The Ultimate Guide to the Los Angeles Filming Locations of “Say Anything . . . “

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1989. The year the Berlin Wall fell, Disney-MGM Studios opened at Walt Disney World in Orlando, Florida, Game Boy was released by Nintendo, and, on April 14th, Say Anything . . . debuted. Cameron Crowe’s romantic tale of eternal optimist Lloyd Dobler (John Cusack) and his resolute love for classmate Diane Court (Ione Skye) remains a standout teen romance today, almost three decades after its release, and has inspired countless onscreen and real life imitations in the form of trench coat-wearing paramours expressing their love via a boombox held high overhead. Though set in Seattle, Washington, outside of a few establishing shots and some B-roll footage lensed in the Pacific Northwest, the movie was filmed in its entirety in Los Angeles. In honor of the flick’s 28th anniversary, I teamed up once again with Greg Mariotti, from Crowe’s official The Uncool website, to chronicle the L.A.-area locales featured in the timeless tale.

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1. Corey Flood’s House (2545 Ganesha Avenue, Altadena) – Though an establishing shot of a traditional two-story home at 3627 Northwest 65th Court in Seattle was used to portray the residence of Lloyd’s gumptious BFF Corey Flood (Lili Taylor), all actual filming took place a good 1,100 miles away at a dwelling in Altadena.

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2. Lloyd’s Apartment (318 South Canyon Blvd #3, Monrovia) – The non-descript apartment building where Lloyd lives with his sister, Constance (who was played by Cusack’s real life sister, Joan), and nephew, Jason (Glenn Walker Harris Jr.), is another San Gabriel Valley locale. The two-story complex can be found on a shady street in Monrovia, looking much the same today as it did onscreen 28 years ago. The actual interior of Unit #3, including the bathroom where Lloyd calls Diane for the first time, was utilized in the film.

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3. Lakewood High School Graduation – Santa Monica College Amphitheatre (1900 Pico Boulevard, Santa Monica) – The large amphitheater where Diane gives her famous “I’ve glimpsed our future and all I can say is, ‘Go back!’” valedictorian speech is sadly no longer standing. Formerly located at Santa Monica College, the arena was razed in 2009 to make way for a student services building.

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4. Post-Graduation Meet-Up – Lacy Park (1485 Virginia Road, San Marino) – Following the graduation ceremony, Lakewood High’s Class of ’88 gathers at San Marino’s picturesque Lacy Park to take photos and greet loved ones. While there, James Court (John Mahoney) gifts Diane with a car and Corey snaps a down-low picture of Lloyd stealthily posing with an unaware Diane. The sprawling park also pops up later in the movie in the montage scene in which Diane and Lloyd walk, talk and kiss in the rain.

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5. Diane’s House (140 South Norton Avenue, Windsor Square) – Supposedly located in a Seattle suburb, the two-story dwelling where Diane and James live can be found in Windsor Square. Partial views of the exterior and the pad’s real life interior – including the dining room, a bedroom, the living room and kitchen – were utilized in the shoot. Amazingly, the home has remained virtually untouched since filming took place. You can check out some photographs of it here.

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6. Golden Seasons Retirement Home – Tierra del Sol (9919 Sunland Boulevard, Sunland) – Two different locations were used to represent Golden Seasons, the retirement home run by James. All exterior filming took place at Sunland’s Tierra del Sol, a support and training center for disabled adults that was originally established in 1971. Though the organization’s kitchen also appeared in the movie, all other interiors were shot at the now-defunct Scripps Home, an assisted living facility formerly located at 2212 El Molino Avenue in Altadena. While Tierra del Sol still looks much the same as it did in Say Anything . . ., Scripps Home was razed in 2008 and a new, larger senior housing project now stands in its place.

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7. Vahlere’s House (1686 Homewood Drive, Altadena) – Lloyd refuses to allow Diane to leave the country for her upcoming fellowship without attending Vahlere’s (Eric Stoltz) “graduation thing,” and, after quite a bit of prodding, she finally agrees to be his date. The raucous party was shot at a large 7-bedroom, 8-bath, 6,637-square-foot dwelling in Altadena. Both the interior and exterior of the property were featured in the movie.

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8. Mike’s House (4936 Sunnyslope Avenue, Sherman Oaks) – After driving around aimlessly for over three hours upon leaving the party, unwitting “key-master” Lloyd is finally able to drop off a very drunk and very lost Mike (Jason Gould) at his home before continuing on with his date with Diane. Mike’s house can be found on a quiet street in Sherman Oaks, markedly unchanged from its onscreen self. The later scene in which Diane breaks up with Lloyd in his Chevy Malibu (“dissed in the ‘bu!”) was shot nearby.

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9. 7-Eleven (11340 Magnolia Boulevard, North Hollywood) – The iconic moment in which Lloyd brushes glass out of Diane’s path, subsequently melting the hearts of female moviegoers everywhere, was an added scene lensed months after initial filming wrapped. The romantic segment took place in the markedly unromantic parking lot of the 7-Eleven on Magnolia Boulevard in North Hollywood.

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10. Cameron’s Seafood (1978 East Colorado Boulevard, Pasadena) – Diane shares a rather awkward lunch with her mother at one of Pasadena’s oldest eateries, Cameron’s Seafood, which was originally established in 1984. Little of the locale’s ocean-themed décor has changed since the segment was shot.

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11. Flooky’s (5200 Vineland Avenue, North Hollywood) – Lloyd and Diane agree to be “friends with potential” over coffee at Flooky’s, a Valley chain that was founded in 1965. Outposts of the hot dog diner were once dotted all over L.A. and, while most are now shuttered, including the North Hollywood location where Say Anything . . . was filmed, nostalgic fans of the eatery can still grab a wiener at the Woodland Hills and Canoga Park sites.

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12. Diane and Lloyd Spend the Night Together – 20th Century Fox Studios (10201 West Pico Boulevard, Century City) – Thanks to a well-timed establishing shot of a Seattle-area beach, Diane and Lloyd seemingly consummate their relationship seaside in Lloyd’s car. In truth, the scene was shot inside Stage 14 at Fox Studios.

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13. Guitar Garage – Voltage Guitars (1513 North Gardner Street, Hollywood) – Oh, Lloyd, don’t you know you should never kiss and tell? But he does just that, informing his friends Corey and D.C. (Amy Brooks) about his dalliance with Diane while at a now defunct outpost of Voltage Guitars, Hollywood’s oldest vintage guitar store, formerly located on North Gardner Street. Originally established in 1982 (ironically enough by a man named Lloyd), today the company is mainly an online business and the Gardner Street space is currently vacant.

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14. Kick-Boxing Dojo (5223 Lankershim Boulevard, North Hollywood) – Lloyd doesn’t want to “sell anything bought or processed, or buy anything sold or processed, or process anything sold, bought, or processed, or repair anything sold, bought, or processed.” So he instead finds a job teaching kick-boxing to kids at a local “Seattle” dojo. Filming of the kick-boxing scenes took place at a real karate studio in North Hollywood. The site is something of a cinema stalwart, having also appeared as the Cobra Kai dojo in the 1984 classic The Karate Kid and its 1989 sequel, The Karate Kid III. An alternate scene in which Diane and Lloyd get back together supposedly outside of the dojo was actually shot a good 16 miles away at Library Park in South Pasadena. You can watch that segment, as well as many other deleted, extended and alternate scenes, on the Say Anything . . . Special Edition and 20th Anniversary Edition DVDs.

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15. Lloyd Calls His Sister (Fern Dell Drive, Griffith Park) – After Diane breaks up with him, a heartbroken Lloyd pulls over to make a call to his sister from a phone booth situated on a rainy stretch of sidewalk. The memorable, oft-quoted scene (“She gave me a pen. I gave her my heart and she gave me a pen.”) was an additional shoot lensed after principal filming had wrapped at the southern end of Fern Dell Drive, just north of Los Feliz Boulevard, in Griffith Park. The rain visible in the segment was manufactured and the phone booth was a prop, but Lloyd’s conversation was real – he was actually speaking with his sister on the other end of the line while shooting the segment.

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16. Gas N Sip – Retro Dairy Mart (4420 West Magnolia Boulevard in Burbank) – After his break-up with Diane, Lloyd seeks solace from some male friends (including a young Jeremy Piven) at the local Gas N Sip. The scene was actually shot in the parking lot of a 1962 Alta Dena Dairy outpost located in Burbank. The site, now a Retro Dairy Mart, recently found onscreen fame once again thanks to its appearance as Ryan Gosling’s favorite breakfast spot in La La Land.

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17. Wiener’s Luggage at Westfield Fashion Square (14006 Riverside Drive, Sherman Oaks) – James attempts to purchase a suitcase set for his daughter, as well as hit on a saleswoman (spoiler – he’s unsuccessful on both counts) at the Westfield Fashion Square outpost of the upscale luggage boutique Wiener’s Luggage. Due to the IRS’ investigation into his finances, James’ credit cards are denied and he is forced to leave the shop sans suitcase – and his dignity. Today, the Wiener’s space is home to a Sephora.

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18. North Hollywood Park (11430 Chandler Boulevard, North Hollywood) – In what is arguably one of the most iconic movie scenes from the 1980s, Lloyd serenades Diane by standing outside of her house with a boombox held high above his head playing Peter Gabriel’s “In Your Eyes.” Though Crowe initially shot the segment on the street in front of the Court residence in Windsor Square, he was not happy with the footage. Fate later stepped in during the filming of the 7-Eleven scene when cinematographer László Kovács noticed a park across the street that he thought would be perfect for the boom box bit. With only a few minutes of daylight remaining, cast and crew rushed over to a tree-lined stretch of North Hollywood Park and did a quick re-shoot. Cameron loved the way it turned out, the footage made it into the final cut, and the rest is cinematic history.

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19. IRS Office – Design Center (433 South Spring Street, downtown Los Angeles) – After the IRS begins an investigation into James’ business dealings, Diane heads to a field office to try to convince an agent of his innocence. Filming of the scene took place at the former Design Center, now Twin Springs, in downtown Los Angeles. Originally built in 1928 as the Title Insurance Building, today the Art Deco structure houses offices for major fashion companies and is used regularly for filming. You can check out some photos of its spectacular interior here.

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20. Court Exterior – Spring Street Federal Courthouse (312 North Spring Street, downtown Los Angeles) – An establishing shot of L.A.’s Spring Street Federal Courthouse was used to represent the Seattle D.A.’s office where James’ lawyer discussed his plea deal. Only the exterior of the building was utilized. Interiors were shot at the Design Center, where the IRS scenes also took place.

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21. Spokane Correctional Facility – Mira Loma Detention Camp (Avenue I and 60th Street, Lancaster) – A since shuttered juvenile detention camp in Lancaster masked as the Spokane prison where James was incarcerated. The site was closed in 1990 upon the opening of the Challenger Memorial Youth Center and today is used as a training facility for the Los Angeles County Sherriff’s Department.

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22. Stage 747, Universal Studios (100 Universal City Plaza, Universal City) – “When you hear that smoking sign go ‘ding,’ you know everything’s gonna be OK.” So says Lloyd to calm Diane while on their flight to London in the movie’s final scene. The bit was shot at Universal Studio’s former Stage 747, a large soundstage that once housed set versions of a 707 and 747 airplane. The space was converted to a workshop in 2002 and the plane mockups removed, but you can see some photos of what they formerly looked like here.

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Rod Tidwell’s House from “Jerry Maguire”

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People often ask me about my most-wanted unfound locations.  Currently, the one that tops my list is the mansion where this Beverly Hills, 90210 publicity photo was taken.  But for several years, the locale that held that spot was the Mediterranean-style residence where Rod Tidwell (Cuba Gooding Jr.) and his wife, Marcee (Regina King), lived in the 1996 romcom Jerry Maguire.  Try as I might, I just could not seem to find it.  Then last June, I finally decided to call in the big guns and asked my friend Michael (you know him from his many The Brady Bunch guest posts, which you can read here, here, here, here and here, as well as his columns on Too Close for Comfort, The Ropers, Life in Pieces, and Fuller House) for some assistance.  Per usual, he was successful in tracking the place down.  Quickly, too, I might add.  While I covered the house in my The Complete Guide to Jerry Maguire Filming Locations post back in December, because the hunt for it was so lengthy (well, on my end, at least), I figured it was worthy of its own write-up.

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Though I had always wondered about its location, I did not actively begin searching for the Tidwell’s supposed Arizona-area home until June 2014, shortly after my friend Mike, from MovieShotsLA, tracked down the restaurant where Bob Sugar (Jay Mohr) fired Jerry Maguire (Tom Cruise) in the movie.  Around that time, I purchased the Special Edition DVD of the flick to listen/watch the video commentary (which was fabulous, by the way – I’ve never seen a commentary done in such a manner before) with Cuba, Cruise, Renee Zellweger, and Cameron Crowe.  During their conversation, Cuba mentioned that the Tidwell residence was located in the Thousand Oaks area.  In lightening up a screen capture of the exterior of the house, I also noticed that a partial address number, ending in what I believed was “60,” was visible.  It was also apparent from my numerous watchings that a very large, very unusual rock formation was situated behind Rod’s pad.  I figured that these three clues would make finding the place fairly easy.  I was wrong.  While I scoured Thousand Oaks for a dwelling situated in front of a large rock with an address that ended in 60, I came up empty-handed.

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Two years of searching later and I was still at a loss.  So I decided it was time to bring in Michael.  I emailed him the above screen capture as well as the three bits of information I had.  The following day, he responded saying he had found some very similar looking homes in a Westlake Village development known as Crescent Oaks, which was established in the late ‘80s.  You can check out one of those residences here.  Though he couldn’t find Rod’s house in that particular community, he figured he was on the right track.  From there, the two of us started combing through neighborhoods in the vicinity of Crescent Oaks (along with my friend Owen, of the When Write Is Wrong blog, who I also called in for an assist), but we could not find Rod’s pad anywhere.

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Never one to be deterred, I moved on to a different tactic by tracking down Sascha Lorren, who played Rod’s niece in the movie, to see if she remembered where filming had taken place.  She didn’t, but thankfully her mother recalled that the Tidwell home was located in the Thousand Oaks area, west/south of the 101.  From there, Michael worked his magic and found the residence just a few hours later at 1760 Kirsten Lee Drive in Westlake Village.

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How did he do it, and so swiftly, you ask?  I wondered the very same thing.  As he explained to me, “It was the second area I choose when looking at Google Maps.  I was mainly looking for a lot of terra-cotta roofs, a layout of roads that felt similar to Crescent Oaks, and abutting mountains.  I knew I was in the right area when I saw that rock.  Then I came across an identical house just down the road.  And then voila!”  Thank you, Michael!

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In real life, the home is part of the Three Springs development, which was established in the early ‘90s.  As Michael said, “I guess there were 5 different developers for the different tracts.  I’d be very surprised if they weren’t the same developers that did those homes in Crescent Oaks a couple years earlier.”

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The 2-story dwelling, which was built in 1991, boasts 4 bedrooms, 4 baths, 3,649 square feet, a 3-car garage, a 1.09-acre plot of land, and a swimming pool.

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The front exterior of the Tidwell house is only shown once in Jerry Maguire.  As you can see below, the residence looks much the same today as it did when the movie was shot 20 years ago, despite the lack of the partially-completed garage addition and other construction paraphernalia, which were set pieces brought in for the shoot.  (“Jerry, my house is falling apart.  Nobody’s looking out for Rod Tidwell.  We don’t know where we gonna live in a year.  And I’m supposed to be a superstar, man!”)

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Though the front of the dwelling only appeared once in the film, the interior was featured numerous times.

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It was most notably the site of the famous “Show me the money!” sequence.  Per my new friend Greg Mariotti of The Uncool website, that scene, as well as the rest of the Tidwell home scenes, were the last of the movie to be shot.  (I cannot look at the images below without hearing Rod saying, “I am a valuable commodity!” – one of my favorite lines in the film.  Makes me laugh every. single. time.)

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The residence’s real life backyard also appeared in the “Show me the money!” sequence.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Big THANK YOU to my friend Michael for finding this location!  Smile

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Until next time, Happy Stalking!  Smile

Stalk It: Rod Tidwell’s house from Jerry Maguire is located at 1760 Kirsten Lee Drive in Westlake Village.

The Complete Guide to “Jerry Maguire” Filming Locations – Part II

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The Complete Guide to Jerry Maguire Filming Locations, which I’ve partnered up with Greg Mariotti of The Uncool to compile, continues today!  In case you missed it, be sure to check out Part I here.

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18. Cushman’s House – (Morehart Mercantile, 9016 Mupu Road, Santa Paula)

“You know, I told myself, ‘He shows up, we stick with him.’” – Matt Cushman

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Matt Cushman (Beau Bridges), whose word is stronger than oak, makes a verbal agreement to keep Jerry as his son Frank’s agent while in the living room of his Odessa, Texas ranch house. Filming actually took place at a home on the sprawling grounds of Morehart Mercantile, a feed and farm supply company in Santa Paula.

19. Jerry, Ray and Dorothy’s Airport Goodbye – Terminal A Entrance, John Wayne Airport (18601 North Airport Way, Santa Ana)

“Jerry, do you know the human head weighs eight pounds?” – Ray Boyd

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Dorothy and Ray drop Jerry off at the airport before the NFL Draft outside of the entrance to Terminal A at the John Wayne Airport. While there, Dorothy fondly watches a father say goodbye to his wife and young son.

20. Airport Gate – Terminal 6, Los Angeles International Airport (600 World Way, Westchester)

“No, I am not Hootie.” – Rod Tidwell

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Jerry, Rod and Cush meet up en route to the NFL draft at what is supposed to be the Hartsfield-Jackson Atlanta International Airport.  While there, some young boys approach Rod for an autograph, mistakenly thinking he is Darius Rucker from Hootie & the Blowfish.  The scene was not actually lensed in the Peach State, but at Terminal 6 of the Los Angeles International Airport.  A replica of the suit Martin Luther King Jr. wore during his meeting with Lyndon B. Johnson, which has been on display at ATL since the 1980s, was created for the scene in exacting detail by production designer Clay Griffith.  It is visible just to the left of Rod in the above screen capture.

21. New York Marriott Marquis – The L.A. Hotel Downtown (333 South Figueroa Street, downtown Los Angeles)

“Rod, you know what was great about you down there? For about five minutes you unloaded that rather large chip that resides right there on your shoulder and, you know what? You let people in – and you were brilliant.” – Jerry Maguire

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Jerry, Rod and Cush attend the NFL Draft not at the Marriott Marquis in Times Square as was stated in the movie, but at what was then the Sheraton Grande in downtown Los Angeles. The exterior, lobby, and mezzanine level of the upscale property, which became the L.A. Hotel Downtown in 2012, were heavily dressed with Marriott Marquis signage, convention booths, and football memorabilia for the draft segments, but are still largely recognizable. Don’t go looking for the gift shop or Cush’s hotel suite there, though. Those scenes were shot at Sony on sets built on Stage 21 and 22, respectively. The ballroom where Jerry and his goddess-of-rock-climbing fiancé Avery Bishop (Kelly Preston) break up can’t be found there, either . . .

22. Avery and Jerry’s Break Up – International Ballroom, Hilton Los Angeles Airport (5711 West Century Blvd. Westchester)

“I won’t let you hurt me, Jerry. I’m too strong for you. Loser!” – Avery Bishop

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Though Jerry unceremoniously dumps Avery while at the NFL Draft, the scene was not shot at the L.A. Hotel Downtown where the other Draft segments were lensed, but in the International Ballroom at the Hilton Los Angeles Airport. Avery does not take the break-up well – “No one has ever dumped me!” – and repays Jerry with several uppercuts to the face and a knee to the groin. Imagine if he had gotten her the ring she really wanted! Howard Stern’s Artie Lang makes a cameo in this scene, but it was cut from the theatrical version. It will be included as an extended scene on the 20th Anniversary Blu-ray! Unfortunately, the International Ballroom has been remodeled significantly in recent years and no longer resembles its onscreen self.

23. United Airlines Club Room – TWA Ambassadors Club, Los Angeles International Airport (Terminal 3, 300 World Way, Westchester)

“See this jacket I’m wearing? You like it? Cause I don’t really need it because I am cloaked in failure!” – Jerry Maguire

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The TWA Ambassadors Club in Terminal 3 of LAX was dressed to look like a United Airlines Red Carpet Club for the scene in which Jerry drowns his sorrows over losing both Cush and Avery during the Draft. The lounge was also utilized for the short segment at the beginning of the movie in which Calvin Nack (Brent Barry) won’t sign an autograph for a little boy. Today, the Ambassadors Club space houses the Virgin America Loft at LAX.

24. Arizona Cardinals Training Facility (8701 South Hardy Drive, Tempe, Arizona)

“These are the ABCs of me, baby!” – Rod Tidwell

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Jerry watches a rather mediocre practice of Rod’s – and attempts to discuss Rod’s contract with Dennis – while on the western field of the Arizona Cardinals Training Facility in Tempe, Arizona. The property’s locker room and bathroom were also utilized for the famous “Help me help you” sequence in which Jerry explains the hardships of his job (“It is an up-at-dawn, pride-swallowing siege that I will never fully tell you about, OK?”) while Rod “air dries.” Sadly, that area of the site was gutted as part of a remodel in early 2015. The Arizona Cardinals Training Facility was also used during a few of the movie’s game sequences and was where Rod received medical treatment towards the end of the film.

25. The Crocodile – Moody’s (333 South Figueroa Street, downtown L.A.)

“Meet me at the Crocodile, 8 o’clock.” – Dennis Wilburn

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Though Tempe did boast a popular hangout known as the Crocodile Café in the ‘90s, filming of the scene in which Dennis stands Jerry up was not actually shot there. Instead, an eatery named Moody’s located just off the lobby of the Sheraton Grande (now the L.A. Hotel Downtown) was utilized for the shoot. While the wood-paneled space has been shuttered for several years, it remains intact and still looks much the same as it did onscreen. You can see some more images of it here.

26. Jerry and Dorothy’s First Date – Paco’s Tacos (4141 South Centinela Avenue, Del Rey)

“You wanna go out to dinner?” – Jerry Maguire

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For their first date, Jerry and Dorothy head to Del Rey staple Paco’s Tacos where the two enjoy a romantic meal of Mexican fare set to the tune of a Mariachi version of “Words Get in the Way.” Little of the property’s décor has changed since filming took place twenty years ago. Even the brightly-colored fish tank that Dorothy and Jerry sat next to still looks the same as it did onscreen. Nearly everything on the menu at the decades-old Paco’s is made fresh daily on the premises, including the tortillas which patrons can watch being sculpted by hand. The popular restaurant also popped up several times on the 1970s television series CHiPs.

27. Rod’s Camel Chevrolet Commercial Shoot – Lost Dutchman State Park (6109 North Apache Trail, Apache Junction, Arizona)

“I didn’t shoplift the pootie! Alright, I shoplifted the pootie.” – Jerry Maguire

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Rod attempts to film a Camel Chevrolet commercial with an actual camel and then schools Jerry on the art of dating a single mom while at the base of the Superstition Mountains at the incredibly picturesque Lost Dutchman State Park. The 320-acre site was named after the Lost Dutchman’s Gold Mine and is a popular camping and hiking area, as well as a popular filming location, having also appeared in the 1987 comedy Raising Arizona.

28. Veterans Stadium Press Box – Stage 21, Sony Studios (10202 West Washington Boulevard, Culver City)

“Loser!” – Avery Boyd

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Avery flashes Jerry the loser sign while in the press box of what is supposed to be Veterans Stadium in Philadelphia during one of Rod’s games. The box was actually a set, though, built at Sony on Stage 21.

29. Veterans Stadium Exterior – Los Angeles Memorial Coliseum (3911 South Figueroa Street, Exposition Park)

“Not everyone has what you have.” – Jerry Maguire

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Rod and Jerry share a heart-to-heart (which doesn’t end well) outside of Veterans Stadium after Rod’s game against the Philadelphia Eagles. Filming actually took place near the entrance to Gate 5 at the Los Angeles Memorial Coliseum, though. The Coliseum was used for several sequences in Jerry Maguire, including the scene in which Jerry is shown swimming underwater (that bit was shot at the property’s LA84 Foundation/John C. Argue Swim Stadium), the segment in which Sugar tries to poach Rod before the big game at the end of the movie, and the aforementioned scene from the opening montage in which Cush tosses footballs in “Odessa, Texas.”

30. Restaurant Where Marci Goes into Labor – Reel Inn (1220 3rd Street, Santa Monica)

“I hate you going to the movies alone without me.” – Rod Tidwell

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A lunch date with Rod and Jerry and their families at the Reel Inn on the Santa Monica Promenade ends abruptly when Marcee Tidwell (Regina King) unexpectedly goes into labor. Sadly, the fish restaurant has since closed and today is an American Apparel store. The only aspect of the space that remains recognizable is its open ceiling and exposed ductwork. The Reel Inn’s sister eatery in Malibu remains a local staple, though, as it has been since it first opened in 1986.

31. Jerry and Avery’s Airport Encounter – Tom Bradley International Terminal, Los Angeles International Airport (1 World Way, Westchester)

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In a scene that was shot as an homage to the opening of The Graduate, Jerry and Avery pass each other while traveling in opposite directions on a moving walkway at the Tom Bradley International Terminal at LAX.

32. Cardinals/Cowboys Game – Sun Devil Stadium (500 East Veterans Way, Tempe, Arizona)

“No, no, no. No, wait, wait. Just – just let me enjoy this for a minute.” – Rod Tidwell

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Jerry Maguire’s climactic final game was lensed at Sun Devil Stadium in Tempe, Arizona. The thrilling segment, in which Jerry finally gets Rod to dance, was shot during an actual Cardinals/Cowboys football game. The scene in the hallway outside of the locker room following Rod’s big moment was also shot at Sun Devil Stadium, as was the segment in which Jerry runs to the field to get to Rod after his injury. The press box and football announcers sequences were not shot on location at the arena, though, but were sets built on Stage 21 at Sony.

33. The Up Close Show – Stage 8, Sony Studios (10202 West Washington Boulevard, Culver City)

“Jerry Maguire, my agent – you are my ambassador of kwan, man!” – Rod Tiwell

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Though Rod vows not to shed a tear while being interviewed by Roy Firestone (who played himself) on Up Close, he winds up wailing after receiving the news of his new $11.2-million/4-year offer from the Arizona Cardinals. Filming of the Up Close show scenes took place on Stage 8 at Sony Pictures Studios.

34. Ray Tosses a Ball to Little Leaguers – Pote Field (4730 Crystal Springs Drive, Griffith Park)

“Hey, I don’t have all the answers.  In life, to be honest, I’ve failed as much as I’ve succeeded.  But I love my wife.  I love my life.  And I wish you my kind of success.” – Dickie Fox

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Jerry Maguire comes to a close at Pote Field in Griffith Park, where Ray impresses a group of Little League players – and Jerry – as he tosses back an errant ball before walking hand-in-hand with Jerry and Dorothy off into the sunset.  An alternate ending, where Jerry takes Ray to the zoo, will be featured on the 20th Anniversary Blu-Ray.

The Complete Guide to “Jerry Maguire” Filming Locations – Part I

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Few romantic comedies appeal to both sexes. Even fewer are responsible for adding instantly recognizable catch phrases to the lexicon. And fewer still remain engaging and poignant decades after the fact. Jerry Maguire is one such film. Amazingly, the Cameron-Crowe-directed flick turns twenty today! Yes, as implausible as it may seem, Jerry Maguire first hit the big screen on December 13th, 1996. The movie has always been one of my favorites and remains just as loved in my household today as it did when it originally premiered. In honor of its 20th anniversary, I’ve teamed up with Greg Mariotti of Crowe’s official website, The Uncool, to uncover and compile a complete list of all of the film’s shooting locales, as well as some insider tidbits. So, without further ado, we present The Complete Guide to Jerry Maguire Filming Locations – Part I.  Stay tuned for Part II tomorrow.  And for those who want to soak up even more behind-the-scenes info, the movie’s 20th Anniversary Blu-ray, chock full of new extras, will be hitting shelves on January 3rd.

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1. Opening Montage

“So, this is the world and there are almost 6 billion people on it. When I was a kid, there were three. It’s hard to keep up.” – Jerry Maguire

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The movie’s opening, in which successful sports agent Jerry Maguire (Tom Cruise) introduces the audience to several of his young clients, was shot at various athletic facilities across L.A., mainly in the San Gabriel Valley. The “Indiana” Basketball Court where Clark Hodd (Michael James Johnson), the best point guard in the country, shoots hoops is Robinson Park, located at 1081 North Fair Oaks Avenue in Pasadena. The area where Clark plays in the segment was remodeled in the mid-2000s and the number of courts reduced from four to two, so it looks a bit different today. Erica Sorgi (the All-American diver played herself) – “You’ll see her in the next Olympics!” – skips across the living room of a house at 972 Cornell Road in Pasadena before hurling off a diving board a few miles away at the Rose Bowl Aquatics Center at 360 North Arroyo Boulevard. Dallas Molloy (also playing herself), whose lawsuit, as Jerry tells us, helped paved the way for women boxers everywhere, throws jabs in the boxing gym at Villa-Parke Community Center at 363 East Villa Street, again in Pasadena. The “Indio” baseball field where Art Stallings (Jordan Ross) shows us what pure joy looks like is Pote Field at 4730 Crystal Springs Drive in Griffith Park. The “Great Frank Cushman” (Jerry O’Connell) tosses a pigskin at what is supposed to be an Odessa, Texas stadium, but, in reality, he is at the Los Angeles Memorial Coliseum at 3911 South Figueroa Street in Exposition Park. And Brookside Golf Course at 1133 Rosemont Avenue in Pasadena is where a young golfer (Brandon Christianson) throws a club at his coach.

2. NFL Owners Meeting – The Westin Los Angeles Airport (5400 West Century Boulevard, Westchester)

“Now I’m the guy you don’t usually see. I’m the one behind the scenes. I’m the sports agent.” – Jerry Maguire

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Following the opening, the scenery shifts to an NFL owners meeting taking place in the bustling lobby of what was then the LAX DoubleTree Hotel, but today is The Westin Los Angeles Airport. There, Jerry wheels and deals for his various clients, trying to secure a $14-million-per-year/5-year offer for one player. Hey, no one said winning was cheap!

3. Sports Management International Exterior – Brickell Bay Office Tower (1001 Brickell Bay Drive, Miami, Florida)

“33 out-of-shape agents guiding the careers of 1,685 of the most finely tuned athletes alive.” – Jerry Maguire

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Though Jerry Maguire was lensed solely in California and Arizona, an establishing shot of downtown Miami’s sleek Brickell Bay Office Tower was used to represent the exterior of Sports Management International, aka SMI, where Jerry and his fellow agents work.

 

4. SMI Interior – Stage 23, Sony Pictures Studios (10202 West Washington Boulevard, Culver City)

“I will not rest until I have you holding a Coke, wearing your own shoe, playing a Sega game featuring you, while singing your own song in a new commercial starring you, broadcast during the Super Bowl in a game that you are winning – and I will not sleep until that happens.” –  Jerry Maguire

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The interior of the Sports Management International office was an elaborate set that took up almost all of Stage 23 at Sony Pictures Studios. The sprawling two-story space, which was inspired by the office in Billy Wilder’s The Apartment, was comprised of a large central bullpen containing rows upon rows of desks, surrounded by a perimeter of windowed private offices and meeting rooms. The views visible from the various office suites were created via a large backdrop made from a photograph taken from a building at Newport Center, located at 620 Newport Center Drive in Newport Beach.

A deleted office scene, which will be featured on the 20th Anniversary Blu-ray, was shot on the top floor of the parking structure located at 600 Corporate Pointe in Culver City.

5. Houston Police Station – Airport Center Parking Garage (5250 West Century Boulevard, Westchester)

“Listen, there’s no proof of anything, except this guy is a sensational athlete.” – Jerry Maguire

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The world of sports starts to lose its luster for Jerry when his football player client is arrested for statutory rape and taken to a “Houston police station.” Filming of the scene actually took place in the parking garage at Airport Center near LAX.

6. Steve Remo’s Hospital Room – Veterans Administration Medical Center (5901 East 7th Street, Long Beach)

“It would take a tank to stop your dad. It would take all five Super Trooper VR Warriors to stop your dad.” – Jerry Maguire

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Jerry gets a reality check – and the finger! – courtesy of a client’s young son at the Veterans Administration Medical Center in Long Beach. The hospital segments involving Steve Remo (Toby Huss) and his family were the first of the film to be shot.

The scenes featuring Jerry’s idol Dicky Fox, who was played by Jared Jussim – a lawyer at Sony – were also shot on location at the medical facility.

7. Airport Shuttle (California Avenue and Ocean Avenue, Santa Monica)

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Though there is no airport in the vicinity in real life, the scene in which Jerry is shown riding in a Budget car rental shuttle down a rainy street was shot on Ocean Avenue just north of California Avenue in Santa Monica.

8. Miami Corporate Conference Hotel – Long Beach Marriott (4700 Airport Plaza Drive, Long Beach)

“And then it happened. It was the oddest, most unexpected thing. I began writing what they call a mission statement. Not a memo – a mission statement. You know, a suggestion for the future of our company.” – Jerry Maguire

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The “Miami” hotel where Jerry and his fellow agents attend a corporate conference is actually a conglomeration of three different locations. The elevator bay, front desk and atrium-like lobby where Jerry receives a standing ovation after handing out his mission statement can be found at the Long Beach Marriott. Jerry’s actual room, where he stays up all night writing the statement (“And I’m not even a writer!”), was a set built on Stage 21 at Sony. And the stairwell Jerry runs down while on his way to the Copymat is the back staircase of the Sydney Poitier Building at Sony Pictures Studios.

9. Copymat – Kinko’s (6301 Sunset Boulevard, Hollywood)

“That’s how you become great, man. Hang your balls out there.” – Copymat Jesus

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The “Miami” Copymat where Jerry prints 110 copies of his The Things We Think and Do Not Say mission statement – even the cover looks like Catcher in the Rye! – was actually a Kinko’s located on Sunset Boulevard in the heart of Hollywood. The site was razed in 2002 in order to make way for Sunset + Vine, a 750,000-square-foot mixed-used development comprised of upscale apartments, restaurants and retail stores. Fun fact – Jerry Cantrell of Alice in Chains portrayed the “Copymat Jesus” in the scene.

10. Airplane Ride – Stage 21, Sony Pictures Studios (10202 West Washington Boulevard, Culver City)

“First class is what’s wrong, honey. It used to be a better meal. Now it’s a better life.” -Dorothy Boyd

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Dorothy Boyd (Renée Zellweger) longingly listens to Jerry tell the tale of his engagement from afar while sitting in a coach seat on a plane ride from Miami to Los Angeles. The scene, along with the movie’s other airplane sequences, was shot on Stage 21 at Sony.

11. Baggage Claim – Terminal A, John Wayne Airport (18601 Airport Way, Santa Ana)

“I know who you are. You’re Dorothy Boyd. You’re in accounts. You have the side middle cubicle with a poster of Albert Einstein’s face morphed onto Shaquille O’Neal’s body.” – Jerry Maguire

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It is at Baggage Claim 2 in Terminal A of the John Wayne Airport that Dorothy loses Ray (Jonathan Lipnicki) – and tells Jerry how much she loves his “memo.” John Wayne was featured in many of Jerry Maguire’s airport segments, including the scene towards the end of the movie in which Jerry rushes through a quiet terminal hallway to get home to Dorothy, which was shot in front of the car rental counters. Cameron returned to this location in 2004 to shoot Elizabethtown. It was the first film to use the airport, post 9/11.

12. Jerry’s Condo (3811 Ocean Front Walk #1, Marina del Rey)

“There’s no real loyalty. And the first person who told me that, Jerry Maguire, was you!” – Avery Bishop

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A contemporary 2-bedroom, 3-bath, 2,368-square-foot condo overlooking the ocean in Marina del Rey serves as Jerry’s sleek home in the film. The pad’s interiors, including kitchen and living room, appear throughout the movie, though Jerry’s bedroom was a set built on Stage 21 at Sony. Interestingly, the property performed triple duty in Jerry Maguire. Not only did it portray Jerry’s residence, but it was also utilized as Cardinals General Manager Dennis Wilburn’s (Glenn Frey) office and Jerry’s hotel room in the scene in which the two speak on the phone about Rod Tidwell’s (Cuba Gooding Jr.) contract. The condo recently sold on October 27th, 2015 for $2,754,000.

The exterior of a home two doors up the street at 3719 Ocean Front Walk was used as the exterior of Jerry’s condo in a scene that wound up on the cutting room floor.

13. Jerry’s Bachelor Party – Grand Havana Room (301 North Canon Drive #215, Beverly Hills)

“He cannot be alone.” “He – he can’t be alone.” “He’s almost phobic.” – Jerry’s former girlfriends

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Jerry’s bachelor party, where he comes face to face with his greatest fear of being alone via a humorous video clip starring his many former flames, is held in the private, members-only Grand Havana Room in Beverly Hills. The exclusive cigar club, which was originally established in April 1995, is still in operation today and looks much the same as it did onscreen in Jerry Maguire.

 

14. Cronin’s Restaurant – Café Figaro (9010 Melrose Avenue, West Hollywood)

“What about me? You know what I went through knowing I was gonna have to fire my mentor? Carrying that around in my head for a week! Could you get past yourself for a second?” – Bob Sugar

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The now defunct West Hollywood eatery Café Figaro masked as Cronin’s, the busy restaurant where Bob Sugar (Jay Mohr) fires Jerry in the movie. The kitschy spot, which was decorated with decoupaged newspaper articles and Tiffany lamps, was originally established in 1969 and remained in operation through 1997. The site has since gone through numerous remodels and restaurant iterations and today houses Au Fudge, the insanely popular, ultra-chic and innovative kid-friendly bistro founded in part by actress Jessica Biel. Both the interior and exterior of the space were utilized in Jerry Maguire.

15. Kathy Sanders’ House – Stage 21, Sony Pictures Studios (10202 West Washington Boulevard, Culver City)

“Oh, Jerry!” – Kathy Sanders

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Jerry’s client Kathy Sanders (Angela Goethals) feigns anguish over Jerry’s firing at a set built on Stage 21 at Sony. The scene was inspired by a similar event in Cameron Crowe’s life in which, thanks to faulty call-waiting, the director caught an actress in pretend agony over deciding not to take a part in one of his films.

16. Rod Tidwell’s House (1760 Kirsten Lee Drive, Westlake Village)

“I’m a valuable commodity! I go across the middle. I see a dude coming at me, trying to kill me, I tell myself ‘Get killed. Catch the ball.’ Booyah! Touchdown! I make miracles happen!” – Rod Tidwell

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It is at a large Mediterranean-style home situated on a quiet cul-de-sac at the top of a hill in Westlake Village that one of the most famous sequences in all of moviedom was shot. While standing in the pink-tiled kitchen of his supposed Arizona residence, Rod delivers his famous “Show me the money!” speech and Jerry secures his one client. The scenes at the Tidwell home were the last of the movie to be filmed and both interiors and exteriors were utilized in the shoot.

17. Dorothy’s House (527 23rd Street, Manhattan Beach)

“Don’t cry at the beginning of a date. Cry at the end, like I do.” – Laurel Boyd

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Dorothy and her sister Laurel’s (Bonnie Hunt) charming yellow bungalow can be found on a sleepy street in Manhattan Beach, looking much the same as it did onscreen twenty years ago. Though the interior of the sisters’ home, including the kitchen, living room, Dorothy’s bedroom, and Ray’s bedroom, was a large set built on Stages 22 and 23 at Sony, it was modeled partly upon the residence’s actual 3-bedroom, 2-bath, 1,820-square-foot interior. The wooded backyard, where Dorothy and Jerry got married and then later broke up, was also a set built on Stage 22. A bedroom located in the home next door at 529 23rd Street was also utilized as part of Dorothy’s house.

Be sure to check out Part II of The Complete Guide to Jerry Maguire Filming Locations here!