They say the third time’s the charm, but I attempted to stalk today’s location on no less than ten different occasions before finally being successful! Lacy Street Production Center, the exterior of which portrayed the site of a rave in an episode of Stitchers, is an actual working studio and, unfortunately, each time I showed up for a look-see, production trucks were parked over every square inch of the place, blocking all views of it from the street. So I was thrilled to arrive on a recent Wednesday morning and find the complex free of any and all freighters, meaning I could finally snap some photos. Considering the number of man-hours put into it, this stalk was truly a labor of love!
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It is at Lacy Street Production Center that Kristen Clark (Emma Ishta) and her team investigate the death of a young woman in the Season 1 episode of Stitchers titled “Friends in Low Places.”
One look at the rusted-out smokestack visible in the episode and I was smitten! I had never seen anything like it in Los Angeles and promptly got started trying to identify it. Thankfully, the Seeing Stars website did the legwork for me, chronicling all of Stitchers Season 1 locales, including Lacy Street Production Center, aka the site of the “Friends in Low Places” rave.
The conglomeration of buildings that today makes up Lacy Street Production Center originally served as the home of the Talbert-Whitmore Co., a window shade manufacturer that later became known as Columbia Mills. Initially constructed in 1908, the complex was expanded multiple times over the years as Talbert-Whitmore grew, eventually developing into the largest window shade factory on the West Coast. You can see an image of the plant from its early days here.
I could find absolutely no provenance regarding the American Wrecking Company signage so prominently splayed across the complex’s central structure – not via old building permits, newspaper.com archives or historic resources surveys. I am guessing it is leftover from a shoot, quite possibly an episode of Star Trek: Enterprise. But more on that in a bit.
In 1982, the 9-building, 2-acre site was transformed into a de facto movie studio thanks to producer Barney Rosenzweig who was looking for a permanent spot to shoot his new TV series, Cagney & Lacey. The former Talbert-Whitmore warehouse fit the bill perfectly, thanks to the vast open spaces it provided, perfect for building sets, not to mention the low rental rates, much less than those of an actual studio. The show called Lacy Street Production Center home for its full six-year run. When it wrapped, the complex’s owners, Don Randles and Jim Knight, began leasing the space out to other productions.
It proved so popular that when Rosenzweig came back to Randles and Knight a couple of years after Cagney & Lacey went off the air in the hopes of renting out the facility for his new series The Trials of Rosie O’Neill, he was told it had already been booked by another show, Alien Nation. Lacy Street Production Center has continued to be booked regularly ever since, serving as the home to such productions as Catch Me If You Can, L.A. Confidential and Seabiscuit.
Shooting in a converted warehouse does have its drawbacks, though. As author Bob Fisher stated in a 1987 American Cinematographer article about Cagney & Lacey, “The Lacy Street studio does impose some production limitations. There are low ceilings with no room for scaffolds, comparatively small sets with immovable walls, pillars in the middle of rooms and large air conditioning ducts that add to the ambience but present some considerable obstacles to the director of photography who has to light in a comparatively cramped space.” Still, there’s nothing quite like the authentic urban aura it provides. Though not actually abandoned, it definitely has that feel. As Peggy Archer said in a 2007 LAist article documenting Lacy Street’s dilapidation over the years, “Of course, the reason movies, TV and commercials keep shooting here although it’s about to fall over is that the place looks really. f*cking. cool.”
When Lacy Street Production Center came on the market in 2015, there were talks of razing several buildings, gutting interiors, and transforming it into a large-scale mixed-use development. Commercial production company Buck Design eventually stepped in, purchasing the 90,000-square-foot complex for $20 million in August 2017. Thankfully, the firm decided to continue to operate the site as a studio, going to great pains to bring it up to code, all while keeping intact all of the rough elements that make it so insanely shootable. You can check out what the interior looks like post-rehab here.
Lacy Street Production Center is nothing if not picturesque – especially with the blue skies of Los Angeles serving as its backdrop.
The complex is just begging to be photographed, particularly my beloved smokestack which can be found in the center’s main parking lot, very visible from the street (well, at least when film trucks aren’t blocking it from view, anyway).
The vast majority of productions that film on the premises make use of Lacy Street’s interior, building sets in the sprawling empty rooms. A few, like Stitchers, have utilized the outside, though.
The center masks as the Recovery House Youth Shelter in the 1991 horror flick Freddy’s Dead: The Final Nightmare.
That same year, the building situated just west of the smokestack portrayed a chop shop in Out for Justice.
That structure is pictured below.
Jack Bauer (Kiefer Sutherland) has a showdown with a terrorist in Lacy Street Production Center’s front courtyard in the Season 1 episode of 24 titled “3:00 a.m. – 4:00 a.m.,” which aired in 2001.
The property portrayed the Detroit lair of a group of Reptilians seeking to destroy humanity in the Season 3 episode of Star Trek: Enterprise titled “Carpenter Street,” which aired in 2003. In the episode, the “American Wrecking Company” signage is very visible. As I mentioned earlier, I could find no information regarding a business by that name ever operating in Los Angeles, so I am thinking the painted words may have been set dressing installed for the shoot that Lacy Street’s owners decided to leave intact post-filming. Who knows, though.
Several portions of Justin Timberlake’s 2016 “Can’t Stop the Feeling!” music video were lensed at the studio.
That same year, it served as the abandoned mental health hospital where Maura Isles (Sasha Alexander) was held prisoner in the Season 6 episode of Rizzoli & Isles titled “Hide and Seek.”
Lacy Street Production Center is also the site of a huge shootout at the end of the Season 10 episode of NCIS: Los Angeles titled “Better Angels,” which aired in 2019.
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Big THANK YOU to the Seeing Stars website for identifying this location. 
Until next time, Happy Stalking!
Stalk It: Lacy Street Production Center, from the “Friends in Low Places” episode of Stitchers, is located at 2630 Lacy Street in Lincoln Heights.