Beverly Hills 90210 – IAMNOTASTALKER

June 26, 2020June 25, 2020

Bistro Garden from “Dirty John: The Betty Broderick Story”

The ‘80s were, without a doubt, garish, splashy, and over-the-top. But the second season of the true crime anthology series Dirty John: The Betty Broderick Story, which covers the 1989 murders of Dan Broderick (Christian Slater) and his mistress-turned-wife, Linda Kolkena (Rachel Keller), at the hands of his first wife, Betty (Amanda Peet), sure makes the era look good! I am obsessed with Betty’s clothes – her oxford shirts, navy flats, ever-present gold chain, and, of course, that headscarf from episode 3’s beach scene! The locations are pretty chic, as well, none more so than the swanky restaurant Dan and Betty dine at in “Marriage Encounter,” which I recognized on sight as Bistro Garden. One of Studio City’s most oft-filmed spots, I stalked and blogged about the eatery way back in 2010 (hence the dated photo above), but figured it was time for a re-do.

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Bistro Garden was founded by Carolyn Pappas, daughter of famed restauranteur Kurt Niklas, and her husband, Gregory, in 1990. The establishment was an offshoot of Niklas’ two popular Beverly Hills eateries – The Bistro in Beverly Hills, which opened in 1963 at 246 North Canon Drive, and The Bistro Garden, which opened in 1979 just up the road at 176 North Canon. To distinguish the Studio City site from its similarly-named BH counterparts, it was originally given the name “The Bistro Garden at Coldwater.”

The stunning space, inspired by European winter gardens (aka large glass conservatories built to house tropical plants year-round), features two airy dining rooms, a handsome wood-paneled bar, thirty-foot ceilings, skylights, latticework, French doors, and trees strung with twinkle lights. It is easily one of Los Angeles’ most gorgeous restaurants.

Considering that little of the interior has been changed since its opening thirty years ago, the eatery’s use in Dirty John: The Betty Broderick Story must have been a no-brainer!

In “Marriage Encounter,” Bistro Garden poses as the fancy La Jolla restaurant Dan and Betty begin frequenting after Dan finally lands a high-paying job at a law firm. It actually pops up three times in the episode, first in the scene in which Betty embarrasses Dan by mentioning to a friend they run into that they used to be on food stamps.

The couple dines there again later in the episode and Dan complains about having already grown bored with the place.

And finally, it is at Bistro Garden that Betty, after showing off her new Oscar de la Renta dress to friends at the bar, overhears Dan describing Linda to a co-worker as “just so beautiful.”

Dirty John is hardly Bistro Garden’s first onscreen foray.

Jerry (Cary Elwes) proposes to Audrey (Maura Tierney) there in the 1997 comedy Liar Liar.

That same year, Cooper Hargrove (Christopher Orr) presented Valerie Malone (Tiffani Thiessen) with a diamond necklace at Bistro Garden in the Season 8 episode of Beverly Hills, 90210 titled “Toil and Trouble.”

The restaurant masks as New York’s Plaza Hotel, where Lexi Sterling (Jamie Luner) meets with three ex-fiancés of Ryan McBride (John Newton) in the Season 7 episode of Melrose Place titled “How Amanda Got Her Groove Back,” which aired in 1999.

Andy (Steve Carell) and his pals attend a speed-dating event there in the 2005 comedy The 40-Year-Old Virgin.

Bistro Garden portrays the country club where Gabrielle Solis (Eva Longoria) catches a news report that leads her to believe her husband, Carlos (Ricardo Chavira), has been killed in the Season 2 episode of Desperate Housewives titled “Remember: Part 1,” which aired in 2006.

Gabrielle returns to the restaurant the following year in Season 3’s “Not While I’m Around” in order to meet her secret admirer, who turns out to be Zach Young (Cody Kasch).

In the Season 6 episode of The Office titled “Double Date,” which aired in 2009, Michael Scott (Steve Carell) takes his new girlfriend Helene Beesly (Linda Purl) to Bistro Garden to celebrate her birthday and then promptly dumps her upon learning her age.

Julia Fitzpatrick (Jennifer Garner) poses as a waitress there to get back at her boyfriend, Dr. Harrison Copeland (Patrick Dempsey), whom she has just discovered is married, in the 2010 romantic comedy Valentine’s Day.

And in the Season 1 episode of Why Women Kill titled “Positively Lethal in Every Way,” which aired in 2019, Simone Grove (Lucy Liu) celebrates her daughter’s engagement at Bistro Garden.

While IMDB claims that the second episode of the 1985 miniseries Hollywood Wives was lensed at the Studio City Bistro Garden, being that the restaurant did not open until 1990, we know that is not true. Filming actually took place at the Beverly Hills Bistro Garden. In fact, the BH outpost inspired Jackie Collins to write the novel on which the drama was based! Of the restaurant, which shuttered in 1996, Jackie is quoted as saying, “There’s a story at every table. It’s almost like Le Cirque in New York: a place to see and be seen, to get dressed up before you go, to wave across the room at your friends when you arrive.”

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine, and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: Bistro Garden, from the “Marriage Encounter” episode of Dirty John: The Betty Broderick Story, is located at 12950 Ventura Boulevard in Studio City. You can visit the restaurant’s official website here.

April 27, 2020April 25, 2020

The Peach Pit Pop-Up

Stalking opportunities sometimes get away from me. Such was the case with the Johnny Rockets restaurant on Melrose Avenue in Los Angeles’ Fairfax District. The site, which was actually the well-known burger chain’s first location, had long been on my To-Stalk List. Though I’d dined there numerous times over the years, I had yet to officially visit it for the purposes of a post when it shuttered unexpectedly in 2015. So I was thrilled when I learned that a Peach Pit pop-up was being held on the premises last fall! I quickly secured a reservation and the Grim Cheaper and I headed into L.A. to attend, but the experience wasn’t exactly all I’d hoped for. Considering the place boasts ties to both Beverly Hills, 90210 and its spinoff, Melrose Place, though, I figured it was still worthy of a blog.

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The original Johnny Rockets first opened its doors smack dab in the middle of Melrose Avenue on June 6th, 1986. Established by former fashion merchandiser Ronn Teitelbaum, the tiny Streamline-Moderne eatery was a “non-gimmicky” re-imagining of the diners he visited as a boy in the 1940s, namely Santa Monica’s Incline and West L.A.’s The Apple Pan. Per the Pierce website, “He founded the concept on the belief that everyone deserves a place where they can escape from today’s complicated world and experience the uncomplicated goodness of classic Americana. The name originated by combining the timeless Johnny Appleseed story with the classic Oldsmobile Rocket 88. Together, they embody the concept of classic Americana and the promise of the future.” You can check out an image of the restaurant from its early days here. Boasting just twenty counter seats, the site became a fast hit and even had its share of celebrity fans including Milla Jovovich, who dropped by in 1987, Bob Hope and Elizabeth Taylor. Ronn soon began opening sister sites and offering franchise opportunities. By the time he decided to sell the company in 1995, there were more than 60 locations dotted throughout 6 countries! When he passed away in 2000, the chain counted 138 eateries in 25 states and 9 countries!

Unfortunately, when the lease on the Melrose outpost came up for renewal in 2015, a suitable agreement between landlord and tenant could not be reached and the landmark restaurant shuttered on October 26th of that year. It was the end of an era! Per the Melrose Action website, Johnny Rockets was “the last standing icon of the amazing 80’s era along Melrose Avenue.” The space has remained vacant ever since, aside from the occasional pop-up like the Peach Pit, which was the brainchild of the Fox network and Pop Sugar and ran in conjunction with the premiere of the BH90210 reboot.

The tiny eatery was completely transformed to resemble the West Beverly gang’s ‘90s hangout.

Memorabilia and cast images were everywhere, along with the familiar vinyl record wall decorations!

There was even a loving tribute to Luke Perry.

And the employees were all decked out in traditional Peach Pit garb.

The photo opportunities were endless.

But while things looked pretty good from afar . . .

. . . upon closer inspection, it became obvious the set-up was rather janky.

No part of it was executed particularly well.

It seemed kind of just thrown together, not to mention dirty (as evidenced below).

We visited during the end of the pop-up’s run and things were definitely falling apart. The tile floor in the main dining area was actually just some sort of vinyl adhesive and it was apparent from the peeling and rips that high heels had taken their toll on it throughout the six weeks the place was in operation. (You can see some of said peeling in the bottom left of the pic below.)

The food choices were also extremely limited, with a total of only seven food offerings. And there wasn’t a French fry to be found! I can only imagine what Nat would say! The prices weren’t cheap, either. Including the cost of admission, we spent about $110 to experience the Peach Pit pop-up and I can’t say it was really worth it.

To be fair, the Peach Pit was originally supposed to run for three days only, but it proved so popular that Fox and Pop Sugar handed over the reins to the team behind the Saved by the Bell-inspired pop-up Saved by the Max who extended things an additional six weeks. I don’t think the space was built to withstand that much time.

And I know it must sound like I’m nitpicking here, but I wasn’t the only one. I can’t tell you the number of people I overheard at nearby tables expressing dismay at how poorly executed the whole thing was. Several of my neighbors had been to Saved by the Max and were shocked at how much the Peach Pit paled by comparison. One party even asked for their money back upon entering and taking a look at the menu.

Nevertheless, the space was chock full of nostalgia and I don’t regret my visit for a moment – though I can’t say I’d feel comfortable recommending my fellow stalkers shell out $100+ to attend if the pop-up ever re-opens.

It is pretty fortuitous that the original Johnny Rockets was chosen as the site of the pop-up being that Brandon Walsh (Jason Priestley) drove Sheryl (Paula Irvine) by the restaurant while sightseeing in the Season 1 episode of Beverly Hills, 90210 titled “The First Time,” which aired in 1990. Amazingly, despite the passage of three decades (say whaaat?) and a change in paint color, the place is still very recognizable from its cameo. But that’s not the eatery’s only 90210 connection!

Jason also posed for photographer Jonathan Exley at the Melrose Place Johnny Rockets in 1991.

I remember my thirteen-year-old self first seeing the spread in a teen magazine and knowing instantly that the shoot took place at a Johnny Rockets, though I was unclear which one. When I first visited the Melrose outpost years later, I recognized it immediately and couldn’t have been more thrilled!

But wait, there’s one more Beverly Hills, 90210 tie! The burger joint was also featured weekly in the opening credits of the show’s 1992 spinoff, Melrose Place, which you can watch here.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: The Peach Pit Pop-up, aka the original Johnny Rockets from “The First Time” episode of Beverly Hills, 90210 and the Melrose Place opening credits, was formerly located at 7507 Melrose Avenue in Los Angeles’ Fairfax District. Sadly, both the restaurant and the pop-up are now closed.

January 29, 2020January 27, 2020

The Adamson House from “You”

The second season of You had me feeling like an inadequate Angelino! (Yes, even though I now live in Palm Springs, I still consider myself an L.A. denizen.) In episode 6, “Farewell, My Bunny,” Love Quinn (Victoria Pedretti) and her friends teach Joe Goldberg (Penn Badgley) about Los Angeles’ “seven totems,” which, once seen, render a person an official Angelino. Those totems are as follows – 1. A rollerblader in booty shorts, 2. A “ghetto bird”, aka police helicopter, 3. Two starlets wearing the same dress, 4. A pack of coyotes, 5. A dog in a stroller, 6. An off-brand superhero, “but out of context, not in front of Grauman’s, because that’s too easy,” and 7. A palm tree on fire. In my almost fifteen years of living in the City of Angels, I only encountered three of the seven (#1, 2, and 5, for those wondering). But I did immediately recognize the spot where the wedding of Lucy (Marielle Scott) and Sunrise (Melanie Field) took place in the series’ Season 2 finale, so I’m thinking that restores at least a bit of my L.A. cred! The Adamson House in Malibu is a site I am very familiar with and even blogged about back in 2009. Since my post on the place was written so long ago, though, I figured it was high time for a redo.

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Though I covered the history of the Adamson House in my original post, I’ll provide a brief recap here. The estate was built by Rhoda Agatha Rindge Adamson and her husband, Merritt Adamson, in 1929 on a 13-acre parcel of land given to them by Rindge’s mother, Rhoda May Knight Rindge. At the time, Rhoda May owned 17,000 acres of bucolic coastal land that today is known as Malibu. She and her late husband, Frederick Hastings Rindge, had purchased the seaside enclave in 1892 and their family remained its only occupants for the following forty years.

To build their new home, Rhoda Agatha and Merritt commissioned architect Stiles O. Clement, who also designed the Pasadena residence where some of Twilight’s prom scenes were filmed and the El Capitan Theatre.

The Mediterranean-style estate took a year and a half to complete.

Rhoda and Merritt spared no expense on construction of the home which boasted 5,000 square feet of living space, 5 bedrooms (all en suite), 2 servants’ quarters, a 5-car garage, hand-carved doors, a myriad of fireplaces, plaster-molded ceilings, elaborate friezes, arched windows, frescoes, a swimming pool complete with a pool house, a patio with a sprawling lawn and fountain, and furnishings custom-made by interior decorator John Holtzclaw. Oh, and views for days!

Clement even included a luxurious outdoor tub for the bathing of the Adamsons’ many pets.

By now, you’ve likely noticed the property’s elaborate tile work. It was commissioned by Rhoda May, who owned her own tile company, Malibu Potteries, which sourced clay directly from the Rindges’ land.

The colorful hand-painted pieces are a sight to behold and are, in fact, the reason the Adamson House stands to this day. In 1966, the State of California declared eminent domain on the property with the plan to raze it to make way for a – wait for it! – parking lot! Thankfully, the Malibu Historical Society and Los Angeles Department of Parks and Recreation stepped in, waging a ten-year battle to save the historic home. They were ultimately victorious and in 1983, after a lengthy restoration, the site was opened as a museum. It also became available for weddings and special events and, of course, filming.

It is at the Adamson House that Sunrise and Lucy tie the knot in the Season 2 finale of You, titled “Love, Actually.”

The episode made use of the property’s expansive lawn and rear patio, both of which you can see via a docent-led tour.

The Adamson House has long been a favorite of location managers.

Way back in 1976, the pad portrayed the estate of Frank Bartone (Cesare Danova) in the Season 1 episode of Charlie’s Angels titled “The Mexican Connection.”

The Adamson House served as the home of Wally Windham (John Larch) in the Season 8 episode of Dallas titled “Deeds and Misdeeds,” which aired in 1985.

Stringfellow Hawke (Jan-Michael Vincent) and Marilyn Kelsy (Wendy Schaal) hid out from assassins at a party taking place at the house in the Season 3 episode of Airwolf titled “Hawke’s Run,” which aired in 1986.

That same year, the property played the home of actress Gigi Dolores (Deborah Walley) in the Season 6 episode of Simon & Simon titled “The Last Big Break.”

As I detailed in my 2009 post, the Adamson House masqueraded as the Baja cantina where Dylan McKay (Luke Perry) took Brenda Walsh (Shannen Doherty) during their secret weekend getaway to Mexico in the Season 2 episode of Beverly Hills, 90210 titled “Mexican Standoff,” which aired in 1992.

After getting into an epic fight and then making up over a mariachi band’s rendition of “Feelings,” Dylan and Brenda dance the night away on the patio where the outdoor bathtub is located, which can be found on the Adamson House’s north side.

That area, pictured below, is not part of the official Adamson House tour, but can easily be viewed while venturing around the property beforehand or afterward.

The house pops up as a Mexican restaurant on Beverly Hills, 90210 once again in the Season 9 episode titled “Marathon Man,” which aired in 1998. On that occasion, it portrayed Mariscos San Lucas, the Cabo San Lucas eatery where Dylan took Kelly Taylor (Jennie Garth) after flying her to Mexico on a private jet as a surprise.

The Adamson House was also utilized as the town square where the two later shopped in the episode and where Dylan, unbeknownst to Kelly, scored some drugs.

And in 2018, the Adamson House masked as a beachside restaurant in the Season 3 episode of Lucifer titled “City of Angels?”

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: The Adamson House, where Lucy and Sunrise got married in the Season 2 finale of You, is located at 23200 Pacific Coast Highway in Malibu. You can visit the home’s official website here. Tours of the property are given Wednesday through Saturday from 11 a.m. to 2 p.m.

April 8, 2019April 5, 2019

The Queen Mary Observation Bar from “He’s Just Not That Into You”

I am beginning to discover that The Queen Mary is a lot like the Millennium Biltmore Los Angeles in that every square inch of it has appeared onscreen in multiple notable productions. Case in point – while scanning through Adaptation to make screen captures for my post on Zipper Concert Hall last week, I noticed that the 2002 drama’s opening scene took place in the ship’s Observation Bar & Art Deco Lounge. I had long been aware of the watering hole’s appearance in favorite movie He’s Just Not That Into You (which I detailed in a 2014 article for L.A. magazine), but immediately got curious about what other productions made use of it. When I got to digging, I was shocked at the number of big and small screen hits that feature the bar. So I figured it was only right to dedicate a post to it.

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When we lived in Los Angeles, The Queen Mary was one of my and the Grim Cheaper’s favorite places to staycation. Originally a Cunard-White Star Line luxury liner, the grand 1934 ship is permanently moored just south of downtown Long Beach.

She was purchased by the city after making her final voyage (the last of 1,001 Atlantic crossings) in 1967. Following a painstaking three-year renovation, The Queen Mary opened as a hotel and tourist attraction. The restored vessel is nothing short of stunning inside and out and stepping aboard immediately transports one back in time to the grand old days of ocean travel. I first visited the ship with my parents for my birthday in June 2000, at the height of my Titanic obsession, and honestly felt like I had wandered right onto one of the film’s opulent sets.

On that visit, the Observation Bar & Art Deco Lounge quickly became one of our favorite spots on the boat. Originally a first class parlor (you can see what it looked like in its early days here), the gilded space appears to have been ripped right out of the pages of an Art Deco magazine. Shockingly, during The Queen’s time as a troop ship in World War II, the ornate room was utilized as a dormitory for soldiers. I can’t even imagine bunking amid all that glitz!

For some inexplicable reason, as the ship was being renovated into a hotel, it was decided that The Queen Mary should take on an Old English theme (which explains the extremely odd grouping of fairy-tale-like storefronts that dot the parking lot). As such, all of the Observation Bar’s glam Art Deco furnishings were removed (but thankfully not thrown away) and replaced with Old English décor, giving the space a pub-like feel.

Fortunately, the watering hole was returned to its initial grandeur in the early ‘80s and, though it has gone through some additional revamps in the years since, it remains an utterly glorious space.

Today, the semi-circle-shaped site boasts massive red torchiere lamps, a carved balustrade, a Massacar ebony bar, silver and bronze detailing, maple and cedar woodwork, an original mural that hangs above the bar, 21 windows, and amazing views of Queensway Bay.

It is in the elegant space that Anna (Scarlett Johansson) sings at the end of 2009’s He’s Just Not That Into You.

Back in 1981, Dr. R. Quincy, M.E. (Jack Klugman) discovers what has been ailing his fellow cruise passengers when a woman goes into premature labor in the Observation Bar in the Season 7 episode of Quincy M.E. titled “Slow Boat to Madness: Part 2.” (Spoiler – it’s contaminated tortillas!)

The Observation Bar portrays the New York cocktail lounge where NYPD detective Mike Keegan (Tom Berenger) takes murder witness Claire Gregory (Mimi Rogers) for drinks on his last night of protecting her in the 1987 thriller Someone to Watch Over Me.

In 1989, the Observation Bar popped up a couple of times in the Season 6 episode of Murder, She Wrote titled “The Grand Old Lady.”

The site masks as the New York bar where Garland Stanford (David Warrilow) tells Barton (John Turturro) that Capital Pictures wants to put him under contract in 1991’s Barton Fink.

In the Season 6 episode of Beverly Hills, 90210 titled “You Say It’s Your Birthday: Part 1,” which aired in 1996, Kelly Taylor (Jennie Garth) and Valerie Malone (Tiffani Thiessen) discuss Colin Robbins’ (Jason Wiles) disappearance with FBI agent Richard Ballen (Jon Hensley) while at the Observation Bar. (Don’t mind the craptastic screen captures below. Unfortunately, the episode is not available to stream anywhere, not even on Hulu which inexplicably has all of the others from Season 6, so I had to settle for grabs from a poor-quality Dailymotion upload.)

Later in “You Say It’s Your Birthday: Part 1,” Kelly grabs breakfast with Andrea Zuckerman (Gabrielle Carteris) at the bar.

In 1999’s Being John Malkovich (such a great movie!), John Malkovich (playing himself) enters the portal to his own head and winds up seeing himself everywhere at the Observation Bar.

The 2002 film Adaptation opens with actual behind-the-scenes footage of the Being John Malkovich segment lensed at the lounge. (I apologize for the blurry screen caps below, but the scene has a lot of movement.)

Howard Hughes (Leonardo DiCaprio) also celebrates the wrap of Hell’s Angels at the Observation Lounge in the 2004 biopic The Aviator.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: The Observation Bar & Art Deco Lounge, from He’s Just Not That Into You, is located on the bow of The Queen Mary’s Promenade Deck at 1126 Queens Highway in Long Beach. You can visit the ship’s official website here. Tickets or hotel reservations are required to venture aboard.

December 14, 2018December 14, 2018

Thorne Hall from “The Holiday”

If I had to pick a favorite movie character it would be Arthur Abbott (Eli Wallach) from The Holiday. There’s nothing about him that I don’t adore – his kind heart, his wit, his charm, his championing of Iris Simpkins (Kate Winslet). And there’s no scene that makes me cry more than the one in which he is honored by the Writers Guild of America West at the end of the film. When those theatre doors open and he sees that the auditorium is packed, the emotion is overwhelming! And then, just when you think you’ve caught your breath, his theme music – composed by Miles Dumont (Jack Black) – comes tinkling through the speakers and the tears start all over again. So I was ecstatic when, while on a tour of Occidental College with Mike, from MovieShotsLA, a couple of years back, our guide pointed to Thorne Hall on the north edge of campus and informed us that the iconic scene – which you can watch here – had been shot there! Though we didn’t get to see the inside of the building that particular day, thanks to an incredibly nice contact I have at the school who interviewed me a few years ago, I was able to tour it last month, just in time for a holiday post!

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Thorne Hall was the brainchild of Rev. Remsen D. Bird, who served as Occidental’s president from 1921 to 1946. Upon taking office, Bird set out to expand and enhance the campus. Top on his list of wants was a large auditorium capable of hosting the entire student body and staff. The project was finally made possible thanks to financing provided by Charles Thorne, heir to the Montgomery Ward fortune, and groundbreaking took place on May 21st, 1937.

Myron Hunt & H.C. Chambers, the architecture team who also gave us Pasadena Central Library, were commissioned to design the Palladian-style beauty, which was named in honor of Charles’ late wife, Belle Wilber Thorne. The venue opened to the public on July 13th, 1938 with a concert put on by Westminster Choir School.

Little of the landmark site has been altered in the ensuing decades, though it did undergo a $2.1-million renovation in 1989. Spearheaded by architect/preservation specialist Brenda Levin, the project mildly revamped the auditorium’s interior by adding baffling over the stage to allow for better acoustics. As she explained to the Los Angeles Times, “Thorne Hall is one of Hunt’s purest Palladian buildings. Its beautiful Beaux Arts colonnade closes the western end of the main campus axis, and gives it its great sense of calm. I had to try and modernize the hall’s interior without cheapening its relationship to the dignity of its exterior.” A woman after my own heart!

The grand 792-seat venue has hosted countless famous figures over the years including Martin Luther King Jr., Bob Hope, Linda Ronstadt, Harry Belafonte, Edward James Olmos, Richard Nixon, Jane Goodall, Earl Warren, Robert Frost, Amy Tan, Anne Lamott, Cesar Chavez, Desmond Tutu, and Oliver Stone, just to name a few.

According to a 2013 Occidental magazine article, in 1940 Howard Swan, then director of the space, stated “Belle Wilber Thorne Hall today is more than a structure of steel and concrete. Thorne Hall is an institution, fostering activities that reach out and touch many interests and many persons. The donor of the building wished it to receive extensive use; certainly none of us realized that we were so soon to witness the development of an institution of strength, tradition, and power.” Charles Thorne’s hope for extensive use is still being realized today, with the venue serving as the site of such varied events as theatre productions, concerts, lectures, speeches, classes, and dance performances.

Oh, and filming.

It is at Thorne Hall that the Writers Guild of America West hosts “An Evening with Arthur Abbott,” in honor of the legendary octogenarian screenwriter, in The Holiday.

As Arthur walks into Thorne’s lobby with Iris, his worst fears are confirmed – it appears as if no one has shown up for the event.

But when the doors to the auditorium open . . .

. . . a resounding applause breaks out and Arthur is overwhelmed to see a packed house engaged in a massive standing ovation. His life’s work, it turns out, has not gone unnoticed by his peers.

Iris and Arthur proceed down the aisle into Thorne’s auditorium . . .

. . . and Arthur ventures onto the stage where he gives a glorious speech about the showbusiness of yesteryear. It is a heartwarming scene from beginning to end.

Sadly, the stairs he walked up (on his own!) were just set dressing brought in for the shoot.

Thorne Hall’s actual stairs are located on the extreme sides of the stage, as you can see below.

The Holiday is hardly the only production to feature Thorne Hall. In fact, the site popped up in another favorite of mine!

In 1994, Thorne was used extensively as Evans Hall, the California University theatre where Brenda Walsh (Shannen Doherty) auditioned, rehearsed, and performed as Maggie in Cat on a Hot Tin Roof in the Season 4 episodes of Beverly Hills, 90210 “Divas,” “Acting Out,” “Truth and Consequences,” and “Vital Signs.” The exterior . . .

. . . the lobby . . .

. . . and the auditorium all appeared in the episodes. (That’s a very young Ryan Hurst, aka Gerry Bertier from Remember the Titans, in the screen caps below.)

In what is actually a leftover establishing shot from 90210, Thorne Hall popped up briefly as “Evans Hall Library,” where Phoebe Halliwell (Alyssa Milano) investigates the death of her friend, Charlene Hughes (Rebecca Cross), in the Season 2 episode of Charmed titled “Ex Libris,” which aired in 2000. All interiors were shot at DC Stages in downtown L.A., though.

Dr. Alan Grant (Sam Neill) gives a speech on raptors and asks for funding to continue his research on the subject in Thorne Hall in 2001’s Jurassic Park III.

Thorne portrays the Georgetown University auditorium where Tabitha Fortis (Laura Dern) gives a lecture on poetry in the Season 3 episode of The West Wing titled “The U.S. Poet Laureate,” which aired in 2002.

A prop fountain was installed in front of the hall for the shoot to give the locale more of a D.C. feel.

Thorne Hall masks as the U.S. Embassy in Belgravia, where a Marine is killed during a terrorist attack, in the Season 8 episode of NCIS titled “Defiance,” which aired in 2011.

In 2014 and 2015, Thorne Hall was turned into “Nerdvana” for Seasons 2 and 3 of the reality competition series King of the Nerds.

The Grim Cheaper and I happened to be on campus during one of the Nerd shoots and got to see Thorne Hall dressed in all of its Nerdvana glory!

Most recently, the building popped up briefly in the background of the Season 1 episode of The Romanoffs titled “Bright and High Circle,” which aired this past November.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: Thorne Hall, from The Holiday, can be found at Occidental College, which is located at 1600 Campus Road in Eagle Rock. Please be advised that the theatre is closed to the public and is only accessible to those attending performances and shows on the premises. You can find out about the venue’s upcoming events here.

March 28, 2018March 29, 2018

Tal Weaver’s House from “Beverly Hills, 90210”

Oh man, have I been wanting to say this for years – Tal Weaver’s house has been found! It is thanks to Mike, from MovieShotsLA, that I finally get to! For those who have no earthly idea what I am talking about, Tal Weaver – and his house – appeared in the Season 2 episode of Beverly Hills, 90210 titled “Leading from the Heart.” In the episode, Tal, played by a very young and very long-haired Gabriel Macht (aka Suits’ Harvey Specter – my latest celebrity crush), throws a raving party at his sprawling Beverly Hills manse that is attended by Brenda Walsh (Shannen Doherty), her brother Brandon (Jason Priestley), and their wheelchair-bound cousin, Bobby (Gordon Currie). Though the home’s onscreen role was brief, it was extremely memorable and I have spent the past few years trying to track it down. I recently brought Mike in on the hunt and he managed to get in touch with Phil Buckman, aka the episode’s “Surfer Dude” – “Did you hear what that dude in the wheelchair said to me?” – who, thankfully, remembered where filming had taken place. Come to find out not only is Tal’s house one of L.A.’s most famous, but it’s a spot I had actually stalked and blogged about previously. As Phil informed Mike, Tal’s mansion is none other than the Cecil B. DeMille Estate located at 2000 De Mille Drive in Los Feliz. How I never realized it is beyond me! So, thank you, Mike and Phil! (When Mike gave me the good news, I told him, “You’re my hero!” to which he responded, “Some heroes don’t wear capes!” Winking smile )

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Though I covered the DeMille Estate’s history in my previous post on the pad, I figure a brief recap is in order here. Built in 1914, the Beaux Arts-style dwelling was originally designed by architect B. Cooper Corbette for Homer Laughlin, co-developer of Los Feliz’ exclusive Laughlin Park community. Homer did not live at the site long, selling the massive manse to DeMille in 1916 for $27,893. Five years later, the famed director acquired the home next door – formerly occupied by Charlie Chaplin – and connected the two with an atrium-like breezeway, meshing them into one ridiculously large compound with the Chaplin portion serving as a screening room/offices/guest quarters. Cecil remained on the premises until his passing in 1959. His estate then held onto the property for the next three decades, reportedly changing nothing from the time DeMille called it home, even going so far as to put fresh flowers on his desk daily. The compound was eventually sold to attorney Terry O’Toole and his wife, Evelyn, in 1988. According to a few articles I dug up via newspapers.com (which I cannot link to as a subscription is needed to view them), the couple briefly updated the estate before selling it to a Japanese company in 1990.

In 1996, the hilltop abode was purchased by art consultant/curator Lisa Lyons and her husband, art consultant/writer Richard Grossman. Prolific rehabbers, the couple enlisted architect Brian Tichenor of Tichenor & Thorp to separate and restore the two properties, first the Chaplin home (which they subsequently sold to producer/writer John Wells) and then the DeMille Estate. The renovation of the latter took a whopping six years. You can read a great Town & Country article about the extensive restoration here.

Grossman and Lyons put the 6-bedroom, 10-bath, 7,472-square-foot pad (which also boasts a pool, a pool house/gym, a detached studio, a rose garden, arched windows, iron balconies, molded ceilings, Doric columns, a mahogany-paneled dining room, a formal library with floor-to-ceiling bookshelves, and a whopping 2.1 acres of land) up for sale in 2008 for $26.25 million. There were no takers, though, so the listing was removed the following year. It then hit the market again in early 2017 (you can check out the MLS photos here), this time selling after just a couple of months for $24.5 million to none other than Angelina Jolie. Considering Laughlin Park’s long tenure as a celebrity enclave, the purchase was not surprising. Besides DeMille, Chaplin and Jolie, just a few of the stars to call the community home over the years include Natalie Portman, Jenna Elfman, Portia de Rossi, W.C. Fields, Carole Lombard, David Fincher, Lauren Graham, and Ellen Pompeo. Though the neighborhood is gated and not accessible to the public, the Grim Cheaper’s best friend’s parents are longtime residents and we’ve been fortunate to visit many times. During one of those visits, I did some stalking of the DeMille Estate, which is where the photos in this post come from. I am so thankful I snapped them, too, because I’m fairly certain getting any pics of the place now would be virtually impossible considering its current resident.

In “Leading from the Heart,” which originally aired in October 1991, Kelly Taylor (Jennie Garth) takes a liking to Cousin Bobby, who is visiting from Minnesota, and invites him to a party at her friend Tal Weaver’s house. As Kelly tells him, “Tal throws the best parties!”

When Kelly, Bobby and the rest of their group arrive, though, trouble ensues as the only way to gain entrance to the soiree is via a massive set of exterior steps that leads to Tal’s front door.

So it’s Brandon, Steve Sanders (Ian Ziering) and Dylan McKay (Luke Perry) to the rescue! With Brenda and Kelly clearing a path, the three carry Bobby up the steps.

As you can see in the screen captures below (as well as the many above) as compared to the photographs above, when 90210 was filmed on the premises 27 years ago, the DeMille Estate was enclosed with fencing mainly consisting of wrought iron. Though the posts remain, the ironwork has since been replaced with a stucco wall and wooden gates, making the front steps much less visible – which is perhaps why I didn’t recognize the place as Tal Weaver’s pad. (Yeah, I’ll just keep telling myself that. Winking smile )

Things don’t improve much for poor Cousin Bobby upon venturing inside Tal’s residence, for which the real interior of the DeMille Estate was utilized.

Not only does someone fall onto Bobby’s lap and accidentally spill a drink on him, but Tal asks Kelly to dance, which sends Bobby into an ugly downward spiral. It is not long before he begs Steve, Dylan and Brandon to carry him back down the steps so that he can call a cab and leave. While re-watching the episode, I came to the conclusion that Cousin Bobby is actually kind of a jerk. Pretty much everyone he encounters at the party is incredibly friendly, nice, and accommodating (including Tal and the girl who spilled a drink on him), but he is curt and rude (towards Brandon and Steve, too!) and seemingly does his best not to fit in, even going so far as to read Kelly the riot act when (for the first time in the history of the show!) she has not actually done anything wrong. (I cannot believe I’m defending Kelly here!) By the time the credits roll, though, all is good again in Walsh-land, Kelly and Bobby have mended fences, and the gang heads out for a drive – with Brenda behind the wheel (gasp!) – before Bobby’s flight back to the Midwest.

I would be remiss if I did not post a photo of Tal in all of his long-haired glory. The role was actually Gabriel Macht’s first television job and, of the experience, he told BuzzFeed, “I remember Jason Priestley being on his phone a lot and dropping all these F-bombs. I thought that was funny because he was like America’s apple pie golden boy. I also remember having no idea what to talk about with Shannen Doherty and Jennie Garth while we were hanging around the set.” So he did what any good theatre student would do – he created a backstory. In the episode, it is said that Tal and Kelly once attended a Sting concert together, so Macht used that as a jumping-off point. As he explained to BuzzFeed, “I was coming from theater school, so I was coming up with backstory about our time at the Sting concert and she looked at me like I was crazy. It was my first TV gig and I wanted him to be this sensitive guy — but I don’t think anyone named Tal Weaver, which is the greatest name in all of television, will ever come across like the good guy.” (No surprise that Jennie doesn’t sound all that friendly in his story. Winking smile )

As I mentioned in my original post on the DeMille Estate, the director is reported to have shot the Garden of Gethsemane scenes from his 1927 film The King of Kings on the grounds of the mansion, but, unfortunately, due to the passage of over ninety years time and the fact that the property and its acreage have been extensively renovated, I was unable to verify that.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

A MONUMENTAL thank you to Mike, from MovieShotsLA, for finding this location and to Phil Buckman for helping him to do so! Smile

Until next time, Happy Stalking! Smile

Stalk It: The Cecil B. DeMille Estate, aka Tal Weaver’s house from the “Leading from the Heart” episode of Beverly Hills, 90210, is located at 2000 De Mille Drive in Los Feliz. The residence is located in the gated community of Laughlin Park and is, unfortunately, not accessible to the public.

February 14, 2018February 15, 2018

Art’s Delicatessen & Restaurant from “Beverly Hills, 90210: Exposed!”

They say you should always listen to your mother. It’s good advice. Case in point – about a decade ago, while stalking in Studio City, my mom, my dad, the Grim Cheaper and I passed by Art’s Delicatessen & Restaurant on Ventura Boulevard and decided to pop in for a bite. During our meal, my mom encouraged me to take photos of the place as she figured it had likely been utilized for filming at some point or had a celebrity connection. I spent the next couple of minutes bothering the staff with inquiries about shoots on the premises, but no one was aware of any. I snapped a few pictures regardless, but never did further research on the subject. Flash forward to last month. On the advice of my good friend/fellow 90210 aficionado Mike, from MovieShotsLA, I ordered a copy of the book Beverly Hills, 90210: Exposed!, an authorized behind-the-scenes look at the series and its stars written by Bart and Nancy Mills in 1991. When I got to the chapter on Jason Priestley and read the words, “He is all smiles and apologies as he arrives at Art’s Deli half an hour late because work had detained him,” I just about fell over! Oh, how right my mom was! Not only does the restaurant have a celebrity connection, but to my favorite show of all time, no less! I was so thankful I had taken some pics of the place! The only trouble was that when I went to locate the shots, they were nowhere to be found. Fortunately, the GC and I had to head out to Burbank for an IKEA run last week, so we made a pit stop at Art’s while in the area.

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Art’s was established by New York native Art Ginsburg, who moved to Los Angeles as a teen and spent his junior college years learning the ins and outs of sandwich-making while working at a deli owned by his cousin. Armed with $3,000, a collection of family recipes, and the support of his then girlfriend/later wife Sandy, he purchased a small Studio City eatery boasting a scant three and a half booths and twelve counter seats and opened it as Art’s Delicatessen & Restaurant on June 22nd, 1957.

Art’s quickly developed into an area staple, popular with locals, tourists and celebrities alike who flocked to the deli in droves for its authentic Jewish delicacies, homemade soups, and spectacular sandwiches. It is the latter that the site became most famous for. Considering the restaurant boasts the tagline “Where every sandwich is a work of Art,” that is no surprise. Los Angeles Times food critic Jonathan Gold had this to say about the Reuben:, “Sometimes I suspect Ginsburg studies the Reuben the way other great scholars parse the Talmud — adjusting proportions, strength of dressing and sharpness of cheese, crunchiness and ooziness, sweet and tart, until the sandwich speaks simply if profoundly on its own. Art’s is a good deli, but after the Reuben, all else is commentary.” I did not sample that particular offering while there, but instead opted for the Turkey Club (with turkey, bacon, lettuce and tomato on sourdough – along with added cheddar cheese) and it was honestly one of the best sandwiches I have ever had in my life. I can count on one hand the delis I would travel great distances to visit and Art’s is now on that list! (The others are Larchmont Village Wine, Spirits & Cheese in Windsor Square, Sweet Lady Jane in Santa Monica and Sherman’s Deli & Bakery in Palm Springs.)

Thanks to the restaurant’s massive popularity, it was not long before Art’s needed to expand. The site has actually been enlarged four times throughout its sixty-year run, taking over five neighboring storefronts in the process, and its patronage only continues to grow. Today, the deli seats 170 – and is typically packed at most hours.

Art’s has also undergone a complete reconstruction. While it survived the Northridge earthquake of 1994 with only a cracked wall, it succumbed to a massive electrical fire caused by an aftershock early the following morning. There was never any doubt that Ginsburg would rebuild, though. As he told the Los Angeles Times the day after the blaze, “The sign has been up there since 1957; it’s still up there and it’s going to stay up there.” It took nine months to bring the eatery back to life, during which time the surrounding stores felt the brunt of the closure. According to a different Times article, “By some merchants’ estimates, business on the block is down 40% since Art’s 1,000 customers a day stopped walking off their meals by window shopping along Ventura Boulevard.” When the deli’s doors re-opened on October 19th, patrons were lined up outside anxiously awaiting their reunion with the best sandwiches in town. Art’s has been going strong ever since. According to a 1999 LA Weekly article, each week the restaurant goes through 1,000 pounds of corned beef, 4,800 bagels, and 480 pounds of turkey!

Ginsburg himself was just as much a pillar of the community as his restaurant. He not only founded the city’s business improvement district, but also sat on the board of the Los Angeles Valley College Foundation. Even after retiring in 2010 due to health issues, Art would still pop into the restaurant on a daily basis to hold court with his regulars. When he passed away in 2013, the entire neighborhood mourned. Ginsburg’s son, Harold, carries on Art’s vision today, running the eatery with the same aplomb and conviction as his father.

Thanks to Art’s gregariousness and the restaurant’s proximity to a multitude of studios, the place has long been a celebrity haven. Just a few of the luminaries who have been spotted dining on the premises include Delta Burke, Gerald McRaney, Tori Spelling, Leah Remini, Steve Martin, Rob Lowe, John Landis, Lew Wasserman, Ed Asner, Mickey Rooney, Richard Dreyfuss, Jaime Pressly, Ashley Tisdale, Sara Gilbert, Tom Green, Jonah Hill, Zoey Deutch, Lea Thompson, Howard Deutch, Sarah Silverman, and Justin Theroux. Billy Wilder even hung out there in Art’s early days. And in 2011, the deli was the site of an informal reunion for several St. Elsewhere cast members including Ed Begley Jr. and Abby Singer.

One of the most famous movies of the ‘80s was even born over breakfast at the deli. One morning in May 1983, Ivan Reitman, an Art’s regular, met up with Dan Aykroyd at the eatery to discuss a futuristic sci-fi flick the comedian was writing about teams of men who fought ghosts in outer space. As Ivan explained to The Hollywood Reporter of their talk that day, “I said, ‘Look, I love this idea that there are people whose job is to catch ghosts and act like firemen. But it should have a contemporary setting, a big city that we know, like New York. There’s something [better] about seeing apparitions in a context that we understand, like in our living rooms or on our city streets, rather than in a void in outer space in the future sometime. He said, ‘That’s cool.’ And I said, ‘Actually, the story of their formation would be good.’ And I pitched this idea that these guys were paranormal investigators — like, looking at paranormal studies at a university in some kind of postgraduate study program. They get in trouble, they get kicked out, and then they fortuitously set up a business. That was what I pitched at this breakfast and he said, ‘That’s all cool.’” The result of that meeting was, of course, Ghostbusters.

For his Beverly Hills, 90210: Exposed! interview, Jason Priestley chooses to meet with the authors at Art’s, a favorite deli of his that sits in close proximity to the studio where the series was shot. While there, over a meal of matzo ball soup and a bagel with a pickle on the side, he discusses his journey to becoming a household name through his iconic role of Minnesota teen transplant Brandon Walsh. The eatery is referred to by name several times in the book and figures prominently in the chapter on Priestley. One passage reads, “Sitting in Art’s Deli on Ventura Boulevard in Los Angeles, Jason racks his memory to come up with a reason why he chose his life’s work while he still had his baby teeth. To help himself think, he dunks his pickle in his soup.” I find it so incredible – and fabulous – that the restaurant is still in operation thirty years after that interview took place!

As my mom suspected, Art’s is also a filming location!

In the Season 5 episode of Comedians in Cars Getting Coffee titled “Happy Thanksgiving, Miranda,” which aired in 2014, Jerry Seinfeld takes Amanda Sings (Colleen Ballinger) for a Thanksgiving meal at Art’s Deli. The exterior . . .

. . . and interior were utilized in the filming.

Chelsea Handler dined with members of ROMEO (Retired Old Men Eating Out) at Art’s Deli in the Season 1 episode of Chelsea titled “I Was a Ticking Time Bomb,” which aired in 2016. Both the exterior . . .

. . . and interior of the place appeared in the episode.

Sandy Wexler (Adam Sandler) drives past Art’s in a very brief scene near the end of the 2017 Netflix original movie Sandy Wexler.

According to our server, Guy Fieri also recently filmed something at Art’s, but I am unsure of exactly what.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: Art’s Delicatessen & Restaurant, where Jason Priestley’s interview for the book Beverly Hills, 90210: Exposed! took place, is located at 12224 Ventura Boulevard in Studio City. You can visit the eatery’s official website here.

February 9, 2018February 12, 2018

Bookstar from “Beverly Hills, 90210”

I have certainly been revisiting the past lately, as evidenced here, here, and here. Maybe it has something to do with nostalgia hitting me after our recent move. Whatever the reason, here I am yet again with yet another redux. Today’s locale is a favorite, one that I originally covered in May 2008 – Bookstar, a former-theatre-turned-Barnes-&-Noble in Studio City. Back in 1991, when the venue was operating as Mann’s Studio Theatre, Dylan McKay (Luke Perry) took Brenda Walsh (Shannen Doherty) there for their first date in the Season 1 episode of Beverly Hills, 90210 titled “Isn’t It Romantic?” While I have visited the unique book shop countless times over the years, it was not until last December when I came across this post on Scouting Los Angeles (if you are not familiar with Scouting Los Angeles or its sister blog Scouting New York, be sure to check them out – they are hands-down two of the very best location sites out there!) that I realized how much of the property’s original theatrical detailing remains intact. So I decided I just had to re-stalk the place and do another, more extensive write-up on it.

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Originally established as the Studio City Theatre by the Laurel Theatres company, the understated Streamline Moderne-style structure was designed by architect Clifford A. Balch of Magnolia Theatre fame. The 65-foot wide, 881-seat, single-screen venue celebrated its grand opening on June 11th, 1938 with a showing of MGM’s Test Pilot. You can check out a photograph of the movie house shortly before it opened its doors here and another photo here taken in 1946 by which point its ticket booth had been overhauled and made more ornate.

The arena hit a hiccup almost immediately. Per the Los Angeles Movie Palaces website, Laurel Theatres sued Fox West Coast for excluding them from various distributions just a few weeks after the opening. The lawsuit turned out to be rather ironic considering the fact that Fox (a division of the National General Pictures conglomerate) wound up managing the venue for many years after the Laurel Theatres group bowed out. During Fox’s tenure, the site was known as Fox Studio City Theatre. In 1973, when Mann Theatre Corporation took over the cinema portion of National General Pictures, which included the Studio City movie house, it was renamed Mann’s Studio Theatre.

Sadly, by 1990 the ever-growing popularity of multiplexes had caused patronage of Mann’s Studio Theatre to wane. The company chose not to renew their lease and the venue was shuttered in February 1991. Instead of selling to developers as many locals feared, the site’s longtime owners, the Rothman family, decided to bring in a tenant that would not only take advantage of the place’s history, but also preserve its aesthetic. The Rothmans’ real estate broker Bruce Bailey told the Los Angeles Times that despite generous offers from several builders, “they won’t change the property unless it is falling down. They are against mini-malls. They like the look of Studio City. They’ve had tenants ask if they could clear a portion and they won’t do it.” Those words are absolute music to my ears! I wish more Los Angeles building owners shared that sentiment. The Rothmans wound up finding exactly what they were looking for in Bookstar, a division of Barnes & Noble that had refurbished San Diego’s Loma Theatre into a book shop the year prior. The result of the company’s efforts is a fabulous amalgamation of cinema and print. Though the theatre’s lobby appointments and auditorium seating are now gone, pretty much every other original detail remains intact.

That detailing includes the colorful exterior terrazzo flooring;

the gilded ticket booth;

the marquee and “Studio City” signage;

the ceiling lip above the former concessions stand, as well as the columns that flanked it (which you’ll see some screen captures of in a bit);

the movie screen;

the ceiling art;

and the projection booth, which, per Scouting Los Angeles, now houses the store’s offices.

Paying homage to its original incarnation, all of Bookstar’s signage boasts cinematic and Art Deco styling.

It is easily one of the most unique spots to shop in L.A.

Movie magic between the stacks!

Mann’s Studio Theatre pops up three times in “Isn’t It Romantic?” At the beginning of the episode, Brenda tags along with her twin brother, Brandon (Jason Priestley), and his BFF Dylan for a showing of Animal Crackers at the venue. Watching the show, you can really get a feel for how little the space has changed since Bookstar took over. As I mentioned above, though the concession stand has been removed, the pillars that once flanked it as well as the curved ceiling lip above it remain in place.

Even the decorative outline carvings on the ceiling are still intact!

The staircase visible to the right of the concession stand in the scene also remains, but is now largely obscured by displays.

A better view of it is pictured below.

Later in “Isn’t It Romantic?”, Dylan, Brenda, and Brandon make plans to catch another Marx Brothers movie at Mann’s Studio Theatre, but Brandon gets sick, leaving Brenda to go out with Dylan alone, much to her father, Jim Walsh’s (James Eckhouse), chagrin.

While waiting in line for tickets, the two decide to, as Dylan says, “shine on the movie” and instead go back to his suite at the L’Ermitage, where they kiss for the first time.

Something I’ve always found amusing about the scene is that the establishing footage of the theatre shown in it is actually re-used from the third segment of the episode that takes place at Mann’s. Though you don’t see her from the front, Brenda is visible pacing away from the camera in the fabulous navy and pink outfit she wears for her date with Dylan in the later scene.

In the theatre’s third “Isn’t It Romantic?” appearance, Dylan and Brenda make another date to see another Marx Brothers flick at the cinema, but, devastatingly, he stands her up, leaving her to pace in front of the venue for hours until the movie lets out. Brenda is so upset over the experience that she stays home from school the following Monday. Have no fear, though – it all works out in the end. Well, until that little home-wrecker Kelly Taylor (Jennie Garth) steps in and ruins things in Season 3. But I digress.

It is so amazing that despite the changeover from theatre to bookstore and the passage of almost thirty years, the locale looks pretty much just as it did when the episode was filmed.

Bookstar has popped up in a couple of other productions, as well. It appears as the the theatre “near Olympic and Western” where Sergeant Joe Friday (Jack Webb) and Officer Bill Gannon (Harry Morgan) investigate a juvenile assault with a deadly weapon at the beginning of the Season 2 episode of Dragnet titled “The Grenade,” which aired in 1967. Only the exterior of the venue was utilized in the scene. Interiors were filmed on a set.

Thanks to fellow stalker Al, I learned that the site is featured in Wang Chung’s 1985 “Fire in the Twilight” music video, which you can watch here.

The theatre is also seen very briefly in the 1988 comedy Earth Girls Are Easy in the scene in which Wiploc (Jim Carrey) meets some “Finland babes” while cruising Ventura Boulevard.

Jerry Seinfeld and Miranda Sings (Colleen Ballinger) briefly park in front of Bookstar at the end of the Season 5 episode of Comedians in Cars Getting Coffee titled “Happy Thanksgiving, Miranda,” which aired in 2014.

According to commenter YMike on the Cinema Treasures blog, Mann’s Studio Theatre also appears in an episode of the 1985 version of The Twilight Zone television series. I am unsure of which episode, though, and scanned through a copious amount of them in preparation for today’s post, but did not see it pop up anywhere. If anyone happens to know, please fill me in!

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: Bookstar, from the “Isn’t It Romantic?” episode of Beverly Hills, 90210, is located at 12136 Ventura Boulevard in Studio City. You can visit the shop’s official website here.

January 22, 2018January 21, 2018

SPARCinLA from “Beverly Hills, 90210”

The Grim Cheaper and I are moving in a couple of days (we bought a house out here in the desert – our first house!) and while packing last week I informed him that as soon as we got settled we would be taking a trip to Los Angeles as I “have nothing to blog about.” His response? “Yeah, just like you have nothing in your closet to wear!” He’s right, of course. My stalking backlog is ridiculously long. There are locales in my stockpile (pun intended) dating back almost a decade that I have yet to write about! Case in point –SPARCinLA, aka the former Venice Division of the Los Angeles Police Department, which Mike, from MovieShotsLA, alerted me to during a stalking adventure way back in July 2009. As I’ve mentioned many times before, Mike is like a walking/talking encyclopedia of the city. It is always such a treat driving around L.A. with him and watching him point out various spots and their respective filming resumes. That particular 2009 day, while journeying down Venice Boulevard, Mike happened to identify a small Art Deco-style structure on our right, explaining that it was the jail where Brandon Walsh (Jason Priestley) was taken after getting arrested in the Season 1 episode of Beverly Hills, 90210 titled “B.Y.O.B.” We decided to pull over to snap some pics and were thrilled to discover that the building was open to the public! (For reasons I no longer remember, I did not take any photos that day – I am guessing my camera was dead by the time we got to the station. So Mike was generous enough to share his for me to post here.)

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Built in 1929, the two-story reinforced concrete structure that now houses SPARCinLA served as Venice Police Station Division 14 through March 1973, when the department moved to its current home, the Pacific Area Community Police Station at 12312 Culver Boulevard in Del Rey.

SPARCinLA, aka the Social and Public Art Resource Center, took over the building in 1977, transforming it into a community cultural center comprised of an art gallery, exhibition space, special collections, a mural lab, archives, a darkroom, offices, and studios.

Miraculously, much of the site’s original detailing and furnishings were left intact. SPARCinLA is essentially a museum housed inside the confines of a former working police station and jail. It definitely makes for a unique environment to peruse art.

In fact, the setting is like a work of art in and of itself.

I absolutely love the view of the palm trees framed through the windows below.

Because so many of the original elements have not been altered or touched, stepping into the space feels very much like stepping into a police station from the 1950s – which makes it prime for filming. And Hollywood has definitely taken note.

In the “B.Y.O.B.” episode of Beverly Hills, 90210, which aired in 1991, Brandon spends the night at the former Venice station after getting arrested for drunk driving following a car accident.

SPARCinLA only appears in exterior shots of the jail in the episode. Though the interior of the site is used regularly for filming (as you will see when you read further), Mike and I looked all over for Brandon’s cell and the visiting room where Jim and Cindy Walsh (James Eckhouse and Carol Potter, respectively) waited for him, but couldn’t find them anywhere. I am unsure where interior footage was lensed, but, as you can see below, it does look to have been an actual prison of some sort and not a set. Because of that, I am guessing that the exterior shots were likely re-used footage from another Aaron Spelling series. I highly doubt that production went all the way to the former Venice station to film exteriors and then to a different jail location for interiors, when they could have just shot interiors onsite. Strange things happen all the time during shoots, though, especially location-wise, so who knows?

That didn’t stop me from doing a little re-creation of Brandon’s stint behind bars. Winking smile

In the 1976 crime comedy Moving Violation, Division 14 portrays the jail where Alex Warren (Eddie Albert) discusses the surrender of his clients Eddie Moore (Stephen McHattie) and Cam Johnson (Kay Lenz).

The exterior of the building pops up as the exterior of the Anderson Police Station in Assault on Precinct 13, which was also released in 1976.

Only the outside of the structure is shown in the film. The interior of the Anderson station was just a soundstage-built set.

Alvy Singer (Woody Allen) is sent to the former Venice jail after getting arrested for crashing into several cars in a parking lot and then subsequently ripping up his driver’s license in front of a cop – he has a “terrific problem with authority,” after all – in the 1977 comedy Annie Hall.

The station’s interior was also seen briefly in the film.

In the 1980 drama The Jazz Singer, Jess Robin (Neil Diamond) and his bandmates wind up in jail at Division 14 after a fight breaks out during one of their gigs.

SPARCinLA portrays Santa Monica Police Station #4, where Frances Farmer (Jessica Lange) is taken after one of her arrests, in Frances. The building’s exterior . . .

. . . lobby . . .

. . . and jail area all appear in the 1982 biopic.

In 1984’s The Adventures of Buckaroo Banzai Across the 8th Dimension (and I thought Cannibal Women in the Avocado Jungle of Death was a terrible name for a movie!), the site plays the role of the New Brunswick Police Station . . .

. . . where Penny Priddy (Ellen Barkin) is imprisoned.

Angela Bennett (Sandra Bullock) is taken there after her arrest following a car chase with the police in The Net. The 1995 thriller made use of the building’s lobby . . .

. . . and jail area.

SPARCinLA is one of three locations that masquerades as the Hollywood Police Station in the 1997 drama L.A. Confidential. While the Pacific Electric Building in downtown L.A. appears in all of the bullpen and office scenes and the abandoned Lincoln Heights Jail pops up in the prison sequences, Division 14 is featured in the lobby bits.

In the 2000 comedy Nurse Betty, Betty Sizemore (Renée Zellweger) is taken to the former Venice police station to be evaluated by a psychologist after witnessing her husband’s murder.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Big THANK YOU to Mike, from MovieShotsLA, for telling me about this location and for providing all of the photos that appear in this post. Smile

Until next time, Happy Stalking! Smile

Stalk It: SPARCinLA, aka the former Venice Police Station Division 14 from the “B.Y.O.B.” episode of Beverly Hills, 90210, is located at 685 Venice Boulevard in Venice. You can visit the center’s official website here. The property is open to the public every Monday through Friday from 10 a.m. to 4 p.m. and on Saturdays from 1 to 4 p.m. when exhibitions are being held.

January 30, 2017February 10, 2017

Orcutt Ranch Horticultural Center & Community Garden from “La La Land”

On paper, La La Land looked like my perfect movie. I love Ryan Gosling. I love Emma Stone. I love musicals. And I LOVE L.A. The film just didn’t work for me, though. I realize mine is a vastly unpopular opinion, but I found La La Land to be too long, too slow, and too melancholy. My main beef, though? For a flick that purports itself to be a love letter to Los Angeles, it certainly did not showcase many real area locations. Sure there was the Griffith Observatory – I’ll give you that one. It’s a real site – and a great one at that. (Though the planetarium featured was a set re-creation.) What about the Rialto Theatre? Yes, the Rialto is an actual movie house, but it’s closed and has been since 2010. You can’t actually see a film there. Angels Flight? That’s real and historic – but, again, shuttered. Watts Towers and Grand Central Market were utilized, but their appearances were fleeting at best. Not even all of the scenes purported to take place on the Warner Bros. backlot were actually shot there. [And no, the coffee shop where Mia (Stone) worked isn’t real, either, though its facade can be seen on the WB Studio Tour.] And while a couple of area restaurants (like the Smoke House) did make the cut, most either played fictitious eateries or were never referred to by name. So basically everything the movie showcased was fake. Southern California is chock full of vibrant, picturesque, dramatic, historic, very real sites that are accessible. Why not celebrate the city and all of its glory by featuring them? A couple of years ago, I stalked one of the few La La Land locales that is actually open to the public (though it did not play itself in the movie) – Orcutt Ranch Horticultural Center & Community Garden. I was familiar with the property thanks to its appearance in an episode of Beverly Hills, 90210, so I recognized it immediately when it popped up onscreen. I had never gotten around to blogging about it, though, and figured what better time than now?

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Orcutt Ranch was originally established by Union Oil Company president/geologist William Warren Orcutt and his wife, Mary Logan. The couple purchased and developed a 210-acre plot of land in what is now West Hills and commissioned architect L.G. Knipe to built a large adobe-style residence on the site. The home, which they dubbed “Rancho Sombra del Roble” (Spanish for “shaded oak ranch”), was completed in 1926 and still stands today. That’s it below.

The Orcutts first used the dwelling as a vacation home before eventually retiring there.

William passed away at the residence in 1942 and Mary continued to live there until 1966, at which point she sold the ranch to the Los Angeles Recreation and Parks Department.

By that time, a 24-acre portion of the property, which included the house, had already been declared a Historic-Cultural Landmark.

The city dubbed the site “Orcutt Ranch” and opened the grounds to the public.

When I stalked the place in August 2014 (along with Mike, from MovieShotsLA), I was thrilled to discover how open and accessible it is.

Even the Orcutt’s historic adobe was unrestricted, though we were not able to venture inside.

Besides the adobe, a large barn, and several other buildings, the sprawling property also boasts a myriad of gardens, groves, and green expanses, each dotted with countless varieties of plants and trees including birch, wisteria, dogwood, purple lily magnolia, oak, sycamore, and eucalyptus.

Orcutt Ranch is a beautiful place to peruse nature, sit and reflect, or wander aimlessly.

It is also a popular wedding venue.

And filming location! Orcutt Ranch actually portrayed two different places in La La Land. (For those who have yet to see the movie, be forewarned, the paragraphs that follow contain spoilers.) The interior of the Orcutt adobe first masked as the inside of the Chateau Marmont bungalow where Mia was staying at the end of the film. (Why the scene wasn’t shot in an actual room at the historic hotel is anyone’s guess.) Sadly, I do not have any screen captures of that particular scene to post here, but you can see images of the room used in it here and here. Later, in La La Land’s dreamy final montage, during which Mia and Sebastian (Gosling) imagine what could have been, the adobe portrays the couple’s home. Thankfully, I do have screen grabs from that scene thanks to this YouTube video.

It was the adobe’s unique arched door that I recognized while watching La La Land.

The interior of the Orcutt residence was also used in the sequence, including the solarium (which you can see a photograph of here) . . .

. . . and the living room (which you can see a photo of here). You can check out some more images of the adobe’s interior here.

The property’s courtyard and fountain made an appearance in the scene, as well.

As did the lush grounds. (My imagery below isn’t the best because that portion of the scene was shot on a 16mm movie camera and is therefore a bit grainy.)

As I mentioned in my intro, Orcutt Ranch also appeared in an episode of Beverly Hills, 90210. In Season 10’s “Laying Pipe,” it masked as the supposed Ojai-area church where Steve Sanders (Ian Ziering) and Janet Sosna (Lindsay Price) took Kelly Taylor (Jennie Garth) and Dylan McKay (Luke Perry) to meet their minister.

Only the exterior of the ranch appeared in the episode.

The gazebo where Janet and Steve had a mini wedding rehearsal was not a set piece brought in for the shoot, but is an actual element of the property, which I was thrilled to see! It does look a bit different today, though, than in 1999 when the episode was shot.

The ranch’s gardens made an appearance in “Laying Pipe,” as well.

A couple of Orcutt Ranch’s outbuildings also masked as the Thomas family farm in the Season 1 episode of Deadtime Stories titled “Grandpa’s Monster Movies.”

One of the buildings used in the episode is pictured below.

For those who felt like I did about La La Land (or who are completely flummoxed as to why I didn’t like it), this The New Yorker review is a great read. As author Dale Robinette states, “I saw La La Land in a theatre, sitting up close to a big bright screen, and couldn’t tell whether it was filmed on location or in a studio in front of a green screen. If [director Damien] Chazelle’s intention was to celebrate, among other things, the public face of the city, he failed miserably at it.” I couldn’t agree more. Chazelle really should have taken a note from Swingers. The 1996 film brilliantly showcased a very real L.A., featuring actual area restaurants, bars and landmarks to such perfection that many still draw fans to this day, twenty years after the movie originally premiered.

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Until next time, Happy Stalking! Smile

Stalk It: Orcutt Ranch Horticultural Center & Community Garden, from La La Land, is located at 23600 Roscoe Boulevard in West Hills. The site is open daily from dusk until dawn and admission is free. You can visit the property’s official website here.