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Considering I’ve been at this crazy hobby of mine for twenty years now, you’d think I’d have stalked every square inch of Los Angeles. While watching the second episode of The Morning Show, though, I was reminded of a site I had yet to set foot in – downtown’s Fine Arts Building. I’d heard of the celebrated property countless times, seen photos of its impressive lobby online and read up on its history, but somehow had never visited. So while in the area last December, I decided to amend that and got my first look at the marvel that is the Fine Arts Building.
The landmark structure, a commission of the Fine Arts Building Company, was erected in 1926.
The 12-story, 107,000-square-foot property, designed in the Romanesque Revival style by architects Albert R. Walker and Percy A. Eisen (who also gave us the Oviatt Building, the Gaylord Apartments and the Beverly Wilshire, aka the Pretty Woman hotel), initially housed studios, workshops, and galleries for local Los Angeles artists.
The impressive terra cotta exterior features castings by Burt William Johnson, including two figures perched on either side of the third-floor overhang, one symbolizing architecture and the other sculpture.
Though the ornate façade is nothing to sneeze at . . .
. . . the sweeping two-story lobby, designed in the Spanish Renaissance style, is the real stunner.
Almost unbelievably so!
Featuring tile work by Pasadena artist Ernest Batchelder, paintings and murals by Anthony B. Heinsbergen, a beamed ceiling, a blue-tiled fountain, and 17-foot-tall glass display cases which initially served as a place for resident artists to exhibit their wares, the 3,000-square-foot chamber truly is a sight to be seen.
Sadly, the Great Depression hit the artisans who rented space in the structure hard, causing many of them to terminate their leases and the property to be sold in 1930. It was then rebranded the “Signal Oil Building.” It went through numerous ownership and name changes in the years that followed until being taken over by the Ratkovich, Bowers Inc. development firm in 1983, at which time it was heavily rehabilitated and its original moniker restored.
Today, the Historic-Cultural Monument houses business offices, though the lobby remains a place for local artists to exhibit their works.
The Fine Arts Building serves as the office of Mitch Kessler’s (Steve Carell) business manager, where he gets some bad news regarding his financial status following his firing, in the Season 1 episode of The Morning Show titled “A Seat at the Table.” It is as Mitch is walking out of the structure that he is accosted by a stranger who screams “Rapist!”, to which he not-so-calmly replies, “I’m not even accused of rape! Sexual misconduct is what I’m being accused of! Don’t you wave your f*cking hand at me! Have a nice day, you f*cking asshole!” I spotted the “811” address placard and the ornate carvings flanking the front doors as Mitch exited the building just before being yelled at and recognized the place immediately.
I believe the interior scene involving Mitch’s business manager’s office may have been shot elsewhere, though I am not sure where.
The Fine Arts Building is no stranger to the screen.
The site portrayed a Swiss Embassy in the 1997 action film Spawn.
It popped up as the location of Jane’s (Angelina Jolie) I-Temp Technology Staffing office in 2005’s Mr. and Mrs. Smith.
And Tom (Joseph Gordon-Levitt) shows Summer (Zooey Deschanel) the building, which he misattributes to architects Walker & “Eisner,” in the 2009 drama (500) Days of Summer.
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Until next time, Happy Stalking!
Stalk It: The Fine Arts Building, from the “A Seat at the Table” episode of The Morning Show, is located at 811 West 7th Street in downtown Los Angeles. The lobby area is open to the public daily. 7th Street/Metro Center Station, aka Penn Station from Cruel Intentions, is right next door at 660 South Figueroa Street.
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