – Page 2

March 4, 2010March 3, 2010

The “13 Going On 30” Thriller Dance Location

A few months ago, I enlisted the help of fellow stalker Owen in tracking down the location from fave movie 13 Going On 30 where Jenna Rink (aka Jennifer Garner) saved the Poise Magazine party by performing her rendition of the Zombie Dance from Michael Jackson’s “Thriller”, which, not surprisingly, just so happens to be my very favorite scene in the flick. From the beginning, I was absolutely convinced that the “Thriller” scene had been filmed in a building located somewhere in New York, but Owen had a hunch that it had actually taken place right here in Los Angeles. And, as usual, Owen was right. After doing a bit of cyber-stalking, he somehow managed to track down one of the movie’s location managers who told him that Jenna’s “Thriller” dance had actually been performed inside of an oft-used filming location in Downtown Los Angeles, one that I am ashamed to admit I was already very familiar with – the former Bank of American building located on the corner of 7th and South Spring Streets. The building has been used in COUNTLESS productions over the years, but I am sad to say that, for whatever reason, I somehow failed to recognize it.

Being that the former bank’s big ol’ safe is clearly visible in the background of the “Thriller” scene, I really should have figured this one out. Man, I’m such a blonde sometimes!

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Once Owen had tracked down the location for me, I put the former bank building on my very long “To-Stalk” list and finally managed to visit the place in person while out doing some stalking in the Downtown Los Angeles area a couple of weeks ago. The Spring Street Tower, as it is sometimes called, which was built in 1912 by the architectural firm of Schultze and Weaver, served as the Los Angeles headquarters for the Bank of America Corporation from 1930 to 1972. After Bank of America vacated the twelve story high Beaux Arts style building, the upper floors served as offices for various companies throughout the years, while the marble clad lobby became an extremely popular filming location. In recent years, SB Properties, a building development company, took over the building and converted the former offices into lofts. And while the lobby area still looks much the same as it did during the time when it was operating as a bank, there are currently plans in the works for a restaurant and club to open up in that space, which is both good news and bad news. Bad news because I am guessing that once the space becomes a restaurant, it will cease to be a filming location and will most likely be heavily remodeled and good news because if it does eventually become a restaurant that means that someday in the near future I will be able to stalk the area where Jennifer Garner danced, a place which is currently off limits to the public. YAY! 🙂

When we first arrived to stalk the former Bank of America building, I did not actually have high hopes that I would be able to see any of the interior. So, let me tell you, I just about passed out from excitement when I discovered that the lobby area, where the “Thriller” dance scene took place, was thoroughly visible through the former bank’s front windows. From the windows you can see the vault;

the main staircase;

the second floor balcony;

and several of the wood-paneled main offices. You can also see some fabulous interior photographs of the bank building here.

In 13 Going On 30, the former Bank of America building was the location of the Poise Magazine “Girls Night Out” party, during which Jenna’s boss, Richard (aka Andy Serkis) complains that the guests are leaving far too early and if someone doesn’t do something to liven up the joint – and quick – then the entire magazine might go down the drain. So, Jenna immediately heads over to the DJ booth where she requests Michael Jackson’s “Thriller” and then proceeds to lead the entire party in the famous Zombie Dance. Oh, how I would love to do that dance at my wedding! 😉

So I, of course, just had to imitate Jenna doing the “Thriller” dance while I was at the building. 🙂 I think it goes without saying that my fiancé was HIGHLY embarrassed while taking the above photographs of me.

The former bank is also where Robbie (aka Adam Sandler) tries to get a job to impress Julia (aka Drew Barrymore) in 1998’s The Wedding Singer. When the bank’s manager, who was played by Kevin Nealon, turns him down, Robbie says, “You don’t even have to give me the job. If you could just give me some business cards with my name on it, I think that might help. How ‘bout this – I’ll give you ten singing lessons for one business card. Please?” LOL

In 1995’s Se7en, the bank building was dressed to look like a library and appeared in the scene in which Detective Lt. William Somerset (aka Morgan Freeman) researches the Seven Deadly Sins.

In L.A. Story, the bank stood in for the Fourth Reich Bank of Hamburg where Steve Martin is forced to show his financial records to the owner of the impossible-to-get-into L’Idiot Restaurant in order to secure a dinner reservation there.

In 1994’s The Mask, the bank was used as Edge City Savings and Loan where Stanley Ipkiss (aka Jim Carrey) worked.

In Spiderman 2, the bank appeared up as the spot where Peter Parker (aka Tobey Maguire) takes his Aunt May (aka Rosemary Harris) to apply for a loan from a bank teller played by none other than The Soup’s Joel McHale. 🙂 While the two are in the bank, Doc Ock shows up to rob the place and almost succeeds until Spiderman steps in and, of course, saves the day.

In Ghost, the bank was used as the place where Sam Wheat (aka Patrick Swayze) takes Oda Mae Brown (aka Whoopi Goldberg) to fill out a signature card under the false name of Rita Miller.

In Blow, the former Bank of America building stood in for the Bank of Panama in one very brief scene.

In The Prestige, the building shows up twice. First, the bank lobby appeared as the courtroom where Alfred Borden’s (aka Christian Bale’s) murder trial is held.

And second, the bank’s second floor mezzanine area stood in for the bar where Robert Angier (aka Hugh Jackman) shared a drink with Cutter (aka Michael Caine).

The bank also appeared in the movies Marathon Man, Traffic, Fatal Vision, Prizzi’s Honor, St. Elmo’s Fire, All of Me, and in episodes of 24, Cagney & Lacey, Hill Street Blues, Matlock, and Hardcastle & McCormick.

Until next time, Happy Stalking! 🙂

Stalk It: The old Bank of America building is located at 650 South Spring Street in Downtown Los Angeles. The best place to catch a glimpse of the interior of the property is through the windows located on either side of the building’s front doors, which are pictured above.

February 12, 2010February 11, 2010

The Firehouse from “Ghostbusters”

This past weekend while doing some stalking in Downtown L.A. I dragged my fiancé out to see an oft-used filming location that has long been at the top of my “To-Stalk” list. That location is known as Fire Station #23, a real life former working fire house that served as the offices of Dr. Raymond Stantz (aka Dan Aykroyd), Dr. Peter Venkman (aka Bill Murray), Dr. Egon Spengler (aka Harold Ramis), and Winston Zeddmore (aka Ernie Hudson) in the 1984 movie Ghostbusters. And as fate would have it, when we pulled up to the now-defunct fire station, the caretaker of the property, an EXTREMELY nice man named Daniel Taylor, happened to be standing outside speaking with a student filmmaker. So, I, of course, struck up a conversation with him and asked if it might be alright if I stepped inside to take a look around and snap a few photographs. And, let me tell you, I just about fell over from excitement when Daniel told me to go right in! YAY!

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Fire Station #23 actually has quite a storied, and sometimes scandalous, history. The structure, which first opened on October 2, 1910, was designed by the prominent architectural firm of Hudson & Munsell and served as the headquarters of the Los Angeles Fire Department for over a decade. The three story building, which cost between $57,000 and $60,000 to construct and measured 26 feet wide, 167 feet deep and encompassed 13,600 square feet of space, has been mired in controversy ever since the day it was first dedicated. In the beginning, angry citizens deemed the construction costs far too steep for a public building, especially since tax payers were footing the bill and considering the extravagance with which the place was built. And it has been said that no other fire station in the country is as opulent. The top floor of the structure housed the Fire Chief’s suite, an apartment which every fire chief from 1910 to 1928 called home. The suite featured a marble bathroom complete with a double bathtub, Peruvian mahogany wall paneling, imported Italian tile detailing, oak flooring, a private elevator, a brass bed, a roof garden, a marble fireplace, and French bevel glass mirrors. The second floor contained the captain’s dwelling, a library with built-in bookshelves, and bunks for twenty firefighters. The bottom floor contained an open arcade with enamel tiled walls, 21 foot high pressed tin ceilings, and stalls to accommodate ten horses. Pretty amazing for a fire house, huh? The Los Angeles Times even dubbed the place “the Taj Mahal of fire stations”.

Fire Station #23 remained in operation for fifty years, whereupon its men responded to over 60,000 fires. But with the city moving towards building more modernized stations, Engine Truck Company #23 closed its doors for good on November 23rd, 1960. Because a station in Pacific Palisades adopted the “23” company number, the shuttered station took on the name “Old 23”. For the next six years, the fire department utilized the space for medial records storage and as a training facility. In 1966, the same year it became a City of Los Angeles Historic-Cultural Monument, the fire house was shut down by the department completely. For the next ten years, as the area surrounding the building became more and more impoverished, the station fell into serious disrepair and suffered from extreme vandalism and looting. In 1979, the Fire Commission decided to renovate the property and eventually turn it into a firehouse museum. A non-profit organization named Olde 23 was set up to oversee the restoration process and to raise funds for the massive undertaking. In 1980, the building was added to the National Register of Historic Places. Nine years later, though, in 1988, the plans for turning Old #23 into a museum were nixed and the city opened their Los Angeles Fire Department Museum at a location in Hollywood instead.

Seven years later controversy came raining down upon the fire house once again when Los Angeles Times staff writer Robert J. Lopez authored a front page article accusing the Olde 23 corporation of misuse of funds. According to the article, Olde 23 had been collecting massive amounts of money (over $210,000 to be exact) thanks to the numerous film shoots that had taken place on the premises over the years. Not only had the company failed to turn that money over to the city, though, but no one had even informed the city that any sort of filming was going on. Being that a city department is responsible for handing out film permits, I’m not quite sure how this even happened, but I guess it’s just another case of a beaurocracy’s right hand not knowing what the left is doing. Causing further scandal was the fact that even though the city had moved the museum location to a different site seven years prior, Olde 23 was still collecting not only filming fees that would supposedly go into the museum fund, but also donations for the project. AND (yes, there’s more!) the supposed non-profit was ALSO collecting filming fees from production companies for shoots that were taking place at other firehouses in the area – firehouses that the Olde 23 company had no jurisdiction over! LOL Talk about a sh*tstorm!! 😉 President and C.E.O. of the Olde 23 company was none other than Los Angeles Fire Chief Donald O. Manning himself, who resigned from his post just 8 days after Lopez’s newspaper article hit the stands. Following his resignation, Fire Station #23 continued to host film shoots, with the money going to the City of Los Angeles, the property’s rightful owner. Just this past September, though, the building was designated surplus property and the city is considering selling it to several different private investors, including a restaurant developer and a non-profit arts education group.

Daniel Taylor, who has been caretaker of the property since 1985 and who the city is currently trying to evict, has different plans for the building, though. He recently formed the Corporation for History, Arts, and Culture (CHAC) with the hopes of restoring the old firehouse to its original grandeur for use as both a cultural center and a filming location. He estimates the restoration project to cost upwards of $8 million and is trying to raise funds now. If you would like to learn more about the cause, you can do so on CHAC’s official website. And while the future of the historic firehouse remains to be seen, in the meantime I highly recommend stalking it as it is a truly beautiful and unique building.

In Ghostbusters, the exterior of the gang’s headquarters (pictured above) was actually filmed at Hook & Ladder Company #8 located at 14 North Moore Street in New York.

But for the interior filming, cast and crew came to Fire Station #23 in Downtown Los Angeles. And I am happy to report that the interior looks almost exactly the same today as it did in 1984 when Ghostbusters was filmed! Amazing!

The boys’ back office area is not there in real life, though, and I am assuming it was just a set that was added solely for the filming.

The upstairs of the firehouse was used in the filming, as well, but unfortunately I didn’t get to see that area while I was there.

Five years later cast and crew returned to Fire Station #23 once again to film the interior scenes for Ghostbusters II.

And I just about died when I spotted the wooden wall adornment pictured above, which was featured in the sequel. So cool!

The firehouse was also featured in 1994’s The Mask, in which it doubled as Jim Carrey’s deceitful car mechanic’s office.

He later vandalizes the place after turning into “The Mask”.

In 2003’s National Security, the firehouse was used as the location of Earl Montgomery (aka Martin Lawrence) and Hank Rafferty (aka Steve Zahn’s) stakeout. Only the exterior of the building and a very small portion of the interior (pictured above) were featured in that shoot, though. Firehouse #23 has also appeared in V.I. Warshawski, Police Academy 2, Flatliners, Set It Off, RE(e)volution, Big Trouble in Little China, in the television series Firehouse, and in the Season 4 episode of The A-Team entitled “The Road to Hope”. All in all, it has been featured in more than 50 commercial, television, movie, and music video productions over the years.

Until next time, Happy Stalking! 🙂

Stalk It: Fire Station #23, aka the firehouse from Ghostbusters, is located at 225 East Fifth Street in Downtown Los Angeles. Unfortunately, the station is not in the safest of areas, so please exercise caution if you choose to stalk it. You can visit the CHAC Fire Station #23 website here.

February 2, 2010February 2, 2010

The Standard Hotel Rooftop Bar in Downtown Los Angeles

Another Fracture filming location that I recently stalked – without actually realizing it – was the Standard Hotel’s Rooftop Bar in Downtown L.A. I say “without actually realizing it” because at the time I stalked the place I had no idea it was a filming location. I ended up there while on the way to the Los Angeles airport where I was dropping off my good friends from Switzerland who were flying home after a two week visit. I thought it would be nice to stop for a cocktail at an L.A. hot spot before their flight took off and so I got to Googling, whereupon I found a myriad of websites all touting the amazing views that could be found at the Standard’s rooftop watering hole. So, we made a pit stop there before heading to LAX and, as fate would have it, the place turned out to be the PERFECT spot for my friends to bid their farewells to Los Angeles.

Downtown L.A.’s Standard Hotel opened up in May of 2002 and was the brainchild of famed hotelier Andre Balazs, the same man who gave us New York’s Mercer Hotel, the original Standard Hotel in West Hollywood, and the updated version of Hollywood’s legendary Chateau Marmont. The twelve story building now known as the Standard was originally built in 1952 and housed the Southern California headquarters of Superior Oil. The structure, which was designed by architect Claude Beelman, had stood vacant for over a decade when Balazs purchased it in 2000. He left most of the original architectural details intact, including the two-story lobby area’s stainless steel time zone clock which displays the times of 15 different countries and stands at over ten feet tall, the oil mining frieze located above the entrance doors, a pair of escalators (left over from when Union Bank of California occupied the building), the black and white marble flooring, and the original S-shaped door handles. To that he added shag carpeting, an absolutely enormous digital wall hanging, a sunken lounge area, an outdoor fire pit, a 125 foot long couch designed by Vladimir Kagan, and a foosball table station situated next to the valet desk. It’s retro-modern decor at its finest! The Standard’s piece de resistance, though, is its 1,220 square foot Rooftop Bar, which features astro-turf, a heated swimming pool, outdoor sofas, a dance floor, numerous topiaries, vibrating waterbeds, movies which are projected onto the walls of neighboring buildings, red plastic “pod” gazebos, Verner Panton-designed furniture, a fab menu and a full bar.

Oh, and did I mention the view? Yes, the bar also features an absolutely breath-taking, awe-inspiring view of Downtown Los Angeles.

So breath-taking and awe-inspiring, in fact, that it’s almost impossible to do anything but stare out at the skyline while there. The above photograph was taken of my friend Stephanie while at the bar and it perfectly encapsulates how one feels while visiting the place. 🙂 Of the hotel, Travel + Leisure Magazine said it is “Los Angeles like you have never seen it before.” My sentiments exactly!

The Standard Rooftop Bar is such a unique spot that it became an almost immediate celebrity magnet. Stars such as Owen Wilson, Charlize Theron, Leonardo DiCaprio, Tobey Maguire, Mark Wahlberg, Lara Flynn Boyle, Moby, Nicolas Cage, and Sophia Coppola have all been spotted hanging out there. And I honestly can’t recommend stalking the place enough! Whether you’re a native Angelino or a first-time visitor to Southern California, I can’t think of a better place from which to enjoy the City of Angels.

Due to its unique architecture and unparalleled views of the city, the Standard has become a frequent filming location. In Fracture, the Standard’s Rooftop Bar is featured very briefly as the spot where Willy Beachum (aka Ryan Gosling) meets up with Nikki Gardner (aka Rosamund Pike) after losing his court case against Ted Crawford (aka Anthony Hopkins).

The bar was also featured in the Season 3 episode of Entourage entitled “Strange Days” as the spot where Eric Murphy (aka Kevin Connolly) meets up with Sloane’s best friend Tori (aka Malin Akerman).

In Collateral, Jamie Foxx “borrows” a stranger’s cell phone while out in front of the Standard’s main entrance. And last, but not least, the hotel was also where Robert Downey Jr. stayed in the 2005 movie Kiss Kiss Bang Bang, which I unfortunately don’t own a copy of.

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Until next time, Happy Stalking! 🙂

Stalk It: The Standard Hotel is located at 550 South Flower Street in Downtown Los Angeles. You can visit their website here.