Category: Movie Locations

  • The Administration Building, Treasure Island from “The Parent Trap”

    Administration Building Treasure Island from The Parent Trap-1190582

    The stalking itinerary for my October 2016 trip to Northern California was extremely Scream-centric.  So much so that I did not really do any research on area locales from other productions.  But life threw a pleasant surprise my way shortly after I arrived in the City by the Bay.  Upon landing at SFO, my mom and I headed to Treasure Island to pick up my uncle who was spending the weekend with us.  As we passed through the island’s main entrance, I happened to look to my right and noticed a striking curved structure that I immediately recognized as the exterior of The Stafford Hotel from the 1998 re-make of The Parent Trap.  I had long known of the building’s use in the movie and even mentioned it in this 2012 post about The Ritz-Carlton, Marina del Rey (which also masked at The Stafford in the film), but had completely overlooked it while planning my NorCal getaway and didn’t really put two and two together until I actually drove right by the place.  So I, of course, had to jump out and snap some pics.

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    Prior to my October trip, I had never actually visited Treasure Island, despite growing up in San Francisco – and despite the fact that my parents held their wedding reception there!  (Fun fact – their reception took place at Casa de la Vista, the same spot where Patty Hearst’s wedding reception was held a few years later.)  The 403-acre man-made island was created by the US Army Corps of Engineers from 1937 to 1939 on what was then the Yerba Buena Shoals.  Named after the popular Robert Lewis Stephenson book, the 1-mile by 2/3-mile land mass was constructed for the 1939 Golden Gate International Exhibition, a World’s Fair that celebrated the completion of the San Francisco-Oakland Bay Bridge and the Golden Gate Bridge.  It was originally intended that when the event ended, Treasure Island would be utilized as an airport.  In 1938, engineer William Peyton Day and architect George William Kelham were commissioned to construct an Administration Building for the Exhibition that would later serve as the airport’s main terminal.

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    Administration Building Treasure Island from The Parent Trap-1190577

    Utilizing Art Deco and Streamline design elements, the duo created a dramatic 148,000-square-foot, U-shaped, Art Moderne-style structure out of reinforced concrete.

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    Administration Building Treasure Island from The Parent Trap-1190581

    Researching the history of locations is easily my favorite part of writing my blog.  Sometimes though, just reading words in a book or online makes a place’s past intangible and flat.  Such was the case with the Golden Gate International Exhibition.  I perused articles about the fair’s exhibits and artwork, but didn’t really grasp its grandeur.  Then while talking to my grandma on the phone a couple of days ago, she happened to ask what I was working on for my next post.  I told her that I was writing about Treasure Island and she exclaimed, “I was there on opening day!”  Yes, on February 18th, 1939, my grandma attended the inaugural day of the Golden Gate International Exhibition with her parents and sister!  The fair remained in operation through October 29th, 1939 and then reopened again from May 25th to September 29th the following year.  Throughout that time, my grandma visited on several occasions, with her family and also on a school trip.  It was amazing to hear her stories and first-hand accounts of an event and place that I had been researching all day.  She really brought the exhibition to life for me.  Listening to her tales, I could practically see her walking among the towering exhibits, sampling the food, and staring in wonder at the various exotic civilizations represented in the performances and shows.  The fair truly was like Disneyland!  My grandma was especially fascinated by Billy Rose’s Aquacade, in which synchronized swimmers, including a young and unknown Esther Williams and Tarzan star Johnny Weissmuller, performed dazzling in-water routines.  You can check out some photographs that really show the magic of the Golden Gate International Exhibition here, here, here, here, and here (in the last one, you can even see the side of the Administration Building on the extreme left).

    Administration Building Treasure Island from The Parent Trap-1190579

    Administration Building Treasure Island from The Parent Trap-1190587

    When the Golden Gate International Exhibition closed for good in 1940, the plans to make Treasure Island an airport were put on hold due to the onslaught of World War II and the site instead became a naval base.  It continued to operate as such until being decommissioned in 1997.  Though the city immediately set about redeveloping Treasure Island at that time, it was not until last year (yep, last year!) that construction on the massive project actually began.  Though it may take an additional 15 years to complete, more than 8.000 homes, several hotels, parkland, 240,000 square feet of commercial and retail space, a large marina, and a ferry terminal are all set to be built on the island.  The Administration Building will be left intact (thankfully it’s listed on the National Register of Historic Places) and will likely be turned into a museum.

    Administration Building Treasure Island from The Parent Trap-1190586

    Administration Building Treasure Island from The Parent Trap-1190589

    The Administration Building, Treasure Island pops up as The Stafford Hotel in a few scenes in The Parent Trap.  It is there that Hallie Parker and Annie James (both played spectacularly by Lindsay Lohan) scheme to rekindle the spark between their parents, Nick Parker (Dennis Quaid) and Elizabeth James (Natasha Richardson).

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    Only the exterior of the building was used in the shoot.  Interior Stafford Hotel scenes were filmed at the Langham Huntington, Pasadena, while the pool segments were shot at The Ritz-Carlton, Marina del Rey.

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    The Administration Building, Treasure Island was also featured briefly in 1989’s Indiana Jones and the Last Crusade as the Berlin airport where Indy (Harrison Ford) and his father, Professor Henry Jones (Sean Connery), caught an airship flightAs was the case with The Parent Trap, only the exterior of the property appeared in the film.  Interior airport scenes were shot at Lawrence Hall in London.

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    For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

    Administration Building Treasure Island from The Parent Trap-1190580

    Until next time, Happy Stalking!  Smile

    Stalk It: The Administration Building, Treasure Island, aka the exterior of The Stafford Hotel from The Parent Trap, is located at 1 Avenue of the Palms in San Francisco.

  • The “Ferris Bueller’s Day Off” Race Home Locations

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    It’s five minutes until six and everybody’s favorite truant, Ferris Bueller (Matthew Broderick), has to beat his parents home lest they find out that he has cut school for the ninth time! (“I don’t remember him being sick nine times!”) So begins one of the most famous sequences in all of moviedom, the race home from Ferris Bueller’s Day Off. Though said to take place in Chicago, Ferris’ race home – as well as the rest of the 1986 comedy – was shot in both Illinois and California. This past June I wrote about the film’s L.A. locales for Discover Los Angeles in honor of its 30th anniversary. While doing research for the column, I enlisted the help of my friend Owen, from the When Write Is Wrong blog, to track down some of the movie’s unknown locations. Along the way, the two of us somehow wound up on a hunt to pinpoint the various Chicago- and Los Angeles-area spots featured in the race home sequence. It turned out to be the most exhaustive search of my entire stalking career – not to mention the most fun! Email conversations, complete with arrow-laden screen captures and comparison street-view images, went back and forth between us for days. Unfortunately, I was only able to chronicle the SoCal locales for Discover L.A., so our hunt proved rather anticlimactic. The other day it occurred to me that I should write a post about our finds for IAMNOTASTALKER. Since Owen was so instrumental in the hunt, I thought it only fitting that he add notes to the column. His commentary is featured in the pink-lined white boxes below. So, without further ado, we present to you a breakdown of the Ferris Bueller’s Day Off race home sequence filming locations from beginning to end.

    Whoa. Hold on. Don’t put the kibosh on the ado. There is ado anew, from someone new. It’s my ado debut. When Lindsay needs help, I show up. Unlike the subject of a certain water tower, I have an exemplary attendance record. We made a fantastic team tracking down these locations. We were like Ferris and Sloane. Ooh, I take that back. There was nothing amorous between us during our dalliance with one of the highest-grossing movies of 1986, and I don’t want to give the Grim Cheaper the wrong impression and have him hunt me down. Actually, as we retraced a truant’s dash home, Lindsay embodied Ferris and I was Cameron incarnate. So now, without further ado, is our breakdown.

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    Sloane’s House (340 South Westgate Avenue, Brentwood)

    It is while standing in the picturesque backyard of his girlfriend Sloane’s (Mia Sara) house that Ferris discovers the late hour via a peek at her Cartier watch. He quickly kisses her and bids her adieu before rushing back to his own home. Owen tracked down Sloane’s American Colonial Revival-style residence (it’s known as the Preminger House in real life) thanks to a helpful crew member who told him to search in Brentwood in December 2014, long before I ever pitched the idea of writing about Ferris locations to my Discover L.A. editor. I ran out to stalk the place shortly thereafter. You can read my post on the 1925 pad, which was also featured in the movie’s swimming pool/hot tub scene, here.

    Lindsay ran out to stalk it. I’m assuming she didn’t run as far as Ferris. If he had been wearing an anachronistic Fitbit, the battery in it would have gone all Samsung Galaxy Note 7, because according to a cursory calculation I did on Google, Ferris ran 6,965 miles. Puts Gump to shame, huh? Ferris > Forrest.

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    Jeanie and Katie Bueller Begin Their Drive Home (2194/2210 Greenview Road, Northbrook)

    “Do you know what it’s like to be pulled out of work to pick up your daughter at the police station?” So asks Katie Bueller (Cindy Pickett) while driving home from the station with her daughter, Jeanie (Jennifer Grey), who was taken into custody for making a phony 911 call. (Don’t even get her started on the Vermont deal!) Owen and I only realized we were missing this site when we sat down to write this article. Thankfully, an address number of “2210” was visible on a mailbox that Jeanie and Katie drive by in the scene on the Ferris Blu-ray. We were fairly certain from the foliage and terrain that the street was located in either Winnetka or Northbrook, the Chicago suburbs where other portions of the race home were shot. We started searching those areas and Owen found the right spot fairly quickly by matching the placement of a fire hydrant (denoted with a number 1 in the graphic below), a speed limit sign (2), and a unique picket fence (3 – though this element can best be seen via alternate street views) on a tree-lined block of Greenview Road in Northbrook to what appeared onscreen. In the scene, Jeanie and Katie are driving north on Greenview in front of the houses located at 2194 and 2210. (As is the case below, because neither Owen nor I live in the Chicago area, we were not able to take photographs of many of these locations and therefore utilized street-view screen captures for much of our imagery.)

    The phrase “fairly quickly” may be hyperbole. I was searching rather aimlessly for some time and started to wonder if, like Jimmy Hoffa’s remains, this spot would remain unfound. The breakthrough came when Lindsay managed to make out the “2210.” Blu-ray deserves co-credit honors for this find. And now, Katie, about the Vermont deal…

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    Jeanie Almost Hits Ferris (455/477 Berkeley Avenue, Winnetka)

    Jeanie’s luck takes a turn for the better when she literally runs into Ferris during his race home. Well, nearly runs into him. While driving, she unexpectedly and accidentally almost hits her brother with her mother’s station wagon in between the houses located at 455 and 477 Berkeley Avenue in Winnetka. This spot looks a bit different today. In fact, the trees have grown so considerably that the residence visible behind Katie’s car (477 Berkeley) can no longer be seen from the vantage point from which the footage was lensed. After coming to a screeching halt and locking eyes with Ferris, Jeanie speeds south on Berkeley Avenue and turns right (west) onto Cherry Street, running a stop sign in the process.

    Jeanie Almost Hits Ferris Collage

    Ferris then jumps into the front yard of the house at 460 Berkeley Avenue. The Tudor residence seen across the street from him is 455 Berkeley. These locales were found by Owen many moons ago and have long been documented online thanks to him.

    Everybody has a favorite part of the race home, right? The trampoline scene is popular, and the bikini-clad sunbathers don’t attract Ferris only, but my favorite moments both involve the girl who also goes by the name Shauna. First is the intense, determined expression on her tilted head when she hits the gas, right after she almost runs down her brother. Second is the exasperation she displays moments later as she pounds on the steering wheel and screams at her mom, “I can’t drive while you’re yelling at me!” Ferris receives the race home accolades — it’s his movie, after all — but Jeanie shines brightest in this iconic scene. To me, anyway.

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    Backyard #1 (1215 Cherry Street, Winnetka)

    In a race now against time and Jeanie, Ferris cuts through two backyards. The first is that of a traditional gray clapboard home at 1215 Cherry Street in Winnetka, just around the corner from where he was almost hit by his sister moments before. The rear side of the residence has been drastically remodeled since filming took place, which made identifying it rather difficult. Owen first zeroed in on the property after pinpointing another race location just a few doors down. (More on that one in a bit.) Thankfully, Bing’s bird’s-eye view still shows the back of the house in its original state, and Owen was able to match certain elements to the home that appeared onscreen, including a small A-line roof on the property’s east side (1), a central section that popped out away from the rest of the structure (2), and a covered porch on the dwelling’s west side (3 – though this can best be seen from alternate aerial views). We also matched several features of the brick property located next door at 1209 Cherry Street. That home’s unique trim and chimney layout (4 – these can also best be seen from alternate views) are briefly visible as Ferris first steps into the backyard of 1215.

    The chimney is what cinched it for me. Thank goodness a portion of 1209 Cherry St. was visible in the scene, if only for milliseconds. It was a small detail and, ahem, if you don’t stop and look around — or next door — once in a while, you could miss it.

    Backyard #1 Collage

    Backyard #2 (1223 Cherry Street, Winnetka)

    No camera trickery was utilized in this portion of Ferris’ race home. As was depicted in the movie, the two yards Ferris is shown skirting through are actually located next door to each other. Backyard #2 can be found just west of Backyard #1 at 1223 Cherry Street. Thankfully, this house has not been remodeled and we were able to confirm its use in the scene by utilizing aerial views to match much of the window and door placement (1 and 2), as well as a peaked-roof extension on the west side of the home (3), to the property that appeared onscreen. The trim and windows of the residence located just to the west at 1229 Cherry (4) also directly correlate to what was shown of the neighboring residence in the scene.

    I’m confident in our stalking abilities, but still, it was a Hughes success tracking down this backyard and many of the other race home locales. It wasn’t always easy, but it was always fun. The experience was some kind of wonderful.

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    Jeanie Runs a Second Stop Sign (Ash Street and Hibbard Road, Winnetka)

    Determined that her parents catch Ferris in the act of cutting school, Jeanie puts the pedal to the metal as she races to beat her brother home. In doing so, she plows through a second stop sign located at the intersection of Ash Street and Hibbard Road in Winnetka. As she turns north onto Hibbard, she catches the eye of a policeman, who attempts to pull her over. Nothing is stopping Jeanie, though! This location was another of Owen’s early finds that has since been well-documented online.

    Owen found this; Owen found that. Oh, Lindsay, you’re making me blush. Stop exaggerating. Then again, exaggeration is the greatest thing in the history of the universe.

    Jeanie Runs a Second Stop Sign Collage

    Backyard of the Man Barbecuing

    Unfortunately, the backyard where Ferris pilfers a Pepsi (not a beer as is commonly reported) from a man barbecuing is the one location we are unsure of. After speaking with a helpful crew member, we know that this site is located in Winnetka in the same vicinity as the other area locales used. Because there is so little to go on, though, and because identifying backyards via aerial views is difficult, the hunt for BBQ Man’s backyard has proven rather tough and we have not, as of yet, located it. If anyone happens to have any idea where this spot is, please let us know!

    Let us know, yes, but don’t claim to know if you’re not 100 percent certain. I know we live in a “fake news” era, but I’ll never understand all the filming location misinformation on the Internet. Do people not care about accuracy, about proof? If I wanted to spend time reading things that weren’t true, I’d open the e-mails I get from Nigerian princes.

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    House with Red Jeep (1229 Cherry Street, Winnetka)

    After stealing the Pepsi in BBQ Man’s backyard, Ferris runs down the driveway of a neighboring home, eventually tossing the soda can into a garbage bin situated on the front lawn. That house is located next door to Backyard #2 at 1229 Cherry Street. Owen found this spot pretty early on in our hunt while searching Winnetka properties that were in the vicinity of other race home locales. This particular residence had some unique design elements that were visible in the scene, including a semi-curved brick window trim (1), a white gutter (2), and an in-ground light fixture (3) posted near the steps (4) leading from the driveway to the front door. In searching street views, he found aspects matching all of those items at 1229 Cherry. Pinpointing the site is what ultimately led us to finding Backyard #1 and Backyard #2. Not much of the property has changed in the 31 years (!) since filming took place, as you can see in the photograph below, which comes from a 2004 real estate listing.

    Back to BBQ Man for a moment, if I may. Does anyone know what actor played that soda-drinking, meat-grilling part? I’d love to get in touch with him, if he’s still alive, but he’s not listed on IMDb, and finding him is proving more difficult than the time I had to let my parents know I was adopted.

    House with Red Jeep Collage

    Start of Tom Bueller’s Drive Home (Cherry Street and Locust Street, Winnetka)

    Ferris’ race home wouldn’t be nearly as tense without his father involved, which is exactly what happens about halfway through. As Tom Bueller (Lyman Ward) begins the drive from work to the Bueller residence, he is shown heading east on Cherry Street before turning left (north) onto Locust Street in Winnetka. This is one of the first spots Owen tracked down during our hunt. He already knew that Jeanie almost hit Ferris with the car on Berkeley Avenue near Cherry Street, so he began poking around that same area for the white clapboard residence that is visible after Tom turns. He found it on the northwest corner of Cherry and Locust. This spot looks a bit different today because one of the houses seen behind Tom as he heads onto Locust has been razed and replaced, but the white clapboard dwelling is recognizable (despite a few alterations), as are the two adjoining trees in its front yard (though those cannot be seen in the screen capture below).

    I forgot to mention why I was stoked to help Lindsay find all these locations. Of all the movies with the word “Ferris” in the title, this one is my favorite.

    Start of Tom Bueller's Drive Home Collage

    Backyard with Sunbathers (1310 Milan Avenue, South Pasadena)

    Ferris wouldn’t be Ferris if he didn’t stop to introduce himself to some sunbathing beauties he passes while running through yet another backyard during his race home. That scene took place at 1310 Milan Avenue in South Pasadena, a good 2,000 miles away from the previous backyards that appeared in the segment. During our hunt, I managed to track down a very helpful crew member who worked on the L.A. portions of the movie. He checked his notes and told me that two homes on Milan Avenue, easily South Pas’ most oft-filmed street, were featured in Ferris, one of which was 1310. Despite the fact that we had been provided addresses, piecing together what was shot at each location required quite a bit of detective work. With this locale, we were able to use aerial views to match the window placement (1, 2, 3, and 4) and second-story balcony (5) of 1310 Milan to what appeared in the sunbathing scene (though you will notice in the graphic below that an addition was put on the house since filming took place and it looks a bit different than it did when Ferris was there).

    Lindsay’s right — this location involved a lot of work. I knew we’d find it, though. We always finish what we sta

    Backyard with Sunbathers Graphic

    Jeanie and the Police Pass by Tom (Glendale Avenue and Cherry Street, Winnetka)

    While being pursued by the police, Jeanie speeds around her father’s car, which is stopped at an intersection at the corner of Glendale Avenue and Cherry Street in Winnetka. In the scene, Jeanie and the cop head south on Glendale, while Tom pauses at a stop sign to search for a Tic Tac in his glove compartment.

    Jeanie and the Police Pass by Tom Collage 1

    Though much of this location has changed drastically in the three decades since filming took place (countless trees have been removed, the sidewalk has been altered, and the stop sign configuration has been modified), Owen managed to identify it a couple of years ago by matching elements of the house at 436 Glendale to the home seen through Tom’s windshield in the scene, namely the second-floor dormers (1), the two-car garage (2), and the large bay window (3). The big multi-branched tree on the other side of the street (4) is also a match to what appeared onscreen. (Though there were two trees in that spot at the time of filming, one has since been removed.)

    SHAMELESS SELF-PROMOTION ALERT! I’ve written a couple of posts with a Ferris slant on my blog. You can read them here and here.

    Jeanie and the Police Pass By Tom Graphic

    Jeanie Finally Pulls Over (2117/2127 Glendale Avenue, Northbrook)

    Many of the sites that appear toward the end of Ferris’ race home can be found in Northbrook, a Chicago suburb situated northwest of Winnetka. That includes the spot where Jeanie finally pulls over for the police. (“She got a speeding ticket – another speeding ticket – and I lost the Vermont deal because of her!”) In the scene, Jeanie and the policeman chasing her travel west on South Bridge Lane and then veer to the right (north) as it becomes Glendale Avenue. The two cars eventually stop in between the houses at 2117 and 2127 Glendale. Owen identified this locale a few years ago thanks to an address number of “2146” that was visible on a mailbox (1) in the scene. He searched 2100 blocks in both Winnetka and Northbrook for other elements that appeared in the segment, including a house with distinct half-brick, half-brown paneling (2), a “No Parking” sign (3 – though this can best be seen via alternate street views) and a fire hydrant (4) and, per usual, was successful in finding the right spot.

    This location is a few blocks away from where Jeanie and Katie began their drive home, and it’s right around the corner from a few race home spots Lindsay will be writing about shortly. That’s a teaser, folks!

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    Ferris Runs Down a Sidewalk (1326 Milan Avenue, South Pasadena)

    For a very brief moment, Ferris is shown running down a leafy sidewalk. In John Hughes’ FBDO DVD commentary, he mentions that this scene always bothered him because a garbage can full of palm fronds is evident behind Ferris, tipping off eagle-eyed viewers to the fact that this portion of the movie was shot not in Chicago, but in Los Angeles. Armed with that bit of information (and in the interest of tracking down every single race home locale), I started searching on Milan Avenue for anything that might match the sidewalk shown in the short segment, namely what I thought was a “Neighborhood Watch” sign visible in the extreme background (1), a line of trees with odd trunks (2), and the overhanging branch that Ferris runs beneath (3). I wound up finding all three in front of 1326 Milan Avenue, just two houses south of the sunbathers’ backyard.

    When I’m not busy helping Lindsay track down filming locations, I enjoy stealing “Neighborhood Watch” signs.

    Ferris Runs Down a Sidewalk Collage

    Tom Gets Caught Behind an Old Lady (2000/2100 Block Mallard Drive, Northbrook)

    As Tom continues his drive home, he gets caught behind a slow-moving old lady who pulls out of a rather stately looking residence. The scene, as Owen discovered many years ago, was shot on the 2000/2100 block of Mallard Drive in Northbrook. Well, partially, at least. In the first two seconds of the segment, Tom is shown heading north on Hibbard Road in Winnetka before turning right (east) onto Oak Street. We can see a utility road leading into a park area and then the Winnetka Ice Arena outside of his car window before the scene magically segues to him turning right (south) onto Mallard Drive from Techny Road about five miles away in Northbrook. The old lady subsequently pulls out of the home at 2005 Mallard, and Tom proceeds to slowly follow her south before overtaking her in front of the house located at 2121 Mallard.

    Remember that teaser? Dying of curiosity? Well, now you know. This is one of the scenes that filmed near where Jeanie was pulled over — and it won’t be the last. Tom is creeping along Mallard Drive, which is a mere two blocks away from the road where Jeanie was stopped.

    Tom Gets Caught Behind an Old Lady Collage

    Ferris Skids Around the Side of a House (1310 Milan Avenue, South Pasadena)

    The friendly crew member we contacted explained that many different sections of the two Milan Avenue residences were utilized for the race home segment, including backyards, side yards and front yards, and that shots were angled toward the houses and away from them, creating the illusion of a blocks-long run in a much more confined area. So near the end of our hunt, when Owen mentioned that one of the only sites we had yet to find was the home that Ferris skids around, I had an inkling that one of the Milan pads might be the place we were looking for. Inspecting both properties from different angles, I quickly realized that Ferris races around 1310 Milan, the same spot where he introduced himself to the sunbathers moments before. In the scene, he heads west down 1310’s driveway and then cuts sharply to the right (cue skidding sound effects) before heading north across the front of the house, surprising two young women sitting on the porch.

    I recall this find coming near the end of a stretch during which we were picking off missing locations left and right, pulling them out as if they were pencils in a big head of hair. And these weren’t easy finds, mind you. We had little to go on in our search for random backyards and stretches of sidewalk and what have you. Heck, we weren’t even sure what state we should be looking in some of the time. But we did it. Diligently. Tenaciously. Together.

    Ferris Skids Around the Side of a House Collage

    Tom Passes Ferris (2115 Butternut Lane, Northbrook)

    During the home stretch of his journey, Ferris almost gets caught by his father when Tom pulls up next to him while he is running in the middle of a street. The two travel adjacent to each other for a moment before Ferris ducks away and into a house. Though Tom looks at his son briefly and has an inkling it might be Ferris, he doesn’t ultimately realize it is him. The bit was shot on Butternut Lane in Northbrook. In the scene, Tom and Ferris are heading north, in front of the home located at 2115 Butternut.

    More teaser fulfillment! I did say Jeanie was pulled over near a few spots. This is another, and so is the next one. That’s five parts of the race home filmed within a mile of one another. And all of them are right by Glenbrook North High School, the alma mater of one John Wilden Hughes Jr. and the place where a trench coat-clad Ferris picks up Sloane.

    Tom Passes Ferris Collage

    Ferris Runs Through a House (2067 Butternut Lane, Northbrook)

    “No, don’t get up. Smells delicious. Dinner’s ready.” So announces Ferris to a family as he runs through their house in order to avoid his father. To shoot the scene, a camera was set up on a track along the west side of the residence located at 2067 Butternut Lane in Northbrook. The camera panned from the front of the property, past three side windows, to the backyard.

    Ferris Runs Through a House Collage

    Amazingly, the deck that Ferris jumps from in the scene is still intact, as is evidenced by the real estate photograph below, which I snagged from a 2009 listing.

    Ferris runs over fences, through bushes, inside homes, in backyards, past sunbathers and down suburban Chicago and L.A. driveways, sidewalks and streets. From the moment he says, “I’ll call you tonight” to Sloane as he dashes off to the moment he lands on terra firma following his slo-mo trampoline leap (more on that to come), exactly three minutes and 41 seconds have elapsed. It took Lindsay and me slightly more time to find all those fences, bushes, homes and so on.

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    Trampoline Backyard (1230 Milan Avenue, South Pasadena)

    The spot where Ferris hops over a tree, runs up the slide of a jungle gym, and then jumps on a trampoline, propelling himself into his own backyard, was the most arduous to prove. Though we had been told by our crew member friend that 1230 Milan Avenue in South Pasadena was used in the race home segment, we were unsure which portion of the scene was shot there. Thankfully, a small structure was visible behind Ferris for a fleeting moment before he ran up the jungle gym slide. The coloring and siding of the structure, which we knew due to its small size was a guest house or garage of some sort, matched the exterior of 1230 Milan, so we had a pretty good feeling that the trampoline segment had been lensed there. Verifying our theory was another story. Unfortunately, aerial views provided no confirmation, so we turned to other productions filmed at the residence. 1230 Milan has appeared onscreen countless times, in such productions as Bringing Down the House, The Mentalist, Jurassic Park III, The Whispers, xXx: State of the Union, and Honey, We Shrunk Ourselves. It also served as the Lawrence family home on the television series Family. Owen and I poured through virtually everything that was ever filmed on the premises and were finally able to substantiate our hunch thanks to the Season 2 episode of Family titled “An Endangered Species.” In the episode, a full view of the guest house that Nancy Lawrence (Meredith Baxter) lived in on the show was visible. It was an exact match to the structure visible behind Ferris. Danke schoen, Family!

    This is the portion of the race home I was most excited to find. I figured the odds of us finding this backyard were the same as the odds of Ferris’ favorite team, the Chicago Cubs, winning the World Series. Oh, wait…

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    Ferris’ Backyard (4160 Country Club Drive, Long Beach)

    Though Ferris’ trampoline jump begins in South Pasadena, it ends a good 22 miles away in the backyard of the Long Beach pad that portrayed the Bueller residence in the movie. But I did not take that fact for granted during our hunt. Knowing that Hughes shot the race home sequence literally all over the place, I started having doubts that the backyard shown at the end was actually the backyard of the Bueller home. Thankfully, I was able to match the fenestration of the four second-story windows of the home next door at 4170 Country Club (1) to what was seen onscreen, as well as certain portions of the rear side of the Bueller dwelling. Though the back of the property has undergone some changes, a large portion of it remains untouched, namely the first-floor door (2), the window next to it (3), and the large second-story window (4).

    Ferris' Backyard Collage

    Both the interior and exterior of the stately Colonial-style residence were featured throughout Ferris Bueller’s Day Off, and despite the backyard alterations, the place is still very recognizable from its onscreen stint. You can see a library of photographs of the home, including some of the backyard, here.

    I always assumed Ferris landed in the backyard of the Long Beach house and never really questioned it. I shouldn’t have done that. Lindsay’s work confirmed my assumption, though.

    Bueller House Exterior

    Well, Ferris is finally home, his parents are none the wiser, Principal Rooney’s cheese has been left out in the wind, and our work here is done. (Mostly done, anyway – we’re still missing that darn BBQ Man’s backyard!) As I said earlier, this hunt, though lengthy and exhaustive, was a blast from start to finish. Much like Ferris’ race, actually. I’m a bit sad that it’s over but am already anxiously awaiting my next joint stalking venture with Owen.

    I echo Lindsay’s sentiments. I melancholily miss working with her on FBDO, but we’ll ride again someday. Perhaps in a 1961 Ferrari 250 GT California.

    A huge THANK YOU to Owen for his partnership on both this hunt and this post. It is so thrilling to me that these locations have been identified, chronicled, and are now out there for other Ferris fans to enjoy!

    Pfft. Your words are emptier than the seat on the bus next to the bespectacled girl with gummy bears. If you really want to thank me, use your filming location capabilities and connections to find the nursing home from the original Miracle on 34th Street. In all seriousness, thanks for letting me tag along, Cameron-style, on today’s post, Lindsay. I had so much fun retracing the race routes with you. Now, like the phony “Sausage King of Chicago,” I’ve gotta run.

    Until next time, Happy Stalking!  Smile

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    You’re still here? The article’s over. Go home. Go.

  • Idle Time Books from “A Few Good Men”

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    There’s pretty much nothing I love more than bookstores.  They run second only to Starbucks and film locations in my book (pun intended).  If I come across a good one, I can get lost amongst the stacks for hours.  So there was no way I was leaving Washington D.C. without checking out Idle Time Books, the quaint District literary shop that made a couple of appearances in A Few Good Men, one of my all-time favorite movies.

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    Idle Time Books was originally established in 1981 at 1725 Columbia Road NW in Adams Morgan.  The used-book store was founded by New Zealand expat Val Morgan and her husband, Jacques, a long-time bibliophile/comic book aficionado and admitted curmudgeon.  As The Washington Post stated in 2012, “Morgan’s antipathy for many of his patrons was so pronounced that he and his wife long ago agreed that their business’s survival depended on him never working the cash register.”  So it was left to Val to run the shop, while her husband combed area flea markets and yard sales for inventory.  In spite of Jacques’ crankiness, Idle Time succeeded.

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    In 1987, the couple moved the shop to a new alley-adjacent space located just around the corner at 2410 18th Street NW.  (The spot they moved to is the grey building pictured below with the yellow “Space for Lease” sign in the window.  Unfortunately, I did not get a great shot of the front of it.  You’ll understand why in a minute.)

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    Idle Time remained at that location until 2002, at which time Jacques and Val decided to purchase a three-story building just down and across the street to house their store.  That building, located at 2467 18th Street NW, is pictured below.  In order to buy the property, Jacques sold his vast comic book collection (over 55 boxes worth, including first editions of such classics as Spider-man and The Avengers), walking away with almost $100,000.  Sadly, Jacques passed away in 2012, but Val continues to run the shop today.  The charming space boasts a collection of more than 50,000 titles of used, rare, and out-of-print books, as well as records, CDs, cards, and gifts.

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    In A Few Good Men, Lt. Daniel Kaffee (Tom Cruise) regularly stops by Idle Time Books – or rather, the newsstand located in the alley next to it.  I am not certain if the shop actually operated a newsstand at the time that the movie was filmed in 1992 or if it was a set piece brought in for the shoot, but I believe it was real.  While there, Kaffee shares humorous verbal spars with Luther (Harry Caesar), the man who runs the stand.

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    I found this spot via the Movie Tourist website, who I am guessing tracked it down thanks to the Idle Time Books logo that was visible during a scene.

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    Even though there is no longer a newsstand on the premises (or perhaps never was) and Idle Time has moved away, the alley remains fairly recognizable from its onscreen appearance.  Oh, how I wish there was still a newsstand there, as well as a Luther that I could have shared a witty repartee with.  Ah, well.  I was excited to stalk the alley nonetheless.

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    Beyond excited, actually.  Though it is basically just two non-descript brick walls, I was absolutely thrilled to be seeing this spot in person.  In fact, the Idle Time alley was one of the locations I was most elated about stalking while in D.C.!

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    For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

    Big THANK YOU to the Movie Tourist website for finding this location.  Smile

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    Until next time, Happy Stalking!  Smile

    Stalk It: Idle Time Books from A Few Good Men was formerly located at 2410 18th Street NW in Washington D.C.’s Adams Morgan neighborhood.  The newsstand featured in the movie was situated in the alley just north of the store.  Idle Time’s current location can be found a few hundreds yards north and across the street at 2467 18th Street NW.  You can visit the shop’s official website here.

  • Orcutt Ranch Horticultural Center & Community Garden from “La La Land”

    Orcutt Ranch from La La Land-1070646

    On paper, La La Land looked like my perfect movie.  I love Ryan Gosling.  I love Emma Stone.  I love musicals.  And I LOVE L.A.  The film just didn’t work for me, though.  I realize mine is a vastly unpopular opinion, but I found La La Land to be too long, too slow, and too melancholy.  My main beef, though?  For a flick that purports itself to be a love letter to Los Angeles, it certainly did not showcase many real area locations.  Sure there was the Griffith Observatory – I’ll give you that one.  It’s a real site – and a great one at that.  (Though the planetarium featured was a set re-creation.)  What about the Rialto Theatre?  Yes, the Rialto is an actual movie house, but it’s closed and has been since 2010.  You can’t actually see a film there.  Angels Flight?  That’s real and historic – but, again, shuttered.  Watts Towers and Grand Central Market were utilized, but their appearances were fleeting at best.  Not even all of the scenes purported to take place on the Warner Bros. backlot were actually shot there.  [And no, the coffee shop where Mia (Stone) worked isn’t real, either, though its facade can be seen on the WB Studio Tour.]  And while a couple of area restaurants (like the Smoke House) did make the cut, most either played fictitious eateries or were never referred to by name.  So basically everything the movie showcased was fake.  Southern California is chock full of vibrant, picturesque, dramatic, historic, very real sites that are accessible.  Why not celebrate the city and all of its glory by featuring them?  A couple of years ago, I stalked one of the few La La Land locales that is actually open to the public (though it did not play itself in the movie) – Orcutt Ranch Horticultural Center & Community Garden.  I was familiar with the property thanks to its appearance in an episode of Beverly Hills, 90210, so I recognized it immediately when it popped up onscreen.  I had never gotten around to blogging about it, though, and figured what better time than now?

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    Orcutt Ranch was originally established by Union Oil Company president/geologist William Warren Orcutt and his wife, Mary Logan.  The couple purchased and developed a 210-acre plot of land in what is now West Hills and commissioned architect L.G. Knipe to built a large adobe-style residence on the site.  The home, which they dubbed “Rancho Sombra del Roble” (Spanish for “shaded oak ranch”), was completed in 1926 and still stands today.  That’s it below.

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    The Orcutts first used the dwelling as a vacation home before eventually retiring there.

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    William passed away at the residence in 1942 and Mary continued to live there until 1966, at which point she sold the ranch to the Los Angeles Recreation and Parks Department.

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    By that time, a 24-acre portion of the property, which included the house, had already been declared a Historic-Cultural Landmark.

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    The city dubbed the site “Orcutt Ranch” and opened the grounds to the public.

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    When I stalked the place in August 2014 (along with Mike, from MovieShotsLA), I was thrilled to discover how open and accessible it is.

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    Orcutt Ranch 1

    Even the Orcutt’s historic adobe was unrestricted, though we were not able to venture inside.

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    Besides the adobe, a large barn, and several other buildings, the sprawling property also boasts a myriad of gardens, groves, and green expanses, each dotted with countless varieties of plants and trees including birch, wisteria, dogwood, purple lily magnolia, oak, sycamore, and eucalyptus.

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    Orcutt Ranch is a beautiful place to peruse nature, sit and reflect, or wander aimlessly.

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    It is also a popular wedding venue.

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    And filming location!  Orcutt Ranch actually portrayed two different places in La La Land.  (For those who have yet to see the movie, be forewarned, the paragraphs that follow contain spoilers.)  The interior of the Orcutt adobe first masked as the inside of the Chateau Marmont bungalow where Mia was staying at the end of the film.  (Why the scene wasn’t shot in an actual room at the historic hotel is anyone’s guess.)  Sadly, I do not have any screen captures of that particular scene to post here, but you can see images of the room used in it here and here.  Later, in La La Land’s dreamy final montage, during which Mia and Sebastian (Gosling) imagine what could have been, the adobe portrays the couple’s home.  Thankfully, I do have screen grabs from that scene thanks to this YouTube video.

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    It was the adobe’s unique arched door that I recognized while watching La La Land.

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    The interior of the Orcutt residence was also used in the sequence, including the solarium (which you can see a photograph of here) . . .

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    . . . and the living room (which you can see a photo of here).  You can check out some more images of the adobe’s interior here.

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    The property’s courtyard and fountain made an appearance in the scene, as well.

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    As did the lush grounds.  (My imagery below isn’t the best because that portion of the scene was shot on a 16mm movie camera and is therefore a bit grainy.)

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    As I mentioned in my intro, Orcutt Ranch also appeared in an episode of Beverly Hills, 90210.  In Season 10’s “Laying Pipe,” it masked as the supposed Ojai-area church where Steve Sanders (Ian Ziering) and Janet Sosna (Lindsay Price) took Kelly Taylor (Jennie Garth) and Dylan McKay (Luke Perry) to meet their minister.

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    Only the exterior of the ranch appeared in the episode.

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    The gazebo where Janet and Steve had a mini wedding rehearsal was not a set piece brought in for the shoot, but is an actual element of the property, which I was thrilled to see!  It does look a bit different today, though, than in 1999 when the episode was shot.

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    The ranch’s gardens made an appearance in “Laying Pipe,” as well.

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    A couple of Orcutt Ranch’s outbuildings also masked as the Thomas family farm in the Season 1 episode of Deadtime Stories titled “Grandpa’s Monster Movies.”

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    One of the buildings used in the episode is pictured below.

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    Orcutt Ranch from La La Land-1070657

    For those who felt like I did about La La Land (or who are completely flummoxed as to why I didn’t like it), this The New Yorker review is a great read.  As author Dale Robinette states, “I saw La La Land in a theatre, sitting up close to a big bright screen, and couldn’t tell whether it was filmed on location or in a studio in front of a green screen.  If [director Damien] Chazelle’s intention was to celebrate, among other things, the public face of the city, he failed miserably at it.”  I couldn’t agree more.  Chazelle really should have taken a note from Swingers.  The 1996 film brilliantly showcased a very real L.A., featuring actual area restaurants, bars and landmarks to such perfection that many still draw fans to this day, twenty years after the movie originally premiered.

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    For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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    Until next time, Happy Stalking!  Smile

    Stalk It: Orcutt Ranch Horticultural Center & Community Garden, from La La Land, is located at 23600 Roscoe Boulevard in West Hills.  The site is open daily from dusk until dawn and admission is free.   You can visit the property’s official website here.

  • The “Swingers” Party House

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    2016 was a great year for me as far as finding locations goes.  So many of my most-wanted unknown locales were identified.  Rod Tidwell’s home from Jerry Maguire, the Say Anything . . . amphitheatre, the Life Goes On house, the “Las Vegas” casino from the Season 4 episode of Beverly Hills, 90210 titled “And Did It . . . My Way” –  I could go on and on.  Another spot that I tracked down in 2016, but haven’t gotten around to blogging about until now is from Swingers.  Though the vast majority of the 1996 comedy’s locations are well-known and have long been documented online, late last year I went on a trek to find some of the missing ones, namely the Spanish-style house where Mike (Jon Favreau), Trent (Vince Vaughn), and the gang attended a party.  And I am happy to report that I was successful!

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    I literally had nothing to go on with this locale outside of the fact that, per Favreau’s DVD commentary, it was located in the Hollywood Hills.  In the scene leading up to the party, Mike and his four friends are shown driving (all separately!) on a curving L.A. road.   I figured that the segment was likely shot in the same vicinity as the house where the party scene was lensed.  Thankfully, while watching the Swingers Blu-ray, I was able to make out an address number of 7902 on the curb of a home that the boys pass.  (Unfortunately, my computer does not have the capacity to play Blu-rays, so all of my screen captures were taken from a regular DVD, which is why the 7902 number is not clear in the image below.)

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    I started searching the Hollywood Hills for houses with a 7902 address number and fairly quickly discerned that the boys drove by the residence at 7902 Fareholm Drive on their way to the party.  I was floored to make the discovery and immediately began scouring the area for the property where the soiree was held – unsuccessfully.  Though there are several rambling Spanish-style homes located on Fareholm, none of them matched the pad from Swingers.  So back to the drawing board I went.

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    Since the movie’s 20th anniversary was fast approaching, interviews with the cast and crew were popping up all over the internet.  I decided to pour through every one I could find with the hope that some information about the party house would be revealed.  I got lucky when I came across this fabulous article on the Grantland website titled “So Money: An Oral History of Swingers.”  (If you’re a fan of the film, I highly recommend a read.)  Not only did the article mention the party scene, but it detailed the exact street it was shot on!  Thank you, Grantland!  According to those interviewed, the production team could not afford to rent a home to shoot the soiree sequence, nor could they afford to hire the large amount of extras that would be required.  So line producer Nicole LaLoggia and director Doug Liman asked some friends who lived in “this very cool old house” located “up in the Hollywood Hills on Temple Hill Drive” if they would throw a get-together and let them film it.  Those words were music to my ears!   I immediately started using Google Street View to search Temple Hill Drive for the residence used.  It took me longer to find the place than expected due to the fact that it is situated on a corner and only a side view of it was shown in Swingers.

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    Very little of the dwelling’s exterior actually appeared in the movie, but, thankfully, enough detailing was visible for me to be able to identify it.

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    I was most excited to see the staircase that Trent and the guys headed up upon arriving at the party.

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    A better view of those stairs is pictured below.

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    Though the outside was only featured briefly in Swingers, the interior of the residence got quite a bit of screen time.  It is while inside the home that Trent gets – and then immediately tears up – the digits of a “business class” girl who touts herself as having a Tina Yothers vibe.

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    In real life, the 1926 pad boasts 4 bedrooms, 4 baths, 3,872 square feet, and a 0.22-acre plot of land.  As I mentioned above, the residence is situated on a corner.  Pictured below is the side of it that fronts Temple Hill Drive.

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    The property is absolutely massive, much more so than it appears to be from the street.  You can check out an aerial view of how it’s laid out below.  (The castle-looking estate located next door is known as Moorcrest.  Charlie Chaplin and Mary Astor have both called it home at different points in time and it currently belongs to actor Andy Samberg.  A post on that locale will be coming soon.)

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    The Swingers party pad has quite the Hollywood pedigree.  As actor/writer Mike White, who was present during the filming of the party scene, explains in the Grantland article, “The house was one of the centers of partying back then.  There were four guys that lived there.  Two of them have gone on to be successful producers — Wyck Godfrey and Marty Bowen.  Their production company is called Temple Hill [Entertainment], in reference to the house.  They produced all the Twilight movies, actually.”  Godfrey and Bowen also gave us The Fault in Our Stars, Revenge and Rosewood!  Not a bad resume.  I cannot express how cool I find it that the duo chose to name their production company in honor of their former digs.

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    In his DVD commentary, Favreau described the property as such, “This is one of those big, great 1920s Hollywood Hills houses that sort of has fallen into disrepair, but people, like, all get together and become roommates and live in these huge mansions.”  The residence remains in a state of disrepair today, sadly.  Though I do kind of love the fact that, 20 years later, it still looks like a dwelling that a bunch of showbiz hopefuls got together to rent.

    The Swingers Party House-2

    For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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    Until next time, Happy Stalking!  Smile

    Stalk It: The Swingers party house is located at 6161 Temple Hill Drive in the Hollywood Hills.  It is the eastern side of the residence, which can be found on Vasanta Way, that appeared in the movie.

  • Rod Tidwell’s House from “Jerry Maguire”

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    People often ask me about my most-wanted unfound locations.  Currently, the one that tops my list is the mansion where this Beverly Hills, 90210 publicity photo was taken.  But for several years, the locale that held that spot was the Mediterranean-style residence where Rod Tidwell (Cuba Gooding Jr.) and his wife, Marcee (Regina King), lived in the 1996 romcom Jerry Maguire.  Try as I might, I just could not seem to find it.  Then last June, I finally decided to call in the big guns and asked my friend Michael (you know him from his many The Brady Bunch guest posts, which you can read here, here, here, here and here, as well as his columns on Too Close for Comfort, The Ropers, Life in Pieces, and Fuller House) for some assistance.  Per usual, he was successful in tracking the place down.  Quickly, too, I might add.  While I covered the house in my The Complete Guide to Jerry Maguire Filming Locations post back in December, because the hunt for it was so lengthy (well, on my end, at least), I figured it was worthy of its own write-up.

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    Though I had always wondered about its location, I did not actively begin searching for the Tidwell’s supposed Arizona-area home until June 2014, shortly after my friend Mike, from MovieShotsLA, tracked down the restaurant where Bob Sugar (Jay Mohr) fired Jerry Maguire (Tom Cruise) in the movie.  Around that time, I purchased the Special Edition DVD of the flick to listen/watch the video commentary (which was fabulous, by the way – I’ve never seen a commentary done in such a manner before) with Cuba, Cruise, Renee Zellweger, and Cameron Crowe.  During their conversation, Cuba mentioned that the Tidwell residence was located in the Thousand Oaks area.  In lightening up a screen capture of the exterior of the house, I also noticed that a partial address number, ending in what I believed was “60,” was visible.  It was also apparent from my numerous watchings that a very large, very unusual rock formation was situated behind Rod’s pad.  I figured that these three clues would make finding the place fairly easy.  I was wrong.  While I scoured Thousand Oaks for a dwelling situated in front of a large rock with an address that ended in 60, I came up empty-handed.

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    Two years of searching later and I was still at a loss.  So I decided it was time to bring in Michael.  I emailed him the above screen capture as well as the three bits of information I had.  The following day, he responded saying he had found some very similar looking homes in a Westlake Village development known as Crescent Oaks, which was established in the late ‘80s.  You can check out one of those residences here.  Though he couldn’t find Rod’s house in that particular community, he figured he was on the right track.  From there, the two of us started combing through neighborhoods in the vicinity of Crescent Oaks (along with my friend Owen, of the When Write Is Wrong blog, who I also called in for an assist), but we could not find Rod’s pad anywhere.

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    Never one to be deterred, I moved on to a different tactic by tracking down Sascha Lorren, who played Rod’s niece in the movie, to see if she remembered where filming had taken place.  She didn’t, but thankfully her mother recalled that the Tidwell home was located in the Thousand Oaks area, west/south of the 101.  From there, Michael worked his magic and found the residence just a few hours later at 1760 Kirsten Lee Drive in Westlake Village.

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    How did he do it, and so swiftly, you ask?  I wondered the very same thing.  As he explained to me, “It was the second area I choose when looking at Google Maps.  I was mainly looking for a lot of terra-cotta roofs, a layout of roads that felt similar to Crescent Oaks, and abutting mountains.  I knew I was in the right area when I saw that rock.  Then I came across an identical house just down the road.  And then voila!”  Thank you, Michael!

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    In real life, the home is part of the Three Springs development, which was established in the early ‘90s.  As Michael said, “I guess there were 5 different developers for the different tracts.  I’d be very surprised if they weren’t the same developers that did those homes in Crescent Oaks a couple years earlier.”

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    The 2-story dwelling, which was built in 1991, boasts 4 bedrooms, 4 baths, 3,649 square feet, a 3-car garage, a 1.09-acre plot of land, and a swimming pool.

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    The front exterior of the Tidwell house is only shown once in Jerry Maguire.  As you can see below, the residence looks much the same today as it did when the movie was shot 20 years ago, despite the lack of the partially-completed garage addition and other construction paraphernalia, which were set pieces brought in for the shoot.  (“Jerry, my house is falling apart.  Nobody’s looking out for Rod Tidwell.  We don’t know where we gonna live in a year.  And I’m supposed to be a superstar, man!”)

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    Though the front of the dwelling only appeared once in the film, the interior was featured numerous times.

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    It was most notably the site of the famous “Show me the money!” sequence.  Per my new friend Greg Mariotti of The Uncool website, that scene, as well as the rest of the Tidwell home scenes, were the last of the movie to be shot.  (I cannot look at the images below without hearing Rod saying, “I am a valuable commodity!” – one of my favorite lines in the film.  Makes me laugh every. single. time.)

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    The residence’s real life backyard also appeared in the “Show me the money!” sequence.

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    For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

    Big THANK YOU to my friend Michael for finding this location!  Smile

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    Until next time, Happy Stalking!  Smile

    Stalk It: Rod Tidwell’s house from Jerry Maguire is located at 1760 Kirsten Lee Drive in Westlake Village.

  • “The Awakening” Sculpture

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    I am not typically a big art person.  This is mainly due to the fact that I love to be outside, especially when on vacation, so I don’t find myself frequenting museums often.  While researching Washington, D.C.-area attractions prior to my trip to the East Coast last September, though, I came across some information about a work of art that enthralled me.  Images of the piece, a massive sculpture called The Awakening, were striking and I quickly decided that I was not returning home without seeing it in person.

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    The unique installation, which depicts a giant fighting to emerge from the sand that engulfs him, was created by J. Seward Johnson, Jr., the same artist who gave us Forever Marilyn and Unconditional Surrender, both of which I blogged about in May 2012.  (I was thrilled to come across reports while researching for this post that Forever Marilyn might be returning to Palm Springs in the very near future!)

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    The sculpture is made up of five half-buried cast-aluminum parts representing the hand, arm, head, knee and foot of a distressed giant struggling to break through the earth’s surface.

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    Rising over 15 feet tall and spanning a length of 70 feet, The Awakening is absolutely breathtaking to see in person.

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    And rather dramatic.

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    Seward, who is the grandson of Johnson & Johnson co-founder Robert Wood Johnson, created the piece in 1980 for the International Sculpture Conference Exhibition in Washington, D.C.  It was originally installed on an open expanse of grassy land overlooking the water at Hains Point in East Potomac Park, just a few miles from the National Mall.  Owned by the Sculpture Foundation, The Awakening’s placement was always considered temporary, thanks largely to a law enacted in 1986 that banned non-commemorative art from being permanently displayed in any District-area national park.  As such, the Foundation quietly put it on the market, where it remained for several years until Milton V. Peterson, chairman of the Peterson Companies, snapped it up in 2007.  The purchase price?  A cool $740,000.  Of the score, Peterson said, “As soon as I found it was for sale, I bought it that week.  I think it is one of the most demonstrative pieces that we have.”

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    Peterson purchased the 4,100-pound statue in order to install it at National Harbor, his 300-acre mixed-use development consisting of shops, eateries, condominium buildings, hotels, offices, and a convention center, all situated adjacent to the Potomac River in Oxon Hill, Maryland.  A beach was constructed in the center of the complex for The Awakening to be displayed.

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    While being assembled at its new home, the giant was altered.  As explained in this December 2007 The New York Times article, “At Hains Point, the pieces were placed slightly off-kilter, making the figure anatomically incorrect.  So when the sculpture’s wire base is reburied, one of the legs will be moved slightly.”

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    National Harbor opened to the public in 2008.

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    As you can see below, the site where The Awakening now sits boasts some incredible views.

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    I have to say that I prefer the sculpture’s original setting, though.  The Awakening is now situated in a relatively tiny area that is below street level, making it virtually hidden from passersby.  Even I had a bit of a hard time spotting it as we arrived on the scene, and I was actively looking for it.  While undeniably huge, the piece gets swallowed up by its surroundings.  In my never-to-be-humble opinion, I think it looked much better – and much more striking – when it was out in the open as it was at Hains Point.  You can see images of The Awakening at its original location here and here.  My other beef with the piece’s new home is that it has seemingly turned into a playground, with kids crawling all over it (as pretty much all of my pictures attest to), and now more closely resembles a jungle gym than a stunning work of art.  A second The Awakening was created by Seward in 2009 and put on display in Chesterfield, Missouri.  That piece is laid out in a much better way than its National Harbor counterpart.  You can check out some photos of it here and here.

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    I was floored to learn while doing research for this post that The Awakening is also a filming location!  Back in 1995, when it was still located at Hains Point, the statue was featured in the opening scene of The Net as the spot where Secretary of Defense Senator Bergstrom (Ken Howard) killed himself.

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    For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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    Until next time, Happy Stalking!  Smile

    Stalk It: The Awakening sculpture is located at 153 National Plaza, in the National Harbor development, in Oxon Hill, Maryland.

  • The Marsh House from “Happy Land”

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    Since we’re on the subject of McDonald Avenue (you can read Wednesday’s post about the McDonald Mansion from Pollyanna here), I figured I should write about another of its famous homes.  While doing research on the picturesque Santa Rosa street, one of the area’s most oft-filmed spots, prior to my trip up to Northern California last October, I came across a post on the Dear Old Hollywood website about Happy Land filming locations.  I had never heard of the 1943 drama prior to reading the post, but was immediately taken with one of the locales mentioned – a gorgeous Victorian dwelling that portrayed the Marsh family residence in the film.  So I made sure to add it to my NorCal Must-Stalk List.

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    In person, the house did not disappoint.  I mean, look at the place!  It’s stunning!

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    All that detailing is sublime!

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    The Marsh House from Happy Land-1190316

    The 2-story pad, which was originally built in 1890, is much larger than it appears to be from the street, boasting 5 bedrooms, 4 baths, and a whopping 3,594 square feet of living space.

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    Amazingly, the dwelling still looks pretty much exactly the same today as it did when Happy Land was shot 74 years ago.

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    I finally sat down to watch the movie earlier this week.  While a sweet film, Happy Land is, ironically enough, extremely sad.  The storyline centers around Lew (Don Ameche) and Agnes Marsh (Frances Dee), a couple trying to come to grips with the death of their son, Rusty (Richard Crane), who was killed in World War II.  Told via flashbacks, Happy Land reminds me a bit of A Christmas Carol, but without the Christmas theme.

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    The Marsh’s idyllic home, said to be located at 1127 Willson Avenue in Hartfield, Iowa, was featured throughout the film.

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    I absolutely love that the property’s real life address number was visible in the movie.  The address placard that appeared in Happy Land even looks to be the same one that is still installed above the front door today!

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    The Marsh House from Happy Land-1190324

    Dear Old Hollywood founder Robby Cress set about tracking down the Happy Land house prior to a 2013 trip to Northern California. Though he had heard that the movie was shot in Santa Rosa, he had no idea how to begin searching the area for the Marsh’s stately Victorian.  It was none other than Alfred Hitchcock who wound up giving him an assist.  The Master of Suspense filmed his famed 1943 thriller Shadow of a Doubt on McDonald Avenue and Robby figured Happy Land might have done the same.  So he began searching the street and, sure enough, found the pad just three blocks north of the property Hitch used.

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    While the exterior of the residence was utilized extensively in Happy Land, I do not believe that the interior made an appearance onscreen.  I cannot find any interior photographs of the actual dwelling to compare to what was shown in the movie, but it is my hunch that inside of the Marsh home was a set built on a soundstage.

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    For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

    Big THANK YOU to the Dear Old Hollywood website for finding this location!  Smile

    The Marsh House from Happy Land-1190322

    Until next time, Happy Stalking!  Smile

    Stalk It: The Marsh family home from Happy Land is located at 1127 McDonald Avenue in Santa Rosa.  Many famous movie houses can be found on the same street.  The McDonald Mansion, aka Mableton, from Pollyanna is located one block south at 1015 McDonaldThe Newton home from the 1943 Alfred Hitchcock thriller Shadow of a Doubt can be found three blocks south at 904 McDonald Avenue.  [The kitchen of that residence was also used as Tatum Riley’s (Rose McGowan) kitchen in Scream.]  And the Newton house from the 1991 made-for-television Shadow of a Doubt remake is located at 815 McDonald.

  • The McDonald Mansion from “Pollyanna”

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    I am fully aware that I have a hyperbolic nature.  I use words like “favorite,” “best,” and “most” a LOT.  Caps, too, for that matter.  I wouldn’t say that I am an exaggerator, though.  I just happen to like a lot of things.  Case in point, I have more “all-time favorite” movies than I can count on one hand.  Incredibly, two of them were shot on the same street – the idyllic McDonald Avenue in Santa Rosa.  The flicks, Disney’s 1960 family drama Pollyanna and the 1996 Wes Craven-directed horror film Scream, could not be more different, but I love them both equally – and am rather obsessed with their locations.  Though I grew up in Northern California, I somehow never stalked McDonald Avenue – until this past October, that is.  While visiting my aunt who lives in the area, I dragged practically my entire family out to see both the house where Tatum Riley (Rose McGowan) lived in Scream (a locale I will be blogging about as part of my Haunted Hollywood postings this year) and the legendary McDonald Mansion, which portrayed Aunt Polly’s (Jane Wyman) estate in Pollyanna. As you can see above, I was just a wee bit excited about the latter.

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    The McDonald Mansion was originally built by San Francisco-based engineer/developer Colonel Mark McDonald in 1879.  During the 1860s, McDonald had purchased 160 acres of land in the heart of Santa Rosa and began subdividing and developing it, naming the new neighborhood “McDonald’s Addition.”  His spectacular 14,000-square-foot Stick/Eastlake-style estate became the cornerstone of the upscale community.  Mark, his wife, Ralphine, and their children utilized the home, which they dubbed “Mableton,” as a summer residence.  You can see what the property looked like in its early days here.

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    Mark and Ralphine passed away in 1917 and 1918, respectively, whereupon their oldest son, Mark L. McDonald Jr., and his wife, Isabelle, inherited the manse and set about extensively renovating it to their own style.  Sadly, the exterior was stripped of all of its intricate detailing and became virtually unrecognizable – and rather dull.  You can see what it looked like here.  The couple lived on the premises full time until Mark’s death in 1932, at which point Isabelle moved to an apartment in San Francisco, only spending summers at Mableton.  When she passed away in 1960, the estate was bequeathed to her only surviving child, Marcia, who rarely visited the residence and left it to deteriorate.  Upon her passing in 1971, the property was deeded to both the University of Southern California and Stanford University.  The schools ultimately offered to sell the home to the City of Santa Rosa.

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    Shockingly, and with no apparent regard for its history, the city made plans to tear the mansion down and build condominiums in its place.  Thankfully, a pathologist named Dr. Jack Leissring stepped in and purchased the home in 1974, saving it from the wrecking ball.  He immediately began restoring the estate to its original grandeur, but disaster struck in 1977 when, while Jack and fellow workers were stripping paint with a torch, a fire broke out completely gutting the residence.  A stalwart Leissring decided to rebuild and ultimately spent the next 19 months doing so.  You can read about his painstaking efforts here and here.   Of the process, he says, “The house was completely stripped of its plaster and lath, all of the bricks from the four chimneys were removed and re-used for walkways and pillars, the redwood sheathing was made into the molding for the house – I designed the knives for the molding cutter.  Thus, the crown molding, base molding, casing molding was made entirely of the original materials of the house.  Most of the dentil details were rotted or broken.  During a rainy winter, I cut-out every one of those pieces that decorate the house.  I reconstructed the railings as well, also using the materials native to the house.  This reconstruction was completely, or almost completely a work both of love and of homage to the historic nature of the materials.  This is my understanding of what historic restoration means.”  I wholeheartedly agree, Jack!  You can see the result of his work here.

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    Though the exterior of Mableton is ornate and lavish, its original interior was rather drab.  As Jack explains on his website, “I wish to point out just how ugly this house was inside.  To call this house a mansion was a misnomer.  It had been the summer residence of the McDonalds and was very meanly built – the second story was made of single board walls.  The only graceful aspect of the house was the exterior.”  You can check out some photographs of the property’s interior, with it’s “dark, over-bearing walls and décor,” here.  Jack was not being demeaning in his description – the original inside of the dwelling looked more like a barn than a home!

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    In 2005, Leissring sold the McDonald Mansion to Telecom Valley entrepreneur John Webley and his wife, Jennifer.  The couple decided to take Jack’s work even further and spent the next five years renovating the property, along with architect Stephen Rynerson and design historian Paul Duchscherer.  During the restoration, the exterior of the home was brought back to its 1879 self and the interior was completely gutted and re-designed in a Victorian style.  Sadly, Leissring is not a fan of the final product.  On his website, he states, “The subsequent buyers, to whom I sold the house in 2005, who had much too much money, completely remade the house with new materials, and it now looks like a Disneyland display.  Sigh.”  I think it is gorgeous, though.  The interior is now everything one would expect the inside of a grand Victorian mansion to be – stained glass ceilings, inlaid flooring, rich woodwork, and a library befitting the Beast from Beauty and the Beast.  (In Jack’s defense, the Main Hall is very Tower-of-Terror-esque.  But I love it.)  You can see some photographs of the finished home here, here, and here.

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    The McDonald Mansion was used extensively in Pollyanna.  As you can see below, though, the dwelling looked quite a bit different in the movie due to the fact that a matte painting was added to the roofline in order to make the property appear larger than it actually is.

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    Despite the matte painting and the many renovations that have taken place since Pollyanna was shot in 1960, the McDonald Mansion is still recognizable from its onscreen appearance.

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    Only the exterior of the home and its extensive grounds were used in the filming.

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    The inside of Polly’s mansion was an elaborately-built studio set.  Ironically – and in a case of life imitating art – it very much resembles the current, rebuilt interior of the McDonald Mansion.  So I guess the property has truly come full circle.

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    For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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    Until next time, Happy Stalking!  Smile

    Stalk It: The McDonald Mansion from Pollyanna is located at 1015 McDonald Avenue in Santa RosaThe Newton home from the 1943 Alfred Hitchcock thriller Shadow of a Doubt is located a block away at 904 McDonald Avenue.  [The kitchen of that residence was also used as Tatum Riley’s (Rose McGowan) kitchen in Scream.]  And the Newton house from the 1991 made-for-television Shadow of a Doubt remake is located across the street from the property used in the original at 815 McDonald Avenue.

  • McSorley’s Old Ale House from “Rounders”

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    It has been said that 60% of restaurants close within a year of opening and that 80% don’t make it past year five.  Many in New York, though, have real staying power.  Take McSorley’s Old Ale House, for example.  The East Village watering hole/eatery has been around for more than 16 decades!  Yep, 16 decades!  I first learned about the place thanks to The History and Stories of the Best Bars of New York while doing research for last April’s Big Apple vacay and figured the fact that Abraham Lincoln once drank there warranted it a visit.  So the Grim Cheaper and I headed to the historic tavern, along with our good friends Lavonna (she’s a major Lincoln aficionado – you may remember her from this post), Kim, and Katie, for lunch one sunny afternoon during our trip.  At the time, I had no idea McSorley’s was a filming location, so imagine my surprise when I spotted it while watching Rounders with the Grim Cheaper last week!  I so love it when a place I have visited pops up unexpectedly onscreen!

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    To say that McSorley’s Old Ale House is New York’s OG bar would be an understatement.  Originally established in 1854 by Irish native John McSorley, the site was initially dubbed “The Old House at Home.”  It held court under that moniker until 1908 when a storm hit Manhattan and knocked down the sign that hung out front.  John replaced it with one reading “McSorley’s Old Time Ale House,” thereby changing the name of his saloon.  (He later dropped the word “time”, as well.)

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    I would be remiss if I didn’t mention here that the bar’s origin date has been disputed by various historians, namely researcher Richard McDermott, who asserts that the spot where McSorley’s now stands was a vacant lot up until 1858.  The NYC Landmarks Preservation Commission put McDermott’s doubts largely to rest, though, in this 2012 Designation Report, stating, “Supporting the claim that McSorley’s Old Ale House first opened on this site in 1854, tax records reveal that the first improvement on this lot may have occurred in the mid-1850s.  Though tax records note the lot as vacant until 1860-61, the value of the lot increased steadily between 1848 and 1856, indicating that a small structure may have been constructed here and not recorded (note: nearby lots did not change in value during the same period).  The lot was purchased in 1854 by real estate speculator John W. Mitchell.  As noted by Bill Wander, official historian for the pub, Mitchell may have constructed a small “taxpayer” structure on the lot to cover expenses, and McSorley’s could very possibly have operated out of this small structure.”

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    Regardless, McSorley’s asserts itself as “New York City’s oldest continuously operating saloon.”  Other Big Apple bars, like Pete’s Tavern, may assert the same exact thing, but disputing the claim seems entirely beside the point.  No one can argue that McSorley’s has history.

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    In 1864, the two-story structure that originally housed McSorley’s was renovated, expanded and transformed into a five-level tenement.  John and his family moved into a unit upstairs and then eventually purchased the building in 1888.

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    When John passed away in 1910 at the age of 83, his son Bill took over operation of the bar.  Bill continued to run the place for the next 26 years, even keeping it open during Prohibition.  Though the sale of alcohol was outlawed during that time, McSorley’s managed to dole out ale made onsite in the basement.  Bill called his libation “near beer” and authorities were none the wiser.  As author Jef Klein states in The History and Stories of the Best Bars of New York, “McSorley’s passed through Prohibition without passwords, secret exits, or hideaways.”

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    In 1936, Bill sold McSorley’s to a long-time customer/NYC policeman named Daniel O’Connell.  Daniel’s tutelage did not last long, though.  He passed away just three years later, leaving the bar to his daughter, Dorothy O’Connell Kirwan.  The change of hands was ironic considering that McSorley’s did not allow women on the premises at the time.  Kirwan promised her father that she would not overturn that rule.  She also vowed never to set foot in McSorley’s during operating hours – a promise she kept even after the establishment was forced to admit the fairer sex in 1970 thanks to a lawsuit brought about by two females who were denied entry.

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    When Dorothy and her husband, Harry, passed away in 1974 and 1975, respectively, their son, Danny, inherited the bar.  Just two years later, he sold it to night manager Matthew Maher, who still owns the tavern to this day.

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    Virtually nothing about the bar (aside from finally admitting women and the subsequent addition of a women’s restroom, which did not occur until 16 years later) has changed over its 163 year history – and I do mean nothing.

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    The décor, the memorabilia, and even some of the fare (the cheese, crackers and raw onion dish has been offered since opening day!) remain untouched from the time that John McSorley ran the place.

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    Menu items are written on chalkboards posted throughout the bar and, along with the aforementioned cheese plate, typically include hash, chili, burgers, and a fried chicken sandwich.

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    Don’t go to McSorley’s hoping for a chilled glass of pinot, though.  As the name suggests, the only libation served on the premises is ale.

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    Notables have long been attracted to McSorley’s no-frills environment.  Ulysses S. Grant, Theodore Roosevelt, John Lennon, Woody Guthrie, Peter Cooper, e.e. cummings, Harry Houdini, J. Giels, John F. Kennedy, and Frank McCourt have all sidled up to the ale house’s bar at one time or another.

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    Ah, yes, and Abraham Lincoln, who stopped by in 1960 while in town to give his famous Cooper Union address.

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    McSorley’s boasts another connection to Lincoln.  An 1865 wanted poster offering a $100,000 reward for the capture of the president’s assassin, John Wilkes Booth, hangs above the bar.  Yes, it’s an original.

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    McSorley’s has also long proved popular with felines.  Ironically, while women were not welcome throughout much of the bar’s history, cats were.  Up until a city law was passed in 2011 which banned the animals from restaurants, a number of them called the watering hole home.  Aside from keeping vermin away, you could often find the McSorley’s cats curled up next to patrons or warming themselves by the pot-bellied stove.  When Bill ran the place, as many as 18 roamed the premises.  The most recent feline resident was a grey tabby named Minnie.  Ironically, McSorley’s was shut down by the health department briefly in November of last year for several violations.  One of the violations was – you guessed it – evidence of rats.  If only Minnie was still on duty!

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    Considering McSorley’s historic aesthetic and unique decor, it is not surprising that it has wound up onscreen.  I mean, the place just looks like a movie set!  In Rounders, it is at McSorley’s that Jo (Gretchen Mol) admonishes her boyfriend, Mike McDermott (Matt Damon), for lying to her about gambling.

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    The exterior of the bar was featured in the 1998 film, as well.

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    The ale house also appeared in the 1984 gangster drama Once Upon a Time in America.  It is there that a young David ‘Noodles’ Aaronson (Scott Schutzman Tiler) and his friends choose a drunk to “roll.”

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    In 1991’s The Hard Way, Nick Lane (Michael J. Fox) gives John Moss (James Woods) advice on women at McSorley’s.

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    And in 2018, Miriam Maisel (Rachel Brosnahan) and Benjamin (Zachary Levi) headed to McSorely’s for a date in the Season 2 episode of The Marvelous Mrs. Maisel titled “Look, She Made a Hat.”

    Folk singer Dave Van Ronk also posed outside of McSorley’s Old Ale House for the cover of his 1964 album, Inside Dave Van Ronk.  One of the bar’s former in-house cats even made it into the photo.

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    For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

    Big THANK YOU to my friend Kim for providing many of the images that appear in this post.  Smile

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    Until next time, Happy Stalking!  Smile

    Stalk It: McSorley’s Old Ale House, from Rounders, is located at 15 East 7th Street in New York’s East Village.  You can visit the watering hole’s official website here.