Beverly Hills – IAMNOTASTALKER

April 13, 2020April 11, 2020

Tilly’s House from “Flaked”

I never thought I’d say I’m in love with a gate, but here we are. Back in March 2016, my Los Angeles magazine editor assigned me a piece chronicling the locations from the then-new Netflix series Flaked. I got to work researching right away and one spot immediately stood out among the rest – the manse belonging to Chip’s (Will Arnett) estranged wife, Tilly (Heather Graham). Or I should say the gate of the manse belonging to Chip’s estranged wife, Tilly. The shiny blue wall of glass was impressive, to say the least, and I promptly labeled it a must-see. I finally made it out there last September and, though I briefly featured the pad in my L.A. mag article, figured it was worthy of a post all its own.

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In person, Tilly’s gate did not disappoint!

Sleek, polished and striking, the reflective blue wall pretty much commands the street.

Spanning twelve feet, the enclosure is made up of Cobalt blue glass.

The rich coloring and sheer size of it make for some pretty arresting onscreen imagery.

While not visible from the street, the house that sits behind the gate is pretty darn impressive, as well. Designed by architect Paul McClean in 2014, the massive estate boasts 6 bedrooms, 8 baths 9,393 square feet of living space, white slab marble flooring, walls of glass, a chef’s kitchen with 2 islands, a built-in wine station and a coffee bar, a movie theatre, an atrium, a game room, a bar, a massive glass wine room, a cigar lounge, a gym with a steam room, a 0.56-acre lot, a courtyard, a 2-story fountain, outdoor living spaces, an outdoor kitchen, a negative-edge infinity pool, a spa, a BBQ, and panoramic views of Los Angeles, the Pacific Ocean, and Catalina. The ultra-modern estate is currently on the market for a cool $19,995,000. You can check out some interior photographs of it here.

A very traditional looking pad sat on the lot before McClean got his hands on it, as you can see in the Google Street View imagery from 2011 below.

While I much prefer the new house, the geometrically-paneled window that formerly overlooked the street is pretty darn spectacular.

The property pops up twice on Flaked – first in Season 1’s “Rose,” in the scene in which Chip visits Tilly, a massive television star, in the hopes that she can help him save his business.

Along with the gate, the home’s actual interior also appears in the scene.

Chip later returns to the pad in the episode titled “7th,” though Tilly refuses to let him in.

While Tilly makes an appearance in Flaked’s second season, sadly her fabulous residence does not.

The home’s real estate listing states, “Proven filming history provides substantial income for investors,” but, unfortunately, there is no specific mention of what productions have shot on the premises, so I am unsure if the place has any additional cameos on its resume.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: Tilly’s house from Flaked is located at 1620 Carla Ridge in Beverly Hills’ Trousdale Estates neighborhood.

November 22, 2019November 20, 2019

Valentino from “Pretty Woman”

Pretty Woman is one of the most well-documented movies out there when it comes to locations. Oddly though, despite the legions of websites and books with sections dedicated to its locales, I have yet to see identified the Rodeo Drive shop where Vivian Ward (Julia Roberts) and Edward Lewis (Richard Gere) spent an “obscene amount of money” mid-film. So I recently set out to find it.

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The exterior of the boutique, where Vivian famously spits her gum onto the sidewalk, is only shown briefly in the shopping scene, unfortunately. And my copy of the movie on DVD (the 15th Anniversary Special Edition which I’ve owned for years) is surprisingly grainy, giving away little in terms of the shop’s location. So I decided to stream a high-definition version in the hopes that some clues might be discernable. And there were! In the high-res format available on Amazon, the words “Valentino” and “a Torie Steele boutique” were visible at the bottom of one of the store’s windows, as was the familiar Valentino logo featuring a large “V” above the front door. The start of an address number reading “40” could be seen, as well!

I was thrilled to make out the last digit – an “8” – on the back of the door shortly after Vivian and Edward entered the store. From there, it was not hard to put the pieces together – the Pretty Woman shopping/gum spitting scene was lensed at the Valentino boutique formerly at 408 North Rodeo Drive.

A quick Newspapers.com search confirmed that a Valentino outpost owned by Torie Steele was located at that address from the mid-80s through the mid-90s.

Torie Steele, a revelation in the fashion industry, pioneered the merchandising of foreign designers’ wares to American consumers via a stretch of Rodeo Drive boutiques she established in the 1980s that, along with Valentino, specialized in Ferré, Versace, and Krizia.

When Torie retired in the ’90s, her popular boutiques were shuttered. The Valentino space was purchased by Lladró in 1994, five years after Pretty Woman was shot and four years before my first visit to Beverly Hills, sadly. Even had I known about the locale, it would have been far too late for me to stalk it.

Per everything I’ve come across, the 408 North Rodeo building as it exists today was constructed in 1997, so it was either torn down after the Lladró sale or extensively gutted and remodeled. The exclusive ceramics company then opened a boutique/museum in the space in March 1997.

Because of the remodel/razing, there are no elements leftover from the time that Pretty Woman was shot, leaving the storefront completely unrecognizable from its 1990 cameo.

Lladró’s interior, designed by Juan Vicente Lladró (son of one of the company’s original founders) and architect Ki Suh Park, also bears no resemblance to the inside of Valentino as it appeared in Pretty Woman. The spectacular space, which you can see a photo of here, featured a grand double staircase rising three levels and a domed ceiling.

It is a bit surprising that producers chose to use a Valentino outpost in the scene rather than an unnamed boutique (as was the case with the movie’s other famous shopping segment) being that none of Vivian’s clothes were actually made by the fashion house. Her enviable wardrobe was instead created by costume designer Marilyn Vance in its entirety, right down to the iconic red opera gown, as detailed in this fabulous interview. Somehow, despite the fact that I’ve seen Pretty Woman about a gazillion times, I only just noticed while making screen captures for this post that the famous crimson frock can briefly be seen displayed on a mannequin on the Valentino sales floor during the shopping sequence, as denoted below!

During 408 North Rodeo’s almost twenty-year tenure as Lladró, Michael Jackson frequented the place regularly. One of his many visits is pictured below via a video posted by Marianna Sarte on YouTube.

In summer 2014, Lladró moved to a new storefront a block away at the Two Rodeo complex. It’s former home, the 16,129-square-foot 408 North Rodeo building, had been sold to Chanel the year prior for a whopping $117 million. Per The Hollywood Reporter, it was “the highest per-square-foot retail sale in L.A. County!”

Chanel was set to raze the building, as well as its flagship store next door, in order to construct a massive new boutique, but those plans have yet to come to fruition.

The space did house a St. Supéry Estate Vineyards and Winery pop-up for a time in 2017, but sits vacant today, a distant memory of its famed 1990 role.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: Valentino, where Vivian and Edward shopped in Pretty Woman, was formerly located at 408 North Rodeo Drive in Beverly Hills. The building is currently vacant.

October 23, 2019October 22, 2019

Susan Berman’s Former House

One location that has confused me for years is the cottage where writer Susan Berman was murdered in 2000 – so much so that despite stalking it back in August 2015, I have put off blogging about it until now. I first learned of the locale from the hit HBO docuseries The Jinx: The Life and Deaths of Robert Durst, which chronicles the sordid, twisted, extremely weird tale of multimillionaire Durst and the deaths of three people connected to him, including Berman, his longtime BFF. On the show, much was made about Susan living at 1527 Benedict Canyon Drive in Beverly Hills. When I headed out to stalk the home located there, though, I was shocked to see that it looked nothing like the pad showcased onscreen. Figuring I might have jotted down the wrong address (hey, it happens to the best of us!), I took photos regardless and started delving into the matter further as soon as I got home. Sure enough, what was shown in The Jinx, specifically the third episode titled “The Gangster’s Daughter,” did not match the house at 1527 Benedict Canyon. I eventually pushed the matter to the back of my mind where it remained until a couple of days ago when I decided to rehash it. Thankfully, this time around I was able to figure things out.

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In The Jinx, we are only shown one full shot of Susan’s former residence. It’s below.

Several close-up images taken the night of the murder are also featured on the series, though the dark-shingled façade pictured in them looks considerably different than the white-washed exterior from the wide shot. Since both consist of wood shake, though, I figured they were one and the same and that Susan likely had the place painted at some point during her tenure. But, as it turns out, the photos are actually of two different properties. The cottage above is a Brentwood residence Susan owned for a time long before she was murdered, while the pad below is her Benedict Canyon rental, where she lived during two different periods of her life, including her final years. Because the latter was remodeled extensively in 2006 and the wood siding removed, it is not very recognizable today, which only added to my confusion.

It was not until coming across the photos here and here that I was able to piece things together. As you can see, though the shiplap has been removed, making the home appear more ranch-like than its former Cape Cod style, it is the same place.

Hedges now obscure much of the dwelling from view, but toggling back to January 2011 on Google Street View provides better imagery. Per the building permits I dug up, besides the wood shake removal, during the 2006 remodel a portion of the patio was also enclosed in order to expand the kitchen and both bathrooms were gutted.

It was in the quaint abode that Berman met her untimely end on December 22nd, 2001 – authorities say at the hand of her dearest friend, Robert Durst. Susan and “Bobby,” as she called him, originally met while attending UCLA in the 1960s and became fast, yet unlikely companions – she a vibrant, talkative extrovert, he an odd reclusive scion of a prominent New York family. They say a picture speaks a thousand words and the image of Susan and Bob below speaks volumes regarding their strikingly different personalities. Regardless, the two were thick as thieves up until Susan’s death. But to understand her killing, we have to go back to 1982, when Robert’s first wife, Kathleen McCormack, went missing. As I explained earlier, it’s a very twisted tale.

Kathleen and Bob’s relationship was by all accounts tumultuous. Married in 1973, Kathie was seeking a divorce by early 1982. On January 31st of that year, after spending the weekend together at their South Salem lakeside cottage, Durst claims he dropped his wife off at the Katonah rail stop, where she caught a train to New York. A doorman reportedly saw her enter the couple’s pied-à-terre at 37 Riverside Drive later that night. The following morning, Kathie called the associate dean of Albert Einstein College of Medicine, where she was set to begin a clerkship, to say she was ill and would not be coming in. She has not been seen or heard from since. Because Kathie disappeared from Manhattan and Robert never left South Salem that night, he was never regarded as a suspect. At least not officially, though most who followed the case had their suspicions. The investigation quickly went cold and it was not until years later, November 1999 to be exact, that authorities decided to reopen it based upon a tip from a suspect in a different matter. Though said tip turned out to be bogus, it set off a chain of events almost too bizarre to be believed.

Detectives were able to keep the reopening of the case under wraps for a full year before the media caught wind of things. When reports finally started rolling out in November 2000, it sent Robert into a tailspin. He promptly relocated to Galveston, Texas where he rented a small apartment and began posing as an elderly mute woman to avoid detection. Just a couple of weeks later, on December 24th, Susan was found dead at her Benedict Canyon rental. According to a March 2001 New York magazine article, Berman had initially leased the 1935 cottage for a few years upon relocating from NYC to L.A. in 1981. Though small, with 2 bedrooms and 2 baths, at the time it was a “lovely, cheerful place.” As you can see below, the 2006 remodel did the exterior of the place no favors. It looked so much better with the wood siding!

After marrying her one and only husband in 1984, Susan moved out of the Benedict Canyon property and into a home she purchased at 12030 Coyne Street in Brentwood. It was that house that was showcased on The Jinx.

An interview was even conducted outside of the Brentwood pad for the series and, in a very confusing twist, it was made to appear as if it was the Benedict Canyon residence! It’s no wonder I was confounded by the location for so long!

Berman’s marriage didn’t last and by 1987, she had a new love, aspiring screenwriter Paul Kaufman. The two eventually attempted to develop a Broadway musical together, using Susan’s finances to do so, but the venture bankrupted her, put an end to the relationship, and the Brentwood house was foreclosed on. Broke and single, she relocated to a condo at 1131 Alta Loma Road in West Hollywood, which was owned by a friend who let her live there rent-free for the next five years. In 1997, as she started to get back on her feet, she moved back into her old Benedict Canyon rental. But by late 2000, she found herself in dire financial straights yet again and reached out to Durst to borrow money. He sent her two checks totaling $50,000. He claims that around the same time she told him that she had been contacted by detectives regarding the re-opening of Kathie’s case and that she planned on speaking with them. It turns out that was not true – something Robert did not find out until much, much later. As recounted in a fabulous Los Angeles magazine article about Berman, Durst was shocked when L.A. Deputy District Attorney John Lewin informed him during a 2015 jailhouse interview, “They had not contacted her. I think that Susan was trying to subtly squeeze you for money.”

By all accounts, Susan never would have squealed on Bobby, though he had good reason to be nervous. Berman, who had casually mentioned to several friends over the years that Durst had something to do with Kathie’s disappearance, had not only provided an alibi for him the night McCormack went missing, but she also acted as his media liaison in the months that followed. And much of what she spewed wasn’t true. As it turns out, no doorman ever saw Kathie the night of January 31st – that was a story fed to the press by Berman. It is also now largely believed that it was Susan, posing as Kathie, who called the Albert Einstein College of Medicine dean the morning after the disappearance. Susan knew where the bodies were buried (quite possibly literally) and police contend that Robert killed her for it.

Authorities believe that Robert flew from New York to San Francisco on December 19th, 2000. He then took another flight to Eureka and, the following morning, drove to Los Angeles. He headed to Susan’s house late on the evening of the 22nd or early the morning of the 23rd and shot her once in the back of the head, execution-style. Police, responding to a call from a neighbor who reported that Berman’s dogs were running loose and barking up a storm, arrived at her residence at 1 p.m. on Christmas Eve where they found the the rear door open and Susan dead on the floor of the guest bedroom. She was 55 years old. A horrific scenario all around, no doubt, but Kathie’s sister Mary Hughes did have this to say in the Los Angeles magazine article about Susan, “Obviously it’s horrible that Berman was murdered by Durst. But we’ll always be mindful that she was Durst’s coconspirator in covering up Durst’s murder of our sister.”

1527 Benedict Canyon Dr, Beverly Hills, CA 90210

As evidenced in the crime scene photos from The Jinx (the top one I blacked out a portion of as Susan’s body was visible) as compared to the MLS images above and below, the house looks quite different today than it did in 2000. The interior was said to be in shambles toward the end of Susan’s life and the pictures featured on the series certainly attest to that. Apparently, the heat had even been turned off and some of the rooms lacked flooring – there was only cement where the carpeting had once been. The place is in much better shape since the 2006 remodel, during which doors were closed off and relocated and the kitchen opened up, as you can see.

1527 Benedict Canyon Dr, Beverly Hills, CA 90210

The bizarre story doesn’t end there. On the 23rd of December, a note was sent to the Beverly Hills Police Department that read “1527 Benedict Canyon Cadaver.” Susan’s body had already been found by the time detectives received it, but it did provide them with a clue. Whoever killed Berman must have cared for her in some way and didn’t want her body to go undiscovered.

The murders don’t end there, either. On September 28th, 2001, Durst shot his Galveston neighbor, a cantankerous elderly gentleman named Morris Black, who had discovered his true identity and had been pressuring him financially. Robert then dismembered his body, wrapped the parts in newspaper, put them in garbage bags and dumped them in Galveston Bay. The bags wound up floating though and were discovered by a teen fishing in the area the following day. An address on one of the newspapers led police straight to Durst and he was arrested. He promptly posted bail and then skipped town, successfully avoiding authorities until he was detained in Pennsylvania about six weeks later for attempting to steal a sandwich and a band-aid from a grocery store. You can’t make this stuff up! Robert claimed self-defense at his subsequent trial for Black’s murder and was inexplicably acquitted despite having dismembered the body, though he did serve some time for bond jumping and evidence tampering. He was eventually paroled in 2005, was rearrested for violating said parole, and served another few months.

In 2010, filmmaker Andrew Jarecki’s movie All Good Things, based on Durst’s life, premiered. Apparently happy with his onscreen portrayal, Robert contacted Jarecki and, against the advice of his lawyers and pretty much anyone else with half a brain, asked to be interviewed by him. Over the next few years, Jarecki compiled more than twenty hours of footage of Durst, which is how The Jinx came to be. The series debuted to much fanfare on February 8th, 2015. Building on evidence uncovered by Jarecki and his producing partner, Marc Smerling, police began closing in on Durst, ultimately deciding to arrest him on March 14th, 2015, the day before the final episode hit HBO. That finale featured a chilling segment in which Robert was confronted with a letter he wrote to Susan in 1993, years prior to her death, which bore not only the exact same block handwriting as the “cadaver” note, but the exact same misspelling of the word “Beverly.” In a stunning turn, he then walked into the bathroom of the hotel room where the interview was taking place, still miked, and uttered to himself, “What the hell did I do? Killed them all, of course.” His trial for Susan’s murder is set to begin in January and something tells me this time an acquittal is not in the cards.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: Susan Berman’s former house is located at 1527 Benedict Canyon Drive in Beverly Hills.

October 11, 2019October 14, 2019

Ron Levin’s Former Home

As a Los Angeles aficionado who has long been obsessed with true crime, it is rather shocking that I had no knowledge of the infamous Billionaire Boys Club murders of 1984. Sure, I’d heard of the 1987 The Billionaire Boys Club miniseries, but figuring it a tale of financial woe, dismissed it as not something that would interest me. It was not until earlier this year when the Grim Cheaper suggested we watch the 2018 film of the same name that I learned about the case – and became appropriately transfixed. I spent the next few days fastidiously reading anything I could get my hands on concerning the killings. Of course the tidbit I was most interested in finding out was the real-life location of murder victim Ron Levin’s house. As it turns out, the movie played a bit fast and loose with its locales. While Ron is shown living in a massive Beverly Hills mansion onscreen, he actually called a modest duplex at 144 South Peck Drive, just steps from Rodeo Drive, home. What follows is the story of what occurred there, per newspaper articles, court documents and witness testimony (because the movie played a bit fast and loose with the facts, as well – as least as far as to what I think happened).

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The Billionaire Boys Club was established in 1983 by Joe Hunt, who was born Joseph Gamsky (on Halloween, incidentally) to a lower-middle-class family in Chicago. At some point, Hunt’s family relocated to Los Angeles, where he secured a scholarship to the prestigious Harvard-Westlake School. Following graduation, Joe enrolled at USC for a brief time before dropping out and moving to the Windy City, where he began trading stock. Not licensed to run an investment group, he did so anyway and the Chicago Mercantile Exchange booted him for it. He promptly changed his last name, headed back to L.A. and formed another investment group – the BBC, named in honor of the Bombay Bicycle Club, one of his favorite Chicago restaurants. He enlisted his wealthy former classmates from high school to provide capital for his new venture, which was essentially a Ponzi scheme involving commodities that I can’t properly explain here because I don’t entirely understand it myself (where’s Margot Robbie in a bathtub when you need her?). It was not long before people began referring to the group as the “Billionaire Boys Club” thanks to is members who were all very young and very rich. (That’s Hunt pictured below in a still from the Season 1 episode of Dominick Dunne’s Power, Privilege, and Justice titled “Billionaire Boys Club,” which aired in 2002.)

Though Joe was initially successful in his trades, the group started spending money like water, buying fancy cars and clothes and leasing high-end office space, and it wasn’t long before more was going out than was coming in. Once initial investors began seeing zero ROI, the high-end investments stopped pouring in, as well, and the BBC found itself in dire financial straits, only a year after being established. That was when Ron Levin entered the picture. (That’s him below, again in a still from Dominick Dunne’s Power, Privilege, and Justice.) Joe thought the wealthy Beverly Hills businessman, who wanted to invest $5 million in the BBC, would be the club’s ticket out of debt. In truth, Ron was nothing more than a flimflam man, though. Not only did he not have $5 million, but he was setting Hunt up as part of an even bigger scam. When Joe discovered that he had been played – and that his financial circumstances were more dire than ever as a result – he set out to murder Ron. But not before getting some cash out of him first.

On the evening of June 6th, 1984, Joe and his bodyguard, Jim Pittman, entered Levin’s Beverly Hills duplex (pictured below). Still believing him to be a wealthy man, they forced him to write a $1.5 million check to the BBC and then shot him in the back of the head. (In actuality, Ron hardly had two nickels to rub together – a reality Joe learned shortly after the killing when his check bounced. I guess Ron ultimately got the last laugh!) Pittman and Joe then wrapped Ron in a comforter, put his body in the trunk of Joe’s car, drove out to Soledad Canyon and buried him. (At least, that is what has been testified to and confessed by Pittman. Joe has denied all of it and Levin’s body has never been found.)

Ron had been scheduled to head to New York the following morning with Dean Factor (Shannen Doherty’s ex) of all people, as well as two other friends. When the trio arrived at the duplex to pick him up, though, he was nowhere to be found and the men noticed that a few things in his bedroom seemed to be out of place. Despite these anomalies, police initially assumed Ron had skipped town, largely due to his long history as a conman.

When Levin’s check didn’t provide the funding Hunt had anticipated, BBC member Reza Eslaminia suggested the group kidnap his father, an exiled former Iranian dignitary named Hedayat Eslaminia supposedly worth a whopping $30 million. (That’s him below, once again in a still from Dominick Dunne’s Power, Privilege, and Justice.) Reza figured the boys could get Hedayat to sign over his vast fortune to them via some good old fashioned torture. Knowing he wouldn’t give up his money easily, the group rented a house in Beverly Glen with which to hold him until he turned, after which they’d kill him. Bernice Rappaport, the realtor who leased the boys the residence, told Dominick Dunne’s Power, Privilege, and Justice that during the tour they were only interested in seeing the basement. Way to be inconspicuous, guys! A van was then rented, a steamer trunk procured, and Hunt, his closest friend Dean Karny, and a few other BBC members headed to Belmont in Northern California where Eslaminia lived (and very near to where I grew up, which makes it all the more strange that I knew nothing of the case!). On July 30th, they entered his apartment, beat him, put him in the trunk, stuck the trunk in the van, and began driving back to L.A. Somewhere along the way, though, he died due to lack of air. Hunt still tried to acquire his assets, but once again the joke was on him. As he quickly learned and as was the case with Levin, Eslaminia was worth far less than originally thought. Per a 1998 SF Gate article, following his death his estate was valued at around $200,000.

By this time, many members of the BBC had grown fed up with Hunt’s continual failure to dispense dividends. Two in particular, brothers Tom and Dave May (heirs to the May Co. department store fortune) were especially frustrated and went to the police to report both that Joe was swindling people out of millions and that he had murdered Levin. Detectives immediately got a warrant to search Ron’s duplex and made a startling discovery. Sitting half-hidden behind a trash can in the office was a veritable murder checklist, pinpointing items like “tape mouth” and “hand cuff.” Running seven pages long and hand-written by Joe himself, the list was titled “At Levin’s TO DO.” Joe was arrested soon after.

As the police closed in on other BBC members, Joe’s BFF Dean (pictured below) quickly turned state’s evidence, agreeing to testify about Ron’s murder in exchange for immunity. He also told police that Hunt was responsible for Eslaminia’s killing and led them to his body. Joe was eventually convicted of Ron’s slaying in 1987 and sentenced to life in prison without the possibility of parole. He later went on trial for Eslaminia’s death, during which he inexplicably represented himself! I guess he did an OK job, too, because jurors wound up deadlocked, a mistrial was declared, and prosecutors declined to pursue the case further. Hunt’s bodyguard, Pittman, was also tried for Ron’s murder – twice actually and both resulted in a hung jury. He eventually pled guilty in November 1987 to being an accessory after the fact, though when he tried to lead police to the body, none was found. (Dun dun dun!) Dean was put in witness protection immediately following the trials, where he has remained ever since.

Despite the violence that took place there, Levin’s former home truly is an idyllic little duplex, each unit boasting 3 bedrooms, 3 baths, about 2,900 square feet, a den, formal living and dining rooms, a fireplace, crown moldings, walk-in closets, plenty of built-ins, a courtyard, and parking for 3 cars. You can see interior images of both apartments here.

I am fairly certain that Ron’s unit, addressed #144, is on the bottom floor of the two-story French Traditional building, which was originally constructed in 1936.

Interestingly, per court testimony given by a friend of Levin’s, in the early ‘70s Ron lived at 148 South Peck Drive, right next door to the building he would eventually be murdered in.

You can see the neighboring structures and their proximity to each other below.

Levin moved to 144 South Peck in the mid-70s and never left – or if you believe Joe Hunt and his defense team, perhaps he did leave one summer night in 1984 and is now living the good life somewhere, completely off the grid.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: Ron Levin’s former duplex, from which he disappeared on June 6th, 1984, is located at 144 South Peck Drive in Beverly Hills. Prior to that, he lived next door at 148 South Peck.

August 26, 2019August 25, 2019

The Daisy – Where O.J. Simpson and Nicole Brown Met

I love a good true-crime podcast. One that recently got me hooked is Confronting: O.J. Simpson with Kim Goldman, which just finished its first season. In it, the sister of murder victim Ronald Goldman interviews numerous key players in the so-called Trial of the Century, including jurors, prosecutors, witnesses and one of the defense team’s private investigators. It is raw, real, heartbreaking and informative – I even learned a few new things about the case, which I didn’t think possible. Listening also reminded me of a Simpson-related location that I stalked way back when but have yet to blog about – the former site of The Daisy in Beverly Hills. It was at the tony members-only discotheque that O.J. first laid eyes on a young Nicole Brown, thereby setting off their turbulent 17-year relationship. It is sobering to think that without The Daisy there would be no O.J. and Nicole, the events of June 12th, 1994 would not have occurred, and the cultural landscape of Los Angeles, nay the world, would be very different today.

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The small brick building that housed The Daisy, which has long since been razed, was initially constructed as a private residence in 1941. Just two years later, famed restauranteur and self-proclaimed Russian prince Michael Romanoff enlisted architect Douglas Honnold to transform the dwelling into his eponymous nightclub, Romanoff’s. The lounge (you can see what it looked like here) would go on to become one of the best-known hot spots in Hollywood history. An entire post could be dedicated to Romanoff’s, in fact, but since this piece is about The Daisy, I’ll keep my reporting on it scant. The eatery’s patronage read like a Who’s Who of Tinseltown, with Cary Grant, Humphrey Bogart, Charlie Chaplin, F. Scott Fitzgerald, and Jack Warner all counted as regulars. In 1951, when Romanoff’s moved a few blocks away to 140 South Rodeo Drive (that’s where Sofia Loren was famously snapped gazing disdainfully at Jayne Mansfield’s décolletage – one of history’s most iconic images), its former home became the Friars Club. That, too, relocated in 1961 and the following year The Daisy opened in its place. It was the first members-only disco to exist in Beverly Hills.

Established by Jack Hanson, who was best known as the founder of Jax, a wildly popular Beverly Hills clothier that outfitted the likes of Marilyn Monroe, Audrey Hepburn, Jackie Kennedy, and Twiggy, The Daisy was a hit from the outset. The Hollywood elite who patronized it had to shell out an initiation fee of $250 and membership was limited to 400. The steep price tag did not curb the club’s popularity, which was packed to the gills most nights with such luminaries as Steve McQueen, Robert Redford, Sonny and Cher, Warren Beatty, Julie Christie, Mia Farrow, Natalie Wood, Paul Newman, Grace Kelly, Bobby Darin, and Peter Sellers all dining, dancing, and playing pool on the premises. The extensive menu even had dishes named after many of its famous regulars, from Ray Bradbury to Katherine Ross. As Hanson told the press in 1977, “Seven nights a week for nearly 10 years, this place was filled with the biggest celebrities in the world. I was king of the town.”

The Daisy was the site of countless historic events in pop culture, not a surprise considering its elite clientele. Aaron Spelling met future wife Candy there in 1965, while they were both on dates with other people (she was doubling with Tina Sinatra and Sammy Hess). In the winter of that same year, Frank Sinatra had a terse exchange with writer Harlan Ellison over a pair of boots, which journalist Gay Talese famously chronicled for Esquire magazine. And it was at The Daisy that, on August 11th, 1969, Diana Ross introduced the Jackson 5 as Motown’s newest group. The place truly is hallowed ground when it comes to Hollywood history.

The late ‘60s brought a decline in The Daisy’s patronage, largely thanks to newer clubs like The Factory which were popping up all over L.A., and it eventually closed in 1970. At that point, Hanson rebranded the place into a health food restaurant/cabaret (where’s Luann de Lesseps when you need her?) that went by the same floral moniker. The eatery didn’t last long, though, and in 1976, Bryan MacLean, a founding member of the rock group Love, leased it, opening a Christian nightclub on the premises. Though initially popular, dancing was not allowed and alcohol was not served, and it, unsurprisingly, closed within a year. So Hanson quickly took over the reins again, reopening The Daisy at the site. This time initiation fees were $500, but, as before, the high fee did not deter customers. It was not long before the club was hoppin’ once more.

In 1977, Nicole Brown, then 18 and fresh out of high school, landed a job as a waitress at The Daisy. During her very first shift, she caught the eye of O.J., then 30, married, and one of the club’s regulars. (He, too, had a dish named after him – the “O.J. Simpson” consisted of scrambled eggs and a sliced orange. Let that sit for a minute.) Though Nicole had no idea who the sports star was at the time and despite the fact that he was not exactly single, the two began an affair and within months were living together. The rest is much publicized – and very tragic – history.

Along with being a pop culture phenomenon, The Daisy is also a screen star. It was there that Leon (Bill Duke) told Julian (Richard Gere) he had to go back to Palm Springs for a job in the 1980 drama American Giglio.

It was also at The Daisy that Ross Conti (Steve Forrest) and Elliot (Beverly Hills, 90210’s Joe E. Tata!) discussed some illicit images in the second episode of the 1985 miniseries Hollywood Wives.

While much has been reported about The Daisy’s early, popular years, I could not find any info whatsoever on its demise and have seen it reported that the club was closed and demolished in both the early 1980s and in 2005. Aerial views don’t provide much clarity, either. Whatever the year, at some point the building was razed to make way for new retail space. Today, the former Daisy site is home to the boutiques Saint Laurent and Moncler.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: The former site of The Daisy, where Nicole Brown first met O.J. Simpson, can be found at 326 North Rodeo Drive in Beverly Hills. The Frank Lloyd Wright-designed Anderton Court Shops complex is located right next door at 333 North Rodeo.

April 12, 2017March 27, 2020

The “Why Him?” House

I don’t like to think of myself as a brat, but I’d be lying if I did not admit to having brat-like tendencies when it comes to choosing what movie to watch with the Grim Cheaper on any given Saturday night. Typically I veto all of his recommendations straight out of the gate and we wind up watching a flick of my choosing. That was not the case on a recent evening in, though, when the GC had his heart set on viewing the 2016 James Franco/Bryan Cranston comedy Why Him? Even though I didn’t have high hopes for the film after watching the trailer, for whatever reason, I acquiesced – and wound up eating crow because not only was the movie great, but it gave me a new obsession, Alaskan King beds. (If you don’t know what they are, here ya go! I know, right? Simply amazing!) I also became quite obsessed with the flick’s locations, especially the massive modern mansion belonging to Laird Mayhew (Franco). Thankfully, it was an easy find. A quick Google search for “Why Him?” and “house” let me to this page on the Global Film Locations website which provided the address – 1159 Summit Drive in Beverly Hills.

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I was only further intrigued when I headed over to check out the property on Google Maps and dropped into Street View. As the little yellow cartoon man showed me, the pad is completely visible from the road, not hidden behind tall walls and gates like so many other Beverly Hills properties.

In person, the residence is even more impressive.

Built in 2011 by Whipple Russell Architects for a sports agent and his family, the sleek contemporary residence replaced a sprawling Mediterranean-style pad that Architectural Digest described as “hodgepodge” in a December 2015 article. That property is pictured via a 2007 Google Street View image below. As that home was demolished, its materials were gathered and donated to Habitat for Humanity. Then Whipple Russell began production on the new manse.

The completed project, which is known as the “Summit House,” is a work of art.

Per Zillow and the Architectural Digest article, the 6-bedroom, 11-bath, 10,000-square-foot estate boasts a 2-story entry, glass walls, a formal living room, a library with mahogany paneling, a gym, a master suite with dual closets (yes, please!) and dual baths (again, yes, please!), maid’s quarters, a 5-car garage, a motor court with room for 20 cars (!), several terraces, a rooftop deck, a rec room with a bowling alley and windows looking into the adjacent pool, a media room, a 1.26-acre lot, and a tennis court.

In Why Him?, college student Stephanie Fleming (Zoey Deutch) brings her parents, Ned (Cranston) and Barb (Megan Mullally), and brother, Scotty (Griffin Gluck), out to Silicon Valley during the holidays to meet her new boyfriend, millionaire video game creator Laird. During their visit, the Flemings bunk at Laird’s sprawling – and “paperless” – home.

The movie made extensive use of the Summit House.

I am fairly certain that the inside of Laird’s mansion was a mix of both the actual residence and studio-built sets. I believe that the entry;

rec room;

and kitchen/dining room shown in the movie were those of the actual Summit House . . .

. . . while the living room;

. . . . bathrooms . . .

. . . and bedrooms were sets. (There’s that Alaskan King bed I became so enamored with below!)

You can check out some images of the actual interior of the Summit House here and here.

Thanks to fellow stalker Gonzague, I learned that the mansion also appeared as the home of Maximo Reyes (Arturo Castro) in the Season 6 episode of Silicon Valley titled “Blood Money,” though an atrium of sorts was digitally added to the roof of the home for the shoot.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Big THANK YOU to the Global Film Locations website for finding this location! Smile

Until next time, Happy Stalking! Smile

Stalk It: Laird Mayhew’s mansion from Why Him? is located at 1159 Summit Drive in Beverly Hills.

June 6, 2016February 17, 2017

“The Brady Bunch” MegaPost

My friend, fellow stalker Michael, is proving to be a true Brady Bunch virtuoso! Here he is yet again gifting us with yet another fabulous post about the 1969 sitcom – this one a round-up of nine different locales featured on the series! Take it away, Michael!

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I know, I know. Yet another Brady guest post foisted upon you. I swear, I do know how to find non-Brady locations. However, I had compiled a bunch of Brady Bunch establishing shot sites that I hadn’t seen posted anywhere online, and asked Lindsay if she’d be up for a catch-all post to at least get these addresses out there, and save anyone interested from duplicating research efforts. Note, as is frequently the case, while these establishing shots were filmed on location, the scenes with the actors were filmed on a Paramount soundstage.

Davey Jones’ Royal Towers Hotel

Wilshire Regent

I thought I’d start with a location I happened upon by accident. This winter, I was in Los Angeles riding down Wilshire Boulevard when I looked ahead and saw a building that I thought had been used in a Brady Bunch episode. I snapped a couple quick pics and found their match when I got home.

In the third-season episode, “Getting Davy Jones,” Marcia (in drag) and Greg sneak into Davy Jones’ hotel room in an effort to coax him into performing at the Fillmore Junior High prom.

The establishing shot of of the fictional Royal Towers Hotel was in reality the Wilshire Regent, a luxury co-op built in 1963. The section of Wilshire Blvd where it stands, known as the Wilshire Corridor, is now filled with high-rises, but the Wilshire Regent was one of the first apartment towers built in the area. And lucky for us, the exterior of the building looks remarkably unchanged.

Stalk It: Wilshire Regent, aka Davy Jones’ Hotel, aka Royal Towers Hotel is located at 10501 Wilshire Boulevard in Los Angeles.

Mr. Dimsdale’s Recording Studio / Mercola Building

Fred Hayman Building

In keeping with the musical theme, the next location comes from an establishing shot in the third-season episode, “Dough Re Mi.” The Brady Kids, ready to share their musical stylings with the world, get in hock against their collective allowances to rent studio time from Johnny Dimsdale’s father so they can record a demo of Greg’s latest, “We Can Make the World a Whole Lot Brighter.” However, Peter’s cracking voice jeopardizes the venture and their “$150 non-refundable dollars.”

One would think with a name slapped on the facade, it’d be a cinch to track down this location. Nevertheless, to this day, I haven’t found any other references to the Mercola Building (if anyone out there has, let me know!). As it turns out, I ended up running across this location by accident.

Last year, I walked through Beverly Hills on my way to meet up with a friend for coffee, and as I meandered down Canon Drive I couldn’t help but notice the bright yellow Fred Hayman Building. But, no sooner did I start to reflect on the difference between Giorgio yellow and Bijan yellow (iconic Beverly Hills boutiques known for their use of the color), then my attention was caught by another structure in the area and I forgot all about the Fred Hayman Building.

Researching that neighborhood when I got home, I found myself on Google Street View. Randomly turning my virtual self around, I saw the Fred Hayman Building again and realized it was a Brady location I’d looked for in the past.

Other than a paint job, the structure still looks remarkably similar to its appearance on The Brady Bunch. What looks to be a parking lot on the right of Brady clip is now home to Spago Beverly Hills, and the exterior of the shorter annex building has been remodeled numerous times, most recently housing a restaurant.

Stalk It: Fred Hayman Building, aka Mr. Dimsale’s Recording Studio, aka Mercola Building is located at 190 (& 184) North Canon Drive in Beverly Hills.

Daily Chronicle Newspaper Building

Marfay Building

In the first-season episode, “Father of The Year,” Marcia sneaks out of the house to mail an essay submitting Mike for the local newspaper’s father of the year competition. Later in the episode, an office building is used to establish a scene set in the publisher’s office.

I stumbled across this building while looking through the massive archive of architectural photographer Julius Schulman that The Getty Research Institute has posted online.

As soon as I saw the photo, I knew that it had been seen on The Brady Bunch. It took me a while longer to home in on the specific episode. A quick web search found that the structure—known as the Marfay Building—was built in 1949 by Welton Becket and Walter Wurdeman. You may know Becket’s and Wurdeman’s work from many classic mid-century buildings throughout Los Angeles—Pan-Pacific Auditorium, Capitol Records Building, Cinerama Dome, and the Century City master plan just to name a few.

The building’s facade was drastically overhauled in 1987, still you’ll notice the structure next door has maintained its integrity from the days of Brady.

Stalk It: Marfay Building, aka Daily Chronicle Newspaper Building is located at 5657 Wilshire Boulevard in Los Angeles.

Encino Medical Tower Dentist Office

Sometimes I luck out and an establishing shot does the work for me. Such is the case in the fourth-season episode titled “Love and the Older Man.” The Brady’s regular dentist has a new associate, Dr. Stanley Vogel, and Marcia is gaga, so much so that she fantasizes of a future replete with a dental chair in her living room. “Imagine me, Mrs. Marcia Dentist,” she dreamily exclaims.

The Encino Medical Tower looks much the same as it did in the 1970s, however some of the charmingly retro arches have unfortunately been remodeled.

Stalk It: Encino Medical Tower is located at 16260 Ventura Boulevard in Encino.

Gilbert’s Books

Another Brady location that didn’t camouflage its real-world name can be seen in the first-season episode, “The Hero.” It also happens to be another episode where we find Marcia envisioning her future. This time she writes in her diary, “My dream of dreams is to be Mrs. Desi Arnaz Jr.” Unfortunately, Cindy accidently donates said diary to charity resulting in a mortified Marcia. The family forms a search party to scour LA’s used bookstores in an attempt to track down the journal; Mike and Cindy stop at Gilbert’s Book Shop.

The Hollywood Boulevard-located bookstore is sadly no more, the building has been razed, and the W Hollywood occupies its former footprint (and then some). Fortunately, the Taft Building—the first high rise office building in LA, built in 1923—a sliver of which is visible in the Brady clip to the right of Gilbert’s, is still holding its own.

Stalk It: Gilbert’s Book Shop was located at 6278 Hollywood Boulevard in Hollywood.

Valley Drug

In the second-season episode, “The Not-So-Ugly Duckling,” when Jan’s crush, Clark Tyson, is more interested in Marcia, she decides that her freckles are “making her a social outcast,” and heads to the drug store to look for a quick fix. The establishing shot again makes no attempt to hide its name; Valley Drug in bold script is emblazoned above the doorway.

A quick web search provided a present-day Valley Drug & Compounding in Encino. Although the Encino business’ logo matched the Brady clip, the structure did not.

After digging through newspaper archives, phone books, and verifying addresses against old Los Angeles building permits I was able to confirm that the drug store shown in the establishing shot was located on the corner of Laurel Canyon Boulevard and Magnolia Blvd.

Pharmacist, Sidney Simmons purchased Valley Drug at 5161 Laurel Canyon Boulevard in 1955 and in the early 1990s relocated the business down the road to 4800 Laurel Canyon Boulevard. In 1998, he sold the store to the Rite Aid chain and opened up the specialty pharmacy in Encino. An archived building permit shows the original drug store and its distinct chamfered corner entrance.

Sadly, the structure is long gone and the land now provides additional parking for a Jon’s Marketplace. At least a present-day Jan wouldn’t have to go far to find a lemon for her at-home freckle treatment.

Stalk It: Valley Drug was located at 5161 Laurel Canyon Boulevard in North Hollywood.

Television Studio (and Ballet Studio)
Metromedia Square

Shown in a number of episodes, now-razed television and film studio, Metromedia Square was a popular Brady-establishing-shot location. The Hollywood-constructed lot was originally known as Nassour Studios and built in the 1940s. The Times-Mirror Company purchased the facility in the 1950s and Metromedia took over the studio in the late 1960s. In the 1980s Metromedia started leasing the lot to News Corporation and the name was again changed to Fox Television Center. Finally, Metromedia sold the land in 2000 and the studio was torn down and Helen Bernstein High School was built on the property.

Establishing shots of Metromedia Square were used in a number of fifth-season Brady episodes, but the site is first seen in the forth-season episode “Amateur Nite.” Mike and Carol’s anniversary is coming up and the kids decide to buy them a silver platter. Unbelievably, Jan isn’t as familiar as most teens in the byzantine methods by which engraving is priced and can’t cover the cost of the customized platter. The kids naturally turn to song in an effort to pay their debts. Dubbing themselves “The Silver Platters,” they perform (in matching jumpsuits) on a local television show competition.

The exterior is next see in the episode “You Can’t Win ‘Em All.” Cindy becomes a prima donna when her test scores qualify her to help represent Clinton Grammar School on a local television station’s quiz show. Cindy’s inflated ego has no bounds, even turning down Alice’s cooking with a terse, “A star can’t go on television all fat and broken out.” When at the television studio, Cindy freezes with stage fright the moment the red light on the camera glows.

The exterior is shown again in “Adios, Johnny Bravo.” The Brady Kids—no longer strangers to the television studio—are taping a performance and Greg is pulled aside by a couple of quick-talking record producers hoping to mold him into the newest pop sensation because he literally “fit the suit.”

The last we see of Metromedia Square is in the episode “Try, Try Again,” where it’s inconsistently used to establish a scene set in the girls’ ballet class.

Although, I knew the establishing shots were of Metromedia Square, I wanted to figure out where exactly the shots were filmed. Strangely, I couldn’t find many photos of the lot, so I started with a contemporary aerial photo [below in color] and one photographed when the studio was still in existence [below in black & white]. I was also lucky to come across a few maps of the lot in my go-to resource, the LA building permit archives.

From those, I was able to home in on the area that was shown in the Brady clips. The direction in which the roads intersected proved to be a helpful guide, and the corner of an “Audience Parking” sign in the Brady clip confirmed that I’d zeroed in on the correct part of the lot. The orange arrows on the aerial photos and map above mark the location of the camera and the approximate angle used for the establishing shots. I was also surprised to find that the corner of a building at Fernwood Avenue and North Van Ness Avenue, formerly across the street from Metromedia Square, is still there. It’s the KTLA building at Sunset Bronson Studios and still looks the same as it did in the Brady clip. Interestingly, the current Sunset Bronson Studios was the original Warner Bros. lot, purchased by the young studio in 1920, and the current KTLA building originally housed Leon Schlesinger Productions (of Looney Tunes and Merrie Melodies fame). Warner Bros. purchased Schlesinger’s interest in the animation company in 1944, and in 1953 they sold the entire lot to Paramount; KTLA moved into the old Schlesinger building thereafter. You can see a vintage photo of Schlesinger’s building with its distinctive quoining here. At least a little sliver of history from the Brady clip still remains.

As you can see, Metromedia Square is no more and its buildings seen in the Brady clips have been replaced with the school’s basketball courts.

Stalk It: Metromedia Square Audience Parking was located on North Van Ness Avenue at Fernwood Avenue in Hollywood.

Drive-In Theatre

Gilmore Drive-In

The Gilmore Drive-In is another establishing shot location that was used in more than one Brady episode. In the forth-season episode “Greg Gets Grounded,” as a punishment for driving on the freeway while reading the back of a new record album, Greg’s family-car privileges are taken away for a week. After irking Carol and Mike with another misdeed, he narrowly avoids further punishment on a technicality by claiming that he followed their “exact words.” Predictably, Mike and Carol later hold Greg to his “exact words” and force him to cancel a date and bring Bobby and Peter to a frog jumping competition (naturally). After the competition, the young masters Brady absentmindedly leave their frogs in Greg’s car. Unfortunately for Greg, in a rush to pick up his date for a drive-in movie, Croaker and Spunker’s presence goes unnoticed until it’s too late.

And in the fifth-season episode “Peter and the Wolf,” Greg has a date with Sandra, but unless he can find a date for her cousin Linda, she’ll have to cancel. Enter Linda’s new date, a faux mustachioed Peter, alias Phil Packer, “Some swinging guy from another high school.” Need I write more? Obviously, nothing but comedy gold can come from a setup like that.

The establishing shot as it’s seen in the episode is rather dark (as evening is wont to do), but with a quick digital adjustment, a few clues to the drive-in’s location were unveiled. The detailing on the screen tower along with the larger panel to its right seemed unique to the Gilmore Drive-In in Los Angeles. My suspicions were confirmed when the lightened image also revealed the Park La Brea Apartments in the distance.

In the 1880s, Arthur Fremont Gilmore bought hundreds of acres of farmland around what is now Fairfax Avenue. In the early 1900s he struck oil on the property and transitioned from farming to the oil business. In 1918, his son Earl Bell Gilmore took over the family business and by the 1940s had sold the majority of their original acreage. He however kept a few dozen acres which housed Gilmore Stadium, Gilmore Field, the Farmers Market, and of course the Gilmore Drive-In.

Built in 1948, the theatre reportedly had a 650-vehicle capacity and was designed by architects William Glenn Balch and Louis L. Bryan. The asymmetric panel that helped me identify the theatre, upon further research, turned out to be an enlarged light shield built in 1955. By the 1970s the theatre had fallen into disrepair and demolition permits were issued in 1979. Today, The Grove shopping center, specifically Nordstrom, sits in the screen’s former location, leaving the Farmers Market as the only remaining original Gilmore-related enterprise in the area. The former site of the Gilmore Drive-In is outlined in orange below, with an arrow pointing in the direction of the former location of the screen.

CBS purchased Gilmore Stadium in 1950 and built CBS Television City on the land. Later in the decade, CBS expanded their studio onto the former site of Gilmore Field. Their website has some great aerial photos of the area, and many include the drive-in. Cinematreasures.org also has a nice selection of photos of the road-facing side of theatre’s screen tower.

Stalk It: The Gilmore Drive-In was located at 6201 West 3rd Street in Los Angeles.

Rose Bowl Stadium

In the fifth-season episode “Mail Order Hero,” Bobby’s in a pickle when after claiming to know Joe Namath, the football player is in town and Bobby’s friends call his bluff. In an effort to help her brother, Cindy puts pen to paper and speciously writes a letter to Namath on Bobby’s behalf, beginning with, “I’m writing to you because I’m very very sick.”

Inspired by the letter, the football player stops by the Brady residence, Bobby plays sick, Cindy plays nursemaid, and Mike and Carol, out of the loop from Cindy’s letter, shock Namath with their lack of concern over their dying son—“Well when you have six kids, something like this is bound to happen to one of them.”

A scene set at the stadium office with Namath is established with a shot of the Rose Bowl Stadium in Pasadena. The entrance area to the 1922-built stadium has recently undergone some renovations, but the structure itself still matches the Brady shot.

The angle from which the establishing shot was filmed obscured the Rose Bowl logo with some tress, but if you look carefully, you can still make out the corners of the signage.

Stalk It: The Rose Bowl Stadium is located at 1001 Rose Bowl Drive in Pasadena.

And there you have it, nine locations for the price of one. If you’ve made it to the end, congratulations and thanks for sticking with me! As always, many thanks to Lindsay for generously offering up her forum for another very-Brady post. (Editor’s note – a big THANK YOU to you, Michael, for yet another scintillating and fastidiously-researched article! Smile )

March 4, 2016March 3, 2016

O.J.’s Mansion from “The People v. O.J. Simpson: American Crime Story”

The Grim Cheaper and I are absolutely hooked on the new FX series The People v. O.J. Simpson: American Crime Story, which is not surprising considering we have both been fascinated with the case since the beginning – as has the rest of the world. While watching the first episode, titled “From the Ashes of Tragedy,” I was shocked to see the real life former home of Robert Kardashian playing the role of itself. I stalked and blogged about the residence back in 2013 and recognized it immediately when it popped up onscreen. I recently wrote about the pad once again for Los Angeles magazine and, during my research for that post, came across this The Hollywood Reporter article which talked about some of the other locales used in the mini-series. One particular sentence had my interest especially piqued. Author Lacey Rose stated, “Many of the case’s famed landmarks will appear familiar, even if the series had to take some liberties with its locations. O.J.’s Brentwood home, for instance, was razed in 1998, so the location manager found a similar-looking Tudor in Beverly Hills and production designers recreated key touches of Simpson’s estate, including the life-size Simpson statue in the yard.” I, of course, instantly got started searching for the property.

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Thanks to an address number of “1006” that was visible on the curb in front of the house in “From the Ashes of Tragedy,” finding it was a snap! I simply began looking through 1000 blocks in Beverly Hills and quickly came across the right spot at 1006 North Rexford Drive. I didn’t get around to stalking the place, though, until this past weekend while the GC and I were in L.A.

The manse has appeared in several episodes of The People v. O.J. Simpson: American Crime Story, including “From the Ashes of Tragedy,” “The Run of His Life,” and “The Race Card.”

Numerous areas of the property have been shown onscreen, including the entrance gates;

the backyard;

and the real life interior, which you can see photographs of here.

The residence looks much the same in person as it does in The People v. O.J. Simpson and, though gated, quite a lot of it is visible from the street.

Unfortunately though, the estate sits on a heavily tree-lined street and, because we were there in the late afternoon, my photographs of it turned out rather dark.

For those who want a true American Crime Story experience, the house is available as a vacation rental for a whopping $14,000 a night. According to its HomeAway webpage, the massive property, which was originally built in 1923, boasts 7 bedrooms, 9 baths, 10,311 square feet of living space, a den, a library, 2 offices, multiple fireplaces, a game room, a gym, a sauna, a “laundry center,” an entertainment lounge with a bar, a 35mm projection screening room, a secluded 1.65-acre lot, a pool, a guest apartment (for the Katos in your life), a tennis court, a spa, and a playground.

The estate also boasts a Hollywood pedigree. According to my buddy E.J., of The Movieland Directory website, the dwelling, which last sold in March 1981 for $2,950,000, belonged to Warner Bros. Studio founder Harry Warner during the 1940s.

On a rather humorous side-note – the GC’s GPS is run through his iPhone and gives directions via Siri. When I asked Siri to direct us to “1006 North Rexford Drive in Beverly Hills,” she instead, rather ironically, gave us a listing of juice places in the area. Not joking! A photograph of the listing that popped up on the GPS screen is pictured below.

The whole thing was especially comical being that the video below had just been released a few days prior.

Since we were on an O.J. kick, the GC and I decided to also stalk the site of Simpson’s real life former residence, which was a first for me. While I have visited Nicole’s condo a few times over the years, for whatever reason, I had never been to “Juice’s” estate. As mentioned above, the home was razed in 1998, long before I moved to L.A., so I guess I always figured it was never worth the trip. Now that the case is front and center again, though, I was dying to see the place in person.

O.J.’s estate formerly stood at 360 North Rockingham Avenue in Brentwood. The football star purchased the 6,200-square-foot, Tudor-style manse for $650,000 in 1977 and lived there for the next twenty years (not counting the 474 days he spent in jail), until being evicted in 1997 after the house was foreclosed upon. The pad was subsequently purchased by Jerry’s Famous Deli owner/investment banker Kenneth Abdalla for close to $4 million. According to a 1998 CNN.com article, Abdalla contended that the property was in need of a large amount of repairs and figured it would be most cost effective to demolish it and re-build from scratch. I believe the tear-down had more to do with the pad’s notoriety than its condition, though, especially considering the fact that Abdalla also had its address changed to 380 North Rockingham.

Today, a large Mediterranean-style residence stands at the site. You can see aerial views of what the property currently looks like below and what it looked like when Simpson lived there here.

There is literally nothing left of Simpson’s former home. The gates, the fencing, the circular driveway, the pool, the waterfalls, the putting green, the guest quarters, the tennis court, and the playground have all been replaced.

You can check out an in-depth rendering of the layout of O.J.’s former estate here and see photographs of it here and here. It is amazing to me how much it resembles the house being used in The People v. O.J. Simpson.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: O.J.’s house from The People v. O.J. Simpson: American Crime Story is located at 1006 North Rexford Drive in Beverly Hills. The site of O.J.’s actual former mansion can be found at 380 North Rockingham Avenue in Brentwood.

September 25, 2015September 25, 2015

Lake View Medical Center from “Beverly Hills, 90210”

In researching today’s post, I put in several hours scanning through countless Season 1 and Season 2 episodes of Beverly Hills, 90210. Time well spent as far as I’m concerned! Winking smile This was all due to a comment left on my blog last October by a reader named Vanessa Laine who said that the now defunct Lake View Medical Center in Lakeview Terrace was the hospital that appeared in Don’t Tell Mom the Babysitter’s Dead. I immediately got to perusing the internet for more information on the site and came across this 1991 Los Angeles Times article which mentioned that 90210 was doing some filming on the premises at the time. A location that had been used in both fave show 90210 AND fave movie Don’t Tell Mom? It was like a dream come true! So I ran right out to stalk the place. It wasn’t until yesterday, though, that I was able to figure out (with some help from my buddy Mike, from MovieShotsLA) which 90210 episode the former hospital had appeared in.

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Lake View Medical Center was originally built in 1960 and served as a working hospital until it went bankrupt in 1986. Shortly thereafter, the Phoenix House organization made plans to purchase the 14.5-acre property and turn it into a drug rehabilitation facility for teens, but opposition from local residents thwarted those plans. The location remained vacant for the next several years while lengthy negotiations took place between Phoenix House and the city. During that time, it was used regularly for filming. Negotiations over the site finally ended in December 1992 and the Phoenix House Academy in Los Angeles opened its doors in 1994.

Virtually none of the property can currently be seen from the street, which is not surprising considering its function as a drug rehabilitation center.

According to the Los Angeles Times article, Beverly Hills, 90210 had filmed on the premises in late November 1991. Because he is such an expert on the show, I sent Mike a text asking if he could recall any episodes from around that time period that involved a hospital. He responded seconds later saying, “Yeah, there are two hospital scenes in ‘A Walsh Family Christmas.’” As it turns out, he was right on the money! What can I say? When it comes to 90210, he is the man! In the episode, Lake View Medical Center first stood in for the Albuquerque, New Mexico hospital where Steve Sanders (Ian Ziering) went to retrieve his birth certificate.

Only the interior of Lake View appeared in the scene. The establishing shot of the hospital is of a different location (one that looks so familiar to me, but that I just cannot place). UPDATE – The Grim Cheaper just read this post and said, “Isn’t that building at Warner Bros. Studio?” He was right! He has only been on the tour twice, while I have been a good 25 times, yet he was the one to recognize it! As it turns out, the exterior of the Steve’s hospital is Warner Bros. Building 136.

The same building was also used as John Connor’s (Thomas Dekker) high school in Terminator: The Sarah Connor Chronicles.

Later in “A Walsh Family Christmas,” Lake View masked as the mental hospital where Emily Valentine (Christine Elise) had been placed a few episodes prior after trying to light the gang’s homecoming parade float on fire. In the spirit of Christmas (and completing ignoring the fact that she spiked his drink with U4EA), Brandon Walsh (Jason Priestley) visits Emily in the episode and gifts her with his Minnesota Twins jersey.

As you can see below, the tall wooden doors that appeared in each scene are a match to each other.

West Hills Hospital and Medical Center, located at 7300 Medical Center Drive in West Hills, was used for the exterior of Emily’s hospital in the episode.

Once I had pinpointed Lake View’s appearance in “A Walsh Family Christmas,” I searched through numerous other early episodes that involved hospitals thinking it might have been featured in those, as well, but no such luck. As far as I can tell, Lake View only appeared on 90210 once.

In Don’t Tell Mom the Babysitter’s Dead, Lake View stood in for River Ridge Hospital, where Kenny Crandell (Keith Coogan) took his little brother, Walter (Robert Hy Gorman), after he fell off the roof. I had quite a bit of trouble pinpointing the area of Lake View that was used as the exterior of the hospital in the scene – so much so that I started to doubt Vanessa’s tip. As it turns out, the building featured in the movie is not part of the Phoenix House complex, but is the neighboring Community Charter Middle School. From what I have been able to gather, the structure did originally belong to Lake View Medical Center, but was sold off at some point after the site was shuttered.

Though the front overhang has since been removed, the building is still very recognizable from its Don’t Tell Mom appearance.

The interior of Lake View was also featured in the movie.

As you can see below, once again the tall wooden doors seen in Don’t Tell Mom are a match to what was shown on 90210.

Lake View also popped up in Beverly Hills Cop III as the spot where Det. Axel Foley (Eddie Murphy) took Uncle Dave Thornton (Alan Young) after he had been shot.

As you can see below, Don’t Tell Mom and Beverly Hills Cop III utilized the exact same area of the hospital.

Lake View Medical Center was featured extensively in the 1993 drama Mr. Jones as the place where Mr. Jones (Richard Gere) was institutionalized after having several manic episodes.

There are those tall wooden doors again!

Lake View was also where Abby Quinn’s (Demi Moore) doctor worked in the 1988 thriller The Seventh Sign.

You can see the Don’t Tell Mom building through the window in the screen capture below.

The complex was perhaps most famously used in 1991’s Terminator 2: Judgment Day, in which it masked as the Pescadero State Hospital of California where Sarah Conner (Linda Hamilton) was institutionalized.

At the time, it looked a bit different than it does today due to the fact that the parking lot was then located in the area just south of the hospital.

Today, the parking lot is situated just west of the hospital building and there is currently grass covering the former parking area.

On a Beverly Hills, 90210 side-note – I just came across this amazing blog that recaps the show and its fashion, and it had me in absolute hysterics! You’ve gotta check it out. Best part? The author is 100% Team Brenda. A woman after my own heart!

Big THANK YOU to fellow stalker Vanessa for finding this location and to Mike, from MovieShotsLA, for helping me to identify its appearance in Beverly Hills, 90210. Smile

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: Phoenix House Academy in Los Angeles, aka the former Lake View Medical Center from Beverly Hills, 90210, is located at 11600 Eldridge Avenue in Lakeview Terrace. Please keep in mind that the complex is a working drug rehabilitation facility. The building used as the exterior of River Ridge Hospital in Don’t Tell Mom the Babysitter’s Dead is the Community Charter Middle School located next door at 11500 Eldridge Avenue.

April 9, 2015April 2, 2015

New “L.A.” Mag Post – Happy Birthday, Hef!

Be sure to check out today’s Los Angeles magazine post – about the Playboy Mansion’s many appearances onscreen and the 89th birthday of its famous owner. My articles typically get published in the late morning/early afternoon hours.