celebrites – Page 2 – IAMNOTASTALKER

December 18, 2013December 17, 2013

The “Four Christmases” Church

Due to the fact that Christmas movies filmed in the L.A. area are few and far between, I typically only compile about five holiday-themed locales to blog about each year. (If I could swing an entire month of Christmas posts, believe me, I would.) This year was no different and because there are only five blogging days left until Christmas, you know what that means – my Yuletide posts start today! Yay! So here goes. Last January, while on the hunt for locations from Four Christmases, I managed to track down New Life Community Church, the Hawthorne parish that masqueraded as the United Church of Faith and Worship, Piedmont Branch, in the 2008 comedy. So I dragged the Grim Cheaper right on over to stalk it a couple of weeks ago, after first stopping by Marilyn Monroe’s childhood home (which I blogged about here).

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While most of the interior spaces that appeared in Four Christmases were studio-built sets, I knew from the movie’s production notes that an actual religious institution in Hawthorne was used for the filming of the church scene. Because only the inside of it was shown, though, I had a tough time tracking it down. That is, until I came across production designer Shepherd Frankel’s FABULOUS website last year, on which were posted exterior photographs of the ultra-modern-looking parish where filming took place. From there I just did a Google search for modern places of worship in Hawthorne and was fairly quickly led to images of New Life Community Church.

New Life Community Church pops up towards the middle of Four Christmases (in the second Christmas vignette), in the scene in which Marilyn (Mary Steenburgen) takes her daughter Kate (Reese Witherspoon) and Kate’s boyfriend, Brad (Vince Vaughn), to a bit of an unconventional mass to meet her new boyfriend, Pastor Phil (Dwight Yoakam). While there – and despite Kate’s massive stage fright – Kate and Brad get roped into portraying Mary and Joseph in a reenactment of the Nativity of Jesus. According to the production notes, the church’s hi-tech style was not the original design concept. Director Seth Gordon states, “Pastor Phil was originally meant to play guitar and deliver a brief sermon, but Dwight brought such stature and swagger to it, with his arms raised and a booming voice that played to the furthest pews.” From there, the design scheme of the church was changed to include a large stage, huge video screen backdrops, colored lights, smoke, and blasting music. Frankel says, “The church was an environment that morphed considerably from its earliest conception. Pastor Phil’s sermon was originally written as something with a dilapidated smoke machine on a bare stage, but once Dwight got involved, it turned into a real rock n’ roll event with projection screens and lighting cues and neon illuminating the nativity. We did keep the smoke, though, and made it a key visual element to the set.”

Sadly, New Life Community Church was not open when we showed up to stalk it, so I was not able to get any interior photographs of the place. But you can see some on the church’s official Facebook page here.

Despite the fact that the church’s architecture is unusual to say the least, I could not find any information whatsoever about its construction or history online. The only thing I was able to discern – thanks to the Historic Aerials website – was that the structure was built sometime after 2005.

For more stalking fun, be sure to follow me on Facebook, Twitter, Instagram and Los Angeles magazine online. And you can check out my other blog, The Well-Heeled Diabetic, here.

Until next time, Happy Stalking! Smile

Stalk It: New Life Community Church, from Four Christmases, is located at 5009 West 119th Street in Hawthorne. You can visit the church’s official website here.

December 17, 2013December 17, 2013

The Guesthouse Hotel from “National Lampoon’s Vacation”

Once fellow stalker Owen, of the When Write Is Wrong blog, tracked down the Town House Motel from National Lampoon’s Vacation (which I blogged about here) a couple of weeks back, he set about trying to find the hexagon-shaped pool where Clark W. Griswold (Chevy Chase) went skinny dipping with The Girl in the Ferrari (Christie Brinkley) in the 1983 flick. After, as he said, “putting in more Google search permutations and combinations than I can count,” he came across the locale right in the heart of Norwalk, of all places. As you can imagine, I was absolutely chomping at the bit to stalk it as soon as he gave me the address (I was thisclose to driving from Palm Springs to Norwalk for the day), but did not manage to make it out there until last week when the Grim Cheaper and I were in L.A. for a brief visit.

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While sleuthing – and only after looking at a lot of results pages – Owen was led to this Panoramio photograph of a phone booth in Norwalk, on which a commenter named Joe Gattuso happened to mention that he was fairly certain a nearby hotel named the Guesthouse International was used in the filming of National Lampoon’s Vacation. So Owen did a Google search for images of the Guesthouse pool and, sure enough, it was the spot where Clark had skinny dipped. Woot woot!

The Griswold clan – Clark and his wife Ellen (Beverly D’Angelo), son Rusty (Anthony Michael Hall) and daughter Audrey (Dana Barron) – check into the Guesthouse International, which is said to be located about ten hours outside of Los Angeles, towards the end of National Lampoon’s Vacation. While there, Clark and Ellen get into a fight and Clark winds up heading to the hotel bar alone, where he encounters The Girl in the Ferrari. Sadly, the Guesthouse’s lounge area has been completely remodeled in recent years, according to the super nice hotel employee that I spoke with, and no longer looks anything at all like it did in Vacation. Boo! (It was closed at the time that I was stalking the hotel, so I was not able to get any photographs of it in its current state.)

After a few drinks, Clark and The Girl in the Ferrari decide to go skinny dipping in the hotel’s pool (“This is crazy! This is crazy! This is crazy!”) and end up waking up all of the guests, including Clark’s family, while doing so.

I am fairly certain that the area where the scene took place is right about where the Jacuzzi (which was not there when the movie was filmed) is today.

At the time of the filming, the hotel was known as the Saddleback Inn. You can see a photograph of it from that era here. Amazingly enough, despite a name change (that resulted from what I am guessing was a change of ownership), the place still looks pretty much exactly the same today as it did in 1982 when Vacation was filmed. Seriously, how cool is that? Over three decades later and the place is still completely recognizable! LOVE IT!

I am fairly certain that one of the hotel’s actual rooms was also used in the filming, but because the hotel interiors have since been updated, it is impossible to tell. You can see some photographs of what the rooms currently look like here.

Today, the Guesthouse International Hotel boasts 230 rooms, 8 acres, 6 buildings, 2 pools, 1 Jacuzzi – and a partridge in a pear tree. Winking smile According to the Desert USA website, President Ronald Reagan even stayed there at one point in time.

I was absolutely floored to see the pride that the Guesthouse takes in its cinematic history. Signs stating that Vacation was filmed on the premises are posted throughout the lobby and by the pool. I so wish more hotels would do this sort of thing!

The super nice employee that I spoke with also informed me that the lobby area was used in the filming of the Lifetime movie Drew Peterson: Untouchable. Unfortunately though, I could not find a copy of the production with which to make screen captures for this post.

Big THANK YOU to fellow stalker Owen, of the When Write Is Wrong blog, for finding this location! Smile

Until next time, Happy Stalking! Smile

Stalk It: The Guesthouse International Hotel, where Clark skinny dipped in National Lampoon’s Vacation, is located at 12500 Firestone Boulevard in Norwalk. You can visit the hotel’s official website here. There are two pools located on the premises – the one that appeared in Vacation is the larger of the two, located on the eastern side of the property, closest to the lobby.

December 16, 2013May 8, 2019

Citizens Bank Building from “The Sting”

Upon landing my new gig writing for Los Angeles magazine’s CityThink blog, I comprised a list of iconic SoCal locales to spotlight in my weekly column, one of which was the Santa Monica Pier Carousel from 1973’s The Sting. The only problem was that I had never actually seen The Sting. Neither had the Grim Cheaper. So I set out to remedy the situation and immediately ordered the DVD from Amazon. We watched it shortly after it arrived and I was shocked at how good it was – forty years later! Not to mention the fact that the locations absolutely blew my mind. While The Sting takes place in 1936 Chicago, the vast majority of it was lensed in 1973 Los Angeles, with a significant portion of the filming taking place in my former hometown of Pasadena. Shockingly, I did not recognize any of the Rose City locales that were featured and when I started doing research on the flick, I just about fell out of my chair. One spot used prominently towards the end of the movie was the J. Crew store in Old Town, a place I used to shop at on a weekly basis! So while I was in L.A. last week, I spent one particularly cold morning (the GC said my outfit above resembled Nanook of the North) stalking the flick’s Pasadena locations, one of which was the historic Citizens Bank Building.

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The Citizens Bank Building was constructed in quite an unusual manner. The bottom floor of the structure was built in 1906 to house Citizens Bank. The site was designed by architects John Parkinson [who also gave us the Bullocks Wilshire department store from Christmas Vacation (which I blogged about here) and Union Station (which I blogged about here)] and George Edwin Bergstrom.

In 1914, when Citizens Bank was ready to expand, Parkinson and Bergstrom added the top six levels to the structure, creating the seven-story building that stands today.

The square cast metal clock featured on the corner of the edifice was added in 1926 and is still currently in working condition.

Citizens Bank occupied the site until September 2004, at which point it was sold to a developer, who immediately began a large renovation. The first-level former bank area was gutted entirely and now serves as offices for the Dilbeck real estate company.

I found this spot thanks to The Worldwide Guide to Movie Locations and just about fell over when I did, due to the fact that the GC had an office in the Citizens Bank Building for years. His office was reached via a side door, though, and neither of us had ever seen the interior of the bottom floor bank space during his tenure there.

The bank popped up in the beginning of The Sting, in the montage scene in which grifter Henry Gondorff (Paul Newman) is shown getting together a team of people to help exact revenge on Doyle Lonnegan (Robert Shaw).

The space is only featured for a brief moment in the scene and only a very small portion of the interior is shown.

The interior of the former bank area, post-remodel, is pictured below. While researching this location, a few things gave me pause as to whether it was the bank that was used in The Sting. For instance, the shape and spacing of the windows that appeared onscreen don’t seem to match up to the building’s actual windows. And in a very frustrating twist, I could not find any interior photographs of the space prior to its renovation to verify that it was the location used. I even contacted the current property manager and sent her screen captures from the movie, but she was uncertain as well. Boo! If anyone out there has any photographs of the site pre-remodel, please let me know as I’d love to verify this locale.

Until next time, Happy Stalking! Smile

Stalk It: The Citizens Bank Building from The Sting is located at 255 East Colorado Boulevard in Pasadena.

December 10, 2013December 9, 2013

Melrose Avenue from “L.A. Story”

Another L.A. Story location that has been waiting patiently in my stalking backlog is the block of Melrose Avenue where Harris K. Telemacher (Steve Martin) and Sara McDowel (Victoria Tennant) walked and talked after attending a fundraiser for a private art museum in the 1991 flick. Unfortunately though, because the movie was lensed over twenty years ago and that area of Melrose has changed quite a bit during the interim, I am unsure of the exact spot where filming took place. But I sure did my best to try to pinpoint it.

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While watching Harris and Sara’s walk-and-talk scene in L.A. Story, I noticed a neon sign in the background that spelled out “Wacko.” Harris had mentioned in the scene that they were wandering down Melrose, so I decided to begin my hunt there and did a Google search for “Wacko” and “Melrose Avenue.” Sure enough, I was led to an April 1997 Los Angeles Times article that stated, “Wacko, a toy and trinket shop with a bizarre inventory ranging from eyeball magnets to ‘mystic smoke for fingertips,’ is famous for its colorful neon name sign that has become an icon of hipness known worldwide.” (I must not be all that hip being that I had been completely unaware of the sign prior to reading the article. Winking smile ) From there, finding the address of the former Wacko storefront – at 7404 Melrose Avenue – was fairly easy.

It was not until later that I realized a street sign for “Martel Avenue” was visible in the background of the scene. My search would have been a whole lot easier had I noticed that earlier! D’oh!

Wacko was originally established in 1984 by entrepreneur/art collector Billy Shire. Shire’s parents had founded the Soap Plant, a boutique specializing in handmade soap, ceramics and leather clothing, in Los Feliz in 1971. In 1980, Billy took over the family business and moved it to a strikingly unique corner building at 7400 Melrose Avenue. The new space was larger, enabling Billy to expand his wares to include jewelry and books. Four years later, when two vacant storefronts located next door to the Soap Plant became available, he opened a “pop culture toy shop” named Wacko, aka “The Second Happiest Place on Earth.” Besides selling Japanese robots, wind-up trinkets and games, Wacko also offered the largest selection of postcards in all of Los Angeles. In 1986, Shire founded an art showplace named La Luz de Jesus Gallery in the space located upstairs from the Soap Plant and Wacko. All three were so successful that nine years later he opened up sister locations in a 6,500-square-foot space at 4633 Hollywood Boulevard in Los Feliz. Sadly, as the Melrose Avenue clientele shifted from punk to hipster in the late ‘90s, his business began to decline and he wound up closing his outposts there in 1997. His Hollywood Boulevard shops are still alive and well, though. Today, Wacko’s former Melrose Avenue home is the site of a boot shop and cell phone store. You can check out what the building looked like during the Wacko days here.

While the former Wacko building was an easy find, I still have not been able to pinpoint the exact storefronts that Harris and Sara walked in front of in L.A. Story. It is clear from the position of Wacko’s neon sign in the scene that the two were on the north side of Melrose Avenue, heading east from the Martel Avenue intersection towards North Fuller Avenue. None of the storefronts on that particular block match up to what appeared onscreen, though.

Granted a lot can change in 22 years time, but I was absolutely certain that I would find something that had remained the same, something that would allow me to identify the exact storefronts. Sadly though, the Grim Cheaper and I walked up and down that particular block of Melrose several times, screen captures in hand, without turning up a single thing.

The storefront that I most wanted to locate was the spot with the neon-decorated three-panel window, where Harris and Sara paused and where Harris uttered his famous line, “So there I was jabbering at her about my new job as a serious newsman – about anything at all – but all I could think was wonderful, wonderful, wonderful, wonderful, wonderful, and most wonderful, and yet again, wonderful.”

While I originally thought that the window that appeared behind them in the scene was arched, as you can see in the screen capture pictured below (which I lightened a bit), that is not actually the case. Some sort of arched backdrop was used to create that illusion, but in reality the window is rectangular in shape.

My best guess is that the storefront used is the one located at 7365 Melrose Avenue, which now houses Freak Chic Tattoo. That is just a guess, though. While the shop does boast a similarly-shaped three-panel window, because there are no other identifying marks, it is virtually impossible to say for sure.

Until next time, Happy Stalking! Smile

Stalk It: Harris and Sara’s walk-and-talk from L.A. Story took place on the 7300 block of Melrose Avenue in Los Angeles’ Fairfax district. The couple was on the north side of the street in the scene, near the storefronts located at 7377 and 7383, heading east. I believe that Harris and Sara stopped in front of the storefront located at 7365 Melrose Avenue. The former site of Soap Plant and Wacko can be found at 7400/7404 Melrose Avenue. You can visit the Soap Plant/Wacko official website here.

December 9, 2013December 6, 2013

The Former KCET Studios from “L.A. Story”

While perusing through my extensive backlog of stalking photographs recently, I realized that there were a few L.A. Story locales that I had yet to blog about, one of which was the former site of KCET Studios in Los Feliz, where Harris K. Telemacher (Steve Martin) worked in the 1991 comedy. I had actually stalked the spot way back in May, but, for whatever reason, never got around to writing about it. So here goes.

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The 4.5-acre lot located at 4401 Sunset Boulevard in Los Feliz has been the site of a moviemaking facility just shy of one hundred years. The first studio to be established there was Lubin Manufacturing Company in 1912, which was founded by film producer Siegmund Lubin to create educational videos. After he sold the location in 1913, it changed hands numerous times and then was eventually purchased by an actor named Charles Ray in 1920. Ray built several red brick structures on the premises, most of which still stand to this day. He also constructed a cutting-edge soundstage with a glass-enclosed stage, glass roof, removable sides, a water tank, and extensive electrical equipment. Amazingly, that soundstage, known as Studio A, is still currently in use. When Charles Ray Productions went bankrupt in 1923, the locale again went through a succession of different owners including Monogram Pictures, Allied Artists, and ColorVision. In 1971, KCET purchased the facility for $800,000. The company remained there for the next 40 years.

The studio, which was named a Los Angeles Historic-Cultural Monument in 1978, was acquired by the Church of Scientology to be used as one of their “production of religious and social betterment audiovisual properties” in April 2011.

In L.A. Story, KCET Studios stood in for the KYOY 14 news facilities. The exterior of the structure was shown in one of the movie’s opening scenes, in which Harris arrived at work to give his daily wacky weather report. In the scene, he drove through the studio’s east entrance, which is located near 1441 North Hoover Street.

I am fairly certain that the area where Harris parked his car in the scene is on the studio’s north side, near the intersection of Sunset Drive and North Commonwealth Avenue. I could not match the exact angle of the screen capture below being that the spot where Harris parked is located on the studio grounds, but I believe the street visible behind him is North Commonwealth Avenue.

And that the satellite pictured below is the one he parked next to.

The interior of one of the studio’s soundstages was also used as the KYOY 14 news set in the film.

Thanks to Mike, from MovieShotsLA, I learned that the exterior of the former KCET Studios was also featured as the City Emergency Hospital where Dr. Miles J. Bennell (Kevin McCarthy) was evaluated in the 1956 horror flick Invasion of the Body Snatchers.

I believe that the area used as the hospital entrance is the gate located near 4368 Sunset Drive, just east of where Harris parked his car in L.A. Story.

Until next time, Happy Stalking! Smile

Stalk It: The former KCET Studios, from L.A. Story, is located at 4401 Sunset Boulevard in Los Feliz. The entrance that Harris drove through in the flick can be found near 1441 North Hoover Street, in between Fountain Avenue and Sunset Drive. The area where he parked is located just south of the intersection of Sunset Drive and North Commonwealth Avenue. The City Emergency Hospital gate from Invasion of the Body Snatchers can be found near 4368 Sunset Drive, slightly east of where Harris parked his car in L.A. Story.

December 6, 2013December 15, 2013

Marilyn Monroe’s Childhood Home

One location that had been on my To-Stalk list for what seemed like ages was the Hawthorne-area home where my girl Miss Marilyn Monroe spent the first eight-and-a-half years of her life. Fellow stalker Lavonna had texted me the address years ago, but because I so rarely find myself in that neck of the woods, I was never able to make it out there. Until a couple of weeks ago, that is, when I realized that the residence was not too far from a hotel near LAX where the Grim Cheaper and I happened to be staying. So I dragged him right on over to stalk it (and to a Four Christmases locale that I will be writing about in late December).

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Gladys Mortensen was single, living in Hollywood and working as a film cutter at Consolidated Film Industries when she became pregnant with Marilyn in 1925. In December of that year, shortly before she was to give birth, she headed to Hawthorne in the hopes that she could move in with her mother, Della, for a brief time before and after the delivery. Della had other plans, though – she was about to sail to Borneo to make amends with her estranged husband, Charles Grainger, who was working in the oil fields there. Arrangements were instead made for Gladys to stay across the street at the home of Wayne and Ida Bolender, a deeply religious couple who served as foster parents to several children.

The Bolenders had moved into the 3-bedroom, 1-bath, 1,376-square-foot clapboard residence pictured below in 1919. At the time, the home, which was built in 1913, boasted 4 four acres of land (it now sits on a 0.20-acre parcel), where the family raised chickens and goats and grew vegetables. The property’s original address was 459 East Rhode Island Street, but during the re-districting of the area in the ‘30s and ‘40s it was changed to 4201 West 134th Street. You can see a photograph of the house from the time that the Bolenders owned it here. It is absolutely REMARKABLE how little of it has changed over the past ninety-plus years! You can also check out a picture of a newborn Marilyn in front of the dwelling here, in which a “459” address placard is visible in the background. So incredibly cool!

Gladys gave birth on June 1st, 1926 in the charity ward of Los Angeles General Hospital. She named her new daughter Norma Jeane Mortensen. After twelve days, the two returned to the Bolender’s. Gladys spent about three weeks at the Hawthorne house with Marilyn before heading back to Hollywood and her job at Consolidated in July. She left her baby behind, paying Wayne and Ida $5 a week to care for her. Contrary to what has been reported, Gladys did not abandon Marilyn entirely, but came to visit her on a weekly basis, often spending the night.

When Gladys’ son from her first marriage, Jackie, from whom she was estranged, died at the age of 14 in August 1933, she became compelled to regain custody of Norma Jeane. She took on a second job and by October 1934, had saved enough money to purchase a six-thousand-dollar house (at 6812 Arbol Drive in Hollywood – sadly, it’s no longer standing). That same month, eight-year-old Marilyn left the Bolenders and moved in with her mother. She didn’t stay long, though. Gladys had a nervous breakdown in late December and was committed to an asylum, at which point Norma Jeane was sent to live with one of her mother’s good friends, Grace McKee. She didn’t stay there long, though, either. By 1935, Gladys could no longer afford to care for Marilyn and sent her to the Los Angeles Orphan’s Home (now Hollygrove Home for Children, which I blogged about here). The girl who would become the world’s most famous blonde spent the remaining years of her childhood being bounced around from foster parents to family members. Then, at the tender age of 16, she married her first husband, James Dougherty, and moved into a guest house in Sherman Oaks, which also, unfortunately, no longer stands. You can read my blog post on that location here.

For more stalking fun, be sure to follow me on Facebook, Twitter, Instagram, and Los Angeles magazine online. And you can check out my other blog, The Well-Heeled Diabetic, here.

Big THANK YOU to fellow stalker Lavonna for telling me about this location!

Until next time, Happy Stalking!

Stalk It: Marilyn Monroe’s childhood home is located at 4201 West 134th Street in Hawthorne.

December 3, 2013December 2, 2013

Mr. Hart’s Mansion from “Nine to Five”

One of my favorite movies growing up was the 1980 comedy Nine to Five. I would watch it on an almost daily basis (no joke!) and practically had the thing memorized. I can still belt out the theme song to this day, in fact. (I am guessing the majority of my fellow stalkers can, too.) A couple of weeks ago, while rummaging through our DVD collection, I happened to come across the flick and realized I had not seen it in years, so I immediately popped it in. I was a little afraid that it would not live up to my memories of it, so I was floored to find myself laughing throughout. The movie definitely stands the test of time. That garage-door-opener/hang-glider contraption was pure genius! Anyway, immediately after watching, I, of course, headed straight to my computer to do some location sleuthing and was floored to discover that the mansion belonging to Franklin M. Hart Jr. (Dabney Coleman) in the flick had already been identified and that, according to the photos I found, still looked pretty much exactly the same as it did in Nine to Five. So I ran right out to stalk it while I was in L.A. a couple of weeks ago.

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In Nine to Five, Doralee Rhodes (Dolly Parton), Violet Newstead (Lily Tomlin) and Judy Bernly (Jane Fonda) hold their “sexist, egotistical, lying, hypocritical bigot” of a boss, Mr. Hart, hostage (by forcing him into a hang gliding harness strapped to a customized garage door opener) for three weeks at his stately Tudor mansion while they try to find proof that he has been embezzling money.

As you can see below, today the house has quite a bit of foliage blocking its visibility from the street and the western portion of it seems to have been remodeled a bit since Nine to Five was filmed. Otherwise though, little else of the dwelling has been altered in the ensuing years.

In real life, the 1932 mansion boasts seven bedrooms, ten baths (!!!), 9,738 square feet of living space, and a 1.76-acre lot.

I was unable to determine if the estate’s actual interior appeared in Nine to Five, as I, unfortunately, could not find any interior photographs of the place online. In 1984, the abode was featured extensively in the pilot episode of Murder, She Wrote, which was titled “The Murder of Sherlock Holmes.” (Pictured below.) The interior shown in the episode looks completely different than the interior of the house from Nine to Five, though, so either the property was remodeled in between productions or a set was built for the filming of the movie. (It is highly unlikely that a set was built for Murder, She Wrote as the mansion only appeared in one single episode.)

Pictured below is the kitchen that appeared in Nine to Five, as compared to the kitchen that appeared in Murder, She Wrote. As you can see, they do not even remotely resemble each other.

Neither do the living rooms;

or stairways.

Further confusing the matter is that in Murder, She Wrote, a different location altogether was shown in establishing shots of the exterior of the mansion at night. And while I at first thought that interior filming might possibly have taken place at that second mansion, that does not appear to have been the case.

In “The Murder of Sherlock Holmes,” there is a shot of a character walking out of the interior of the residence onto the front porch, in which the exterior steps, arched façade and paneled front door are visible. Those elements match the exterior of the Nine to Five mansion (which you will be able to see more clearly later on in this post). I’ll leave it up to my fellow stalkers to be the judge on this one, but my best guess is that the interior of Mr. Hart’s mansion was just a set.

The exterior of the mansion also appeared very briefly in set-up shots of Bel-Air in the Season 1 episode of Dragnet titled “The Big Jade,” which aired in 1967.

The Nine to Five mansion was also where Jim Rockford (James Garner) and Warren Weeks (a very young Ron Rifkin) hid from the police by crashing a wedding in the Season 3 episode of The Rockford Files titled “The Trouble with Warren,” which aired in 1976.

As you can see below in a screen capture from Murder, She Wrote as compared to a screen capture from The Rockford Files, the front door, brick steps and arched overhang that appear in both episodes match each other perfectly.

A small portion of the interior of the mansion also appeared briefly in “The Trouble with Warren.”

And while the residence was also reportedly used in the 1981 television miniseries Jacqueline Susann’s Valley of the Dolls, I could not find a copy of that production with which to verify that information.

On a sad side note – I was heartbroken to learn that Paul Walker passed away in a car accident on Saturday afternoon. I had the pleasure of meeting Paul last December and he was easily one of the nicest celebrities I have ever encountered. You can read about his legendary kindness in this fabulous CNN article. And you can read about my experience meeting Paul on the Mike the Fanboy website here. Such a tragic loss.

Until next time, Happy Stalking! Smile

Stalk It: Mr. Hart’s mansion from Nine to Five is located at 10431 Bellagio Road in Bel-Air.

December 2, 2013December 2, 2013

The Town House Motel from “Vacation”

As I mentioned in last Wednesday’s post, fellow stalker Owen, of the When Write Is Wrong blog, recently got on a kick of tracking down missing locations from his all-time favorite comedy, the 1983 classic National Lampoon’s Vacation. One of the locales he managed to find was the Town House Motel in Glendale, where Clark W. Griswold (Chevy Chase) and his family – wife Ellen (Beverly D’Angelo), son Rusty (Anthony Michael Hall) and daughter Audrey (Beverly Hills, 90210’s Dana Barron) – spent the first night of their road trip from Chicago to Los Angeles. [I also did some digging and pinpointed the gas station where Clark tried to fill the new Wagon Queen Family Truckster (it’s the Little America Hotel at 2515 East Butler Avenue in Flagstaff, Arizona) and the rest stop where he danced with a sandwich (it’s the Shaw Creek Rest Area near 25090 Highway 160, just east of El Dorado Lane, in South Fork, Colorado).] And while Owen informed me that the Town House Motel was, sadly, no longer standing, I figured since I was already in the area stalking the car dealership from the film, I might as well drop by.

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Towards the beginning of Vacation, Clark and the gang spend the night at a roadside lodging somewhere outside of St. Louis, Missouri. They wind up at the motel unexpectedly, after Clark, who has fallen asleep at the wheel, pulls in there accidentally. In the scene, the Griswold’s Wagon Queen Family Truckster (newly-adorned with graffiti that spells out “Honky Lips” LOL) goes careening down West Campus Street, heading south. It then veers across East Colorado Street and straight into the parking lot of the Town House Motel, losing a few pieces of luggage in the process.

While watching the scene, Owen had spotted an address number of “1510” above the property’s front entrance. From there, he did a Google search for “1510,” “motel” and “Los Angeles,” and one of the first results to pop up was an eBay sale for a 1950s matchbook from the Town House Motel located at 1510 East Colorado Street in Glendale. As he quickly discovered via a Street View search of that address, though, the structure had been bulldozed and a new, much larger hotel was now standing in its place. Sadness! You can check out what the Town House used to look like here and here.

The new property is named the Glendale Lodge and, as you can see below, it looks nothing at all like the former Town House.

I am fairly certain that one of the Town House’s real life rooms was also used in the filming, although the vibrating bed was most likely a prop. Winking smile

Big THANK YOU to fellow stalker Owen, of the When Write Is Wrong blog, for finding this location! Smile

Until next time, Happy Stalking! Smile

Stalk It: Glendale Lodge, aka the former site of the Town House Motel from Vacation, is located at 1510 East Colorado Street in Glendale.

November 25, 2013November 23, 2013

The Mulholland Drive Boat House

I am extremely excited to announce (to those who haven’t already heard via Facebook or Twitter) that I was recently invited to contribute a weekly blog post to the CityThink section of Los Angeles magazine online. (I’m feeling so very Carrie Bradshaw! Winking smile ) My post, Scene It Before (thank you, fellow stalker Owen, of the When Write Is Wrong blog, for the title!), will chronicle filming locations (duh!) then-and-now and will run each Thursday. I could NOT be more floored about this new endeavor and hope all of my fellow stalkers will check it out each week. My first column, which was published this past Thursday, can be read here. (I actually wanted to make this announcement last Friday, but felt weird mixing in such happy news with a blog about the assassination of JFK.) And now, on with the post!

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Back in September, my mom texted me to ask if I had ever stalked a huge, white boat-shaped house on Mulholland Drive. Such a property was being featured on an episode of Million Dollar Listing that she was watching at the time and real estate agent Josh Altman had mentioned that the site was often rented out for movie and TV shoots – so much so that the owner was said to make about $700,000 a year on filming alone! (In fact, during the episode Altman loses the listing because a movie production company swept in and rented the place for four months – for $320,000! When Altman learned the unfortunate news, he asked if the flick being filmed was Titanic 2. LOL) I had never even heard of such a structure before, but was, of course, immediately intrigued. Thankfully, I found the pad rather quickly that very same night via a Google search (there aren’t that many houses shaped like ships on Mulholland Drive, I guess). One look at the images Google kicked back had me absolutely drooling. The place was easily one of the most architecturally unique residences I’d ever laid eyes on. So I ran right out to stalk it while the Grim Cheaper and I were in L.A. two weeks ago.

Before arriving at the property, I had an inkling that it would not be very visible from the street, so I was floored to discover the opposite to be true.

Kinda makes you want to scream out, “I’m the king of the world!”, huh?

The 5-bedroom, 8-bath, 4-level, 11,000-square-foot residence, which was originally built in 1992, offers glass walls, 300-degree views, 2,500-square-feet of outdoor living space, an office, a pool, 2 spas, a fire pit, a gym, a nightclub/theatre, a wine cellar, 2 kitchens, and parking for 8 cars. It was last offered for sale for a cool $6,749,000. You can check out the real estate listing, complete with interior photographs, here.

For such a unique dwelling, the entrance to the property is actually quite non-descript, as you can see in the below Google Street View image. (Unfortunately, Mulholland Drive is a very busy thoroughfare and there was absolutely nowhere for me to pull over to snap photographs in the vicinity of the, ahem, stern area.)

I was floored to discover while doing research for this post that the abode has quite a few celebrity connections. According to MailOnline.com, pop group One Direction stayed there for seven nights this past August during the last week of the North American portion of their Take Me Home tour. Harry and the gang shelled out $27,000 for the privilege. Yep, $27,000 for seven nights! (While the article also states that the boat house is located in a gated community, that information is actually incorrect. As you can see above, the home is situated right on Mulholland Drive and is quite accessible.) According to Virtual Globetrotting, model Katie Price and then-husband, singer Peter Andre, leased the residence back in 2008 and Curbed LA states that Prince rented the pad for a time, but, for whatever reason, never actually lived on the premises.

The episode of Million Dollar Listing my mom had watched back in September was Season 6’s “All Aboard,” in which Altman and his assistant, Mikey, hosted a broker’s open house at the boat-shaped residence.

Of the property, Altman said, “Some houses, they sell themselves. This one, not so much. Not only is it shaped as a ship, but it probably needs about a million dollars worth of upgrades. It looks like the freaking Love Boat in here! This thing is straight out of the ‘80s.” LOL The place is definitely unique – you gotta give it that. It is not very hard to see why the pad has been utilized so often as a filming location.

Thanks to Curbed LA, I learned that in 2002 the top ten finalists from the first season of American Idol were put up in the mansion. (Once I heard the news, I ran right home and watched our American Idol: The Search for a Superstar DVD, which chronicles the series’ first year. Man, that season was great! In my mind, no other season has even come close to comparing.) Quite a few areas of the house were shown in those episodes, including the front exterior;

the kitchen;

several bedrooms;

the pool;

the living areas;

and the carport.

That same year, the boat house was featured in Eve’s “Gangsta Lovin’” music video.

You can watch that video by clicking below.

In the Season 3 episode of Californication titled “Slow Happy Boys,” which aired in 2009, the abode was where Sue Collini (Kathleen Turner) lived and threw a rowdy party.

The interior of the property also appeared in the episode.

For more stalking fun, be sure to follow me on Facebook, Twitter, Instagram, and Los Angeles magazine online . And you can check out my other blog, The Well-Heeled Diabetic, here.

Big THANK YOU to my mom for telling me about this location! Smile

Until next time, Happy Stalking! Smile

Stalk It: The Mulholland Drive Boat House is located at 15105 Mulholland Drive in Bel-Air. You can check out a good view of the residence from Woodcliff and Cody Roads, which run just north and east of it.

November 21, 2013November 20, 2013

Roscoe “Fatty” Arbuckle’s Former West Adams Houses

I just finished reading a fabulous book about one of Hollywood’s first and biggest controversies titled Room 1219: The Life of Fatty Arbuckle, the Mysterious Death of Virginia Rappe, and the Scandal That Changed Hollywood by Greg Merritt. Prior to reading the tome, I knew little about actor/comedian Roscoe “Fatty” Arbuckle, but had always been fascinated by his rape and murder trial, which rocked Tinseltown to its core. I had actually previously stalked two of Fatty’s former West Adams homes after finding their addresses thanks to fellow stalker E.J., of The Movieland Directory, and his book Hollywood Death and Scandal Sites. My original intent was to blog about them during the month of October, but once I discovered that the pads aren’t reported to be haunted and that the Roscoe scandal did not actually take place on either premises I decided to hold off until November. So here goes!

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The tale of Fatty is a sad one. The robust comedian became Hollywood’s golden boy and one of its highest paid stars in the 1910s, after toiling penniless for years on the Vaudeville circuit. Cut to Labor Day weekend 1921, when Roscoe made the fateful decision to go to San Francisco with two friends. He stayed in Room 1219 of the Saint Francis Hotel (a location that I hope to stalk in the near future) and threw a raucous party. A young actress name Virginia Rappe was in attendance. She drank quite a bit at the soiree and, at some point, ruptured her bladder, dying four days later from peritonitis in a nearby sanitarium. One of Rappe’s friends falsely accused Arbuckle of raping Virginia and causing her death. Despite the fact that doctors found no evidence of a rape, Fatty was arrested for murder. The media had a field day denouncing the comedian and his films were soon banned in most states. His first two trials resulted in hung juries and he was finally acquitted – and given a written apology from the jury – at the third in April 1922. His career never recovered, though, and he was forced to work mostly behind the scenes under a pseudonym for the remainder of his life, which was not long. Roscoe passed away from a heart attack in 1933 at the age of 46.

According to E.J., Roscoe rented the Vienna Secessionist-style mansion pictured below in the late 1910s (although I’ve also heard reports that he lived there after his trials ended). The residence had been commissioned by businessman/real estate developer Lycurgus Lindsay (love the name!) in 1908 and was constructed of hollow hard-burned terra cotta from Western Art Tile Works, a company Lindsay owned. The property was designed by Charles Frederick Whittlesey, who also devised the original Wentworth Hotel in Pasadena, which was later re-built as the Huntington Hotel. In 1908, the home’s grounds measured over four acres, stretched from West Adams Street all the way to West 27th Street, and included three large terraced-pieces of land and a greenhouse. The dwelling, which was considered fire- and earthquake-proof, boasted three stories, a large reception hall with an art-glass window depicting a waterfall, a formal dining room, a butler’s pantry, servants’ quarters, leaded glass windows, a conservatory, and quarter-grain oak and Peruvian mahogany detailing.

According to the Los Angeles History blog, Lindsay lived at the residence, which is a Los Angeles Historic-Cultural Monument, from the time it was completed in 1910 to 1913.

At some point, the property was obtained by the Our Lady of the Bright Mount Roman Catholic Polish Church and a parish was subsequently constructed in the front yard area, almost completely obscuring the mansion from view. In fact, when the Grim Cheaper and I first went to stalk it, we drove right by the place without even realizing it was there.

It is so sad to me that such a gorgeous edifice has been so obscured. Thankfully though, one of the priests who happened to be on the premises noticed us taking photographs and invited us behind the gates for a better view.

In 1919, Roscoe leased another West Adams-area mansion located about three miles east. The property had originally been commissioned in 1905 by United States Navy Commander Randolph Huntington Miner and his wife, shipping heir Tulita Wilcox Miner. The two-story, twenty-room Tudor revival-style dwelling boasted a drawing room that could hold two hundred people, a gabled roof, a Japanese meditation garden, a koi pond, and stained glass windows. In 1917, the Miners migrated to France and leased out their home to silent film siren Theda Bara. When Theda moved out in 1919, Roscoe and his then-wife Minta Durfee moved in. A short time later, they purchased the pad from the Miners for $250,000.

According to Merritt, Arbuckle spent copious amounts to decorate the place. He writes, “He imported an intricately carved front door from Spain (cost: $12,000) and bought and bought and bought: ornate mahogany paneling, gold-leafed bathtubs, crystal chandeliers, Oriental rugs, marble counters, fine-art paintings, antique china. The red lacquer dining room table with golden-clawed feet was from China. The lanai featured a Hawaiian royal chair. There was a Japanese bridge over the pond. Forever fascinated by technical gadgetry, Arbuckle had his closets and dressers wired with lights that came on when a door or drawer was opened.” The home’s humongous detached garage had space for all six of Roscoe’s luxury cars, including his beloved custom-built Pierce-Arrow. (You can see the spire of nearby St. Vincent de Paul Church, which I blogged about here, on the right-hand side of the top photo below.)

The Virgina Rappe scandal and Roscoe’s ensuing unemployment left the actor virtually destitute. To pay for the trials (which it is rumored cost him $750,000 – and that’s 1920s money!), he deeded his mansion to Joseph Schenck. He continued to live on the premises, though, leasing the property back from the legendary producer. By June 1922, Fatty’s manager Lou Anger and his wife had rented the residence for themselves, allowing Arbuckle, whose own wife had since moved out, to stay there as well. By December of that year, the broke – and broken – comedian was living by himself in a small bungalow in Hollywood. Today, the property serves as a rectory for Congregation of the Mission and is known as the Amat House, named (I believe) in honor of the first bishop of Los Angeles, Thaddeus Amat y Brusi.

For more stalking fun, be sure to follow me on Facebook, Twitter and Instagram. And you can check out my other blog, The Well-Heeled Diabetic, here.

Big THANK YOU to E.J., of The Movieland Directory, for writing about these locations in his book Hollywood Death and Scandal Sites!

Until next time, Happy Stalking!

Stalk It: Fatty Arbuckle’s former homes are both located in the West Adams District of Los Angeles – the Lycurgus Lindsay house can be found at 3424 West Adams Boulevard and the Amat House is located at 649 West Adams Boulevard.