The Galley from “The Laundromat”

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Instagram has been life-changing, as far as ease of taking photographs goes.  Before restaurant and shop owners recognized the influencing and advertising power of the social media platform, I was regularly blocked from snapping pictures of places I stalked.  Now image capturing is encouraged and it has been nothing short of fabulous for my blog!  One locale that never gave me grief over photos is The Galley, Santa Monica’s oldest restaurant.  With some of the friendliest servers around and the best food in town, the eatery is one of my favorites in all of L.A.   The Galley was actually one of the first places the Grim Cheaper took me for dinner very early on in our relationship and when he lived in Santa Monica, we would drop by almost every Friday night for its stellar happy hour.  While I officially stalked it back in March 2013 (hence my dated haircut above) and listed it in My Guide to L.A. – Restaurants in 2015, I failed to dedicate a post to the site because, as far as I knew, nothing had been filmed on the premises.  So I was ecstatic when I spotted it while scanning through the 2019 Netflix film The Laundromat earlier this year!

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Established by Ralph Stephan way back in 1934, The Galley was originally located on the Santa Monica Pier.  It moved to its current home at 2442 Main Street in 1946.

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Dimly lit, warm, and inviting, the watering hole was a hit with the Hollywood set from the get-go.  Just a few of the famous names who regularly stopped by include Errol Flynn, Carole Lombard, Edward G. Robinson, Tyrone Power, Ann Sheridan, Joe DiMaggio, and my girl Marilyn Monroe.  The latter two supposedly got into quite the argument at the bar one evening which had Joltin’ Joe storming out of the restaurant in anger.

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The Galley’s interior is nautical in theme and definitely does not subscribe to the “less is more” mentality.  Nearly every square inch of the place is decked out in netting, shells, portholes, and other sea-faring accoutrements, most of which are actual set pieces from the 1935 film Mutiny on the Bounty.  Legend has it, the props were given to Stephan by the flick’s stars Clark Gable and Charles Laughton, both of whom were Galley regulars.

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Most notable is the Bounty’s large wooden wheel, which hangs from the restaurant’s ceiling.

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When Stephan retired in 1989, he sold the beloved eatery to Ron Schur, a longtime patron.  As the story goes, Schur was a huge fan of The Galley’s signature salad dressing, a take on Thousand Island.  One evening, he asked his regular waitress Millie for the recipe.  She refused to tell him, which only served to make him more determined to obtain it.  He returned night after night with the same inquiry until Millie finally bellowed, “If you wanna know so badly, why don’t you buy the f*cking place?”  Well, Ron eventually did just that, taking over operations in January 1989.  The restaurant – and the salad dressing – has been going strong ever since.

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The eatery had fallen into a bit of disrepair prior to Schur taking over, so he immediately began restoring it, set-piece by set-piece.  Thankfully, he made few changes, telling The News-Pilot in 1990, “Remodeling is the dirtiest word in the English language.”  A man after my own heart!  Along with expanding the space, doubling its capacity from 60 to 120, Ron also began serving lunch and added a back patio, now a favorite spot of patrons.  Otherwise, though, The Galley remained pretty much as it was when it originally opened decades prior.

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Schur, who goes by the name “Captain Ron,” also strung a plethora of multi-colored twinkle lights from the ceiling, creating what the Santa Monica Mirror described as an “ambiance of permanent Christmas.”  As Ron informed the paper, he made the addition because Christmas creates “a feeling of good will toward all.”  Though the lights definitely foster a feeling of warmth, they also wreaked havoc on many of my photos, as evidenced below.

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Famous for its four-pound buckets of steamed clams, all of The Galley’s fare is stellar, though I have to say that I am partial to the chicken tacos, available in the bar.  The restaurant’s happy hour, offered daily, is easily the best in Santa Monica with one of the most extensive menus I’ve ever come across.  From the crab cakes to the fried calamari to the hot dog, you honestly can’t go wrong no matter what you order!

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The eatery pops up several times in The Laundromat as the supposed Lake George, New York restaurant owned by Matthew Quirk (David Schwimmer) and Captain Paris (Robert Patrick).  One look at the myriad of multi-colored Christmas lights and bamboo booths and I knew immediately filming had taken place at The Galley.

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Considering its longevity and whimsical décor, I’m shocked that the restaurant has not appeared in more productions, but I have not been able to dig up any additional cameos.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: The Galley, from The Laundromat, is located at 2442 Main Street in Santa Monica’s Ocean Park neighborhood.  You can visit the eatery’s official website here.

Arden Villa from “National Lampoon’s Vacation”

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In an email exchange with my friend/fellow stalker Owen in late January, I casually made mention of National Lampoon’s Vacation’s original ending, in which, after finding Walley World closed, Clark W. Griswold (Chevy Chase) heads to Roy Walley’s (Eddie Bracken) mansion, pulls a gun and forces the theme park mogul to entertain his family.  The segment didn’t work with test audiences, so it was scrapped and the bit at Magic Mountain shot to replace it.  Years later, that original ending was reworked into the segment involving the kidnapping of Clark’s boss for the movie’s 1989 sequel, National Lampoon’s Christmas Vacation.   Owen was unaware of all of this, though.  As he replied, “I had no idea about an alternate Vacation ending.  I’d love to see footage of Clark going to Roy Walley’s house.  And if that footage exists and we can view it, we then need to find that house!“  Sadly, the footage has never seen the light of day, but Owen’s response took the words right out of my mouth!  As I typed my initial email to him, I couldn’t help but wonder where the Walley mansion was located.  Amazingly, through a series of fortunate events, Owen was able to ID it!  Turns out, it’s a place I am very familiar with.

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The only imagery of the original ending I was able to dig up is below.  Virtually nothing outside of the edge of a pool and a tall wall can be seen in it.  In the hands of a lesser stalker that might have been a problem, but not Owen!

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Amazingly, Owen managed to get his hands on the Vacation call sheets years ago.  They were packed away in storage, though, and he wasn’t sure when he’d make it out to his unit to look through them.  But, just a few days after our email exchange, there was a bit of a mix-up at the storage facility that had Owen driving out to check on his things not once, but twice!  On his second visit, as he was taking inventory of the items inside, he remembered our Vacation query and dug out the call sheets.  Sure enough, Roy Walley’s mansion was noted in the pages!  As Owen discovered, filming took place at one of Pasadena’s most well-known and oft-filmed estates, Arden Villa!   Though I had stalked the place before, only its front gate is visible from the street, so I never blogged about it.  Armed with this scintillating new info, though, I decided it was definitely time for a post!  So I ran right out there to re-stalk it just a few days later.

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Arden Villa was originally built in 1913 for railroad tycoon William Kennon Jewett.  Designed in the Italianate/Palladian style, the estate was the work of the Marston and Van Pelt architecture firm.  Per the Knight Industries website, the home was initially rust brown in color, but was repainted to the canary yellow it is today in the mid-80s.  The screen captures that appear later in this post attest to that.

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Boasting 5 bedrooms, 9 bathrooms, a whopping 10,290 square feet, 7 fireplaces, a wine cellar, an elevator, a game room, a finished basement and attic, a huge pool, lily ponds, a tennis court, and a 2,340-square-foot guest house complete with its own pool, the massive manse originally sat on 9 acres, but all but 2.5 were sold off.  Sadly, the only part of it visible from the street is the front gate and a portion of the 100-yard driveway just beyond it.  You can check out some interior photos of the place here, though.

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Arden Villa most recently hit the market in 2017 for $28 million, but did not sell until September 2019.  Avengers director Anthony Russo was the lucky buyer, snapping it up for a cool $15,579,500.

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Because so little can be seen in that one image of National Lampoon’s Vacation’s original ending, I wasn’t ready to sign off completely on Arden Villa being Roy Walley’s mansion, even with the call sheet documentation.

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Especially since aerial views and MLS photos show that the wall running alongside the property’s pool looks nothing like the one visible behind Clark.  As evidenced in the imagery below as well as in this pic, though there is a wall in the same general vicinity at Arden Villa, it is almost two-stories high, boasts a built-in outdoor fireplace, is largely covered with hedges, and has a columned edge, none of which jibe with what appeared in Vacation.  So I was left thinking that filming either took place elsewhere or the wall had been knocked down and rebuilt (or at the very least remodeled) since the 1983 shoot.

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Luckily, I got clarity thanks to a 1984 episode of Scarecrow and Mrs. King!  In Season 1’s “Weekend,” Lee Stetson (Bruce Boxleitner) and Amanda King (Kate Jackson) work a case at Arden Villa, which is posing as The Cumberland hotel.

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In a scene taking place by the pool, a wall is visible behind Lee and its rust coloring, white lip and vertical perforations all match what was seen in Vacation!  Eureka!

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I got further confirmation thanks to Knight Rider!  On the iconic series, Arden Villa regularly portrayed F.L.A.G. headquarters, including in the Season 2 episode titled “Brother’s Keeper” (pictured below), which aired in 1983.

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In a scene from the episode, the wall is briefly visible as April Curtis (Rebecca Holden) and Devon Miles (Edward Mulhare) walk near the pool, giving us an almost identical angle to that of the Vacation still.  As you can see below, there’s no question the walls are one and the same!

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Season 2’s “A Knight in Shining Armor” also provides a similarly-angled view of the wall and, again, it’s a direct match to what appeared in Vacation.  Suffice it to say, Arden Villa did, in fact, mask as Roy Walley’s mansion and the pool wall was then remodeled after the fact!  You can check out the script pages for the movie’s original ending here.  It’s actually pretty funny.  Though some internet sources claim the segment involves The Girl in the Ferrari (Christie Brinkley) turning up as Roy’s daughter and Clark eventually taking a plane hostage (both of which sound idiotic), that does not appear to be the case.  While I love what ultimately made its way to the screen, the ending as originally shot would have been a pretty fitting closure to the Griswold family’s tumultuous trip.  Here’s hoping the footage will be aired someday!

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Arden Villa has appeared in countless productions over the years, far too many to chronicle here.  But what follows are some of the highlights . . .

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Way back in 1933, before the property had a pool, it was the site of an elegant tea party in the Marx Brothers comedy Duck Soup.

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Det. Ken Hutchinson (David Soul) and Det. Dave Starsky (Paul Michael Glaser) investigate a murder there in the Season 4 episode of Starsky & Hutch titled “Photo Finish,” which aired in 1978.

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Arden Villa plays the home of Avery Williams (Robert Goulet) in the Season 4 episode of Fantasy Island titled “The Proxy Billionaire/The Experiment,” which aired in 1981.

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Des Spellacy (Robert De Niro) attends a wedding at the property in the 1981 drama True Confessions.

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In what is perhaps its most famous cameo, Arden Villa is the site of the epic lily pond catfight between Alexis Carrington Colby (Joan Collins) and Krystle Carrington (Linda Evans) in the Season 3 episode of Dynasty titled “The Threat”, which aired in 1983.  You can watch the scuffle here.  The backside of the estate was actually used regularly throughout the series as the rear of the Carrington mansion.  Front and aerial shots were lensed about 360 miles away at Filoli in Woodside, though.

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Arden Villa serves as the home of Fred Fusco (Lorne Greene) in the Season 4 episode of Highway to Heaven titled “The Smile in the Third Row,” which aired in 1985.

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It’s the residence of Zeke Bridges (Noble Willingham) in the 1992 comedy The Distinguished Gentleman.

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Arden Villa pops up as the Bel Air home of Stuart “He Gives Good Woo” Carson (David Gail) in the Season 3 episode of Beverly Hills, 90210 titled “Moving Targets,” which aired in 1993.

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In 1996, Oasis filmed the music video for their song “Don’t Look Back in Anger” on the premises.

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James Whale (Ian McKellen) and Clayton Boone (Brendan Fraser) attend a party there in the 1998 drama Gods and Monsters.

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Portions of the pad appear as the interior of the Cleary mansion in the 2005 comedy Wedding Crashers.

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Rose (Toni Collette) attends a wedding there in the 2005 drama In Her Shoes.

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The villa is also the residence of Jason Normandy (Jonathan Banks) in the Season 2 episode of Shark titled “Partners in Crime,” which aired in 2008.

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Though some articles state that Billy Madison did some filming at the estate, I don’t believe that to be true.  From what I’ve read, the 1995 comedy was lensed in its entirety in Canada.  And while I thought that a reshoot might possibly have taken place at Arden Villa, I scanned through the flick and did not see anything resembling the mansion.  The same goes for Terms of Endearment, which is also said to have shot scenes on the premises – I’m pretty sure that information is incorrect.

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Big THANK YOU to my friend/fellow stalker Owen for finding this location’s Vacation connection!  Smile

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: Arden Villa, aka Roy Walley’s mansion from the original ending of National Lampoon’s Vacation, is located at 1145 Arden Road in Pasadena.

Casa Vega from “Once Upon a Time in Hollywood”

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One of the things I most appreciate about Once Upon a Time in Hollywood is the lengths director Quentin Tarantino went to portray an authentic 1960s-era Los Angeles onscreen.  To that end, he featured several local historic restaurants from the time that are, thankfully, still around today, including Musso and Frank Grill, El Coyote, and Casa Vega.  The latter is a spot I am very familiar with.  I’ve dined at the Sherman Oaks landmark several times over the years and even blogged about it once back in 2008.  Due to its recent cameo, though, I figured a more current post was in order, so the Grim Cheaper and I headed out there for a bite last September.

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Initially founded in 1956, Casa Vega was the brainchild of Rafael ‘Ray’ Vega, who grew up helping his parents run their own eatery, Café Caliente, on downtown L.A.’s famous Olvera Street.  He first set up shop in a small corner space at Ventura Boulevard and Mary Ellen Avenue.  The place was such a hit that, within two years, Ray needed to expand and he moved Casa Vega to its current location, a larger site two blocks west at 13301 Ventura.

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One of Los Angeles’ oldest continuously operating restaurants, today Casa Vega is run by Ray’s daughter, Christina, who began working on the premises in 1999 upon graduating from college.  The eatery has remained just as popular as ever with her at the helm.

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Little of the landmark site has been changed since opening day over six decades ago.  The lighting remains dim, the same tufted red leather booths line the walls, and the kitchen still spoons out dishes based on Ray’s mother’s recipes.  The fare is so delicious that Zagat even rated the place one of L.A.’s best Mexican spots!

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Thanks to its stellar food and low lighting, Casa Vega has been a celebrity draw since the beginning.  Just a few of the luminaries who have been spotted on the premises over the years include Marlon Brando, Dean Martin, Desi Arnaz, Sandra Bullock, Al Pacino, Jane Fonda, Dyan Cannon, Cary Grant, Miley Cyrus, Selena Gomez, Mark Wahlberg, Heather Locklear, Avril Lavigne, Mariah Carey, Jennifer Aniston, Nick Lachey, Vanessa Minnillo, George Clooney, Michael Jackson, Gwen Stefani, Steven Spielberg, Tom Hanks, Nicole Richie, Joel Madden, Jennifer Love Hewitt, Jake Gyllenhaal, Justin Timberlake, Charlize Theron, Anthony Hopkins, and Emma Watson.  Tarantino is also a huge fan of the restaurant, so it’s no surprise he chose to feature it in his latest flick.

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Casa Vega actually pops up twice in Once Upon a Time in Hollywood.  It first appears as the supposed Almeria, Spain-area restaurant where Rick Dalton (Leonardo DiCaprio) tells Cliff Booth (Brad Pitt) that he can no longer afford to keep him on as his right-hand man.

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That segment took place in the dining room that sits adjacent to the bar.  As you can see below, Casa Vega’s rear door was swapped out with a more picturesque one for the shoot.

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At the end of the movie, Casa Vega plays itself.  It is there that Cliff and Rick dine as a last hurrah before going their separate ways.

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That scene was filmed in the rear corner booth of the restaurant’s main dining room.

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The front of the eatery was also shown in the segment.

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Once Upon a Time in Hollywood is not the only production to shoot at the acclaimed restaurant.  In the 1978 comedy The End, Wendell Sonny Lawson (Burt Reynolds) tracks his lawyer, Marty Lieberman (David Steinberg), down at Casa Vega and crashes his lunch.

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Julie Richman (Deborah Foreman) and Randy (Nicolas Cage) walk by the eatery while on a date in the 1983 classic Valley Girl, though only its neon sign is shown.

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Designer Jeff Lewis gives Casa Vega’s exterior and entrance a bit of a facelift in the fourth season of the reality show Flipping Out, which aired in 2010.

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The Kardashians really like the place!  Per the Reality Tea website, the family’s eponymous series, Keeping Up with the Kardashians, has filmed at the eatery no less than 6 times, including in the episodes “Kris’s Mother-in-Law,” “Design for Disaster,” “The New Normal,” “Cheers to That,” “Fire Escape,” and “Some Moms Just Wanna Have Fun” (pictured below), which aired in 2013.  Please forgive me for not posting caps from each episode – it took all I had just to scan through the one!

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Eden Sassoon and Lisa Rinna lunch at Casa Vega in the Season 7 episode of The Real Housewives of Beverly Hills titled “Compromising Positions,” which aired in 2017.  While there Eden tells Lisa, “We love it here cause of the lighting.”

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Casa Vega also apparently made an appearance in the Season 1 episode of Barnaby Jones titled “See Some Evil . . . Do Some Evil” back in 1973, but, unfortunately, I could not find the show available to stream anywhere.

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Sadly, Casa Vega is currently closed to the COVID-19 pandemic.  Shuttering was not a move the restaurant took lightly.  In fact, per a 2016 Los Angeles Times write-up, Casa Vega was one of the few area establishments that was open for business the day after the Northridge Earthquake in 1994.  As Christina wrote on the eatery’s Instagram, “As soon as it is safe to welcome everyone to our bar and tables we will do so.  The storm can’t last forever.  The sun will come.  Margaritas will flow again.”  Cheers to that!

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: Casa Vega, from Once Upon a Time in Hollywood, is located at 13301 Ventura Boulevard in Sherman Oaks.  The eatery is currently closed indefinitely due to the COVID-19 pandemic.  Check its official website for updates.

Pete’s House from “Bridesmaids”

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Speaking of Cameron Woods (in case you missed Monday’s post, you can read it here) . . . while wandering around the neighborhood recently I was reminded of a spot that I stalked long ago but had yet to blog about – the house belonging to Pete (Brian Petsos) in the 2011 comedy Bridesmaids.   As mentioned Monday, the quarter-mile stretch of Orion Avenue in Van Nuys that makes up Cameron Woods is easily one of the most charming and oft-filmed spots in L.A.  Per a 2012 Los Angeles Times article, the two-block idyll was the brainchild of William Buchner.  Between 1946 and 1952, the developer built a stretch of large picturesque New England and Cape Cod-style homes on the street’s 6200 and 6300 blocks.  Inspired by a road in Connecticut, he constructed the residences on oversized 100-by-300-foot lots, allowing for expansive front and back yards dotted with native walnut trees.  His vision was unfortunately cut short due to a disagreement with his partners and a change in zoning laws, so only a handful of properties wound up being built with the remaining lots sold off and subdivided.  The small idyll that Buchner did create, though, is a charming oasis seemingly far removed from modern life – so much so that it is commonly referred to as the “Leave it to Beaver block.”  And it is at a home smack dab in the middle of it that Annie (Kristen Wiig) shows up for a doomed blind date with Pete in Bridesmaids.

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In real life, Pete’s house, a charming 1950 residence, is much larger than it appears to be from the street, boasting 4,227 square feet, a whopping 7 bedrooms and 4.5 baths, a 0.60-acre lot, a sprawling backyard with a pool, a spa, a rock waterfall, an arbor, multiple patios, and parking for 12 cars!

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I was a little late to the Bridesmaids game, seeing it for the first time almost a year after it debuted via a SAG screener I received in early 2012.  The DVD featured the director’s cut of the movie, which included the blind date scene with Pete.  I had no idea until sitting down to write this post that the segment was initially left on the cutting room floor and was not part of the original film!  So if you saw Bridesmaids in the theatre or only have the original version on DVD, you’re likely reading this thinking “What blind date scene?”  In the bit, Annie arrives at the home of Pete, whom Becca (Ellie Kemper) has set her up with.  Instead of immediately heading out, Pete slips upstairs to make a call to his ex-wife and asks Annie to entertain his young son, Tyler (Blake Garrett), who quickly informs Annie that his mother is going to kill her.  Things only get worse from there.  Needless to say, Pete and Annie fail to make a love connection.

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It is obvious from the way the scene was shot that the actual interior of the house was utilized, though it has since been remodeled.  You can check out current photos of the inside here.

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The pad has a few other credits to its name, as well.

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I learned from a commenter named Andrew on the Streamline blog that the place portrayed the residence of Bobby Thompson (Tim O’Kelly) and his family in the 1968 film Targets, though it looked considerably different at the time.

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It also served as the home of a zealous Christmas decorator in the Season 2 episode of 9-1-1 titled “Merry Ex-Mas,” which aired in 2018.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: Pete’s house from Bridesmaids is located at 6309 Orion Avenue in Van Nuys’ Cameron Woods neighborhoodJoe Goldberg (Penn Badgley) and Love Quinn’s (Victoria Pedretti) new house from the Season 2 finale of You is right next door at 6301 Orion.

The Federal from “Four Christmases”

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I tracked down today’s locale thanks to some very insider information.  Back on December 19th, 2012, I wrote about the San Francisco pad that portrayed Brad (Vince Vaughn) and Kate’s (Reese Witherspoon) residence in Four Christmases.  Just a few hours after hitting “publish,” I received an email from the production designer of the 2008 holiday romcom, Shepherd Frankel, who had this to say, “Wow – I loved reading your blog and seeing your detective work unfold.  Truly amazing.  So interesting to read for me and I actually designed the film!”  His kind words just about made me fall over with excitement!  Though I often contact crew members to inquire about locations, a production designer getting in touch with me was a first!  Once I regained my composure, I wrote him back and, of course, asked for some help in IDing a few additional locations from the film, namely the restaurant where Brad’s firm’s holiday party was held.  And Shepherd was happy to help!  Though he did not remember the name of the eatery, he informed me that it was a former-bank-turned-restaurant in Long Beach.  Using those search parameters, I quickly figured out that filming had taken place at The Madison at 102 Pine Avenue.  Sadly, I also quickly figured out that the gastropub had recently closed.  I added it to my To-Stalk List regardless, hoping it would reopen at some point, which, thankfully, it did as “The Federal” just months later, at which point I ran out to stalk it.  Though I’ve briefly covered the place a couple of times before – first in my post about sister restaurant The Federal Bar in North Hollywood, then in My Guide to L.A. – Bars, and finally in a Scene it Before column for Los Angeles magazine – I figured this holiday season was the perfect time for a full-blown write-up.

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The 13-story, 146,000-square-foot building that houses The Federal was initially built in 1925 as the Long Beach headquarters of the Security Trust and Savings Bank of Los Angeles.  The stately site was designed in the Italian Renaissance Revival style by architects Aleck Curlett and Claud Beelman.  (The latter also gave us The Mayfair Hotel from The Office, The Standard, Downtown L.A. from Fracture, and the California Bank Building from Girls Just Want to Have Fun.)

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The towering structure, known today as the “Security Trust and Savings Bank Building” as well as “Security Pacific National Bank,” was originally comprised of offices on its upper levels and a grand 3-story, 8,925-square-foot bank space complete with a basement vault on its lower floors.

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When Security Trust and Savings, which had been renamed Security Pacific Bank, moved out in 1991, the bank space sat vacant for a time before catching the eye of Terry Antonelli and Enzo DeMuro, the famed restauranteurs who in 1990 founded Long Beach staple L’Opera in another former bank building located right across the street.  The duo decided to lease the site and worked their magic transforming it into upscale eatery The Madison, which opened its doors in May 1999.  During the conversion, the room’s gorgeous beamed ceilings, which had incredibly been covered over to make way for an air conditioning system at some point, were once again unveiled.

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Shortly after its debut, Los Angeles Times restaurant critic S. Irene Virbila wrote, “I’ve been to The Madison Restaurant & Bar, a posh new steakhouse, three times, and each time I’ve walked through the door, I’ve had to catch my breath because the size and grandeur of the rooms are overwhelming.  Built in the days before ATMs, when banks functioned as secular cathedrals and women donned hat and gloves to do their banking, the former Security Bank is one of Long Beach’s stateliest historic buildings.”  As you can see below, her words were not hyperbole.  The space is nothing if not breathtaking!

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The Madison enjoyed a nice long run, remaining in operation until September 2012, just a few months before I learned about it.

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Shortly after its closure, Morgan Margolis, the nightlife impresario behind The Federal Bar in North Hollywood (and son of Mark Margolis, aka Mr. Shickadance, the landlord from Ace Ventura: Pet Detective), toured the space and decided to open a sister Federal location on the premises.  The Federal Long Beach opened just a few months later.  Thankfully, not much of the interior was altered in the changeover.

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Still as grand as ever, the gorgeous eatery features 2 full bars, seating for 300 patrons, rich wood paneling, towering columns, an extensive menu of healthy and not-so-healthy comfort foods, and a speakeasy situated in the basement vault!  Quite the unique atmosphere to grab a bite!

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My photos truly don’t do the space justice.  Unfortunately, the natural light beaming in through the windows wreaked havoc on most of the images I snapped while there, but at least they give you the gist of The Federal’s beauty.

The Federal from Four Christmases (18 of 31)

The Federal from Four Christmases (20 of 31)

It is at The Madison that the Rohlich and Tweel LLC 8th annual Christmas party is held in Four Christmases, during which Brad and Kate explain to Brad’s co-workers how they get out of spending the holidays with their families each year.  (Their advice?  Just lie and tell everyone you’re doing charity work.  “You know, something like building houses in third world countries.  Teaching English as a second language in Puerto Rico.  Delousing orphans in Somalia.  Helping Chinese kids capture lobsters – boil them, gut them, clean the weird stuff out of the middle.  We find that the more details you give, kinda throws them off the scent.”  After all, “You really can’t spell families without ‘lies.’”)

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The Federal from Four Christmases (1 of 1)

Though Shepherd and his team decked the restaurant out in Yuletide finery for the shoot, not much of the place was shown onscreen.  But what was visible remains very recognizable.

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The Federal from Four Christmases (1 of 1)

We get a much better view of the restaurant via Dinner for Schmucks.  In the 2010 comedy (and I use that term loosely), Tim (Paul Rudd) meets with some clients at The Madison and chaos quickly ensues thanks to the misguided efforts of uninvited guest Barry (Steve Carell).  In looking at the screen capture as compared to my photograph below, you can see the changes made to the site before it re-opened as The Federal.  For some inexplicable reason, a beam running across the vast dining area was installed which really cuts off the room in my opinion.

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The Federal from Four Christmases (14 of 31)

The main bar (on the left-hand side below) was also partially closed off and the beige upholstered booths swapped out for black leather versions.  You can check out some more images of the interior of The Madison here.  Oh, how I wish I could have seen it before it closed!  Despite the unfortunate changes, The Federal is still a stunning place to grab a bite or cocktail when in Long Beach!

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The Federal from Four Christmases (15 of 31)

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

The Federal from Four Christmases (31 of 31)

Until next time, Happy Stalking!  Smile

Stalk It: The Federal, aka the former The Madison from Four Christmases, is located at 102 Pine Avenue in Long Beach.  You can visit the eatery’s official website hereL’Opera Restaurant, from Charmed, can be found right across the street at 101 Pine Avenue.  You can visit that establishment’s website here.

Pee-wee’s House from “Pee-wee’s Big Adventure”

Pee-wee's House from Pee-wee's Big Adventure (15 of 15)

The internet lit up this week with news that actor Paul Reubens is embarking upon a 20-city 35th Anniversary Tour celebrating Pee-wee’s Big Adventure starting next February.  Coincidentally, the house where Reubens’ titular character, Pee-wee Herman, lived in the 1985 comedy has long been on my list of To-Blog Christmas locales.  And no, I haven’t completely lost it – I am well aware that the film is in no way holiday-related.  But a few years ago, my friend Lavonna suggested I include the abode in my Yuletide postings since it is completely decked out with all sorts of seasonal décor in the movie, including multi-colored lights strung along the roofline, Santa in his sleigh with all eight reindeer perched atop the rafters, a light-up Frosty the Snowman in the backyard, and another large Santa positioned along the picket fence.  I ran out to stalk the place shortly after Lavonna’s suggestion (way back in 2014!), but somehow never got around to writing about it.  Then when I heard about the tour yesterday, I figured it was the perfect spot to kick off my holiday postings for 2019!  So here goes!

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Like so many famous movie houses, Pee-wee’s pad is located on a leafy street in South Pasadena.  In person, the dwelling is much plainer than it appeared onscreen, for obvious reasons.

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Pee-wee's House from Pee-wee's Big Adventure (1 of 1)

Even without all of Pee-wee’s eccentric accoutrements and yard art, though, and despite the passage of almost 35 years, the place is still incredibly recognizable!

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Pee-wee's House from Pee-wee's Big Adventure (8 of 15)

Pee-wee’s rickety detached garage, located at the end of his driveway, remains completely unchanged from its cameo, aside from a missing sconce.  And I was thrilled that a white picket fence still lines the property, even though it is slightly different today, boasting a curvature that its movie counterpart did not.  The mailbox, though much less colorful than what appeared onscreen, remains in the exact same positioning along the fence, as well!

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Pee-wee's House from Pee-wee's Big Adventure (1 of 1)

The residence’s actual backyard also appears briefly in Pee-wee’s Big Adventure, though again with a myriad of embellishments.

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The Herman pad’s chaotically whimsical interior was, obviously, just a set.  While I was unable to track down any photos showing what the inside of the home actually looks like, I can pretty much guarantee there is no fireman’s pole to be found!

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In real life, the property, which was built in 1922, boasts 2 bedrooms, 1 bath, 1,298 square feet of living space, a fireplace, and 0.15 acres of land.

Pee-wee's House from Pee-wee's Big Adventure (3 of 15)

Pee-wee's House from Pee-wee's Big Adventure (12 of 15)

Incredibly, per Redfin, the house, which was not used for any of the Pee-wee Herman sequels, last sold on September 13th, 1974 for $15,500!  The website measures its current value at $1,005,925!  Not a bad ROI!

Pee-wee's House from Pee-wee's Big Adventure (7 of 15)

Pee-wee's House from Pee-wee's Big Adventure (13 of 15)

Big THANK YOU to my friend Lavonna for suggesting I stalk this locale and include it in my Christmas postings!  Smile

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Pee-wee's House from Pee-wee's Big Adventure (1 of 15)-2

Until next time, Happy Stalking!  Smile

Stalk It: Pee-wee Herman’s house from Pee-wee’s Big Adventure is located at 1848 Oxley Street in South Pasadena.  Many famous movie locations can be found on Oxley, including Laurie Strode’s (Jamie Lee Curtis) home from Halloween at 1115 Oxley, the Cooper residence from Forever Young at 1724 Oxley, and South Pasadena Public Library from Say Anything . . . at 1100 OxleyKaldi Coffee and Tea, another frequent film star, is right around the corner from the library at 1019 El Centro Street.

Valentino from “Pretty Woman”

Valentino from Pretty Woman (4 of 12)

Pretty Woman is one of the most well-documented movies out there when it comes to locations.  Oddly though, despite the legions of websites and books with sections dedicated to its locales, I have yet to see identified the Rodeo Drive shop where Vivian Ward (Julia Roberts) and Edward Lewis (Richard Gere) spent an “obscene amount of money” mid-film.  So I recently set out to find it.

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The exterior of the boutique, where Vivian famously spits her gum onto the sidewalk, is only shown briefly in the shopping scene, unfortunately.  And my copy of the movie on DVD (the 15th Anniversary Special Edition which I’ve owned for years) is surprisingly grainy, giving away little in terms of the shop’s location.  So I decided to stream a high-definition version in the hopes that some clues might be discernable.  And there were!  In the high-res format available on Amazon, the words “Valentino” and “a Torie Steele boutique” were visible at the bottom of one of the store’s windows, as was the familiar Valentino logo featuring a large “V” above the front door.  The start of an address number reading “40” could be seen, as well!

I was thrilled to make out the last digit – an “8” – on the back of the door shortly after Vivian and Edward entered the store.  From there, it was not hard to put the pieces together – the Pretty Woman shopping/gum spitting scene was lensed at the Valentino boutique formerly at 408 North Rodeo Drive.

A quick Newspapers.com search confirmed that a Valentino outpost owned by Torie Steele was located at that address from the mid-80s through the mid-90s.

Torie Steele, a revelation in the fashion industry, pioneered the merchandising of foreign designers’ wares to American consumers via a stretch of Rodeo Drive boutiques she established in the 1980s that, along with Valentino, specialized in Ferré, Versace, and Krizia.

Valentino from Pretty Woman (11 of 12)

When Torie retired in the ’90s, her popular boutiques were shuttered.  The Valentino space was purchased by Lladró in 1994, five years after Pretty Woman was shot and four years before my first visit to Beverly Hills, sadly.  Even had I known about the locale, it would have been far too late for me to stalk it.

Valentino from Pretty Woman (12 of 12)

Per everything I’ve come across, the 408 North Rodeo building as it exists today was constructed in 1997, so it was either torn down after the Lladró sale or extensively gutted and remodeled.  The exclusive ceramics company then opened a boutique/museum in the space in March 1997.

Valentino from Pretty Woman (9 of 12)

Because of the remodel/razing, there are no elements leftover from the time that Pretty Woman was shot, leaving the storefront completely unrecognizable from its 1990 cameo.

Lladró’s interior, designed by Juan Vicente Lladró (son of one of the company’s original founders) and architect Ki Suh Park, also bears no resemblance to the inside of Valentino as it appeared in Pretty Woman.  The spectacular space, which you can see a photo of here, featured a grand double staircase rising three levels and a domed ceiling.

It is a bit surprising that producers chose to use a Valentino outpost in the scene rather than an unnamed boutique (as was the case with the movie’s other famous shopping segment) being that none of Vivian’s clothes were actually made by the fashion house.  Her enviable wardrobe was instead created by costume designer Marilyn Vance in its entirety, right down to the iconic red opera gown, as detailed in this fabulous interview.  Somehow, despite the fact that I’ve seen Pretty Woman about a gazillion times, I only just noticed while making screen captures for this post that the famous crimson frock can briefly be seen displayed on a mannequin on the Valentino sales floor during the shopping sequence, as denoted below!

During 408 North Rodeo’s almost twenty-year tenure as Lladró, Michael Jackson frequented the place regularly.  One of his many visits is pictured below via a video posted by Marianna Sarte on YouTube.

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In summer 2014, Lladró moved to a new storefront a block away at the Two Rodeo complex.  It’s former home, the 16,129-square-foot 408 North Rodeo building, had been sold to Chanel the year prior for a whopping $117 million.  Per The Hollywood Reporter, it was “the highest per-square-foot retail sale in L.A. County!”

Valentino from Pretty Woman (2 of 12)

Valentino from Pretty Woman (8 of 12)

Chanel was set to raze the building, as well as its flagship store next door, in order to construct a massive new boutique, but those plans have yet to come to fruition.

Valentino from Pretty Woman (5 of 12)

The space did house a St. Supéry Estate Vineyards and Winery pop-up for a time in 2017, but sits vacant today, a distant memory of its famed 1990 role.

Valentino from Pretty Woman (3 of 12)

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking!  Smile

Stalk It: Valentino, where Vivian and Edward shopped in Pretty Woman, was formerly located at 408 North Rodeo Drive in Beverly Hills.  The building is currently vacant.

City Supper Club from “He’s Just Not That Into You”

City Supper Club from He's Just Not That Into You (13 of 19)

Back in February, I wrote a Scene it Before column for L.A. magazine covering a few locales from He’s Just Not That Into You in honor of the romcom’s 20th anniversary.  While researching, I was thrilled to come across a mention on production designer Gae Buckley’s website that the supposed Baltimore-area City Supper Club, where Alex (Justin Long) worked in the film, was not a studio-built set as I had long assumed, but an actual restaurant!  I, of course, promptly reached out to Gae in the hopes that she could ID the place for me.  Though she didn’t get back to me before my article went to print, when she did respond she was a wealth of information, notifying me that a shuttered eatery on the northeast corner of Hollywood and Vine in the heart of Tinseltown had masked as City Supper Club.  A quick Google search showed me that the space had since re-opened as 33 Taps Bar & Grill.  Despite the new tenant, interior photos posted on Yelp still bore somewhat of a resemblance to what had appeared onscreen!  Ecstatic, I ran out to stalk it a couple of months later.  I’m pouting in the above photo, though, because, unbeknownst to me, 33 Taps had shuttered in the interim and I arrived at a vacant, boarded-up building.

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33 Taps was situated on the ground floor of The Lofts at Hollywood and Vine, a 12-story, 116,000-square-foot Late Gothic/Art Deco structure designed by Aleck Curlett in 1929.  Commissioned by drug store magnate Sam Kress, the property was originally known as the “Bank of Hollywood Building” thanks to the financial institution of the same name which occupied its street level.

City Supper Club from He's Just Not That Into You (17 of 19)

In an ironic twist, the site’s namesake shuttered in December 1930, after less than two years in operation!  The structure was sold shortly thereafter and subsequently redubbed the “Equitable Building.”  The former Bank of Hollywood space then became home to Citizens National Bank and, in later years, the Bernard Luggage Company and American Airlines.

City Supper Club from He's Just Not That Into You (14 of 19)

City Supper Club from He's Just Not That Into You (15 of 19)

The Equitable Building, which is on the National Register of Historic Places, fell on hard times and was allowed to dilapidate, along with the rest of downtown Hollywood, from the ‘70s through the ‘90s, but was finally rescued by Tom Gilmore in 2000.  The developer purchased the property for $5 million and set about rehabbing it to the tune of another $6 million.  The restoration process took two years to complete.

City Supper Club from He's Just Not That Into You (19 of 19)

Part of that restoration included a build-out of the ground floor to accommodate the new Hollywood and Vine Diner, a dark wood-paneled space reminiscent of the great Tinseltown restaurants of yesteryear.  You can see what it looked like here.

City Supper Club from He's Just Not That Into You (2 of 19)

The upscale eatery, helmed by Scott Shuttleworth and Richard Heyman, opened in 2002.  It had about as much staying power as the Bank of Hollywood, though, initially shuttering in 2004 before being revived a few months later and then ultimately closing for good in 2007, the same year that He’s Just Not That Into You was shot.  The restaurant’s furnishings were left intact after the closure, making it an ideal spot for the production to utilize.

City Supper Club from He's Just Not That Into You (18 of 19)

The Equitable Building underwent another massive renovation around the same time, during which the upper floors were converted from offices to condos, a project that cost $50 million to complete.  The 60-unit property is now known as The Lofts at Hollywood and Vine.

City Supper Club from He's Just Not That Into You (1 of 19)

After the shuttering of Hollywood and Vine Diner, that space, too, was significantly remodeled and subsequently debuted as Dillon’s Irish Pub in November 2009.  The bar had a short shelf life, as well, closing in April 2013 (though it did move for a time to a different Hollywood Boulevard location) and 33 Taps opened in its place a few months later.  The name of the 8,051-square-foot sports bar was derived from the 33 beers it had on tap.

City Supper Club from He's Just Not That Into You (3 of 19)

Lasting about six years, 33 Taps closed its doors in June 2019 and its former home is under construction yet again, as you can see in the photos below, which I took through the front windows. Per Eater LA, an Italian eatery named Soprano will be opening there in the near future.

City Supper Club from He's Just Not That Into You (6 of 19)

City Supper Club from He's Just Not That Into You (5 of 19)

The numerous changeovers (especially the most recent) have taken a toll on the space’s recognizability from He’s Just Not That Into You, unfortunately.  When the film was shot, the restaurant’s large U-shaped bar was situated directly across from the front doors . . .

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. . . at the base of the grand staircase leading up to the second floor (which you can just see in the background below).

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That same area today is pictured below.  For whatever reason, when Dillon’s Irish Pub moved in, the bar was relocated to the opposite side of the staircase (as you can see in this photo) and the area where it formerly stood was closed off.

City Supper Club from He's Just Not That Into You (8 of 19)

City Supper Club from He's Just Not That Into You (4 of 19)

Today, the only remnants of the City Supper Club are those stairs, sadly.  Gone is the aforementioned central retro bar;

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the dark oak walls (they’re still there, they’ve just been painted over);

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. . . and the many rounded partitions.

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Oh, how I wish I had visited Hollywood and Vine Diner when it was still in operation – or, at least, had made it to 33 Taps before its recent closure!

City Supper Club from He's Just Not That Into You (9 of 19)

City Supper Club from He's Just Not That Into You (10 of 19)

As noted on Gae’s website, Alex’s office was not an actual element of Hollywood and Vine Diner, but a set specifically constructed for the shoot at the rear of the bar.

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Only the interior of Hollywood and Vine Diner was utilized in He’s Just Not That Into You.  The exterior of City Supper Club was faked outside of Duda’s Tavern at 1600 Thames Street in Baltimore.

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Thanks to the Seeing Stars website, I learned that Hollywood and Vine Diner, prior to shutting down, appeared in the 2009 thriller Taken as the restaurant where Kim (Maggie Grace) tried to convince her father, Bryan Mills (Liam Neeson), to let her go to Paris.

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In the scene, Bryan, Kim and Kim’s mom, Lenore (Famke Janssen), sit in the spot where the eatery’s bar now stands.  That space was a dining room when Hollywood and Vine was in operation.

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Though the former bar area isn’t shown in Taken, the adjacent staircase is just visible in the top middle of the screen capture below, which should help you get your bearings when looking at the various images.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

City Supper Club from He's Just Not That Into You (16 of 19)

Until next time, Happy Stalking!  Smile

Stalk It: 33 Taps Bar & Grill, aka the former Hollywood and Vine Diner from He’s Just Not That Into You, was located at 6263 Hollywood Boulevard in Hollywood.  The restaurant closed recently and currently sits vacant.

A “Once Upon a Time in Hollywood” Halloween

Halloween 2019 (1 of 2)

I usually start planning my and the Grim Cheaper’s Halloween costumes on November 1st each year.  Out with the old, in with the new, as they say.  This year I was a bit late to the game because by the time mid-summer came around, I still found myself with no ideas.  And then, on July 28th, I saw Once Upon a Time in Hollywood.  One look at Rick Dalton (Leonardo DiCaprio) donning a red kimono, a blender full of margaritas in hand, and I knew there was no one else the GC could be!  I was unsure of my costume, at first, as there was no real female counterpart to Rick in the movie.  Then my mom said, “Why not dress up as up as Cliff Booth (Brad Pitt)?” – duh! – and, voila, our costumes for Halloween 2019 were born!

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I opted to wear Cliff’s Hawaiian shirt/Champion tee ensemble featured on the movie’s poster.

Image result for once upon a time in hollywood poster

It turned out to be an easy costume to put together.  I found the Hawaiian shirt first, at Walmart of all places – a pretty accurate facsimile of Cliff’s for $25!  The Champion tee came from Red Bubble (I ordered the slim fit version), the Levi’s (men’s 511s) from a local thrift store, the belt from Etsy, the watch was my grandfather’s, and the leather bracelet and sunglasses I already had in my closet.  I was most excited to find Cliff’s suede booties, though!  The iconic Minnetonka Two Button Softsole Boot was first released in 1969 and recently reissued thanks to the popularity of Once Upon a Time in Hollywood – (I got the women’s version, men’s are here).  To complete the look, I pinned up my hair (my neighbor actually thought I cut it!) and there he was, Cliff Booth in the flesh!

Halloween 2019 (2 of 2)

The GC’s costume was easy, as well.  I found the house slippers on Amazon (they run large, so size down), the kimono on Ali Express (we ordered “red black”), and the vintage blender was an eBay score (and pretty much the most expensive part of the ensemble, interestingly).

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Though we both loved walking around in our costumes, the highlight of our Halloween came when Once Upon a Time in Hollywood costume designer extraordinaire Arianne Phillips, whom I had contacted a while back to inquire about the kind of slippers Rick wore in the movie, shared a photo I sent her, along with pics of a few others dressed in OUATIH garb, on Instagram!  Say whaaa?  Pretty darn cool, if you ask me!

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In honor of our costumes, I thought it only appropriate to blog about Rick Dalton’s fabulous mid-century ranch-style pad today.  Because the film has yet to come out on DVD (December 10th can’t come soon enough!), I was only able to forage the trailer for screen captures.  As soon as I do get my hands on a copy of the movie, I will add more imagery and information (thank you, special features!) to the post.

Rick Dalton's House (9 of 18)

I found the address of Rick’s house thanks to this CurbedLA article about OUATIH filming locations and ran out to stalk it while in the area a few weeks back.  In real life, the 1964 pad boasts 3 bedrooms plus a den, 3 baths, 2,630 square feet, terrazzo and hardwood flooring, a pool, a 0.42-acre lot, and striking 180-degree views of the city.  The residence was recently offered for lease at a whopping $9,000 per month.  The listing even touts its Once Upon a Time in Hollywood cameo!

Rick Dalton's House (10 of 18)

Rick Dalton's House (18 of 18)

According to a 2019 Architectural Digest article about the movie’s set design, Rick’s supposed Cielo Drive property proved quite evasive to pin down.  Author Cathy Whitlock says, “For Rick Dalton’s house, the design crew searched for the perfect ranch house only to encounter one obstacle after another.  The goal of a one-story ranch-style midcentury with a sloped ceiling, soffits, and a pool with a great view meant shooting three separate locations instead of one.”  (The “three separate locations” thing surprised and confused me, but more on that in a bit.)

Rick Dalton's House (12 of 18)

Rick Dalton's House (4 of 18)

Adding to the elusiveness of the locale was the fact that the production required a home with a gate and long winding driveway be situated next to Rick’s to stand in for the leased residence of Sharon Tate (Margot Robbie) and Roman Polanski (Rafal Zawierucha).  Assistant location manager Scott Fitzgerald told the Location Managers Guild International (LGMI) website, “The whole idea was that Rick Dalton and Sharon Tate lived in the same neighborhood.  So we had to find two houses that would work.  Quentin had these little pieces in his mind.  Rick was a movie star, so his house had to be the house of a movie star.  But movie star homes back then were not weird and wild like they are today.  Some were modest ranch houses in a nice neighborhood.  It was a sign of wealth.”  Contributing even more difficulty to the hunt was a shot director Quentin Tarantino had in mind from the beginning.  As production designer Barbara Ling told LGMI, “The real albatross was finding Rick Dalton’s house.  We wanted to try to capture the Benedict Canyon of that time.  The house needed to be very close to another house.  Quentin is so visual as a director.  He had this shot written into the script.  ‘We’ve got to have Rick in the swimming pool, and we’ve got to be able to have a camera that moves over so you can see the other house.’  We looked everywhere.  It was such a tricky combo of driveways and was very specific to the shot he needed.”  In the same article, location scout Lori Balton furthers, “Tarantino was super specific about his needs.  The exact geography was important.  For instance, the camera is on Rick’s pool, then cranes up and over the hedges to Sharon and Roman in their car leaving the driveway.”  The production team finally found exactly what they were seeking for the Dalton and Tate/Polanski residences at 10969 and 10974 Alta View Drive, respectively, in the hills above Studio City.  (The MLS image of the pool below comes from 10969’s recent rental listing.)

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10969 Alta View Dr, Studio City, CA 91604

Both properties are pictured below, though only the gate of 10974 is visible from the street.

Rick Dalton's House (14 of 18)

Rick Dalton's House (8 of 18)

Though the exterior of Rick’s pad wasn’t featured in the trailer, from my recollection it looks very much as it did onscreen – as does the carport area (which did make the trailer), minus the large movie poster bearing his face, of course.

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Rick Dalton's House (16 of 18)

Per the LGMI article, the shoot on Alta View Drive required 14 nights of filming!  And it was all exterior work.

Rick Dalton's House (6 of 18)

The interior of Rick’s house was nothing more than a set built on a soundstage at Raleigh Studios in Hollywood.  You can check out what the actual inside of 10969 Alta View looks like here.  It bears little resemblance to what appeared onscreen, as you can see below.  Of Dalton’s décor, Ling told Architectural Digest, “Rick is somebody who bought a house at the height of his career and hasn’t renovated since he was a bachelor.  He was not into the pop culture of the moment.  The development of the character was about a TV star in his era, and everything was given to him from a [studio] set, such as the saddle of a horse from a TV show or a movie poster.”

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10969 Alta View Dr, Studio City, CA 91604

As referenced earlier, Architectural Digest contends that three different locations masked as Rick’s residence.  The magazine stipulates, “For Dalton’s Cielo Drive house, the production team used the exterior of two ranch-style homes and created the interiors on a soundstage.”  I think that info may be erroneous, though, as we know that both the façade and backyard of 10969 Alta View were featured as Rick’s.  I don’t recall any other outside areas of his house ever appearing onscreen and cannot fathom what the secondary ranch exterior mentioned could possibly have been used for.   I think the article may actually be alluding to the fact that two different homes were used to portray the Tate residence (more on that below), though neither of them is a ranch.  But that is just a guess.  Once I get my hands on the DVD, I will hopefully be able to piece things together.

Rick Dalton's House (1 of 18)

Rick Dalton's House (5 of 18)

So far, what I have been able to discern is that the production team meshed two different exteriors to play Sharon’s pad.  The gate and driveway are, of course, at 10974 Alta View Drive.

Rick Dalton's House (7 of 18)

Though aerial views make it hard to tell, I believe front exterior shots of the Tate/Polanski rental were also likely lensed there.

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According to the LGMI piece, backyard scenes were shot at a different location entirely – the former residence of Western actor Lee Van Cleef.  While initially scouting that property, Balton says, “ . . . just my luck, a guy was pulling down the driveway wondering what I was up to.  After I explained myself, he got a funny look on his face at the mention of Quentin Tarantino.  He explained it was Lee Van Cleef’s home — a ’60s time capsule — and filled to the brim with Hollywood memorabilia that he thought would interest Quentin.  Quentin is a rabid Sergio Leone fan; Van Cleef was in The Good, the Bad and the Ugly and For a Few Dollars More.  Van Cleef died in 1989, but his wife still lives there with her brother.  We ended up shooting in their backyard.”  Key assistant location manager Kirk Worley furthers, “It stood in for the backyard of the Tate/Polanski home.”  Per property records and my friend E.J.’s Movieland Directory website, Van Cleef’s former pad is at 19471 Rosita Street in Tarzana.  The backyard has a pool smack dab in the middle of it, which doesn’t much jibe with the layout of the actual Cielo Drive house Sharon and Roman rented, but I guess the production team was able to make it work.

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On an interesting side-note – until researching for this post, I had no idea that there was at one time a “twin residence” to the real Tate/Polanski rental.  Both pads were designed by architect Robert Byrd in 1941.  The twin, situated below Sharon and Roman’s place on Cielo Drive, had an almost identical façade and footprint, as you can see here.  Both properties have since been remodeled past recognition, sadly.  What is odd, though, is that, despite being owned by different parties and renovated at different times, the two homes once again are almost identical!  It is a bit eerie to see.  For those interested in the history of the actual Tate rental, I direct you to this fabulous Curbed LA article.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Rick Dalton's House (13 of 18)

Until next time, Happy Stalking!  Smile

Stalk It: Rick Dalton’s house from Once Upon a Time in Hollywood is located at 10969 Alta View Drive in Studio City.  Sharon Tate and Roman Polanski’s gate from the movie can be found next door at 10974 Alta View.

Woodsboro Police Station from “Scream”

Woodsboro Police Station from Scream (48 of 54)

Happy, happy Halloween!  I can’t believe it is already time to wind down my Haunted Hollywood posts, but here we are.  Another October in the books!  The season definitely turned into a full-blown Scream-fest on the blog (as predicted a couple of weeks ago) and I am a-OK with it!  Amazingly, there are still quite a few locales from the 1996 horror flick that I have yet to write about, so I figured I’d finish things off this year with Oakville Grocery Co., the former Healdsburg City Hall which masked as Woodsboro Police Station onscreen.  Like all the other Scream sites I’ve blogged about recently, I stalked this one back in 2016 while in Northern California for a brief visit.

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The southeast corner of Matheson and Center Streets in downtown Healdsburg was home to the area’s City Hall for 110 years.  The original building, a towering three-story brick and stone Romanesque Revival structure which you can see here and here, was erected in 1886.  Comprised of city offices, a library, a post office, and a gym for a nearby school, it was razed in 1960.  The building that replaced it was a vast departure from its predecessor with a decidedly mid-century modern feel.  Designed by A.C. Steele, the new Healdsburg City Hall was dedicated on July 4th, 1961.  Built at a cost of just over $175,000, the one-story, 7,544-square-foot site housed both city offices and the police station and featured a beamed overhang, a front patio, pebble rock siding, and globe lighting.  You can check out a photo of it here.  It is that building that appeared in Scream.

Woodsboro Police Station from Scream (51 of 54)

Woodsboro Police Station from Scream (54 of 54)

In the hopes of making downtown Healdsburg more tourist-oriented, City Hall was moved to a new, larger building a couple of blocks northwest at 401 Grove Street and the police station re-located next door to 238 Center Street in 1996, shortly after Scream was lensed.  The former city hall site was subsequently given a massive overhaul and transformed into the Oakville Marketplace, home to a winery, a jewelry store, a spa, a clothing boutique, and an upscale deli/market named Oakville Grocery Co.  Boasting a Mediterranean façade, the 9,000-square-foot retail complex is hardly recognizable from its days as City Hall, though structurally it remains the same.

Woodsboro Police Station from Scream (17 of 54)

Woodsboro Police Station from Scream (4 of 54)

Though I abhor the fact that a Scream location has been gutted, Oakville Grocery Co., which takes up a third of the former City Hall space, has long been our favorite spot to eat when in town.  With a large front patio complete with a fireplace, a wide selection of specialty grocery items, and excellent deli sandwiches, Oakville just can’t be beat!

Woodsboro Police Station from Scream (3 of 54)

Woodsboro Police Station from Scream (6 of 54)

Healdsburg City Hall pops up as Woodsboro PD twice in Scream, first in the scene in which Sidney Prescott (Neve Campbell) is brought in by Deputy Dewey (David Arquette) to make a report following the attack by Ghostface.  As you can see below, the exterior is recognizable from its 1996 cameo in shape only, unfortunately.

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Woodsboro Police Station from Scream (18 of 54)

I first saw Scream in December 1997 with some friends who had rented it on DVD over Christmas break.  I remember being shocked when the end credits rolled and I spotted a nod to the City of Healdsburg in the “Filmmakers Wish to Thank” section, suggesting filming had taken place there.  The charming Northern California town was only about an hour away from where I then resided and a stone’s throw from where my aunt lived (and still lives).  I begged my mom to take me up there pronto and a few days later she obliged.  At the time I was not entirely sure what portions of the movie had been filmed in the area – this was long before location websites that could point me in the right direction existed – so when we arrived, my mom suggested I pop into the local police station to inquire, which I distinctly remember garnering an eye roll and a “Seriously, mom?!?” from me.  I did as she recommended, though, and just about fell over when the detective I spoke with informed me that filming had actually taken place at the former police station!  By then, the remodel had already occurred and Oakville Grocery Co. was in full swing, but he walked us over to explain where the station used to be and which areas of it had appeared onscreen – proving further that mothers always know best!  As he told us, the actual interior of City Hall was utilized as Woodsboro PD in the movie.

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An interview that fellow stalker Ashley of The Drewseum recently emailed me a scan of leads me to believe that it was the City Hall portion of the building, not the actual police station, utilized in Scream.  In the blurb, production designer Bruce Alan Miller says, “There’s a City Hall on the corner of the square that we turned into our police station.  We just changed some signs and put a few things in the windows.  We couldn’t use a real police station, because we would have been at their mercy, and we couldn’t be disrupting their police activity.”  Though I was unable to unearth any photos of the interior areas featured in Scream, I did find 1961-era pictures of Healdsburg City Hall’s lobby, courthouse, and city council chambers.  (Here’s another of the lobby for good measure.)

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Perhaps even more famous to Scream fans than Woodsboro Police Station is the alley that runs alongside it, where Dewey escorts Sidney and Tatum (Rose McGowan) after Sidney gives her statement.  Said alley can be reached via Center Street, just south of Oakville Grocery, but it, too, has largely been remodeled.  The door that the girls walk out of in the scene, unfortunately, fell casualty to the 1996 renovation, though the pipe visible just beyond it still stands.

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Woodsboro Police Station from Scream (32 of 54)-2

The door’s former location is pretty much where the middle glass block window is currently situated, as denoted with an orange rectangle below.

Woodsboro Police Station from Scream (23 of 54)-2

The rain gutter and window due east of the door’s former location are also still intact, which was thrilling to see!  Along with the aforementioned pipe, they are pretty much the only elements that remain from the time Scream was filmed.

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Woodsboro Police Station from Scream (25 of 54)-2

The dumpster enclosure and chain link fencing situated at the rear of the alley also largely remain the same.

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Woodsboro Police Station from Scream (1 of 1)

It is in the alley that Sidney famously gives Gale Weathers (Courteney Cox) a fist to the face.

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Woodsboro Police Station from Scream (34 of 54)

Had to do it!

Woodsboro Police Station from Scream (38 of 54)

During my ‘97 visit, my officer friend informed me that the people standing across the street in the punching scene were not background actors hired to be there, but interested locals hoping to catch a glimpse of the filming.  Taking advantage of the situation, Wes Craven installed barricades to give the illusion that the crowd was made up of lookie-loos waiting outside the station for news about the murders of Casey Becker (Drew Barrymore) and Steve Orth (Kevin Patrick Walls).  In his commentary on the Scream Collector’s Series DVD, Craven calls them “free extras.”

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Woodsboro Police Station from Scream (40 of 54)

Woodsboro Police Station also shows up in a later scene in which Dewey drops the girls off to go grocery shopping while he checks in with his boss, Sherriff Burke (Joseph Whipp).

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Woodsboro Police Station from Scream (16 of 54)

That segment gives us a better look at City Hall’s former exterior.  It truly was a piece of mid-century perfection!

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Woodsboro Police Station from Scream (13 of 54)

Today, the entrance to Woodsboro PD serves as the exterior of the Virginia Carol clothing boutique (the shop with the yellow awning below).

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Woodsboro Police Station from Scream (47 of 54)

Man, what I wouldn’t give to have seen the old City Hall building still intact!

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Woodsboro Police Station from Scream (8 of 54)

The happiest of Halloweens to all of my fellow stalkers!

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Woodsboro Police Station from Scream (15 of 54)

Until next time, Happy Stalking!  Smile

Stalk It: Oakville Grocery Co., aka Woodsboro Police Station from Scream, is located at 124 Matheson Street in HealdsburgHealdsburg Town Plaza, which portrayed downtown Woodsboro in the movie, is right across the road at the intersection of Healdsburg Avenue & Matheson Street.