Category: Movie Locations

Laney Boggs’ House from “She’s All That”

Back in March, when I told fellow stalker Owen, from the When Write is Wrong blog, that fellow stalker Geoff, of the 90210Locations website, had just tracked down the Fundraiser house from L.A. Story (which I blogged about here) in Palos Verdes, he suggested that when I made my way out to the South Bay to stalk the place, I should also stop by the residence where Laney Boggs (Rachael Leigh Cook) lived in the 1999 flick She’s All That. Owen had found the She’s All That home, which is located in Redondo Beach, just outside of Palos Verdes, a few years prior. So I followed his advice and stalked it shortly after stalking the L.A. Story pad. It was not until I started doing research for this post that I learned that two houses were actually used as the Boggs’ residence – one for the exterior and another for the interior. But more on that later.

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In real life, the Boggs’ house, which was originally built in 1962, boasts 3 bedrooms, 2 baths, 3,058 square feet of living space, and a 0.60-acre plot of land overlooking the Pacific Ocean.

Apparently, the residence is currently – or was just recently – available as a rental (at a rate of $5,750 per month), but, unfortunately, the real estate listing does not provide any interior photographs of the place. And why the agent is not marketing it as the “She’s All That house” is absolutely beyond me!

A full exterior shot of the Boggs’ home, which was said to be located in the Pacific Palisades area in the flick, was shown only once in She’s All That, in the scene in which Zack Siler (Freddie Prinze Jr.) shows up to escort Laney to a party. As you can see below, not much of the house has been changed since 1998 when the movie was lensed.

A close-up shot of the residence’s front door . . .

. . . and a close-up shot of the driveway (in which an address number of 507 was visible) were shown in the scene in which Zack invited Laney to go to the beach with him.

While doing research for this post, I noticed that the IMDB She’s All That filming locations page stated that two different houses were utilized as Laney’s – a home at 507 Paseo De La Playa for exteriors and a home directly across the street at 504 Paseo De La Playa for interiors. Because incorrect information is often posted on IMDB, though, I decided to do some of my own research on the subject and was pleasantly surprised to find that the addresses had indeed been correct. I later came across a thread on an IMDB She’s All That message board explaining where the IMDB data had originated. In November 2012, an inquiring mind named Luciana asked if anyone knew where the Boggs’ home was located. A poster named “hkchris” managed to track it down for her and another poster named “Smartiejl” – a man definitely after my own heart – did some subsequent Google Earth sleuthing and figured out that the interior filming had been done at the property across the street. I seriously think I need to start spending more time on IMDB message boards. 😉 Because I did not know of the 504 Paseo De La Playa home’s appearance in the film at the time that I was stalking the Boggs’ residence, I, unfortunately, did not get a photograph of it. But I did spot the exterior of the pad briefly pop up in the scene in which Zack talked to Laney’s dad, Wayne Boggs (Kevin Pollak), before inviting Laney to the beach.

The 504 Paseo De La Playa house, which was originally built in 1972, boasts 4 bedrooms, 3.5 baths, 3,076 square feet of living space, and a 0.19-acre plot of land. Back in April, the property was put on the market as a rental (at a rate of $7,000 per month) and, thankfully, its real estate listing, complete with interior photographs, is still online. And while the listing will not allow me to link to individual photographs, if you scroll through the page of pictures you can see that many areas of the house match perfectly to what appeared onscreen. These areas include the kitchen (although the Formica countertop has since been swapped out for one made of granite);

the brick fireplace;

the square wall cut-out between the living room and the kitchen;

the backyard and pool area (I believe the grass that was situated around the pool in the movie was a decoration piece that was added solely for the filming);

and the famous staircase that Laney walked – and fell – down. If I lived in that house, I would so be recreating that moment on a daily basis. 😉 “So kiss me . . . “

For more stalking fun, be sure to follow me on Facebook, Twitter and Instagram. And you can check out my other blog, The Well-Heeled Diabetic, here.

Big THANK YOU to Owen, from the When Write Is Wrong blog, for finding this location! 🙂

Until next time, Happy Stalking! 🙂

Stalk It: The exterior of Laney’s house from She’s All That can be found at 507 Paseo De La Playa in Redondo Beach. The home used for the interior scenes is located across the street at 504 Paseo De La Playa.

July 19, 2013
Contra Dam from “GoldenEye”

Sorry to have been M.I.A. the past couple of days. My dad had surgery last Wednesday and I spent the better portion of the remainder of the week in the hospital with him. He is having a follow-up surgery this upcoming Wednesday, as well, so this week will also probably be light on posts. I apologize in advance. Anyway, today, my stalking friends, IAMNOTASTALKER is going global! And a word of warning – if you are at all afraid of heights, you are NOT going to like this locale. When the Grim Cheaper and I were on vacation in Switzerland last month, my best friend, Robin (who planned our entire trip), took us on a little detour to the Ticino region to stalk the Contra Dam, which was featured in the iconic opening bungee jump sequence of the 1995 007 movie GoldenEye.

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The Contra Dam, which is also known as the Locarno Dam and the Verzasca Dam, was originally constructed beginning in 1960 to support the Verzasca Hydroelectric Power Station, which is pictured in the images below.

The structure was designed by Lombardi & Gellaro Ltd. and took five years to complete. The pouring of the concrete alone (the arch-style dam is comprised of 23,000,000 cubic feet of concrete!) took a whopping 18 months to execute!

The dam’s stunning reservoir, which is known as Lago di Vogorno, began to load with water in August 1964 and the dam was finally completed a little over a year later, in September 1965, when the lake was filled to its maximum capacity. Oddly enough, the initial filling of Lago di Vogorno, which boasts a surface area of 400 acres, caused several earthquakes, which was apparently a side effect of the rapid speed with which the water rose. As a result, the reservoir had to be drained and refilled once again shortly thereafter.

Contra Dam, which is the fourth tallest dam in Switzerland, stands at 721 feet (220 meters), with its crest running a length of 1,250 feet (381 meters).

This shot gives me vertigo just looking at it!

Don’t look down!

With my Swiss family on the dam. 🙂

A permanent bungee jump station is now located in the middle of the dam, where those who are so inclined can do their own 7.5-second, 721-foot jump.

Robin bungeed from there a few years back, loved it, and tried to convince the GC and I to do the same. And while I was not at all keen on the idea to begin with, once I found out that jumps cost about $270 per person, I informed Robin that, for that price, I would much rather buy a pair of new shoes.

The Contra Dam appeared only once in GoldenEye, in the opening scene in which James Bond (Pierce Brosnan) is shown bungee jumping off of the dam and eventually latching onto the top of Russia’s Arkangel Chemical Weapons Facility, which is supposedly located below.

Some amazing shots of the dam were shown in the sequence and its appearance, although brief, was pretty darn striking.

In reality, Pierce Brosnan never set foot on the Contra Dam during filming. The scene was instead performed by a British stuntman named Wayne Michaels, who, incredibly enough, completed the stunt in a single take in front of six well-positioned cameras.

The jump was choreographed and coordinated by The Oxford Stunt Factory. So that Michaels would not hit the dam wall during the stunt, a special platform was constructed above and in front of the dam. You can see that platform in the screen captures below.

In 2002, a Sky Movies website poll deemed the jump the best movie stunt of all time. The feat also set the then world record for the highest bungee jump from a fixed structure. According to a BBC news website, of the jump, Michaels said, “It’s pushing the limits of what can physically be done. The body is travelling at such a high rate of speed that it puts a great deal of strain on you.” Um, yeah, that’s why I’d rather have a new pair of shoes!

Oddly enough, when Bond escapes from the facility at the end of the scene, he is in a different location entirely and the Contra Dam is no longer anywhere in sight.

You can watch the opening scene of GoldenEye by clicking below.

The entire time we were at the dam (and for quite a few days thereafter) I was constantly singing what I thought was the James Bond theme song. It was not until a few days after we returned home that the GC turned to me, while I was in mid-song, and said, “You do realize that you’re singing the Mission: Impossible theme, right?” Not my proudest moment.

The Contra Dam also appeared in the first episode of Season 14 of The Amazing Race, in which one member of each team had to perform a bungee jump as a Roadblock challenge.

After stalking the dam, we headed a few miles north to Switzerland’s Lavertezzo municipality where we visited the region’s famous Ponte dei Salti (which translates to “Bridge of Jumps”). And while nothing has been filmed onsite (that I know of), the place is just too beautiful not to share.

The double-arch Romanesque-style bridge was originally constructed out of stone during the 16th or 17th century, but was destroyed by a flood in 1906. It was eventually rebuilt in 1958.

Ponte dei Salti spans the Verzasca River, whose waters, as you can see below, are a spectacularly vivid shade of green.

It almost looks fake – like the water at Disneyland.

The area surrounding the bridge looks like it was ripped right from a postcard. Absolutely beautiful!

Be sure to follow me on Facebook, Twitter and Instagram for even more stalking fun! And you can check out my other blog, The Well-Heeled Diabetic, here.

Until next time, Happy Stalking!

Stalk It: Contra Dam from GoldenEye (which does not have an actual address) is located at the northern end of Via Valle Verzasca in Gordola, Switzerland. You can learn more about bungee jumping off the dam here. Ponte dei Salti is located just a few miles north in 6633 Lavertezzo.

July 15, 2013
The Site of Ariel’s House from “L.A. Story”

One L.A. Story location that I tracked down and stalked months ago, but has since become a bit of a conundrum to me, is the apartment building – or house – where Ariel (Susan Forristal), the best friend of wacky weatherman Harris K. Telemacher (Steve Martin), lived. Finding the locale was pretty much a no-brainer (or so I thought), being that it is a running gag throughout the movie that Harris drives to Ariel’s place whenever he wants to visit her, despite the fact that his home (which I blogged about here) is located just a couple of doors away.

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In the movie, the exterior of Ariel’s dwelling is never actually shown. All that is shown is Harris leaving his house, walking to his car . . .

. . . and then driving about 25 feet before parking in front of an apartment building with an odd lattice façade, which I assumed was where Ariel lived.

So while in L.A. this past May, I stalked that apartment building. In real life, the place does not have a lattice façade and I do not believe that it ever actually did. I am fairly certain that the façade, along with the numerous statuaries posted along the street, were added solely for the filming.

When I got home a few days later and re-watched the scenes that took place at Ariel’s house, though, I began to have doubts about the location that I stalked. As you can see below, the interior of Ariel’s residence does not look like an apartment at all, but more like the interior of a typical L.A-style bungalow.

Her pad even appears to have some sort of covered porch – a feature that most definitely would not be found in an apartment.

I also noticed that the size and positioning of Ariel’s living rooms windows did not match up to the size and positioning of the real life windows at the apartment building. In fact, one window was missing entirely.

As you can see below, Ariel’s home also has a fireplace, yet the actual apartment building has no visible chimney.

Because the apartment building does not look to have been remodeled since it was built in the 1950s (or at least since 1991 when L.A. Story was filmed), I became fairly certain that I had the wrong location. And while it is possible that producers used two different locales to depict Ariel’s dwelling – one for the exterior and another for the interior – or even possibly built a set for the inside scenes, I do not believe that to be the case.

Upon further inspection (I know, I know – I have WAY too much time on my hands ), I noticed that when visiting Ariel, Harris actually did not park directly in front of the apartment building that I had stalked, but a bit past it. In fact, whenever he is shown driving to Ariel’s, he stops his car at a point halfway blocking the driveway belonging to the house just north of the building, as you can see below.

So I went back to the drawing board and began doing some Google Street View stalking and noticed that the apartment complex located just north of the building that I had stalked was newly constructed. On a hunch, I headed on over to Historic Aerials to see if there used to be a bungalow located on that site at one point in time. And sure enough, there was! It is my belief that that now-defunct bungalow is the house that was used as Ariel’s. And while fellow stalker Owen, of the When Write Is Wrong blog, was nice enough to put me in touch with a very helpful L.A. Story crew member (whom he had contacted a few weeks prior when helping me track down some of the flick’s other locales) in the hopes that he might be able to shed some light on this mystery, said crew member, unfortunately, did not remember anything about the location of Ariel’s house.

Even though the bungalow is long gone, I sent Mike, from MovieShotsLA, out to do some stalking of the apartment building that now stands in its place. Thank you, Mike! According to fave website CurbedLA, construction on the ultra-modern concrete complex was started sometime around 2008. The developer then hit some financial trouble and the project was stalled until finally being completed in 2010.

And while the Curbed commenters were pretty harsh about the aesthetic of the place, I actually really like what it looks like. Especially the interiors, which you can take a look at here.

Be sure to follow me on Facebook, Twitter and Instagram for even more stalking fun! And you can check out my other blog, The Well-Heeled Diabetic, here.

Big THANK YOU to Mike, from MovieShotsLA, for taking the pictures of the site where I believe Ariel’s house once stood.

Until next time, Happy Stalking!

Stalk It: The site where I believe Ariel’s house from L.A. Story once stood is located at 1220 North Orange Grove Avenue in West Hollywood. The building that I originally thought was Ariel’s is located at 1216 North Orange Grove Avenue. And Harris’ house from L.A. Story is located at 1206 North Orange Grove Avenue.

July 3, 2013
The Darkroom from “The Big Picture”

Sometimes I think Mike, from MovieShotsLA, and I are one brain living in two different bodies. Case in point – one of my most beloved movies of all time is the little-known 1989 sleeper The Big Picture, which I saw with my mom shortly after it originally came out almost two-and-a-half decades ago. In the years since, I had never met anyone who had ever even heard of the flick, let alone loved it as much as I did. So imagine my surprise when, during one of our first stalks together in 2008, Mike and I drove by the historic Vista Theatre in Los Feliz and he mentioned that it had been featured in one of his favorite films of all time . . . The Big Picture. Yep – one brain, two bodies. It was not until last year, though, that the two of us decided to track down the many locales used in the movie, the most important of which (for me, at least) was the extremely unique Indian restaurant that appeared in one of the opening scenes. The trek was far easier said than done, though.

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The Indian restaurant in The Big Picture boasted a very unusual, camera-shaped façade. Figuring that an eatery matching that description would be an easy find, I did a quick Google search for every permutation of “Indian restaurant shaped like a camera” that I could possibly think of, but none yielded any sort of result. I then ordered I Killed Charles Bronson’s Cat, a book written by The Big Picture’s location manager, Barry Gremillion, hoping it would provide a lead. And while the tome did prove to be a fascinating read and proffered information about several of the movie’s locales, maddeningly not a word was mentioned about the Indian eatery. My next step was to track down Barry himself, which I managed to do via Facebook. I sent him a message asking about the restaurant location and, amazingly enough, he wrote back less than ninety minutes later! Barry informed me that while the eatery was no longer in operation, the camera façade could still be found on Wilshire Boulevard. From there, tracking it down was a snap. And ironically enough, it was a place I had actually been to before!

The programmatic/Streamline Moderne-style camera-shaped storefront was originally designed by architect Marcus P. Miller sometime during the late 1930s. (There seem to be differing reports about the exact year of construction everywhere you look online, varying from 1935 to 1936 to 1937 to 1938). The site, not surprisingly, originally housed a photography supply store named The Darkroom. Miller assembled the whimsical façade, which consists of a nine-foot-tall replica of a 35-millimeter Argus camera, complete with a shutter speed indicator, winder and dual rangefinders, out of black Vitrolite glass.

A porthole window comprises the camera’s lens, on which, according to the book Images of America: Los Angeles Art Deco, newsreels were at one time projected to passersby. (I absolutely love the photograph below in which a reflection of Mike taking my picture is visible in the porthole.) The Darkroom, the façade of a which is a Los Angeles Cultural-Historic Monument, became so iconic and synonymous with the Miracle Mile area of L.A. that it inspired replicas at Disney-MGM Studios in Florida, Disney Studios Paris, and Universal Studios Orlando, all of which you can see photos of on the Yesterland website here. And you can check out a historic picture of The Darkroom when it was still in operation here.

Sometime during the mid-80s, an Indian restaurant named Sher-e Punjab opened at the site. It was during that time that The Big Picture was filmed. In late 1999, the fine dining establishment La Boca del Conga, which was owned in part by Jimmy Smits, Jennifer Lopez, Paul Rodriguez, and Sheila E., moved into the space. It was there that I attended a party back in 2000. Today, the property houses a Tex-Mex restaurant named El Toro Cantina and it looks pretty much exactly the same as it did during the La Boca del Conga days, which explains why I did not recognize it. Most of the façade has, unfortunately, been hidden behind foliage and a large awning and, as you can see below, has been rendered inconspicuous. You can read an interesting story about what became of The Darkroom signage here.

In The Big Picture, budding filmmaker Nick Chapman (Kevin Bacon) dines at Sher-e Punjab with his girlfriend, Susan Rawlings (Emily Longstreth), and friends, Emmet and Jenny Sumner (Michael McKean and Kim Miyori, respectively), after winning a prestigious student film award.

The interior of the restaurant was also used in the filming.

That interior looks quite a bit different today.

And for some odd reason, there is currently a fish tank covering the inside of The Darkroom’s iconic porthole window.

Sher-e Punjab also made a very brief appearance in 1993’s Falling Down. In the movie, William ‘D-Fens’ Foster (Michael Douglas) walks past the eatery before heading to the “Swap Meet” next door to purchase his daughter a snow globe.

Be sure to check out more Big Picture locations on Mike’s website, MovieShotsLA.

You can find me on Facebook here and on Twitter at @IAMNOTASTALKER. And be sure to check out my other blog, The Well-Heeled Diabetic.

Until next time, Happy Stalking!

Stalk It: El Toro Cantina, aka The Darkroom, aka Sher-e Punjab from The Big Picture, is located at 5370 Wilshire Boulevard in the Miracle Mile area of Los Angeles. You can visit the Cantina’s official website here.

May 24, 2013
Trudi’s Apartment Building from “L.A. Story”

Last month, when I published my post on the location of the iconic talking freeway sign from L.A. Story, a friend named David, whom I met in an acting class years ago, sent me a Facebook message letting me know that the unique, modern-style apartment building where Trudi (Marilu Henner) lived in the flick was located at 884 Palm Avenue in West Hollywood. David also informed me that the building still looked pretty much exactly the same as it did 22 years ago when filming took place, which, of course, had me salivating. So I ran right out to stalk it shortly after visiting the house belonging to Harris K. Telemacher (Steve Martin) in the 1991 comedy, which I blogged about yesterday.

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Amazingly enough, despite the building’s unique look, I could find virtually no information whatsoever about its history online. The only fact that I was able to glean – thanks to views of the property on the Historic Aerials website – was that it was constructed sometime between the years 1980 and 1987.

When L.A. Story was filmed in 1991, the site was known as the Palm Square Apartments. The 29-unit, upscale building, which is currently named NMS Apartments @ West Hollywood, features a pool, a Jacuzzi, an executive gym, and gourmet kitchens and hardwood flooring in each suite.

The building is most well-known for the unusual artwork located at its entrance.

The piece, which is named “Stairway Sculpture”, was created by artist Paul Betouliere in 1987 as part of the West Hollywood Urban Arts Collection.

NMS Apartments @ West Hollywood popped up twice in L.A. Story – first in the scene in which Harris not-so-patiently waits for Trudi to finish her “abstract busyness”, including putting on “thirty-minute lips”, before heading to a brunch.

The Stair Sculpture was shown prominently in that scene.

NMS Apartments @ West Hollywood next appears in the scene in which Trudi informs Harris about the three-year affair she has been having with his agent, Frank Swan (Kevin Pollak). After breaking up with her over her indiscretions, an elated Harris dances down the front steps of the building.

So I, of course, just had to imitate him while I was there.

Thanks to a real estate listing that I found on Zillow, I can confirm that the actual interior of one of the NMS units was used as the interior of Trudi’s apartment in L.A. Story. As you can see below, the setup of the kitchen in the listing matches up to what appeared onscreen.

As does the curving staircase. Even the railing is still the same – albeit a different color, thank God!

You can find me on Facebook here and on Twitter at @IAMNOTASTALKER. And be sure to check out my other blog, The Well-Heeled Diabetic.

Big THANK YOU to David for telling me about this location!

Until next time, Happy Stalking!

Stalk It: Trudi’s apartment building from L.A. Story is located at 884 Palm Avenue in West Hollywood.

May 15, 2013
Harris’ House from “L.A. Story”

Another L.A. Story location that production designer Lawrence Miller talked about in “The L.A. of L.A. Story” featurette included on the 1991 comedy’s 15th Anniversary Edition DVD was the Spanish-style dwelling where wacky weatherman Harris K. Telemacher (Steve Martin) lived. And even though the address of the home had been listed on the L.A. Story filming locations page for years, I figured the place was still worthy of a blog post. So I ran right out to stalk it – Starbucks latte in hand, of course – while visiting Los Angeles a couple of weekends ago.

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In real life, according to Property Shark, the West Hollywood abode, which was originally constructed in 1923, is not a private residence after all, but a multi-family dwelling consisting of four separate units that contain a total of four bedrooms, four baths and 3,366 square feet of living space.

Unfortunately, the site currently bears little resemble to its onscreen counterpart. In fact, when we first pulled up, I thought I had the wrong address! Boo!

The two-story house was one of the main locations used in L.A. Story and popped up repeatedly throughout the movie.

In “The L.A. of L.A. Story”, which was taped in 2006, Miller said, “The director had a concept of L.A. being a desert where people brought water to it and created paradise. This little compound here was selected primarily because of the beautiful trees and greens and foliage that sort of embraced the driveway. This location caused us a little bit of a problem in that the week before we were to shoot here, the neighbor next door decided he wanted to prune all of his greens, all of the trees, all of the things that we loved so much and it forced us to bring in Greensmen to try to duplicate what it was that was there. And it’s interesting looking at it fifteen years later and seeing that it still hasn’t all grown back.” (The screen captures below were taken from “The L.A. of L.A. Story.”)

Sadly, since the filming of the featurette, the foliage that once covered the front of Harris’ house has also been removed, completely changing the look of the place, despite the fact that the structure of the home itself has not been altered. Goes to show the aesthetic power of trees!

Miller also said that the home’s real life front door was swapped out during the filming for a custom-made leaded glass door.

And that the alarm keypad that controlled Harris’ fake barking dog was just a prop.

Unfortunately, that area of the house is not very visible from the street.

I was shocked to learn, thanks to Miller’s interview, that the real life interior of the home was also used in the filming. I would have bet money on it being a set! Areas of the property that appeared in the movie include the kitchen;

the bathroom, with the “slo mo” faucet;

the living room;

and the bedroom, which is, oddly enough, situated right next to the front door, as you can see below.

It was in that bedroom that Harris famously wrote “Bored Beyond Belief.” on a window.

The exact pane that Harris wrote on is the top middle panel of the window located just north of the front door, as denoted by the pink arrows below.

According to “The L.A. of L.A. Story”, the then owner of the property was paid a whopping $35,000 for its use in the movie (and we’re talking 1991 dollars!) and filming on the premises took five weeks to complete, including prep time. $35,000 for five weeks? Yeah, I’d take that!

You can find me on Facebook here and on Twitter at @IAMNOTASTALKER. And be sure to check out my other blog, The Well-Heeled Diabetic.

Until next time, Happy Stalking!

Stalk It: Harris’ house from L.A. Story is located at 1206 North Orange Grove Avenue in West Hollywood.

May 14, 2013
The “L.A. Story” Intersection

The locale from L.A. Story that I was most interested in tracking down was also the one that I thought for sure I would never find – the intersection featured in the movie’s opening montage. Because the intersection was fairly non-descript, only shown briefly and no clues as to its location visible in the scene, and because over two decades had passed since filming had taken place, I figured it would be a virtually impossible find. Enter fellow stalker Owen, from the When Write Is Wrong blog, whom I had sent a couple of screen captures to in the hopes that he would assist in the hunt. Amazingly enough, he emailed me back 24 hours later with an address! Somehow, Owen had managed to track down several of the flick’s crew members (have I mentioned he missed his true calling by not joining the FBI?), all of whom had gotten back to him almost immediately. Most did not recall the intersection’s location, but thankfully one did remember that it was in the vicinity of the Santa Monica Airport. And while it took a bit of time searching aerial views of all of the four-way stops near SMO, Owen did manage to pinpoint the place. So I ran right out to stalk it two weekends ago while in L.A.

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L.A. Story opens with a montage of clips showing everyday life in Los Angeles. And while the segment is seemingly satiric, I can attest to the fact that most of the bits are truthful. You can watch that montage by clicking below.

In my favorite part of the segment, four cars meet at a four-way stop and each driver waves the others on. In a hapless twist, all of the drivers wind up hitting the gas at the same moment and crash into each other in the middle of the intersection. I cannot tell you how many times I have been in that exact same scenario – minus the crash, thankfully – and I can’t help but laugh every time I watch the scene. It is just so L.A.

I was absolutely thrilled to discover that the intersection and houses visible in the background of the scene still look pretty much exactly the same today as they did in 1991 when L.A. Story was filmed.

Ironically enough, if you look closely at the scene, you will notice that more than four cars were actually used in the filming – a behind-the-scenes tidbit told to Owen by one of the crew members. In fact, he said, “I recall we wrecked about 16 cars on the various takes on that scene.” How cool would it have been to see that in person?

Even more interesting is the fact that the actual crash portion of the scene was not shot at the intersection, but at a random parking lot (I think a parking lot at the Lantana production center in Santa Monica where the L.A. Story production offices were located). The crew member informed Owen, “To crash the cars on the street, I would have had to close down those streets and permit for the crash. That would have required too much time since the crash is shot from overhead, in other words, it required a crane. So we would have shot the crash/crane part of it in a parking lot.” I absolutely LOVE learning little bits of trivia like that, especially being that there was never a commentary made for L.A. Story, something that I am still in shock over.

You can find me on Facebook here and on Twitter at @IAMNOTASTALKER. And be sure to check out my other blog, The Well-Heeled Diabetic.

Big THANK YOU to Owen, from the When Write Is Wrong blog, for finding this location!

Until next time, Happy Stalking!

Stalk It: The four-way stop from L.A. Story is located at the intersection of Butler Avenue and Kingsland Street in West Los Angeles.

May 8, 2013
The “L.A. Story” Fundraiser House

Another L.A. Story location that I was desperate to track down was the sloped-roof residence where Harris K. Telemacher (Steve Martin) and Sara McDowel (Victoria Tennant) attended a “private art museum” fundraiser in the 1991 comedy. Because the home was so architecturally unique, I was sure that it would be an easy find. I was wrong. After scouring countless online film location libraries and architectural databases and coming up empty-handed, I decided that I needed to call for reinforcements. I sent a few screen captures to Geoff, from the 90210Locations website, to see if he recognized the place and, as luck would have it, he did! During a visit to Los Angeles a couple of years back, Geoff and his wife had done some sight-seeing in the Palos Verdes area. They happened to drive by the L.A. Story house that day and took note of it due to its distinctive roof. All Geoff had to do was retrace their steps and, voila, he found the place in a snap. Yay! So I ran right out to the South Bay to stalk it while in L.A. two weekends ago.

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In real life, the residence is known as the Bowler house, named for John Bowler, the industrial building contractor who commissioned it. The dwelling, which was constructed in 1963, was designed by Lloyd Wright, son of legendary architect Frank Lloyd Wright, and was composed of concrete, glass and Santa Maria stone. Lloyd also designed all of the property’s furnishings (which were angled to match the design of the house), cabinetry and vast landscaping.

Thanks to the triangular, pitched roof, which was manufactured out of blue corrugated fiberglass, the property is also sometimes called the Bird of Paradise house, which is something of a misnomer, as Lloyd had actually based the design on a diamond module.

The residence, which was renovated by Eric Lloyd Wright, Lloyd’s son, in 1991, features 3,904 square feet of living space, 4 bedrooms, 3.5 baths, a library, a formal dining room, a master suite, a laundry room, an in-ground swimming pool, separate guest quarters, and a 0.89-acre plot of hilltop land boasting 180-degree ocean views. The site was put on the market in mid-2008 for $2.5 million and wound up selling in January 2009 for $1.895 million. You can check out the real estate listing and some great interior photographs of the house here.

In L.A. Story, Harris and Sara head to the Bowler house to attend a formal fundraising dinner in which a man is trying to raise city funds to found an art museum that will not be open to the public. LOL Pictured below are the screen captures that I sent to Geoff when I asked for his help in tracking down the residence. It is amazing to me that he was able to recall a home pictured in dark, very limited screenshots simply from driving past it several years back. My hat is definitely off to him!

The real life interior of the home also appeared in the scene.

On a side-note – I would like to wish a HUGE congratulations to my girl Pinky Lovejoy, of the Thinking Pink blog, who not only just got a big promotion at work (she can now get herself – and me! – into Disneyland for FREE anytime she wants!), but, most exciting, also recently got engaged . . . to Keith Coogan (yes, that Keith Coogan!). I am over-the-moon happy for her and wish her and Keith all the joy in the world!

I got to meet Keith this weekend (at Disneyland) and I cannot express how much fun it was to run around quoting lines from Don’t Tell Mom the Babysitter’s Dead with him. When he randomly said, “Rock and roll!” at one point during the day, I just about died! He is also really into filming locations, so, Pinky, I approve. You chose well!

You can find me on Facebook here and on Twitter at @IAMNOTASTALKER. And be sure to check out my other blog, The Well-Heeled Diabetic.

Big THANK YOU to Geoff, from the 90210Locations website, for finding this location!

Until next time, Happy Stalking!

Stalk It: The Bird of Paradise house, aka the L.A. Story fundraiser house, is located at 3456 Via Campesina in Rancho Palos Verdes.

May 7, 2013
The California Colonic Institution from “L.A. Story”

When I began my search for all of the missing L.A Story locations a few weeks back, I emailed about a million-and-a-half screen captures to fellow stalker Mike, from MovieShotsLA, in the hopes that he would be so inclined to help me out with the hunt. Thankfully, he was. One locale that we found at the exact same time (we literally texted each other with the address at the same moment!) was the California Colonic Institution, where SanDeE* (my girl Sarah Jessica Parker) took Harris K. Telemacher (Steve Martin) for a high colonic, aka an enema, in the 1991 flick. While I had known that the site was located somewhere along Venice Beach and had tracked it down by looking up and down the coastline using Google Maps, Mike had actually recognized the place immediately thanks to the fact that, unbeknownst to me, it had also appeared in the 1993 thriller Point of No Return. How random is that? So, while in SoCal this past weekend, I ran right out to stalk it. (I am amazed that I was able to snap the above photograph sans any people, by the way! Anyone who has ever experienced the hustle and bustle of Venice Beach knows what a feat that was!)

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In real life, the California Colonic Institution from L.A. Story is known as the Blu House (or the Nike Blu House, as Nike, Inc. used the site as office space for many years) and, at over a century old, is one of the most historic residences still standing in Venice Beach. The two-story bungalow was originally built in 1901 and since that time it has served as everything from an event venue (one fete was even hosted by Jerry Springer, apparently!) to a clothing store to an art gallery to a medical marijuana facility. And while several websites have also stated that both Jim Morrison and Charlie Chaplin lived on the premises at different points in time, I believe that information is actually incorrect.

The beachfront house, which boasts three bedrooms, one bath, 2,656 square feet of living space, a 1,500-square-foot deck, and a tiny 0.10-acre plot of land, currently serves as the headquarters for Snapchat – at what is apparently a rate of $20,000 a month!

The California Colonic Institution only shows up once in L.A. Story and very briefly at that, in the scene in which SanDeE* takes Harris on a date . . . for an enema. Romantic, huh? It is there that SanDeE* says of the experience, “God, it really clears out your head!” To which Harris says, “Head? Head? You should go back in there and tell them they’re doing it wrong.” LOL

Only a very tiny portion of the property, namely the front porch area, was shown during the scene.

That front porch in its current state is pictured below. As you can see, while the front doors have changed from a single door to double doors, the site still looks pretty much exactly the same today as it did in 1991 when L.A. Story was filmed.

Because so little of the residence was shown, I was only able to pinpoint its location due to the fact that it was apparent from the filming that the front door was situated at an angle diagonal to the boardwalk, as you can see below. Thankfully, only one property in Venice fit that description.

I also matched up the buildings that were visible in the background of the scene. Ironically enough, while doing research on the Blu House, I learned that the brick building located just north of it is known as Gingerbread Court and was apparently built by none other than Charlie Chaplin.

It was not until making screen captures for today’s post that I spotted an address number of 523 behind Steve Martin in the scene. D’oh! Would have made my search so much easier had I realized that earlier!

I am fairly certain that the same location was used for the brief montage scene in which SanDeE* attended a spokesmodel class in the movie. The palm trees visible through the windows and the framing of the interior French doors seem to match up to those of the Blu house. That is just a hunch, though.

In Point of No Return, the Blu House was where assassin Maggie Hayward (Bridget Fonda) rented an apartment upon arriving in Venice Beach.

As you can see below, the property still had a single front door at the time of the filming.

I am guessing that the interior of Maggie’s apartment was just a set and not the actual interior of the Blu House.

According to the Venice-Mar Vista Patch, the Blu House was also the setting of an MTV summer reality series, although I am unsure of which one.

You can find me on Facebook here and on Twitter at @IAMNOTASTALKER. And be sure to check out my other blog, The Well-Heeled Diabetic.

Big THANK YOU to Mike, from MovieShotsLA, for helping me to find this location!

Until next time, Happy Stalking!

Stalk It: The Blu House, aka the California Colonic Institution from L.A Story, is located at 523 Ocean Front Walk in Venice Beach.

May 3, 2013
Sara’s Apartment Building from “L.A. Story”

After tracking down the location of the “talking” freeway sign and Now! clothing store from fave movie L.A. Story (which I blogged about here and here, respectively) a couple of weeks ago, I embarked upon a mission to uncover all of the unknown locales from the 1991 flick. And with a lot of help from the usual suspects – fellow stalkers Mike, from MovieShotsLA, Owen, from the When Write Is Wrong blog, and Geoff, from the 90210Locations website – I managed to do just that! One location that I actually found all on my own, though, was the unique sloped-roof building where Londoner Sara McDowel (Victoria Tennant) stayed while visiting Los Angeles in the movie. So I ran right out to stalk it while in SoCal this past weekend.

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Thankfully, this one was quite the easy find. I had an inkling that Sara’s building was located in the West Hollywood area, where a considerable amount of L.A. Story was lensed. So I did a Google search for “West Hollywood apartment building” and “butterfly roof” and, sure enough, one of the results was a WeHo.org page that included a write-up about the historic Hollywood Riviera building located at 1400 North Hayworth Avenue, which turned out to be the right spot. (Although it actually houses condominiums, not apartments.) Woot woot!

The Hollywood Riviera was designed by prolific Los Angeles-based architect Edward H. Fickett in 1954. The extremely unique, 38-unit, post-war-modern-style building features a sloped butterfly roofline, louvered windows, floating exterior staircases, canted (yeah, I had to look that one up, too) balconies, and a central courtyard with a swimming pool.

It also has a pretty cool retro-style sign.

Incredibly, of the 37 West Hollywood apartment buildings that Fickett designed during his lifetime, only five are known to remain standing to this day. Most were demolished to make way for larger, more modern structures. Due to this sad fact and the building’s unique architecture, the West Hollywood Historic Preservation Commission designated the Hollywood Riviera a Historic Cultural Resource in 2010.

In L.A. Story, Sara, the love interest of Harris K. Telemacher (Steve Martin), stays at the Hollywood Riviera while in town to write an article about Los Angeles for The London Times. The building shows up numerous times throughout the movie.

The areas of the Riviera that appeared in the flick include the front exterior;

the front door of one of the units (I am guessing that the unit’s real life apartment number was used in the filming);

and the courtyard and pool.

I am fairly certain that the real life interior of one of the units was utilized in the shoot as well, although Sara’s homestead was two stories, while all of the Hollywood Riviera condos that I have found real estate listings for online consist of only one story, so who knows. You can check out a real estate listing for an actual unit here to see how it compares.

I am also fairly certain that Sara’s balcony was a real Hollywood Riviera balcony.

The Hollywood Riviera was also where Elaine (Lesley Ann Warren) lived in 1999’s The Limey.

And while several websites (including this one and this one) state that the building has appeared in numerous movies and television shows, I could not find the names of any of the other productions that filmed on the premises.

You can find me on Facebook here and on Twitter at @IAMNOTASTALKER. And be sure to check out my other blog, The Well-Heeled Diabetic.

Until next time, Happy Stalking!

Stalk It: Sara’s apartment building from L.A. Story, aka the Hollywood Riviera, is located at 1400 North Hayworth Avenue in West Hollywood.

May 2, 2013