Category: Movie Locations

Rebecca’s Apartment from “Lights Out”

I am always tickled when I spot a location I have already stalked pop up in additional productions. Amazingly, that happened twice in the past month with today’s locale, the former Highland Park branch of the Security Trust & Savings Bank. I originally learned of the site thanks to its many appearances as the Battle Creek Police Department/FBI field office on CBS’ short-lived 2015 series Battle Creek, which was one of my and the Grim Cheaper’s favorites. I ran out to stalk the building the day after the show was given the ax, just prior to writing this Scene It Before post for Los Angeles magazine. Flash forward to earlier this month. Not only did I spy the branch in a Season 1 episode of my and the GC’s latest obsession, Leverage, which we have been feverishly binge-watching on Netflix, but I also recognized it immediately as the apartment building where Rebecca (Teresa Palmer) lived in the 2016 horror movie Lights Out, the main house from which I blogged about on October 3rd. So I figured that, even though I previously covered the building for LA mag, it was worthy of its own Haunted Hollywood write-up.

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The Security Trust & Savings Bank’s Highland Park branch was designed in 1923 by Parkinson & Parkinson, the father-and-son architecture team that also gave us Union Station (which I briefly blogged about here), Bullocks Wilshire (which I blogged about here), and Los Angeles City Hall (an oft-used filming spot that I somehow have yet to stalk).

Throughout the 1920s, Parkinson & Parkinson built a series of branches for the Security Trust chain, all of which boasted very similar brick and concrete Renaissance Revival-style façades. While there were about a dozen of the structures dotting the L.A. landscape at one time, most have been lost to the wrecking ball. But the Highland Park outpost still stands.

As does its sister branch and virtual twin, the former Security Trust & Savings Bank at 5303 Lankershim Boulevard in North Hollywood, which was erected in 1926 and currently houses The Federal Bar. That property (pictured below) has appeared in everything from Perception to It’s Always Sunny in Philadelphia to Parks and Recreation. You can read my 2015 post on it here.

The Highland Park structure, Los Angeles Historic-Cultural Monument #575, boasts 2 stories (plus a basement), 11,500 square feet of space, and a marble and granite interior.

I managed to snap a photo of that interior, which is really quite spectacular, through one of the building’s side windows while I was there.

I am unsure of the exact date that Security Trust & Savings shuttered the Highland Park branch or what the site was utilized for afterwards. In recent years, though, the property has been the cause of much controversy, beginning in 2004 when City Councilman Ed Reyes started spearheading a campaign to transform it into a “constituent service center” that would provide office space to several municipal departments. The only problem with Ed’s project, which was dubbed “Highland Park City Hall,” was that the building’s then owner, Dr. Richard Rutgard, wasn’t interested in selling – at least not for the price that was being proposed. The original bid of $1,590,000, made on September 30th, 2004, was quickly denied. In 2006, a higher offer of $2 million was introduced, but it was, again, declined. The city continued to make offers up until March 2007, to no avail. Then, the following month, a move was made to acquire the former bank branch via imminent domain. Rutgard subsequently filed a lawsuit and, though he did lose the property, he was eventually awarded a settlement of $725,000 in 2009.

The Highland Park City Hall project never found its footing, though, and the former bank was left vacant and unused, except for the occasional filming. And then things got really hinky. Per the California Code of Civil Procedure, if a site is taken over via imminent domain, the city has ten years to either complete its plans with said site or propose a reauthorization of the existing stated public use. If neither of those actions are taken, the property must be offered back to its original owner. In this case, the city did not complete (or even begin) the renovation project within the decade. And while a reauthorization was proposed, it was not done so by the ten-year deadline. Regardless of that fact and over objections from Rutgard’s lawyers, according to The Eastsider website council members went ahead and approved the reauthorization. What the wha? Talk about shady! Not to mention unethical and seemingly illegal (though I’m no lawyer, so what do I know?). I am unsure of where this leaves the bank, but hopefully it will be rehabilitated and brought back to its original glory à la The Federal in the near future.

Security Trust & Savings Bank’s Highland Park branch pops up a couple of times toward the beginning of Lights Out. It is there that Teresa first sees – and gets attacked – by the shadowy being that has been tormenting her brother at night. For those who have not seen the movie, the utterly creepy segment involves Teresa waking up to discover the specter at the end of her bed. If you’re feeling brave, you can check out a portion of the scene via the movie’s trailer here.

The bank building is shown from both its Avenue 56 and Figueroa Street sides in the film.

Only the exterior of the site appeared in Lights Out. The interior of Rebecca’s apartment was a soundstage-built set.

As I mentioned earlier, Security Trust’s Highland Park branch was also featured in an early episode of Leverage. In Season 1’s “The Bank Shot Job,” which aired in 2008, the building portrayed the Imperial Valley Bank in Juan, California, where Nathan Ford (Timothy Hutton) and his team thwarted a robbery.

The structure’s real life interior appeared in the episode, as well.

As I also mentioned earlier, the former bank portrayed Battle Creek PD on Battle Creek. Only the building’s Avenue 56 side was ever shown on the series.

The inside was not utilized, either. The interior of the Battle Creek Police Department, as well as that of the FBI field office were sets.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking!

Stalk It: Security Trust & Savings Bank’s Highland Park branch, aka Rebecca’s apartment from Lights Out, is located at 5601 North Figueroa Street in Highland Park.

October 24, 2017
High Tower from “Dead Again”

I did not see Dead Again when it was first released in 1991 (at 14, I was too young for such an intense thriller), but I vividly remember my parents coming home from the theatre raving about how great it was and how much I would have loved a particularly disturbing scene involving cigarettes. It was not until years later, after I met the Grim Cheaper, that I finally sat down for a viewing. The flick was worth the wait. Dead Again is honestly one of the most well-crafted crime dramas I have ever watched. And my parents were right – that cigarette scene is horrifyingly fabulous. The film also boasts one of the spookiest locations ever featured in a movie – High Tower, the striking Italianate campanile (a word I just learned today!) housing the elevator leading to Amanda Sharp’s (Emma Thompson) hillside home. I first stalked the site shortly after seeing Dead Again and have been back many times since. In fact, I used to take an acting class just down the road from it and would drive by on a weekly basis. Each time I would marvel at how lucky I was to be living in such a magical city, where passing by historic and iconic locales is natural happenstance. It randomly struck me recently that I had never blogged about High Tower, despite it being the perfect Haunted Hollywood spot. So I am amending that situation today.

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Though there are a few differing reports floating around online, according to the Los Angeles Historic Resources Survey, High Tower was originally constructed in 1923.

At the time, the hillside it flanks looked quite a bit different, as you can see in photos of the structure from its early days here and here.

The elevator was originally installed to service the dotting of homes on the tiny street of Alta Loma Terrace, situated just northeast of the tower.

In 1935, over a decade after High Tower’s inception, architect Carl Kay began construction on a series of four Streamline Moderne duplexes cantilevered directly behind the campanile on Broadview Terrace.

The complex, which Kay modeled after Positano, Italy and dubbed “High Tower Court,” was not completed until 1956.

Today, the elevator solely services the four High Tower Court properties.

The garages for the complex are situated at the bottom of the hill, a good five stories below the homes, and, amazingly, none of the residences have direct street access (moving must seriously be a b*tch!), making the conveyance an absolute necessity.

Without it, residents would have to resort to climbing a haphazard tangle of staircases comprised of more than 200 steps in order to access their units.

Each High Tower Court unit pays $51 per month for use of the elevator, which, while costly, is well worth it in my book. (However, there is something to be said for the fact that anyone who decided to save money and forgo the perk would easily have the best legs in town!) Sadly though, the structure is off-limits to the rest of us. Without one of the coveted keys doled out to homeowners, the gated tower can’t be accessed.

While researching for this post, I was floored to learn via a 1993 Los Angeles Times article that, while the elevator is private, High Tower Court is publicly accessible – as long as you’re willing to hoof it those 200 steps.

I wish I had known that fact before my most recent stalk of the place. I so would have ventured up the hill! Can you even imagine the views? For those interested in journeying to the top, Secret Stairs-LA put together a fabulous itinerary of a 2.6-mile trek that will lead you there.

High Tower Court has attracted quite a few notable residents over the years, including illusionist David Copperfield, author Michael Connelly (several of his books are even set at High Tower), musician Michael Feinstein, and actress Adriana Caselotti (aka the voice of Snow White in Snow White and the Seven Dwarfs).

Though some reports state that Kurt Cobain and Courtney Love also lived at High Tower in the early ‘90s (during the time that In Utero was written and Frances Bean was born), that information is incorrect. The couple actually resided just behind the complex at 6881 Alta Loma Terrace.

High Tower appears a couple of times in Dead Again. In the movie, Amanda, an amnesiac, resides in the large white home situated directly east of the elevator.

As ‘Piccolo’ Pete Dugan (Wayne Knight) tells her after finally discovering her true identity, “You live at 1454 Hightower in the old Carl Kay house. You know, the one with the elevator?” In reality, the address of the pad used in the flick is 2182 Broadview Terrace.

According to William A. Gordon in The Ultimate Hollywood Tour Book, “The location was deliberately chosen (and even included in the original script), because the producers wanted to show that Emma Thompson was literally cut off from outside help.”

The inside of Amanda’s apartment appears to have been a set as it does match the actual interior of 2182 Broadview, which you can take a look at here. (While you’re at it, you can also check out the interiors of the other three High Tower Court duplexes – 2181 Broadview, 2185 Broadview, and 2189 Broadview.)

In real life, Amanda’s residence, which was built in 1936, boasts 2 bedrooms, 4 baths, 2,067 square feet, and a 0.10-acre lot.

Dead Again is hardly the only production to feature High Tower.

In the Season 2 episode of Naked City titled “New York to L.A.,” which aired in 1961, Franklin Maquon (Frank Sutton) confronts and kills Caldwell Wyatt (Martin Balsam) just outside of the elevator.

Like Emma Thompson, Philip Marlowe (Elliott Gould) calls 2182 Broadview home in the 1973 noir The Long Goodbye.

Unlike Dead Again, though, it really does look as if the actual interior of the property was utilized in the shoot.

The kitchen seen in the movie, where Marlowe’s poor tabby refuses his attempts at feeding him some non-Courry-Brand cat food, is pretty much a direct match to the kitchen pictured in 2182’s MLS photos.

High Tower was also featured in a video adaptation of the first chapter of Michael Connelly’s 2006 book Echo Park.

And the site portrayed the apartment of murder victim Sandy Boudreau (Alexa Davalos), said to be at 121 Bendix Avenue, in the pilot episode of Raines, which aired in 2007.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking!

Stalk It: High Tower, from Dead Again, is located at 2178 High Tower Drive in the Hollywood Hills. Amanda’s house from the movie can be found just up the hill at 2182 Broadview Terrace. Kurt Cobain and Courtney Love’s former residence is located just around the corner at 6881 Alta Loma Terrace.

October 20, 2017
The Smith Estate from “Insidious: Chapter 2”

Considering I’ve been stalking full-time for close to a decade and annually covering Haunted Hollywood locales for just about as long, you’d think I’d have the market on spooky sites cornered by now. That is definitely not the case, though. I am continuously discovering new-to-me spots, scary and otherwise, which speaks more to the vast history and landscape of Los Angeles than anything else. There’s always somewhere fresh to be explored in this magical place we call LaLaLand. One frequent horror film star that I only just learned about is the Smith Estate, a historic Highland Park Victorian so sufficiently looming and mysterious I fell in love with it upon sight. The pad literally looks like it was ripped right off a scary movie screen – so much so that I couldn’t help but pretend to be screaming in my ubiquitous header photo.

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The Smith Estate was originally built in 1887 for David P. Hatch, a practicing judge who also wrote books on the occult (fitting, considering his home!). I first came across information about the striking Queen Anne-style residence, which can be found at 5905 El Mio Drive, while researching the Finis E. Yoakum House, another Highland Park horror film regular that I blogged about here.

In the 1890s, the 4,528-square-foot, 6-bedroom, 3-bath pad, which sits on a 0.53-acre lot, was sold to Charles Smith, who ran the Los Angeles Railway’s Yellow Car trolley system. The Smith family continued to live on the premises through the late 1950s, garnering the home the moniker it is still known by today. (The house is also sometimes referred to as “El Mio,” after the street it is located on.)

In 1988, after a succession of different occupants, then L.A. deputy mayor Michael Gage and his wife, Lacey, purchased the Smith Estate, which is listed on the National Register of Historic Places and is a Los Angeles Historic-Cultural Monument.

The Gages sold the dwelling to its current owners in 1997 for $290,000. Zillow estimates the property’s worth at just over $2 million today!

Situated atop a towering butte, the Smith Estate seems to loom over the entire city. As I got out of the car and walked up to it, all I could think was, ‘This is a real life house on Haunted Hill!’

Because of its elevated layout, the property can be viewed from all sides, which made for an unusual stalk.

The Grim Cheaper and I had a blast venturing 360 degrees around the structure snapping pics of every angle.

I absolutely love the photo below! Spooktastic!

Toward the lower portion of the sloped lot, we came across what we believe to be the home’s original garage. Because of the way it is situated, I am guessing that there is, or at least was at one time, some sort of underground passage leading from the garage to the residence.

At the front of the house is an adorable in-law unit situated above the property’s detached three-car garage.

I would so live there!

Due to its aesthetic, it is not hard to see how the home came to be a favorite of horror movie directors.

The Smith Estate’s most famous onscreen appearance is in 2013’s Insidious: Chapter 2, in which it portrays the residence of Lorraine Lambert (Barbara Hershey), where Josh Lambert (Patrick Wilson), his wife, Renai (Rose Byrne), and their children move after having to leave their own house due to the events of the first film.

According to the movie’s production notes, director James Wan said of the property, “This was an amazing location. It’s really cool because the house is situated on the top of a mountain and the surrounding neighborhood houses are literally underneath it, so it is an amazing vantage point for views around Los Angeles.” The pad’s hill top locale truly does give its such a fabulously imposing presence. It would have such a different feel to it if it was situated on flat land.

The Smith Estate looks much the same in person as it did onscreen. Not much set decoration is needed to give the place that chilling quality horror flicks require.

The real life interior of the home was used in Insidious: Chapter 2, as well. Shooting on the premises really helped Rose Byrne get into character. In the production notes, she is quoted as saying, “These places they find are very eerie and weird, and dark and low-ceilinged, and that for me is very scary. I just think, ‘How could you live in this house?’ It’s just my sensibility; I’m just way too sensitive for it. Even more than the ghosts and all those sequences, it’s the houses that get me.” Me, too, Rose. Me too!

You can check out a video of the Smith Estate’s interior here.

In 1967’s Spider Baby, aka The Maddest Story Ever Told, the Smith Estate plays the role of the Merrye (pronounced “Mary”) House, home of the Merrye family, history’s only sufferers of Merrye Syndrome – “a progressive age regression” causing victims to retreat “beyond the prenatal level, reverting to a pre-human condition of savagery and cannibalism.” Yeah, I know – sounds like a real winner of a movie.

The Smith Estate also portrays the mysterious residence that college student Scotty Parker (Rebecca Balding) moves into in 1979’s The Silent Scream, though the property is made to appear as if it is situated on the coast in the flick.

Unless the dwelling underwent a serious renovation after The Silent Scream was filmed, it seems that only its exterior was utilized in the flick. As you can see in the screen captures below as compared to the video I linked to earlier, not only is The Silent Scream home’s main stairwell in a completely different place than that of the Smith Estate, but the two interiors just don’t seem to match at all.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking!

Stalk It: The Smith Estate, from Insidious: Chapter 2, is located at 5905 El Mio Drive in Highland Park.

October 18, 2017
Madeline and Ernest’s Mansion from “Death Becomes Her”

It’s Friday the 13th! Friday, October 13th! Could anything be better? This Haunted Hollywood season, the universe has really been pushing me to watch Death Becomes Her. I had never seen the 1992 flick and, while I knew it was about two longtime female rivals obsessed with aging, always assumed it fell into the comedy genre and, for whatever reason, never had much interest. But while researching Lacy Park recently in preparation for this post, I came across a 2016 Outlook Newspapers article that chronicled filming in San Marino. One of the area locales featured in the blurb was a mansion at 1125 Oak Grove Avenue, which author John Gregory mentioned had a cameo in Death Becomes Her. I jotted the address in my stalking notebook and didn’t give it much more thought. A short time later, while perusing Instagram, I happened to glimpse one of Hello Gorgeous blogger Angela Lanter’s stories and just about fell over when she stated that she and husband, Matt Lanter (my fave actor), had been engaging in a scary movie marathon to get into the Halloween spirit and that they were planning to watch Death Becomes Her, one of Matt’s favorites, that night. I was thrilled to learn the flick would fit in with my Haunted Hollywood theme, moved the mansion straight to the top of my To-Stalk List, and sat down with the Grim Cheaper for a Death Becomes Her viewing. The film did, indeed, turn out to be more funny than spooky (although, truth be told, what’s more frightening than getting old?!?), but I figured the estate was still worthy of a post.

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The mansion mentioned in the Outlook Newspapers article was actually the main home featured in Death Becomes Her. In the film, the massive Mediterranean-style estate masked as the supposed Beverly Hills residence of actress Madeline Ashton (Meryl Streep) and her plastic-surgeon-turned-reconstructive-mortician husband, Ernest Menville (Bruce Willis).

The palatial pad was featured numerous times throughout the movie.

Despite the passage of 25 years and aside from a change in paint color, the sprawling estate looks much the same today as it did onscreen.

While watching, I had a hunch that only the mansion’s exterior was utilized in Death Becomes Her and that the ornate interior of Madeline and Ernest’s home was a set.

With its towering staircase, colossally tall ceilings, and massive fireplaces, the interior just seemed a bit too grand to be real. Then I came across this Entertainment Tonight interview with Death Becomes Her production designer Rick Carter which confirmed my hunch. In it, Carter talks about his creations for the movie and his initial fear that the sets he designed might be too large and monumental for the shoot. He says, “I remember the first day Meryl Streep shot on that set and her first lines were ‘Ernest!’ and the whole place just filled with her ego. And there she was! The set had come alive. ‘Cause I was a little bit concerned, had I made it all too big? Could any personality fill that? And within the first nanosecond of the performance by Meryl Streep, there it was, filled.”

I would love to see what the inside of the San Marino mansion looks like in real life (I imagine it’s far more modest), but unfortunately, I could not find any interior images of it online.

Madeline and Ernest’s backyard was also just a set.

The home’s actual backyard, which you can see in the aerial views below, is quite a bit larger than its onscreen counterpart.

In real life, the 2-story mansion, which was built in 1921, features 9 bedrooms, 7 baths, a 0.98-acre lot, and a pool.

Per Zillow the pad boasts 6,334 square feet, though I would have guessed it to be much, much larger.

Thanks to Chas, from It’s Filmed There, I learned that the estate also appeared in another Bruce Willis movie, 1992’s The Last Boy Scout, in which it portrayed the residence of Sheldon Marcone (Noble Willingham).

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! And Happy Friday the 13th!

Stalk It: Madeline and Ernest’s mansion from Death Becomes Her is located at 1125 Oak Grove Avenue in San Marino.

October 13, 2017
The “Scream” Warehouse

There has been so much tragedy in the world as of late. I’ve always avoided watching the news, but recently I feel like not even turning on my TV at all. Between the heartbreaking massacre in Las Vegas, the multitude of hurricanes plummeting the Eastern seaboard, and the fires ravaging both Orange and Sonoma Counties, devastation seems to be everywhere. My mom and I were actually in Santa Rosa visiting my aunt and uncle last year at this exact time. Hearing reports of the blaze desolating the area has been particularly saddening as I can’t help but think of the incredibly happy time we spent there, traversing pretty much all of Wine Country to stalk film locations, mainly from my favorite scary movie Scream, which was shot in its entirety in the region. (Thankfully, my aunt and uncle are both safe, as is their house.) I have yet to blog about the vast majority of the locales we visited during that fabulous trip and thought covering one today would be especially poignant.

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Scream is a bit of an anomaly in the motion picture world being that it was lensed almost exclusively at actual locations. Very few sets were utilized in the shoot, which took place over the course of eight weeks beginning in April 1996. During my visit to Northern California, I dragged my mom, aunt and uncle (as well as another uncle, my longtime BFF, Nat, and her boyfriend, Tony – there was literally an entire squad of us!) to every single site featured in the flick – every. single. one. I was so fixated on being thorough that we even stalked the warehouse that served as a soundstage during the production. Though the building is completely non-descript with absolutely no recognizable elements tying it to the film – not to mention it was either largely remodeled or demolished with a new structure now standing in its place (I’ll extrapolate on that a bit later in the post) – I was thrilled to be seeing it in person.

As I detailed in last year’s post about the Sonoma Community Center, a portion of Scream was originally set to be shot at Santa Rosa High School. The school board wound up vetoing the plan at the very last minute, though, leaving director Wes Craven and the rest of the production team scrambling to find a suitable replacement to mask as Woodsboro High. Enter the Sonoma Community Center, whose then manager offered up the site for use. Though the center did serve as a school up until 1948, it lacked several spaces detailed in the Scream script. So a couple of sets were built at a Santa Rosa warehouse to accommodate for the missing spots.

I learned of the warehouse’s existence and location thanks to my friend/Drew Barrymore aficionado Ashley, who runs The Drewseum website. As I mentioned in my October 2016 post about the Shadow of a Doubt house (which also appeared in Scream), over the years Ashley has managed to get her hands on a few Scream call sheets and she was kind enough to share them with me. Let me tell you, reading through them is like a dream! I mean, the location information alone is enough to make my head spin! One of the coveted pages details Day 9 of production (April 25th, 1996), during which several scenes taking place in Woodsboro High’s school office were lensed. The sheet lists the location of the shoot as a “warehouse stage” at 2875 Santa Rosa Avenue. Ashley also shared with me the image below (a screen capture from Scream: The Inside Story), which shows the office set as it existed inside of the warehouse.

The Woodsboro High office set – which consisted of Principal Arthur Himbry’s (Henry Winkler) office, a small hallway and an anteroom – as it appeared in Scream can be seen below.

I am fairly certain that the Woodsboro High School girls’ restroom, where Sidney Prescott (Neve Campbell) encountered the Ghostface killer for the second time, was also a set built at the warehouse. Though I originally assumed the segment was shot at the Sonoma Community Center, when I stalked the building, I could not find a bathroom even remotely similar to the Scream bathroom anywhere. I showed the employee who took us on a tour of the place the screen captures below and he informed me that he was fairly certain a restroom of that size and shape had never existed on the premises. Upon arriving home, I contacted a Scream crew member who got back to me immediately saying that the bathroom was indeed a set. Since crew member recollections are not always reliable, though, I wanted more confirmation. So I reached out to Leonora Scelfo and Nancy Anne Ridder, the two actresses who appeared alongside Neve in the scene. They both could not have been nicer, but had different memories of where filming took place. Leonora recalled shooting the bathroom scene on location at “the school” (I’m assuming she means the community center), while Nancy informed me that the bit was lensed on a set. As I said, cast and crew recollections can’t always be trusted. I am fairly certain, though, that Nancy was correct and that the Woodsboro High girls’ restroom was a set that existed inside of the Santa Rosa warehouse.

Ashley also has a hunch that a very tiny portion of the infamous opening scene was lensed at the warehouse, as well, though she is not certain of that fact. Scream’s opening, which took place at the residence of Casey Becker (Drew Barrymore), was actually the first part of the movie to be shot. At the time, Craven had not yet secured the rights from Fun World for the use of their “Peanut-Eyed Ghost” mask, which executive producer Marianne Maddalena had spotted while scouting the home that was ultimately used as Tatum Riley’s (Rose McGowan) in the flick and which Wes wanted to utilize to shroud Ghostface. Time running out, Craven had KNB EFX Group re-create the mask with just enough subtle changes so as not to infringe upon Fun World’s copyrighted design. KNB’s re-creation was used in the first two segments of Scream that were shot – the opening and the scenes in the Woodsboro High School office. After those bits were lensed, the rights to the Fun World mask were secured and for the rest of the shoot, the Peanut-Eyed Ghost was used. Both masks are pictured below. As you’ll notice, the differences between them are rather inconspicuous. The KNB version has a much sharper triangular nose than its Fun World counterpart. The KNB mouth boasts an upside-down tear-drop shape, while the Fun World mouth is more of an oval. And the eyes of the KNB ghost are thinner and more symmetrical than that of Fun World. Other than those small differences, though, it is pretty hard to tell them apart.

At some point after the rights were secured, Wes decided to reshoot the brief portion of the opening in which Ghostface is seen through Casey’s back window using the Fun World mask. Ashley has an inkling that the reshoot (stills of which are pictured below) was done at the warehouse and I think she’s right. That is just a hunch, though. While it makes sense that filming of the short, tightly-shot segment would have taken place at the warehouse, it is also entirely possibly producers constructed a tiny window set to shoot the bit at one of the other locales utilized in the production.

If you watch the Scream opening carefully, the two different masks are apparent. The sharp nose of the KNB version (which is pictured in the caps below) is the most noticeable giveaway.

I also have a hunch that the window portion of Sidney’s bedroom may have been a set. Though Craven states in Scream’s DVD commentary that filming of the bedroom scenes took place at the actual Santa Rosa residence utilized as Sidney’s in the shoot, as you can see in the image of the warehouse below, some sort of set boasting three single-hung windows is visible to the right of the high school office set.

Those windows are a darn close match to Sidney’s. Even her white lace curtains seem to be visible. In Scream, Billy Loomis (Skeet Ulrich) climbs through Sidney’s window, located on the Prescott home’s second floor, on two different occasions. To quote Bruce Willis, it seems doubtful, due to liability issues, that Wes would have Skeet clambering onto a roof and through a second-story window not once, but twice during production. It is much more likely that a small portion of the bedroom with more accessible windows was re-created at the warehouse for the scenes. Who knows, though?

When I arrived at 2875 Santa Rosa Avenue last October, I was shocked to find a strip mall that looked to be of rather new construction standing on the premises. Walking around the center, which is home to a flooring store, a La-Z-Boy outpost and a sports shop, among others, I started to have doubts that the Scream warehouse was still standing.

Upon arriving home, I looked into the matter further and was dismayed at what I found. In comparing the 1993 overhead view of the site to the 2009 view via Historic Aerials, it is clear that the warehouse was either razed and completely rebuilt at some point during the interim or remodeled and expanded extensively before being transformed into the strip mall it is now. My guess is the former, which would mean that the Scream warehouse is no longer. Try as I might, though, I could not find any confirmation of my hunch or any information on the warehouse or the strip mall whatsoever. Even searching Santa Rosa building permits provided no clarification. Regardless, to me the site will always be hallowed ground and I was thrilled that I got to stalk it.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Big THANK YOU to Ashley, from The Drewseum, for telling me about this location and for providing so much of the information included in this post!

Until next time, Happy Stalking!

Stalk It: The Scream warehouse is/was located at 2875 Santa Rosa Avenue in Santa Rosa.

October 12, 2017
The “One Hour Photo” House

Today’s location is not spooky – at all, in fact. It’s actually quite exquisite. But it did figure rather heavily in the creepiest scene from one of the creepiest movies I’ve ever seen, so I thought it would only be fitting to include it in my Haunted Hollywood postings. I am talking about the contemporary residence where the Yorkin family – Will (Michael Vartan), Nina (Connie Nielsen) and Jakob (Dylan Smith) – lived in One Hour Photo. I first got interested in tracking down the ultra-modern pad after coming across this The Straight Dope message board while researching Lacy Park, another of the 2002 thriller’s locations. In the thread, user Ins&Outs&What-have-yous inquired if anyone had any information on the dwelling, though no one seemed to. Shortly thereafter, I found my way to this page on the FilmGrab site in which a commenter named Melissa also inquired about the Yorkin home. Her query did not garner any responses, either. So, since facts about the house seemed to be nil, I decided it was my duty to track the place down and blog about it come October.

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Finding this spot took quite a while, I am loathe to admit. I knew from the movie’s production notes that the Yorkin home was located somewhere in Brentwood. My first stab at tracking down its exact address was to do a Google search for “Brentwood” and “modern house,” which yielded a slew of links to a slew of gorgeous properties, but none of them were the Yorkins’. I then added “filming” to the mix and scoured countless more links and images – so many that I ultimately do not remember the exact details of how I was finally led to the right place. At some point, though, I came across the video below which showed the pad as it appeared in an episode of Californication. The clip’s caption proved especially forthcoming, providing not only the property’s name, Benton House, but its architect, Ray Kappe. From there, Google prompted me to 90210Locations’ Californication page which detailed the residence’s exact address –136 South Canyon View Drive. Thanks, 90210Locations! I ran right out to stalk the place shortly thereafter.

In 1989, psychologist/mom/architecture buff Dr. Esther Benton purchased a large home on a shaded plot of land in Brentwood with the intention of performing a vast remodel. She commissioned Kappe for the job, but the incredibly prolific architect wound up razing the structure and rebuilding in his signature style instead, generating magic out of glass, wood and concrete. His creation, which took three years to complete (from 1991 to 1994), was designed with the working mom in mind. The residence boasts three large rooms, or “suites” as a 1998 New York Times article described them – a master bedroom suite, a suite for Esther’s daughter, and an office suite, which Kappe fashioned with a swiveling wall so that the doctor could “watch over the house without interrupting her time at work.” The property is also fashioned with 20-foot ceilings, a large skylight, Douglas fir embellishments, multiple fireplaces, a sunken bathtub, a frameless glass shower, and a towering glass and steel staircase. Zillow estimates the pad is worth a whopping $8.9 million today! Though absolutely stunning, as you can see in photos here and here, sadly none of it is visible from the street.

But, as I’ve said before, that’s why God created aerial views.

For those who have not seen One Hour Photo, the movie centers on Seymour Parrish (Robin Williams), aka Sy, a Sav-Mart photo developer who becomes obsessed with the Yorkins, a family whose film he regularly develops. Though things are definitely not perfect in Will, Nina and Jakob’s world, through Sy’s eyes, the family and their home is idyllic, arcadian and devoid of any typical everyday problems. As Williams is quoted as saying in the film’s production notes, “In the outside world Sy stands out, especially when you get near the Yorkins’ house, which is very warm and incredibly beautiful, almost painfully beautiful because it is his idealized home.” Production designer Tom Foden further describes the dwelling as “representing a place of dreams and ideals.”

In the movie’s creepiest scene, Sy ventures into the Yorkins’ residence while they are away and proceeds to look through their things, put on their clothes, use their bathroom, watch their TV, and generally just make himself at home. In the end, it turns out the experience was all just a fantasy taking place in Sy’s mind, but because Williams played the role to such creepy perfection, the segment is seriously disturbing. The real life interior of the Benton House was utilized in the scene . . .

. . . as well as throughout other portions of the film.

When I first started looking into the Yorkin home, I couldn’t help but think about how much it resembles the residence belonging to Sebastian Stark (James Woods) on the television series Shark. So I was not too surprised to discover during the course of my research that the Shark pad was designed by Ray Kappe’s son, Finn Kappe. That property, one of my favorite TV homes ever, can be found at 2315 Live Oaks Meadow Road in Malibu.

What I was absolutely bowled over to learn, though, was that the inside of the Benton House was utilized as the inside of Sebastian’s home in Shark’s pilot episode, which aired in 2006. I had always assumed the Live Oak Meadows residence had been used for both interiors and exteriors! You can check out photos of the inside of that property here. As you can see, it looks nothing like Sebastian’s pad.

The Benton House interior was later re-created on a soundstage for the filming of all of Shark’s subsequent episodes. That set re-creation is pictured below. (And yes, that’s a young Matt Lanter – my favorite actor – in the second screen capture! <3)

In the Season 1 episode of Californication titled “Girls, Interrupted,” which aired in 2007, the Benton House plays itself. Well, sort of. In the episode, Hank Moody (David Duchovny) takes his ex-wife, architecture enthusiast Karen (Natascha McElhone), to see the home of director Todd Carr (Chris Williams). Though said to be in Bel Air and not Brentwood, the pad is described as a Ray Kappe house in the segment.

The residence’s interior also appeared in the episode.

Back in 1999, the Benton House popped up in Cruel Intentions as the supposed Long Island, New York-area home of Blaine Tuttle (Joshua Jackson).

As Geoff from 90210Locations also informed me, the Benton House portrayed the residence of Samantha Winslow (Susan Sarandon) during the fifth season of Ray Donovan.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Big THANK YOU to Geoff, of 90210Locations, for finding this location!

Until next time, Happy Stalking!

Stalk It: The Yorkin house from One Hour Photo is located at 136 South Canyon View Drive in Brentwood.

October 9, 2017
The “Lights Out” House

“Lights Out Cast Accidentally Cursed the House Where they Filmed.” So blared a headline from an Entertainment Weekly article about the 2016 horror film. As you can imagine, the words had me drooling. I first learned about the movie back in January from fellow stalker “sparklesnow” who left a comment on one of my Instagram photos asking for some help in tracking down the large Tudor-style estate where virtually all filming took place. When I popped “Lights Out” and “house” in to a Google search, the EW column was the first item kicked back. In it, actor Alexander DiPersia was quoted as saying, “A week after we finished shooting the basement scene [which] is very terrifying, I got a call from friends saying, ‘Turn on the news.’ And the house was on fire, like right after we finished shooting. From the basement, smoke was emanating up. We cursed that place.” A locale that was not only featured in a horror flick, but that also got vexed by the production? Count me in! I couldn’t imagine a place more perfectly suited to my Haunted Hollywood postings. So I set right out to track it down.

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Thankfully, the search was not very hard. Being that Lights Out was released in July 2016, I knew that filming had to have taken place in 2015. So I scoured the internet for reports of any fires at L.A.-area residences that year and came across this Los Angeles Daily News article detailing a blaze that struck a three-story home located at 140 South Avenue 59 in Highland Park on November 7th. One look at Street View images of the dwelling in comparison to the pad shown in the movie’s trailer confirmed it was the right spot. Fortunately, the inferno, which was put out within 43 minutes of the fire department’s arrival, does not appear to have caused much damage to the locale because, as you can see below, the Lights Out house is currently standing and seemingly intact.

In real life, the property is known as the Finis E. Yoakum House, named for the doctor-turned-faith-healer who commissioned it. Following a serious buggy accident in Denver in 1894, Yoakum migrated to Los Angeles, hoping the city’s temperate climate would aid in his recovery from his many injuries. A few months after arriving in La La Land, he attended a Christian Alliance prayer meeting, where he was blessed by a priest and almost immediately healed. The experience inspired Yoakum to assist others who were suffering. In 1900, he opened up his Queen Anne-style residence at 6026 Echo Street in Highland Park to those in need, providing shelter, clothing and food for free. In return, the residents performed charitable acts and helped around the property, which Yoakum dubbed the Pisgah Home, named for the mountain from which Moses first spotted the promised land. It was not long before Finis’ crusade took on momentum, transforming into a religion that became known as the Pisgah Home Movement.

In short time, more space was needed to house Pisgah Home’s growing number of residents. Several cottages were added to the Echo Street property and those that couldn’t fit in the ancillary structures would sleep in tents in the yard. Yoakum and his wife even had to move into a tent themselves at one point so that their residence could be utilized for those in need. In 1915, Pisgah Home members constructed a new, much larger Tudor-style dwelling for Yoakum and his family just up the road at 140 South Avenue 59.

The doctor only lived in the lavish structure for five years before passing away in 1920. After his death, the various properties making up Pisgah Home, most of which still stand today, were divided up amongst his family and the Movement. The Finis E. Yoakum house, which is a Los Angeles Historic Cultural-Monument, was subsequently sold and today is a privately-owned residence.

The 19-room estate, which looks much the same today as it did when it was originally built, features 8 bedrooms, 5 baths, 6,140 square feet of living space, a finished basement, several fireplaces, a 0.41-acre plot of land, a large swimming pool, and a detached 2-car garage.

Sadly, not much of it can be seen from the street.

In Lights Out, the Finis E. Yoakum House served as the residence of Sophie (Maria Bello) and Martin (Gabriel Bateman). I watched the movie shortly before writing this post and, let me tell you, it is absolutely terrifying – in the best way possible. I mean, the trailer alone was enough to make me want to sleep with the lights on for at least a week.

The sprawling property was used extensively throughout the flick.

Even the real life interior (which is exquisite!) was utilized in the filming.

Though undeniably beautiful (that woodwork and detailing!), I can see why the house was chosen for the movie. It definitely has a looming quality to it. Those stairs and doors just look like they give good creak!

As Alexander DiPersia mentioned in the EW article, Lights Out’s basement scene was particularly harrowing. According to IMDB, the mannequins featured in the segment were not props, but actually belong to the Yoakum House owners, who store them in the cellar! Shudder! Whether or not the home was actually cursed during the production, causing the fire that later broke out there, I’ll never know, but one thing’s for sure – I wouldn’t ever want to set foot in that basement to find out!

The Yoakum House is actually a frequent horror film star. In the 2014 thriller Ouija, the property was featured as the home of Debbie Galardi (Shelley Hennig), though only interiors were used.

A residence just a few doors down at 5915 Echo Street was utilized for all exterior shots.

Well, almost all exterior shots. The Yoakum House’s pool did make an appearance in the film.

The dwelling also popped up in interior scenes in Ouija’s 2016 sequel, Ouija: Origin of Evil.

In non-horror-movie-related news, the Yoakum House portrayed the bed and breakfast owned by Heaton (Kevin Pollak) and Rita Upshaw (Illeana Douglas) in the 2013 dramedy Chez Upshaw. Both the exterior . . .

. . . and interior were utilized in the shoot.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking!

Stalk It: The Finis E. Yoakum House, aka Sophie and Martin’s residence from Lights Out, is located at 140 South Avenue 59 in Highland Park.

October 3, 2017
The “Pacific Heights” House

I have been waiting for this day for months! Yep, that’s right folks – it is finally, finally time for my annual Haunted Hollywood postings and I could not be more excited! In honor of the occasion, I have added a Haunted Hollywood category to my site and while I typically only publish three columns a week during normal months, I am going to attempt to do a write up of a new spooky spot every single day of October. God knows I have enough material! We’ll see how it goes. For my first locale this year, I thought I’d cover the house from Pacific Heights. I stalked the picturesque pad, which can’t actually be found in the tony neighborhood the film was named for but about three miles south in Potrero Hill, last fall while visiting San Francisco. Though I actually find Pacific Heights to be more anger-inducing than scary, I still thought it would be fitting to include the dwelling that served as its focal point in my October postings.

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For those who haven’t seen Pacific Heights, the 1990 thriller – or “horror film for yuppies” as Roger Ebert dubbed it – tells the story of Patty Palmer (Melanie Griffith) and Drake Goodman (Matthew Modine), a young San Francisco couple who use all their savings to purchase a dilapidated, but still rather pricey (try $749,000!) Victorian home with two rental units supposedly located at 170 Pacific Street. Patty and Drake fix up the residence themselves, move into the top floor space and lease out the two rentals, one of them to maniacal con man Carter Hayes (Michael Keaton), who proceeds to terrorize the couple, as well as the occupants of the other unit, without paying so much as a dime of his monthly rent. Due to San Francisco’s pro-tenant property laws, Drake and Patty are powerless to stop Carter, evict him, or do much of anything really. Screenwriter Daniel Pyne was inspired to pen the film’s script after his own experience of trying to evict a deadbeat tenant from an apartment he once owned.

In the film, Patty and Drake’s real estate agent informs them that the turreted home was built around 1886 and “probably remodeled slightly in the ‘40s.”

In reality, the statuesque Queen Anne was constructed in 1895.

The three-story dwelling was made to look significantly run-down for the movie’s early scenes. According to William A. Gordon in his book Shot on This Site, “When the production company discovered it, the house had been recently repainted. To create a ‘distressed’ look, they masked the entire house with sound-blasting frisket, a substance with light adhesive on one side and paper on the other. The painted side was treated with chemicals to make the exterior look cracked and aged. After two days’ filming, the crew removed the frisket.”

After Drake and Patty complete their improvements, the property comes to resemble its actual self.

Only the exterior of the residence was utilized in the filming. Interior scenes were shot on a set built on a soundstage at The Culver Studios in Culver City.

The views shown in the film are real and absolutely breathtaking (though the San Francisco skyline has changed considerably since Pacific Heights was lensed almost 30 years ago).

In fact, in Shot on This Site, Gordon says the home was chosen for the movie because of its stunning panoramic views.

Along with spectacular views, in real life the residence also boasts a corner 0.06-acre lot, 4 bedrooms, a den, 3.5 baths, 3,200 square feet, 2 fireplaces, an eat-in kitchen, bay windows, parquet flooring, vaulted ceilings, separate guest quarters, a finished basement, a 1-car garage, a patio, a BBQ area, an attic, a garden, and a studio in-law apartment, just like in the movie. Per Zillow, the pad is currently worth a whopping $3.27 million.

Zillow also states that the property appeared in several episodes of Nash Bridges, but I am unsure of which episodes in particular. If anyone happens to know, please fill me in!

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking!

Stalk It: Drake and Patty’s residence from Pacific Heights is located at 1243 19th Street in San Francisco’s Potrero Hill neighborhood.

October 2, 2017
Lacy Park from “Say Anything . . . “

Despite having lived in the San Gabriel Valley for 15 years, I somehow never visited Lacy Park in San Marino. I had heard of it, sure (the kids I used to babysit would watch fireworks there every Fourth of July), and knew it was a popular recreation spot, but was never exactly certain of its location. Lacy Park is often called one of San Marino’s “hidden gems” and now that I have been there, I can see why. Those unaware of its presence could easily drive right by without noticing it at all. Largely unmarked by signs and its parking lot hidden from view, the site isn’t exactly easy to find. And, for whatever reason, I never sought it out. But when Greg Mariotti, from The Uncool website, informed me that a scene from Say Anything . . . had been lensed on the premises (while the two of us were working on our guide to the 1989 movie’s Los Angeles locations), I knew I had to get over there ASAP to see it for myself.

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The spot where Lacy Park is now situated was originally home to a lake. Yes, a lake! Lake Avenue in Pasadena is named after it, in fact. Created by streams that poured down from the nearby mountains, the reservoir served as a water supply for the Gabrielino-Tongva Indian tribe in its early days.

In the 1770s, Spanish missionaries descended upon the area and dammed up the lake in order to use it for power.

The mere got further use – and slowly began to dry up – in 1854 when a vintner named Benjamin D. Wilson purchased it, as well as a significant amount of surrounding acreage, and started employing the water to irrigate his vineyards. He eventually allowed owners of neighboring land to also utilize the spring, which he dubbed “Wilson Lake,” depleting it significantly.

In 1900, the site, which had been renamed “Kewen Lake,” was still large enough for swimming and George S. Patton, who grew up in the area, would take regular dips there. (There’s even a memorial to the General on the property – it’s pictured below.)

In the ensuing years, the reservoir continued to reduce in size, becoming little more than a pond. The city of San Marino decided the grounds would be better utilized as a public park and began re-imagining it as such in 1924.

City councilman William Hertrich and landscape designer Armin Thurnher helped devise the bucolic space, which opened to the public as Lacy Park, named in honor of San Marino’s then mayor Richard H. Lacy, in 1925.

The 30-acre idyll is easily one of the most beautiful parks I’ve ever had the pleasure of visiting.

Situated in the center of the peaceful glen is a huge, open expanse of rolling lawn, surrounded by two walking loops (one measuring 3/4 mile and the other measuring 1 mile) framed by a mass of trees on all sides. Much of the foliage, which includes oak, sycamore, and palm trees, was donated by railroad mogul Henry E. Huntington, whose estate – now the Huntington Library and Botanical Gardens – is located just blocks away. Lacy Park also boasts a rose arbor, six tennis courts, a baseball field, and a children’s jungle gym.

In Say Anything . . . , Lloyd Dobler (John Cusack), Diane Court (Ione Sky) and the rest of Lakewood High’s Class of ‘88 gather with friends and family at Lacy Park immediately following their graduation.

While there, Lloyd surreptitiously poses next to Diane while his BFF Corey Flood (Lili Taylor) snaps a photo.

Lacy Park also pops up in the 2002 thriller One Hour Photo as the spot where Seymour Parrish (Robin Williams) watches Jakob Yorkin (Dylan Smith) play soccer.

Supposedly Bill Cosby shot a movie at Lacy Park, as well, though I am unsure of which movie. Fellow stalker Chas, of the It’s Filmed There website, recently asked me how I identify all of the productions that have been lensed at a particular location. My answer? “I Google the sh*t out of places.” Well, today’s locale definitely provided the most unusual tip I’ve ever unearthed regarding filming information. While up to my usual Google tricks researching Lacy Park, I came across a deposition from the Cosby case (which you can see here and here) in which a plaintiff asserts that she met the actor while he was filming a movie at Lacy Park “in or about 1974.” Despite the rather unusual nature of the lead, I, of course, felt compelled to figure out which movie she was referring to, but, unfortunately, as of yet, I have not been able to. The only two that fit the bill as far as timing goes are Let’s Do It Again and Uptown Saturday Night. While the former is not available for streaming anywhere, I was able to scan through the latter. Though it does feature a park scene (pictured below), because of the mountains visible in the background and the arid nature of the foliage, I am 99.9% certain that it was shot at Griffith Park, not Lacy.

And while this Outlook Newspapers article says that Monster-in-Law also did some filming at Lacy Park, I scanned through the 2005 movie and did not see it pop up anywhere.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking!

Stalk It: Lacy Park, from Say Anything . . . , is located at 1485 Virginia Road in San Marino. Be advised – non-area residents have to pay a $4 fee to enter the grounds on weekends.

September 20, 2017
Ambassador College from “That Thing You Do!”

All historic structures in the Los Angeles area with the word “ambassador” in their name seem to be doomed. The famed Ambassador Hotel, which once stood at 3400 Wilshire Boulevard in Koreatown, was razed in 2005. And the former Ambassador College, at 131 South St. John Avenue in Pasadena, was largely demolished beginning in 2013. Coincidentally, both sites were featured in the 1996 film That Thing You Do! I never got to see the Ambassador Hotel in person while it was still intact, sadly, but I did visit Ambassador College on many occasions during the time I lived in Pasadena. Though a frequent filming locale, for whatever reason, I never blogged about the place. Until now, that is.

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Ambassador College was originally established by radio evangelist/Worldwide Church of God founder Herbert Armstrong in 1947. Upon moving his church’s headquarters to Pasadena, Armstrong decided to create a four-year university on the premises that would teach the religious institution’s ideals. He purchased several neighboring homes and mansions on Orange Grove Boulevard and began transforming them into a school.

Over the years, Armstrong acquired more nearby residences and plots of land, and his school, which he dubbed Ambassador College, eventually encompassed a large 4-block, 48-acre area consisting of outcroppings of mansions, gardens, and buildings.

In 1963, he employed the Daniel, Mann, Johnson and Mendenhall (DMJM) architecture firm to devise a cohesive design for the haphazard site.

The group’s creation was a mid-century modern masterpiece.

DMJM hired architect Peter J. Holdstock to design many new campus buildings, including three that became a focal point – the Ambassador Auditorium;

the Hall of Administration;

and the Student Center;

all of which surround a reflecting pool and fountain . . .

. . . that is capped off by a towering sculpture of egrets taking flight designed by David Wynne.

Daniel, Mann, Johnson and Mendenhall also bought in landscape architect Garrett Eckbo to overhaul the campus’ sprawling grounds.

The result was a dazzling array of colorful gardens, picturesque vistas, and sparkling fountains. You can see some fabulous photos of the school shortly after the redesign project was completed here.

Sadly, virtually none of it remains. Armstrong passed away in 1986 and Ambassador College faltered in his absence. The school, a four-year, liberal arts institution, was not without its fair share of controversy, which didn’t help matters. I won’t get into the details, but tales from disgruntled alumni can be found all over the internet, most describing the Worldwide Church of God as a cult. The campus was shuttered in 1990 and students and teaching staff were transferred to a sister facility in Texas. The Pasadena site remained vacant for almost a decade before being put up for sale in 1999. The property was finally sold off in 2004 to three different entities – Harvest Rock Church, Maranatha High School, and the Sares-Regis Group. The latter made plans to turn their 11-acre portion of the campus into a mixed-use development.

As part of the project, Sares-Regis tore down many of the school’s historic structures. Today, Ambassador College is a shell of its former self.

My most recent visit to the school took place last month and I was shocked to see that the campus was virtually unrecognizable. Thankfully, the Ambassador Auditorium still stands.

The fabulously honeycombed Hall of Administration is long gone, though.

Fortunately, I managed to snap a photo of its interior during a previous visit in August 2015.

Ambassador College was featured at the end of That Thing You Do!, in exterior shots of the supposed Santa Monica City of Broadcasting, where The Wonders filmed their The Hollywood Television Showcase segment.

The Ambassador Auditorium’s dressing room . . .

. . . and a campus bathroom were also utilized in The Hollywood Television Showcase scene.

That Thing You Do! is hardly the only production to have been lensed at Ambassador College, which should come as no surprise. The school’s clean lines and striking architecture transfer beautifully to both the big and small screen.

The campus has been such a hotbed of filming activity over the years, in fact, that it would be impossible for me to chronicle its entire resume here. But a list of some of the highlights can be found below.

In the Season 1 episode of The Incredible Hulk titled “Life and Death,” which aired in 1978, Ambassador College masked as the hospital where Dr. Stan Rhodes (Andrew Robinson) worked, though not much of it was shown.

The school popped up once again on The Incredible Hulk later that same year, this time as a psychiatric institute at the University of Hawaii in Season 2’s “Married.”

The campus’ Hulett C. Merritt mansion is where Dr. David Banner (Bill Bixby) married Dr. Carolyn Fields (Mariette Hartley) in the episode.

James ‘Thunder’ Early (Eddie Murphy) drops his pants during a live televised performance being shot in the Ambassador Auditorium in 2006’s Dreamgirls.

George (Colin Firth) taught at Ambassador College in the 2009 drama A Single Man. Of shooting at the school, an Interiors article states, “The filmmakers searched for a lecture hall that fit the time period; while most colleges had updated their lecture halls and buildings, this college in particular had been left untouched, for the most part. There was some modification and adjustments done in the interior spaces, such as painting and the removal of modern accoutrements, such as replacing whiteboards with blackboards, as a way of making the space more appropriate for the period.” Sadly, the Fine Arts Building, where filming took place, was one of the buildings lost to development, demolished in 2013.

2009 was busy for Ambassador College. That year, the interior of the Hall of Administration portrayed an immigration office in the Season 1 episode of Lie to Me titled “Depraved Heart.”

That same year, Nathan Ford (Timothy Hutton) attended a gala at the Ambassador Auditorium in the Season 1 episode of Leverage titled “The First David Job.”

The Hall of Administration popped up – as a museum – in the Leverage episode that followed, as well, titled “The Second David Job.”

The Hulett C. Merritt mansion also served as temporary safe house for Nathan and his team in the episode. Both the exterior . . .

. . . and interior of the property were utilized in the shoot.

The Hall of Administration portrayed the FBI office where Brian O’Conner (Paul Walker) worked in Fast & Furious, also in 2009.

President Fitzgerald Grant (Tony Goldwyn) was shot outside of the Ambassador Auditorium in the Season 2 episode of Scandal titled “Happy Birthday, Mr. President,” which aired in 2012.

That same year, the school appeared in one of my favorite commercials of all time, the Microsoft Surface “Movement” ad directed by Jon Chu. You can watch it here.

The campus was featured extensively in the first season of the reality competition series King of the Nerds, which aired in 2013.

In 2014, Jennifer Jareau (A.J. Cook) was kidnapped from outside of the Ambassador Auditorium at the end of the Season 9 episode of Criminal Minds titled “The Road Home.”

That same year, the interior of the Hall of Administration masked as the interior of Golden Fang Enterprises, Inc. Corporate Headquarters in Inherent Vice.

Melinda May (Ming-Na Wen) fights Andrew Garner (Blair Underwood) in the Hall of Administration’s lobby in the Season 3 episode of Agents of S.H.I.E.L.D. titled “Chaos Theory,” which aired in 2015.

And in 2016, Ambassador College masked as the Japanese National Archives in Tokyo in the Season 3 episode of The Last Ship titled “Legacy.”

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking!

Stalk It: The former Ambassador College site, from That Thing You Do!, is located at 131 South St. John Avenue in Pasadena.

September 15, 2017